Archive for Music

JOE SATRIANI AND ROBIN DIMAGGIO TEAM UP ON ORIGINAL SONG FOR THE PRESIDENT OF THE GENERAL ASSEMBLY OF THE UNITED NATIONS GALA

Posted in guitarists, Music, music news, news, world news with tags , , , , on June 9, 2015 by Metal Odyssey

Song to Debut at the Annual Presidential General Assembly of the UN 69TH Session Gala on June 30th

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(Los Angeles, CA) World renowned guitarist, JOE SATRIANI and UN Musical Director ROBIN DIMAGGIO, have teamed up to compose and produce a new song entitled, “Music Without Words” to be unveiled at the June 30th Annual Presidential General Assembly of the UN 69th Session Gala in New York City. The Assembly and Gala feature world dignitaries as well as the Heads of States from nations across the globe. Accompanying the song will be a video, compiled by the UN, featuring footage of people the world over.

The song was co-written by the two exclusively for this event and produced by DiMaggio as the UN Musical Director. On his collaboration with SATRIANI, DiMaggio stated “Working with Joe has brought a new meaning to music, this masterpiece was a collaboration of elegance and prestige. This unforgettable melody is for all the human beings in sync with enlightenment and peace.”

A meeting between these two iconic musicians first took place when Robin, as musical director for the Arsenio Hall Show, asked SATRIANI to sit in with his band last fall. A friendship sparked between the two and discussions of collaborating for the UN, began. Fast forward to June 30th when the piece will debut at the UN Assembly. “Robin came to me with a beautiful challenge,” SATRIANI says, “to create a melody that would touch the hearts of six billion people, a call to humanity, a message of love. He sent me an awesome groove to get the ball rolling, I sent him back a melody, and we kept the collaboration going until we were both blown away. I’m thrilled with the final mix and can’t wait for people to hear it.”

The song also features vocals from Ms Monet, a Grammy-award winning vocalist, songwriter and performer who has sung with everyone from Boz Scaggs to Faith Hill, Toto and Queen Latifah. It was DiMaggio’s decision, to blend the beauty of Ms Monet’s vocals with SATRIANI’s guitar to create such an incredibly moving piece.

SATRIANI is currently readying his 15th solo album, “Shockwave Supernova” for release on July 24th. SATRIANI is the world’s most commercially successful solo guitar performer, with six gold and platinum discs to his credit (including one more gold award for the debut album by his band Chickenfoot), and sales in excess of 10 million copies. The critically acclaimed guitarist also has 15 Grammy nominations for songs such as “Always With Me, Always With You,” “The Crush Of Love,” and “Summer Song,” as well as full albums like Surfing With The Alien, The Extremist and Super Colossal.

Robin DiMaggio is a musical force to be reckoned with. Known as one of the world’s premiere drummers and classical/world percussionists, Robin is also a highly skilled songwriter, composer, conductor, arranger, producer, engineer, and instrumentalist. He has toured and recorded with veterans such as Paul Simon, David Bowie, Jackson Browne, Diana Ross, Tupac, Dr. Dre, Luther Vandross, Lil Jon, Martina McBride, Daft Punk, Johnny Cash, and Chris Isaak, as well as with acclaimed world musicians, sitarist/composer Ravi Shankar and violin maestro L. Shankar. He has also appeared on David Letterman and has performed at the Grammy Awards, American Music Awards, World Music Awards in Monte Carlo, and the MTV Music Awards, and was Musical Director and drummer for late-night TV’s Arsenio Hall Show on CBS Syndication, and TBS’ Lopez Tonight, hosted by George Lopez.

Having traveled extensively from an early age, Robin’s music incorporates rhythms and sounds from diverse cultures throughout the world. The vast array of influences in Robin’s life have made him a charismatic ambassador of the arts. For the fifth straight year, Robin has been assigned the returning position of Music Director for the United Nations, where one of his many responsibilities includes coordinating musical guests for the official General Assembly Summit in New York City each September at the prestigious Waldorf Astoria. Robin produced former Eagles guitarist Don Felder’s 2012 album, Road to Forever, and Stephen Bishop’s 2014 release, Be Here Then. Robin has some incredible projects in the works, as he is in the preliminary stages of his new vision — the first U.N. School of Art, Culture and Music in Southern California.

