Archive for century media records

ABORTED – New Album “The Necrotic Manifesto” Releases In North America On April 29th, Via Century Media Records

Posted in Death Metal, death metal bands, Heavy Metal, Metal, metal bands, metal music, Music, news, rock music, rock music news, world news with tags , , , , , , , on February 23, 2014 by Metal Odyssey

Aborted - The Necrotic Manifesto - promo cover pic - 2014

As reported on the Century Media Records Facebook page:

Death Metal psychopaths ABORTED have just finished their eighth full-length, “The Necrotic Manifesto”, with Danish producer Jacob Hansen! The artwork has been done by Par Olofsson (PATHOLOGY, IMMOLATION, IMMORTAL).

The album will be released on April 28th in Europe and on April 29th in North America! Check out the track-listing below:

01. Six Feet Of Foreplay
02. The Extirpation Agenda
03. Necrotic Manifesto
04. An Enumeration Of Cadavers
05. Your Entitlement Means Nothing
06. The Davidian Deceit
07. Coffin Upon Coffin
08. Chronicles Of Detruncation
09. Sade & Libertine Lunacy
10. Die Verzweiflung
11. Excremental Veracity
12. Purity Of Perversion
13. Of Dead Skin & Decay
14. Cenobites

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ABORTED:

Sven De Caluwe – Vocals

Danny Tunker – Guitar

Mendel Bij De Leij – Guitar

JB Van der Wal – Bass

Ken Bedene – drums

Aborted - The Necrotic Manifesto - promo album banner - 2014 - #4433

* ABORTED are from Belgium.

* For more info on ABORTED:

Facebook: Aborted

Website: http://www.goremageddon.be

Century Media Records - logo - B&W

Website: http://www.centurymedia.com

Shop/Merch: http://www.cmdistro.com

Stone - Motorhead Tee  pic:small

LONG LIVE ABORTED.

LONG LIVE DEATH METAL.

LONG LIVE CENTURY MEDIA RECORDS.

Stone.

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Century Media Records Presents “Carnival Of Sounds III” As A FREE 14 Song Download!

Posted in Hard Rock, Heavy Metal, Metal, metal music, Music, rock music, rock music news with tags , , , , , , on November 16, 2013 by Metal Odyssey

Carnival Of Sounds III - Century Media Records - promo flyer - 2013

Century Media Records presents Carnival Of Sounds III – 14 very cool songs are featured in it and it’s completely FREE!!! Go here for your FREE download: http://smarturl.it/COSIII

METAL BE THY NAME, THIS IS A METAL DEAL TO GRAB!! THANK YOU CENTURY MEDIA RECORDS!! WHOA.

______________________________________

Century Media Records - logo - B&W

* For more info on CENTURY MEDIA RECORDS:

http://www.centurymedia.com

http://www.cmdistro.com

http://www.twitter.com/centurymedia

http://www.soundcloud.com/centurymedia

Stone - Motorhead Tee  pic:small

LONG LIVE CENTURY MEDIA RECORDS.

LONG LIVE METAL.

Stone.

THE HEARTACHES – “Lunacy & devastation” bleeds Punk authenticity

Posted in Album Review, Century Media, century media records, collecting music, collecting rock music, cool album covers, essential punk rock albums, hard to find punk rock albums, independent record labels, metal odyssey, Music, obscure punk rock albums, old school punk rock, Punk rock, punk rock album covers, punk rock album review, punk rock album reviews, punk rock albums, punk rock albums 2003, punk rock bands, punk rock music, punk rock musicians, punk rock songs, rock & roll, rock and roll, rock music, underground punk rock bands with tags , , , , , , , , , , , , , , , , on October 5, 2009 by Metal Odyssey

The Heartaches small album picI have found another Punk Rock Band to jump up and down about and raise my fist in the air to. The Heartaches and their Lunacy & devastation CD, (released in 2003). I needed some music on Sunday to get me out of the funk I was in, The Heartaches was the remedy… a Punk Rock remedy at that. While Rancid and The Casualties have landed on much larger record labels, The Heartaches are on one bona fide underground label at that, are you ready for this one? Here is the record label – “I Used To Fuck People Like You In Prison” Records. Now that is a Punk label if there ever was one.  I take it, from the record label logo of the red devil that is on the liner notes of this CD, that the abbreviation for this record label is – People Like You. From what the liner notes state, this record label is out of Germany. People Like You Records has a really cool website, Punk Rock and Horror Punk are their forte. Their website is packed with their current signed bands and info. My whole life, I have always been intrigued and keenly interested in any underground band that I come across while shopping around for music. The Heartaches are an underground Punk Rock Band for sure, their style of Punk is a blend of Old School meets modern day social angst. Now, that does not sound so unique for a Punk Rock band, yet those are the two main characters in The Heartaches style of Punk. The Heartaches brand of Old School Rockabilly has been recharged with slick speed and extremely contagious riffs that meld within the frenetic stomp of their rhythm section.

