Archive for Album Review

SIX FEET UNDER – “GRAVEYARD CLASSICS III” A DEATH METAL ALBUM OF COVER SONGS!

Posted in 1990's death metal bands, 1990's death metal music, 2010 heavy metal albums, cool album covers, cover songs, creepy album covers, current death meal bands, current death metal albums, current death metal music, Death Metal, death metal albums 2010, death metal cover songs, death metal guitarists, death metal history, death metal legends, death metal music, death metal music 2010, death metal vocalists, extreme metal music, extreme music, heavy metal albums, heavy metal history, heavy metal music, Metal, metal music, metal odyssey, Music, old school death metal music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 12, 2010 by Metal Odyssey

I really get into Death Metal and have my core favorite, Death Metal bands. Six Feet Under is one of my core Death Metal bands of mine. When I listen to Death Metal, it’s like I’m getting back to my Metal basics… there’s no fooling around with this genre, just extreme vocals and groove infested, thunder splitting – Metal. Chris Barnes, with his ultra legendary, Death Metal growling vocals, is at his finest on Graveyard Classics III. This album marks the third installment of the Graveyard Classics series of cover song albums from Six Feet Under. Six Feet Under not only groove along at an impressively addicting pace, this album is damn F’n fun too. Yes, it is fun to hear Chris Barnes belt out his original and extreme vocals to ten amazingly historical Heavy Metal, Hard Rock, Black Metal and Punk Rock songs.

One of the many reasons to admire Six Feet Under and their Graveyard Classics series, is their allegiance and recognition to so many historical and great bands from Rock Music’s past. It’s all about roots with these cover songs… and Six Feet Under covers them with Death Metal brilliance. My two favorite cover songs on Graveyard Classics III are: Destroyer by Twisted Sister and Not Fragile by Bachman Turner Overdrive. Six Feet Under plays Destroyer like they are going to take over the world… and implement a Death Metal master plan. Not Fragile showcases the guitar mastery of Steve Swanson, he really steals the Death Metal show on this song.

As I listen to Chris Barnes sing these two songs, I cannot help but not recognize that he is a fan of these bands he covers so well. Influence is a powerful word and bands like Slayer literally explode with it for so many musicians… Six Feet Under attests to this by covering At Dawn They Sleep. Six Feet Under may never be able to capture the Thrash Metal fire and intensity that only Slayer can deliver with At Dawn They Sleep, still, hearing such a fantastic Death Metal version of this classic is a thrill for me. The Frayed Ends Of Sanity is such a monumental choice for Six Feet Under to undertake as well, Metallica being the iconic Thrash Metal Band they are only drives home the reverence Chris Barnes upholds for Metal history. Oh, yeah, Six Feet Under plays this Metallica classic quite deadly well too.

What would a 2010 Death Metal cover song album, from Six Feet Under, be without an Anvil song? Metal On Metal only solidifies the fact that Anvil is as important a band to the history of Metal as any. Chris Barnes may not ever take over the vocal helm for Anvil’s Lips, regardless, he employs his very own grunt and growl trademark to a fabulous cover version. Just when you think Graveyard Classics III has all the historic Metal firepower to cover, A Dangerous Meeting by the unreal legendary Mercyful Fate is on this album too. A tough song to sing no matter who you are… Chris Barnes takes this song on and laces it with Death Metal vocal glorification. Psychotherapy by the Ramones and Snap Your Fingers Snap Your Neck by Prong are the fun moments for me on this album… two songs that probably no one ever would consider Death Metal material years ago. On Fire by Van Halen and Pounding Metal by (the blue collar) Thrash Metal vets Exciter, round out the ten Death Metal cover songs on Graveyard Classics III.

To say that Terry Butler on bass and Greg Gall on drums are very good is a Death Metal understatement… they are both excellent… the proof is in the songs. Six Feet Under has established their Death Metal legacy years ago, they are now just compounding this legacy, with an album of deliriously deadly cover songs called Graveyard Classics III. This is one damn fine listen – in Death Groove.

* Graveyard Classics III was released on January 19, 2010, on Metal Blade Records.

* Album Cover Art By: Dusty Peterson – Unreal great stuff… now thats Metal. Death Metal.