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Source: MAD Ink PR

MetalOdyssey

Stone.

Without Warning, This Song Starts Playing In My Head: Melanie – “Brand New Key”

Posted in classic rock, folk music, folk rock, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , on July 27, 2011 by Metal Odyssey

Do you ever have those days, where a song starts playing in your head and you absolutely, positively, don’t know why? It happens to me all the time, therefore I’m quite used to it. 99% of the time, the song that invades my brain is Metal or at least one from the many Rock genres. Today was different though. Real different. This was a Folk Pop song going all the way back to 1971. The artist? Melanie. The song? Brand New Key. Whoa. Um, whoa again.

I do remember this song quite well however, while growing up as a very young lad back in those early 1970’s. When Brand New Key was released, I was only five years old. Metal be thy name. While this reminder of my childhood days played out in my head today, I could vividly remember the smile it brought to my mothers face all those years ago. My mother used to sing along to Brand New Key while driving the car, God rest her soul. Hearing and seeing her so joyful from this song, made me feel like everything around me was happy, safe and sound. My sister used to sing along to this song as well, as it played on AM radio. I believe I sang along too… or tried to.

What prompted Brand New Key to play out in my head today? I just don’t know. I can’t explain it. The one thing I do like about having this vintage song popping into my head, is the reminder of easier and innocent days of being just a child and singing along with my mother and sister. Reflecting on a simple moment in time. Happy memories, especially when they are triggered by a song… are truly priceless. I’ll never underestimate the magic powers of music.

Quick Facts About Brand New Key:

Melanie – Brand New Key was released on Neighborhood Records.

Melanie – Brand New Key: Climbed to #1 status on the Billboard Hot 100 Singles Chart, back in December of 1971.

Brand New Key – On Movie Soundtracks:

Brand New Key is on the Boogie Nights (Original Motion Picture Soundtrack), which was released back in 1997 on Capitol Records.

Brand New Key is on the jackass 3D Soundtrack (various artists), having been released in 2010 on Epitaph.

God Bless My Mother and Sister In Heaven.

Stone.

QUEENSRYCHE – Dedicated To Chaos: New Studio Album Releases On June 28th, 2011!

Posted in Hard Rock, Heavy Metal, metal music, metal odyssey, Music, progressive metal, progressive rock, rock music, rock music news with tags , , , , , , , , , , , on May 30, 2011 by Metal Odyssey

QUEENSRYCHEDedicated To Chaos, the twelfth studio album from American Progressive Metal legends – Queensryche, will be releasing on June 28th, 2011, on RoadRunner/Loud & Proud Records. A “Special Edition” of Dedicated To Chaos will also be released on June 28th, which contains 4 extra songs (see track listing below).

There’s always that cool Metal feeling I get, knowing that a new Queensryche studio album is on the way… I can’t explain it away and won’t begin to try. Metal be thy name.

Dedicated To Chaos Track Listing:

Get Started

Hot Spot Junkie

Got It Bad

Higher

Wot We Do

Around The World

Drive

At the Edge

I Take You

Retail Therapy

The Lie

Big Noize

* The Dedicated To Chaos (Special Edition) contains 16 songs. The 4 (Special Edition) songs are: Broken, Hard Times, I Believe and LuvnU.

* For more info on QUEENSRYCHE, click on the links below:

QUEENSRYCHE – Official Website

QUEENSRYCHE – facebook

LONG LIVE QUEENSRYCHE.

Stone.

Greg Hampton Of The New Czars – A Metal Odyssey Interview And Overview!