The Heartaches small album picThe Heartaches deliver 13 genuine Punk Rock songs on Lunacy & devastation, each song carries it’s own Punk weight, no one song sounds like the other. My favorite song on this CD is Safe and Sound, it just has a cool groove happening from the opening note. If a Punk Rock song can be harmonious, Safe and Sound proves it. A continuous pissed off theme does not let up throughout these songs lyrics, a Punk Rock staple that can work as long as the music itself has legs to stand on. In my Metal opinion, the songs on Lunacy & devastation have legs… Punk strong at that. Lead vocalist Leroy has everything I look for from a Punk Rock front man. Leroy’s vocals exude extreme Punk credibility, as do each member of The Heartaches, from what my ears tell me. Sammy on vocals and guitar, does not impede with his backup duties with Leroy, this guy adds greatly to the total Punk essence of The Heartaches. After my third listen through with this CD, I shake my head and wonder why The Heartaches were never signed to a major label, (I’m not talking Atlantic Records here), a label like SideOneDummy? Yeah, I think The Heartaches sound that cool. Heartattack Radio is the last song on Lunacy & devastation, the Punk fervor of the vocals alongside the rhythmic enthusiasm of The Heartaches makes it a Punk exclamation point of an ending.

I have been trying to find out more information on The Heartaches, utilizing the world wide web has not brought me much luck. The Heartaches are not listed on the People Like You Records website either. The Heartaches that I am discussing here should not be confused with the Swami Records signed Punk Band of the same name – The Heartaches. This other Heartaches band released an album on Swami Records in 2006 titled – Too Cool For School and they are found on the Swami Records website as well. Each band has totally different named musicians. Maybe someone out there knows more about The Heartaches that made this terrific Punk Rock album called Lunacy & devastation… if so, drop Metal Odyssey a comment about it.

**I found The Heartaches – Lunacy & devastation CD on CM distro.com also known as Century Media Records online. This cool Punk Band and CD was keenly hidden away in the “clearance” section of Century Media Records. Great find for me… could be for you too – if you give it a try.

The Heartaches as they appeared on Lunacy & devastation:

Leroy – vocals

Sammy – vocals & guitar

Joey UK – bass

Bram – guitar

Joe Dynamite – drums

Lunacy & devastation Track Listing:

1. S.O.L.

2. Action

3. Hoboken Riot

4, Lunacy & Devastation

5. Safe and sound

6. Let me be

7. Never Come Back

8. 5 Cents in a hat

9. Dead man’s diary

10. Ripped to shreds

11. Sin City

12. Landscape

13. Heartattack Radio

The Heartaches Large album pic

HALLOWMAS – “The Road To Hallow’s Eve” Is Horror Punk To Scream For

Posted in Album Review, collecting music, collecting rock music, cool album covers, creepy album covers, essential punk rock albums, halloween rock music songs, horror punk, horror punk album covers, horror punk album review, horror punk albums, horror punk rock bands, horror punk rock music, horror punk rock music 2005, horror punk songs, metal odyssey, Music, Punk rock, punk rock album review, punk rock album reviews, punk rock albums, punk rock music, punk rock musicians, punk rock songs, rock and roll, rock music, scary album covers, spooky album covers with tags , , , , , , , , , , , , , , , , , on September 25, 2009 by Metal Odyssey