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McAULEY SCHENKER GROUP – “SAVE YOURSELF” 1989 ALBUM REVISITED

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, Album Review, cool album covers, hard rock bands, hard rock music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1989, heavy metal videos, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2010 by Metal Odyssey

I have forever and always will be an admirer of Michael Schenker, the lead guitarist of The Michael Schenker Group, McAuley Schenker Group, UFO and of course, an original guitarist for the Scorpions. Michael Schenker has also released numerous albums through a solo career and side projects. McAuley Schenker GroupSave Yourself, was a choice Metal pick of mine today… I reached for this CD and let it’s Heavy Metal engulf my ears. Released on October 25, 1989, Save Yourself was an instant Metal favorite for me since it’s release. Always the impeccable Metal guitarist, Michael Schenker, through his signature sound, is such an amazing standout figure in the history of Heavy Metal… in my Metal opinion. Is this the greatest Michael Schenker guitar led album ever? Not necessarily, yet Save Yourself does come across with it’s melodic Metal power – amazingly well for my liking. This is an album that I have never grown tired of, nor ever will. Is Robin McAuley my favorite vocalist on a Michael Schenker album? No, Gary Barden is, that is not an insult to Robin McAuley, it’s just my personal choice. I really like the vocals of Robin McAuley, Old School and never overreaching.

Metal Odyssey Warning: There is NOT one bad or sub-par song on Save Yourself, in my Metal opinion. Seek out this album and listen to it at your own Metal risk… you just might find yourself liking this album a great deal.

I Am Your Radio is a prototypical 1980’s Heavy Metal anthem. With its heavy stomping and power driven rhythm section, accompanied with a backdrop fused with all the electrifying guitar leads and riffs you can ask for… throw in a climactic solo for good Metal measure too. Can this song be construed as ’80’s corn dog? Not in my Metal mind… especially when this song is played LOUD, like it was meant to be heard. What We Need is an engaging Heavy Metal song, strong vocals from McAuley and muscular guitar licks from Schenker abound. Shadow Of The Night is rich with it’s Heavy Metal chorus, a true ’80’s melodic anthem, a sing-along for MSG die hards!

There Has To Be Another Way is the lone instrumental on Save Yourself. This is not Michael Schenker showing off, no ego is prevailing here… just a bitter sweet sound of emotion being spoken from his flying V. (As fine of a mellow/Metal guitar instrumental I’ve ever heard). Get Down To Bizness has the attitude and flamboyancy that late 1980’s Heavy Metal was so notorious for. Combine the vocals and solo of this song and you have a molten ball of Heavy Metal, raging with all the greatness of this era’s heavy music. Anytime is a power ballad THAT I EQUATE TO HEAVY METAL GREATNESS. That is correct… a ballad that I revere!! Wow, there really are Heavy Metal ballads that get Metal recognition on Metal Odyssey after all! Simply put, Anytime with it’s lyrics, melody, tempo and complete musicianship… is an all time favorite song of mine… period. Anytime gives me salamander bumps up and down my arms and across my face, each time I hear it. (Don’t repeat this to anyone… you all MUST Metal promise!).

Bad Boys gets the adrenaline flowing on high, it’s not a knock you out song, it’s just a song that has bite with raw undertones. Besides, Michael Schenker makes good on his guitar solo on Bad Boys, regardless of how shortened it is. Save Yourself as the album opener, opens with Michael Schenker letting it be known he is THE guitar god on this album and with his band. Save Yourself is arguably the heaviest song on this album. Take Me Back is the last song on this album, it is almost like Robin McAuley and Michael Schenker wanted to save one of the best for last… for Take Me Back IS one of the best songs on Save Yourself. A commercially accessible song is Take Me Back, still it is Heavy Metal with Michael Schenker leaving his signature – guitar stamp of approval all over it. Steve Mann, not to be ignored, plays alongside Michael Schenker on this album and my ears hear his credibility throughout, both on guitar and keyboards.