Hallowmas small album picI first stumbled across HallowmasThe Road To Hallow’s Eve on the Century Media Records online store – CM Distro.com. The CD cover artwork took my Metal breath away, I am a huge Metal sucker for the scary and horrific album covers… this goes back decades for me. You cannot always judge a book, uh, album by it’s cover. In the case of my purchasing The Road To Hallow’s Eve based on the artwork and song titles, well, I proclaim a Horror Punk victory! This album is on Coffin Records, a recognized label notorious for underground talent. Hallowmas released this album back in 2005, I bought it about one year ago, during one of my Halloween spirited moods. Cutting to the Metal chase here, this is one dandy of a Horror Punk Band, a terrorizing thrill a second is The Road To Hallow’s Eve. It’s all good… Horror Punk style. I have numerous times, since buying this CD, have tried to read and/or find out more about this cool Hallowmas band… all in vain however. The only trail I find on the world wide web about them are the basics I found in the liner notes of this very album. Hallowmas is without question an underground Horror Punk band. I sincerely hope they resurface and continue their Horror Punk path… The Road To Hallow’s Eve makes for an intense foundation for them to build upon.

Lead singer Boris Randall does remind me of the Misfits era Glenn Danzig… strikingly similar, still there was and always will be only one legendary Glenn Danzig. Hallowmas plays tight enough to forge together quality Horror Punk Rock songs, all the while giving off the impression that this is as uncommercial a band that will ever be. To say that this album Rocks is a Metal understatement of the facts… this album leaves me wanting more, much more Hallowmas please. The center spread photo of the band, within the liner notes, shows them donning skeleton costumes and skeletal makeup. Between the music Hallowmas plays, along with their persona, it would be too easy to dismiss them off as copycats of the Misfits. By comparison, look at how many Death Metal bands that share the same characteristics of their peers – how many Glam/Hair Metal bands that sported the same look as their peer bands. As a devout fan of the Misfits, I personally am flattered when other Punk or Horror Punk bands take on the style of such a historical and legendary band.

The more I listened to The Road To Hallow’s Eve, the easier it was for me to break into the shell of the Hallowmas Horror Punk and hear some spirited originality. Each song is Rock and Roll rooted, from the pulsating rhythm section to the attention grabbing guitar riffs, a fine mixture of Old School Punk meets dark infested Horror Punk this album is. The only song (based on the info in the liner notes), that Hallowmas did not perform or write on this album is Road To Hallow’s Eve. This is a gothic influenced and spooky instrumental, (keyboards), that was written and performed by Killjoy and Sigh’s Mirai Kawashima… I find the vocals to be quite haunting, almost like a chant you would not want to hear alone in a remote and dark forest. In my Metal opinion, Hallowmas and The Road To Hallow’s Eve is another devilishly cool Horror Punk CD that I will turn to often… especially this Halloween Season!

Hallowmas as they appeared on The Road To Hallow’s Eve:

Boris Randall - vocals

Damien Matthews – guitar

Johnny Coffin – bass

Drew Blood - drums

The Road To Hallow’s EveTrack Listing:

The Hanging Girl

Twins Of Evil

Planet X

Miss Devil Doll

When You’re Blue

The Road To Hallow’s Eve

Pagan’s Night

Hallowmas Large album pic

IN THIS MOMENT – Covers “Call Me” with Heavy Metal respect

Posted in 1970's classic rock bands, 1980's classic rock bands, 1980's popular rock bands, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's classic rock songs, 1980's hard rock, Century Media, century media records, classic rock, classic rock bands, classic rock cover songs, classic rock music, classic rock songs, classic rock vocalists, cool album covers, cover songs, current heavy metal albums, current heavy metal music, essential heavy metal albums, essential heavy metal songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, heavy metal music, heavy metal songs 2009, heavy metal this decade, heavy metal vocalists, metal odyssey, Metal Reviews, Music, new wave music 1980, rock music, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 14, 2009 by Metal Odyssey

In This Moment "The Dream" Deluxe cover small picI really, really, really like In This Moment… especially the vocal talent of Maria Brink. I bought The Dream last September of 2008, man, what an album. Collectively speaking, In This Moment put out one incredibly melodic Heavy Metal album of songs, with The Dream. Sure, In This Moment took on a more mainstream Heavy Metal sound, yet it hooked me line and Metal sinker. On June 30, 2009, In This Moment released The Ultra Violet Edition of The Dream, (on Century Media Records), which includes several additional bonus tracks and videos. One bonus song that has really grabbed ahold of my Metal awareness and senses is the cover of the Blondie Rock classic - Call Me. In my most honest of Metal opinions, In This Moment covers Call Me with the upmost of Heavy Metal respect. Too often, I am not a fan of how a Classic Rock song gets covered… I always like to see a great Rock song from decades past get it’s just due. Maria Brink vocally gives Call Me her very own identity, without sacrificing the original character and emotion of the original. In This Moment Rocks this song to new heights, for me.