Check out and listen to the power ballad – Anytime… this song just gets better for me with each listen:

McAuley Schenker Group as they appeared on Save Yourself:

Michael Schenker – lead guitar

Robin McAuley – lead vocals

Steve Mann – guitar and keyboards

Rocky Newton – bass guitar

Bodo Schopf – drums

Track Listing For Save Yourself:

Save Yourself

Bad Boys

Anytime

Get Down To Bizness

Shadow Of The Night

What We Need

I Am Your Radio

There Has To Be Another Way (instrumental)

This Is My Heart

Destiny

Take Me Back (bonus track)

Save Yourself was originally released on Capitol Records.

BETWEEN THE BURIED AND ME – “THE GREAT MISDIRECT” IS A PROGRESSIVE & HEAVY MIND ADVENTURE

Posted in Album Review, alternative metal music, current heavy metal albums, current progressive metal albums, current progressive metal music, Heavy Metal, heavy metal albums 2009, heavy metal bands, heavy metal history, heavy metal music, Metal, metal music, metal music albums, metal odyssey, Music, prog metal albums, prog metal music, progressive metal, progressive metal 2009, progressive metal albums, progressive metal bands, progressive metal music, progressive metal songs, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2010 by Metal Odyssey

BETWEEN THE BURIED AND ME – The Great Misdirect is a Progressive Metal album that was released on October 26, 2009, on Victory Records. I received this CD as a Christmas gift from my wife and daughters, therefore, my first listen to The Great Misdirect was in the final days of last year. Metal truth be told, this is my very first Between The Buried And Me album that I have ever owned… or listened to. Stagnant, same-old, status quo and ho-hum are words that DO NOT describe The Great Misdirect. Heavy, progressive, semi-psychedelic, retrospective, layered and mind adventure are words THAT DO describe this dynamic album. As I listened intently to The Great Misdirect, I swear that this is a band that has taken a time machine from the mid 1970’s to present day… and they have been kidnapped and forced to create heavier music than they are used to, while still being able to incorporate their own style of Classic Rock into the structure of the songs. Call this thought nutty, call it science fiction, still, this is the type of mind wandering that Between The Buried And Me are all about with their lyrics anyways! It’s not just a fascination with this band being different that gets me… it’s the sheer fascination that this band is damned good at writing Heavy Progressive Music and playing it too.

Just by reading the lyrics to Fossil Genera – A Feed From Cloud Mountain, I realize that BTBAM’s vocalist Tommy Rogers is open minded and embraces the science fiction side of thought and conspiracy theories, (where his actual views stand on such topics, I do not know). Needless to say, just reading the lyrics found within the liner notes is an adventure. As goes Progressive Metal, the moment I sit back and chill to a lengthy interlude of mellow musical interplay, the quicker I have to sit up/get up to the heavy guitar riffs and leads, the bombastic rhythm section and/or the Extreme Metal vocals. (Pssst… I don’t mind it one Metal bit).

Yes, Grand Funk Railroad and any other Classic Rock band of legend should be proud of the astute usage of keyboards found within The Great Misdirect. Once again, Tommy Rogers is at the helm on the keys, raising such a familiar 1970’s sound that actually seems to resonate above the heaviness. Tommy Rogers also seems to go back and forth from extreme to traditional vocals rather effortlessly. As a unit, BTBAM are smart as they are talented with their playing, improvisation with this band in a live setting should never pose a problem.

Mirrors opens The Great Misdirect in a solemn, ultra mellow and quaint way. Lyrically, Mirrors exhibits a person who is without question, disassociated with the world around him/her… both people and things included. Ah, don’t let the opener of Mirrors fool you however, Obfuscation burrows right into my Metal soul… almost without warning, then subsides into a legitimate progressive pattern that BTBAM have indeed succeeded at. Metal Odyssey Note: Obfuscation means to be unclear, evasive or confusing. I actually had to look this word up, yeah, I did. Using a dictionary is cool.

Disease, Injury, Madness is over eleven minutes long, basically a Progressive Metal epic. Too bad this song wasn’t an hour long… it’s that good for me. As being an admirer of Mastodon, DaathDream Theater, Yes and The Electric Light Orchestra, my progressive Rock fan roots are as diverse as the Universe itself. Then again, when I think about it, isn’t the word diverse a major characteristic of Progressive Metal to begin with? Between The Buried And Me have recruited a NEW fan, I will gleefully dig into their back catalog without blinking a Metal eye.

Track Listing for The Great Misdirect:

Mirrors and Obfuscation – Metal Odyssey Note: (Mirrors plays out as an introduction to Obfuscation)

Disease, Injury, Madness

Swim To The Moon

Desert Of Song

Fossil Genera – A Feed from Cloud Mountain

Between The Buried And Me, as they appear on The Great Misdirect:

Tommy Rogers - vocals, keys and lyrics

Dan Briggs – bass, fretless bass

Dustie Waring – electric guitar, slide guitar, acoustic guitar and guitar effects

Paul Waggoner – electric guitar, steel string acoustic guitar, classical guitar and lap steel guitar

Blake Richardson – drums and percussion

KROKUS – “ALIVE AND SCREAMIN'” IS A HEAVY METAL FIND ON VINYL!

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's live heavy metal albums, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, Album Review, cool album covers, current heavy metal bands, hard rock bands, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1986, heavy metal history, heavy metal music, heavy metal records, live heavy metal albums, metal odyssey, Music, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 22, 2010 by Metal Odyssey

KROKUS – Alive and Screamin’, on vinyl and in mint condition, with it’s original album plastic still covering it… there it was, on one of my recent Heavy Metal hunting expeditions, sitting in an antique mall screamin’ for me to buy it. Five bucks I shelled out to bring this vintage, Old School Heavy Metal album home with me. Five bucks. This great Krokus album was opened by someone in the past, still, the vinyl and original inner sleeve itself is mint! Plus, as a Metal bonus, it plays just fine! I deliberately went to visit this antique mall for a find … a Metal find that is. It’s not as if there are truck loads of vintage or current Heavy Metal albums and memorabilia at this antique mall, not in the least. I really have to scour the goods, peruse the aisles and sniff out the Heavy Metal from where it is hiding. It’s good times for me, searching for Heavy Metal albums or anything Hard Rock/Heavy Metal related at these kind of places. I’m a nostalgic Metalhead, always was, always will be. Finding and collecting the Heavy Metal vinyl I once owned or never owned is a natural Metal high for me, especially when I land them mint and cheap! As long as I have a turntable or two to play these albums on, the Metal enjoyment shall carry on long after the purchase.

Alive and Screamin’ marked the first live album released by Krokus. Overall, this live album has fantastic sound quality, a very well produced live album. This live Krokus album proves for me, to be an Old School and heavy warm-up to the new upcoming Krokus albumHoodoo, that is set for a February 26, 2010 release! What a heavy duty way for Alive and Screamin’ to start off, kicking into Heavy Metal gears with Long Stick Goes Boom, Krokus sets the tone for the remainder of this live album, they made the statement a long time ago… that they came to kick some Heavy Metal ass.

Stayed Awake All Night and Eat The Rich sound unreal great, with all of the heavy and live elements happening, it’s psyche you-out city! Metal truth be told, I really had a blast revisiting Alive and Screamin’… I actually spun this album on the turntable four times in a row! No skips or crackles… just a real mint album I found here. I actually wonder if this album was ever played in the past at all. I’m playing this album on a regular basis, loud too!

Headhunter is certainly the heaviest Krokus song on Alive and Screamin’, an all-time favorite Krokus song of mine too. Another Metal truth be told is: I actually like the live version of Midnite Maniac better than the studio version. Often times it happens this way for my Metal ears.

Screaming In The Night proves to be a quintessential Heavy Metal ballad, of historical Krokus importance. To this very day, I cannot get enough of Screaming In The Night, this song just seems to flow in it’s heavy uniqueness. Marc Storace on vocals sounds terrific on each song, the same can be said for each member of Krokus on Alive and Screamin’. Fernando Von Arb and Marc Kohler on guitars just  seem to ignite these classic Krokus songs.

Krokus, as they appeared on Alive and Screamin':

Marc Storace - lead vocals

Fernando Von Arb – lead guitar

Mark Kohler - rhythm guitar

Tommy Keiser – bass guitar

Jeff Klaven – drums

* Alive and Screamin’ was recorded live in the following cities: Amarillo, Texas, Cincinnati Ohio, Baltimore Maryland, Poughkeepsie, New York and Toronto, Canada. (Source: liner notes on the inside album sleeve).