As I see it, In This Moment can do no wrong right now… they are on a tremendously heavy roll and there hopefully is no Metal limit for this band in the future. For me, this cover of Call Me is one that I need to hear consecutive times over, to get my Metal fill. I will always revere the original version of Call Me by Blondie, Deborah Harry shall never take a back seat to Maria Brink. I am just psyched out that there are now two versions of this great Rock Classic, for me to get pumped up from. The original version of Call Me by Blondie caught my ears attention back in 1980, when I was fourteen years old… the cover version of Call Me by In This Moment has made it two times a Metal charm for me, in 2009.

Giving credit where it is due, Blondie released Call Me in February of 1980, on the American Gigolo Soundtrack. Call Me was a #1 hit single on the Billboard Chart in 1980 for Blondie as well. Blondie was inducted into the Rock and Roll Hall of Fame in 2006.

In This Moment "The Dream" Deluxe cover large pic

LULLACRY – “Fire Within” EP – Gothic Metal Music and a W.A.S.P. cover too

Posted in Album Review, cover songs, gothic hard rock bands, gothic hard rock music, gothic metal, gothic metal albums, gothic metal bands, gothic metal from finland, gothic metal music, gothic metal music 2004, gothic metal music this decade, gothic metal songs, hard rock music this decade, heavy metal albums, heavy metal music, Heavy Metal Reviews, Music, rock music, symphonic metal, Vocals with tags , , , , , , , , , , , , , , , on August 11, 2009 by Metal Odyssey

16842Lullacry is a Gothic Metal/Hard Rock band straight out of Helsinki, Finland. I stumbled upon this band, by perusing the incredibly insane selection of Metal Music – over at Century Media Records online, (CM Distro.com). What caught my attention with this Lullacry “Fire Within” EP were two things: the price was $2 for the CD (!) and this band does a cover of the legendary W.A.S.P. song - “L.O.V.E. Machine”. Hey, for two bucks it seemed like a pretty risk free proposition… especially since I never listened to this band before. (I purchased several items on this order, therefore my shipping cost per CD was low). One of the recurring living on the edge moments of my life is when I purchase a Metal CD without really knowing what I’m getting. Well, what I did get with Lullacry, is a darned solid and sound Gothic Metal/Hard Rock band that has raised my curiosity in their other albums out there. This is the only Lullacry CD that I own… delving deeper into their catalog of music might be a Metal option for me in the near future. Before I go any further, this band is not for every Metalhead out there, the overriding Metal sound is Gothic, due in large part to the lead vocals of Tanja. This female vocalist is very reminiscent of Amy Lee, (from Evanescence fame), on the song “Crucify My Heart pt. II (piano version)”, as Gothic sounding of a song if there is one. This song is definitely a Gothic ballad, Tanja emits quite a captivating voice here, in my Metal opinion.

This five song EP opens with “Fire Within”, it is a fast paced and catchy Heavy Metal song, no real trace of Gothic styles, musically. Tanja’s vocals on “Fire Within” can be compared to Dale Bozzio of early 1980′s New Wave Band - Missing Persons (yeah, that is my Metal opinion, believe it or not). “Be My God (tribal reprise)” has all the Gothic Metal elements happening, the guitars, vocals and slow downs make for a rather impressive song at that. “The #1 Rebel” is Gothic Metal with a faster tempo and a tad edgier than “Be My God (tribal reprise)”. Now, for the cover song from Heavy Metal legends W.A.S.P. – “L.O.V.E. Machine”… Blackie Lawless and only Blackie Lawless can sing this song… with W.A.S.P.’s crushing Heavy Metal overpowering everything and anything around it. With that said, it is an interesting and cool cover version. Listening to Tanja sing this song, only solidifies why I consider myself such a diversified Metal Music fan in the first place. Lullacry as a band, will never match the Metal intensity of W.A.S.P. with “L.O.V.E. Machine”, yet I do not think that this was their intention to begin with.