Track listing for Alive and Screamin’:

(Note: Krokus studio album from where song originated in parentheses)

Long Stick Goes Boom - (One Vice At A Time)

Eat The Rich - (Headhunter)

Screaming In The Night - (Headhunter)

Hot Shot City - (Change Of Address)

Midnite Maniac - (The Blitz)

Bedside Radio - (Metal Rendez-vous)

Lay Me Down - (Alive and Screamin’)

Stayed Awake All Night - (Headhunter)

Headhunter - (Headhunter)

* Lay Me Down was the first time this song appeared on a Krokus album.

* Alive and Screamin’ was released in October of 1986, on Arista Records.

* The front cover of Alive and Screamin’ was created by world renowned illustrator – Les Edwards.

* I really, really, really, dig the front cover album artwork of Les Edwards – that is one evil looking vampire. If it’s not a vampire, then it is one vile and evil looking dude that I would not want to encounter in a dark alley. Metal be damned, this evil face sincerely reminds me of my old High School chemistry teacher as well. I wouldn’t want to encounter a vampire or my old H.S. chemistry teacher in a dark alley either.

THE LONDON QUIREBOYS – “A BIT OF WHAT YOU FANCY” FROM 1990 IS A HARD ROCK BLAST!

Posted in 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1990's heavy metal bands, 1990's rock bands, 1990's rock music, 1990's hair metal bands, 1990's hard rock albums, 1990's hard rock bands, 1990's heavy metal music, 1990's rock albums, Album Review, cool album covers, hair metal albums, hair metal bands, hair metal music, hard rock album review, hard rock bands, hard rock music, hard rock songs, hard rock vocalists, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1990, heavy metal bands, heavy metal bands from england, heavy metal history, heavy metal music, heavy metal music 1990, metal odyssey, Music, old school hair metal bands, old school hard rock, old school heavy metal, old school heavy metal bands, rock and roll, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2010 by Metal Odyssey

The London Quireboys – A Bit Of What You Fancy is a reason why I’m psyched I never unloaded my cassettes from years… um, decades past. I slapped this cassette into my home stereo today and I am just as enthused by the Hard Rock blast from The London Quireboys… as I was back in 1990. The London Quireboys put the Hard Rock pedal to the Metal on A Bit Of What You Fancy, no smoke and mirrors to be heard… just great, heavy, Rock and Roll! When I initially bought this cassette back in 1990, I did so only having heard their biggest hit from this album on the FM dial… 7 o’clock. This is a song that my wife, (girlfriend at that time) and I played over and over… and over again back in ’90! Is 7 o’ clock a party song? You bet your Metal life it is! Take a long drive to this entire album and leave your cares behind? Go for it! A Bit Of What You Fancy is like that hidden Hard Rock gem from 1990… only it is not hidden in my Heavy Music collection, no way! A Bit Of What You Fancy carries into my ears all the good times spirit that Rock and Roll is all about – with The London Quireboys delivering it in unabashed Hard Rock style. I should warn those of you, that have never listened to this album before… it is ADDICTIVE!

With my warning aside, I cannot tell people what to buy or listen to… only this time it is different. The London Quireboys debut album is certainly a MUST for fans of Old School Hair Metal, Hard Rock or just damn good Rock and Roll period. I imagine seeing The London Quireboys at a beer soaked, small club… while they play this album in it’s entirety, amidst a crowd of psyched out and Rockin’ fans going nuts all over the place. That’s right. The song – long time comin’ is as heavy and steady of a Hard Rock song that you will ever give to your ears. Am I going off too much on praising this album? Nope, it’s that great. Anytime an album can make me feel so damn good, is an album that shall be praised up and down, inside and out… for the world to read.

The London Quireboys put together an album that utilizes string arrangements, some brass and a keyboard player. Not quite the straight ahead approach of Hair Metal for 1990, was A Bit Of What You Fancy. A standout is take me home, this is absolutely a great song to end this album… so memorable, so much energy, a Hard Rockin’ exclamation point multiplied by 100. The London Quireboys took Hair Metal from the late ’80’s and added some, (a lot), of their very own Hard Rock character to the basic standards. Their style can be blatantly described as a combination of The Black Crowes and Cinderella, fused together with the admirable energy and enthusiasm of a band that obviously enjoyed creating these songs.

Spike on vocals, lends thick credibility to the hardness that this album radiates. Spike’s ultra raspy and gritty vocals makes the songs sound blue collar, an unintended characteristic that just seems to elevate this album and band. Guy Bailey and Guy Griffin on guitars just play man, there are no “steal the show” solos to drown out the total band feel. Chris Johnstone on keyboards, gives this album of songs the Classic Hard Rock texture and feel that I cannot ignore. Nigel Mogg on bass and Ian Wallace on drums provide all the tight and contagiously rhythmic grooves that hold these outstanding songs together. Thank you again, London England, for sowing yet another fabulous Rock and Roll band like The London Quireboys.

The Track Listing For The London Quireboys – A Bit Of What You Fancy:

7 o’clock

man on the loose

whippin’ boy’

sex party

sweet mary ann

i don’t love you anymore

hey you

misled

long time comin’

roses & rings

there she goes again

take me home

A Bit Of What You Fancy was originally released on Capitol Records.

A 20th Anniversary Edition of A Bit Of What You Fancy was released in 2009 on the Jerkin Crocus record label. There are 8 demo’s as bonus tracks found on this 20th Anniversary Edition. (I aim to get myself a copy of it down the Metal road… that’s for sure).


LOUDNESS – 1991 ALBUM “ON THE PROWL” BULGES WITH MELODIC HEAVY METAL

Posted in 1980's hair metal bands, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's heavy metal songs, 1990's metal bands, Album Review, collecting heavy metal albums, cool album covers, current heavy metal bands, hair metal bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1991, heavy metal bands, heavy metal bands 2010, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 1991, heavy metal music from japan, Heavy Metal Reviews, heavy metal vocalists, japanese heavy metal, melodic heavy metal music, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on January 9, 2010 by Metal Odyssey

I listened to the 1991 album from Loudness today - On The Prowl. Alright, I actually listened to this album three times today. It’s that melodic driven Heavy Metal that gets me every time. Well, any quality Metal gets me every time it seems. My best Metal buddy Scott had landed me a copy of On The Prowl, he has great taste in Heavy Metal… I guess that is why we have tolerated each other for over two decades. For anyone not in the know about Loudness, they are a Japanese Heavy Metal Band that formed back around 1981. Thank you Japan. This is a darn good album, it plays out in three parts for me, with the first three songs Down ‘N Dirty, Playin’ Games and Love Toys being true to the core Hair Metal. Secondly, there is a power ballad, Never Again, which stands alone on it’s sole purpose to make the girls weepy. (I am not the power ballad guy… and this is the umpteenth time that this statement appears on Metal Odyssey). Nevertheless, Never Again is a good song, with lead vocalist Mike Vescera singing his emotion filled lungs out. (Mike Vescera is the lead vocalist for 1980’s Heavy Metal warriorsObsession. A great band is Obsession… without question, great. Obsession is alive and well in 2010 too… with Mike at lead vocals. You can check Obsession out by clicking here: OBSESSION – Official Website

Mike Vescera was also the lead vocalist for Yngwie Malmsteen, from 1994 to 1995. Recently, while discussing Heavy Metal with my buddy Scott, (usually a daily experience), we went from talking about Loudness and Mike Vescera to Obsession to Yngwie Malmsteen… realizing that yes, they are all absolutely Metal connected. Heavy Metal is a closely linked world… one big Metal family tree, it often times seems.

Where was I? I unintentionally went Metal astray while explaining the Mike Vescera Metal affiliations… oh yeah… the third part of this Loudness album! That being there are songs that are straight up Heavy Metal – Deadly Player, Take It Or Leave It and Girl are just the way I like ‘em, real hard and heavy. The last song, Find A Way, is a muscular and melodic ending to an overall very strong Heavy Metal album from Loudness. I must add that the musicianship of Loudness on this album is excellent. Akira Takasaki is a welcomed Metal listen on lead guitar, coupled with the sensational vocals of Mike Vescera and On The Prowl is an early 1990’s Heavy Metal standout. Don’t hesitate to get ahold of On The Prowl, the Heavy Metal that Loudness unleashes with these songs are worth owning. Add the Metal fact, that the relevance these songs carry into 2010 is quite irrefutable as well.