 

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As I previously mentioned, Lullacry is definitely a band for Gothic Metal fans or fans of Metal Music that do not mind diversifying outside their own Metal genre realm. Symphonic Metal fans and fans of Lacuna Coil might just get a kick out of Lullacry as well. A commercially accessible and at times, heavy Gothic band can lend itself to a cool listen, for me, Lullacry is just that. The Lullacry lineup, as they appeared on the “Fire Within” EP: Tanja on vocals, Sami Vauhkonen on lead guitar, Sauli Kivilahti on guitar, Heavy on bass and Jukka Outinen on drums & percussion. This “Fire Within” EP was released in 2004. The website for Lullacry is Lullacry.com.

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Blind Guardian covers “In-A-Gadda-Da-Vida” – Power Metal style

Posted in 1960's acid rock music, 1960's classic rock music, 1960's psychedelic rock music, 1960's vintage rock albums, 1960's rock music, Album Review, Century Media, century media records, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock cover songs, classic rock music, cool album covers, cover songs, heavy metal album review, heavy metal from germany, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, power metal music, prog metal albums, prog metal music, progressive metal, progressive metal albums, progressive metal music, progressive metal music eps, rock music, vintage rock albums, vintage rock and roll cover songs, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , on July 6, 2009 by Metal Odyssey

7744373Blind Guardian is a Power Metal meets Progressive Metal band, straight out of the fine country of Germany. I enjoy the Power Metal and Progressive Metal genres immensely, Blind Guardian for me, is always a cool listen. As I was browsing around the Century Media Records online site (CM Distro.com) several months ago, I happened to find an EP from Blind Guardian that quickly caught my Metal attention. The name of this EP is “Fly”, (released in 2006), it contains three songs: “Fly”, “Skalds and Shadows” and the cover version of the Iron Butterfly classic – In-A-Gadda-Da-Vida”. I knew instantly I needed to purchase this EP. I have always and forever revered this Psychedelic, Classic Rock, gem of a song that Iron Butterfly created with “In-A-Gadda-Da-Vida”, (originally released in 1968). I placed my order for this Blind Guardian EP without ever hearing it first… I had complete confidence in Blind Guardian delivering a decent cover version of this song, plus as I stated earlier, their Power – Prog Metal style never put me in the doldrums whatsoever.

525284Blind Guardian “Fly”, as with any of this bands albums, never fail to peak my curiosity based on the album cover artwork on their releases. Going in, I knew they are a capable, talented and quality Metal band, with intellectual lyrics and story telling to coincide with their songs. I am pleased at purchasing “Fly”, all three songs are diverse, with my favorite being the cover song from Iron Butterfly “In-A-Gadda-Da-Vida.” Blind Guardian’s version is very heavy, all power, it rocks tough and hard, while paying great respect to this songs originally intended hardness and dark landscape. The only key aspect here, is to know that this is the shortened cover version of this song, at 3:38 long, (the original Iron Butterfly album version is 17:05 long). Blind Guardian if anything, makes this song sound just as macabre and melancholy, (quite a musical feat), with the vocals and music sounding equally haunting as the original. Some may feel Blind Guardian makes “In-A-Gadda-Da Vida” sound more spooky than the original version… there have been times I have thought just that. Now, as to the age old argument… is the cover version better than the original? Of course, it would be a monstrous feat to blow away the original Iron Butterfly rendition of “In-A-Gadda-Da-Vida”… I will always like the original version more. With that said… once you hear Blind Guardian cover this song, you may very well be like me and think – whoa, this is a really cool and heavy way to commemorate a classic… a Metal job well done.

“Fly” is a more open ended Progressive Metal example, with the vocals being more punctual and deliberate. “Skalds and Shadows” is an acoustic version of it’s original, musically you are surrounded by an almost medieval atmosphere of mood and senses, making me feel as if I am about to enter an ancient, abandoned castle. I am impressed by the way lead vocalist Hansi Kursch changes and adapts his vocal approach, according to the individual song, this type of diversity and quality in singing is appreciable. Blind Guardian gives the listener a rather nice mix of Heavy Music on this “Fly” EP, even though there are only three songs. I am obviously pleased with this EP, it is a Metal keeper. The liner notes are 8 pages with full lyrics and credits. The center spread within the liner notes are two pages depicting the Blind Guardian band logo. With the musicianship, vocals and diversity of song found on this one EP, anyone new to Blind Guardian’s music should find this as an invitation to check out their impressive back catalog of albums. I recommend “The Fly” to all Progressive and Power Metal fans. Fans of Metal music in general should appreciate what Blind Guardian has created here as well.

04-Wacken

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