Long Live Loudness! Click here to get tons of Loudness info: Loudness MySpace Music Page

Track Listing For Loudness - On The Prowl:

Down ‘N Dirty

Playin’ Games

Love Toys

Never Again

Deadly Player

Take It Or Leave It

Girl

Long Distance

In The Mirror

Sleepless Night

Find A Way

BAD BRAINS – 1989 “QUICKNESS” ALBUM ENTWINES GENRES… AND BURNS

Posted in 1980's hardcore punk bands, 1980's punk rock bands, 1990's hardcore punk bands, 1990's heavy metal bands, 1990's punk rock albums, 1990's punk rock bands, 1990's punk rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's rock albums, alternative rock albums 1989, collecting rock music, current heavy metal bands, current punk rock music, diverse metal music, diverse punk rock music, essential hardcore albums, essential punk rock albums, essential rock albums, hardcore punk rock history, heavy metal albums, heavy metal bands, heavy metal music, independent record labels, metal odyssey, Music, old school punk rock, punk rock album covers, punk rock albums, punk rock history, punk rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , on January 5, 2010 by Metal Odyssey

Bad Brains. Forget about music genres. If there ever was a band that fuses together multiple Rock genres and flips the bird at the status quo simultaneously, it is Bad Brains. When I’m in the mood to listen to a band that plays from the gut, the heart… Bad Brains. Punk Rock, check. Hardcore Punk, check. Reggae, check. Hard Rock, um, check. Some flashes of Thrash? Bad Brains can. Oh, don’t forget about some Funk in the rhythm either… Bad Brains will deliver. Ska and Heavy Metal… it’s been part of Bad Brains diverse musical identity as well. If you are totally new to Bad Brains and all of this sounds confusing, need not worry, Bad Brains is the antidote to stagnant music listening. In other words, you are never going to hear of or find another band like them… and if you do, it would have to be a cover band of Bad Brains, which in the end would never come remotely close to the original.

Since Bad Brains released their debut, self titled album in 1982, there has been untold “flavors of the month” in Heavy, Extreme, Alternative and Punk Music. Since 1982, there has only been one Bad Brains. To span three decades while releasing eight ultra legit studio albums is monument. (Granted, their 2002 release I & I Survived was/is an instrumental dub album, with H.R. not present on vocals. Regardless, it shall always remain as a unique musical representation of/from Bad Brains). Think of it this way, it is easier to span three decades and release fifteen albums, all the while just two or three are justified. As I see and hear it, Bad Brains has accomplished what the Beatles, Ramones, The Who and Led Zeppelin, (to name more than a few), before them already had… an astoundingly identifiable style of music, which sound is impossible to confuse with any other band.

Bad Brains will forever be regarded as a Hardcore Punk originator and rightfully so. Only at the end of the day, what really matters is the overwhelming uniqueness that flows from their songs hot as magma, ultimately creating a cooling down – experience in music listening, which once again gets ramped up from the Bad Brains ride you embark on… a Bad Brains trip never stays the same. Sound cool? Bad Brains is just that. In the sad event you have never listened to Bad Brains, there is still time to redeem your hijacked and commercialized, MTV and/or VH1 soul. I picked the Bad Brains album – Quickness, as my listening choice today. Quickness may not be heralded as the greatest Bad Brains album made, regardless, I am not into any unfair comparisons to their iconic, self titled, debut album either. Quickness is a listen into just how an album can encompass so many great qualities of heavy, hard and at times softer song structure. This fantastic Bad Brains album was, (and always is), a slap to my forehead reminder that a band does not have to sell out sports stadiums and win multiple Grammy Awards, in order to be appreciated and accepted as realistically legendary, genuine, unapologetically diverse and damn right hard & heavy.

Bad Brains – Quickness was released in 1989, on Caroline Records.

Bad Brains – Quickness Track Listing:

Soul Craft

Voyage Into Infinity

The Messengers

With The Quickness

Gene Machine/Don’t Bother Me

Don’t Blow Bubbles

Sheba

Yout’ Juice

No Conditions

Silent Tears

The Prophets Eye

Endtro

The original Bad Brains lineup:

H.R. – lead vocals

Dr. Know – guitar

Darryl Jenifer – bass

Earl Hudson – drums

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