Posted in Guitar, guitarists, Hard Rock, hard rock music, Heavy Metal, heavy metal music, metal odyssey, Music, progressive rock, rock and roll, rock music, rock music interviews, rock music news with tags , , , , , , , , , , , , , on November 9, 2010 by Metal Odyssey

GREG HAMPTON – What makes “the complete package” when it comes to being a musician? Everyone and their second cousin’s extended family would have a different answer for that. My answer is to look at Greg Hampton, the founder, lead vocalist, songwriter and guitarist for The New Czars. Trust me, I’ve probably left out many more Rockin’ hats that Greg wears in directing The New Czars to their Hard Rock heights… he is all about “hands on” with an old school work ethic, approach and mindset.

To incorporate relevance into a modern Hard Rock sound, while weaving a bit of experimentation into his music, Greg Hampton has seemed to tap into a realm of Heavy Music that has for too long been “the best kept secret” in the Rock Music world. Where the likes of King Crimson, RUSHNine Inch Nails and Tool (to name a few) have led the way and reaped the rewards for exemplary dives into Progressive, Industrial, Alternative and Experimental Heaviness, there are those “other” musicians and bands that have followed with the same attention to detail towards the Avant-garde. Greg Hampton and his band, The New Czars, are carrying that exploratory tradition onward, to shatter the normalcy that seems to blanket the Rock Music that has invaded our mainstream and subconscious.

The New Czars debut album, Doomsday Revolution, (Samson Records), was released on September 14, 2010… to an enthusiastic response amongst critics from the mainstream to the underground. I certainly applauded the diverse approach to what Greg Hampton set out to accomplish on Doomsday Revolution, the combination of music influences from Industrial to Funk are evident and transforms into what I would convey as… Hard Rock Cool and Hard Rock new… 2010 style.

Doomsday Revolution is sold just about anywhere… from itunes to Amazon. After The New Czars introduced the world to Doomsday Revolution, Greg Hampton wasn’t about to sit idle… it’s just not his style or character. I even question if Greg could spell the word idle… he’s that loyal and enthusiastic about the music he loves. Greg was soon busy on compiling and writing songs for the forthcoming EP from The New Czars, titled: Mining The Ruins. This EP is scheduled for a November 30, 2010 release.

On September 22, 2010, I received a very special surprise in my email inbox… an mp3 sent by Greg Hampton, it was his cover song of the ultra classic – Hey Joe. Now, you can either “cover” a song or you can cover a song while adding that “extra special” Rock ‘N’ Roll dust to it. Greg Hampton obviously had a jar full of special Rock ‘N’ Roll dust, just waiting for his cover of Hey Joe. I can remember vividly, the first time I listened to this mp3, on my computer that night. Honestly, I was stunned. Greg’s vocals were unreal… no, his guitar licks were unreal… no, it was both.

Greg was never trying to sound like or remotely copy the late and legendary Jimi Hendrix… Greg was only paying tribute to a Rock Star who started it all for the Hard Rock and arguably, the Heavy Metal movement, as we all know and love it today. As Greg expressed to me, “I have been a lifelong fan of Jimi Hendrix. With the fortieth anniversary of Jimi Hendrix’s passing approaching, I’ve been listening to a lot of his music. I wanted to do something to commemorate Jimi Hendrix on this important anniversary, through song. This cover of Hey Joe I’ve been working on for quite some time and I am very proud of it. I hope the fans will appreciate this cover of Hey Joe and like it as much as I do.”

Greg decided to give the “world premiere” of his cover of Hey Joe to Metal Odyssey… and on September 26, 2010, this amazing song was available for the world to hear. Metal Odyssey will forever cherish this moment… I can’t state just how honored I felt to have Greg put his cover of Hey Joe in my hands first. (Metal ostrich bumps moment, whoa). Greg played all instruments on Hey Joe, with the exception of drums. Chris Collier, (The New Czars alumni and multi-instrumentalist), was the drummer.

For those of you who may have missed out on hearing this ultra-terrific cover of Hey Joe, please feel free to click on the very large header below. I have a suspicion you might dig it:

World EXCLUSIVE Premiere – The Jimi Hendrix Experience “HEY JOE” Is Covered By THE NEW CZARS! LISTEN HERE FIRST!

Another exciting and historic Rock Music project that Greg Hampton has been working on, is his upcoming Tommy Bolin “Tribute” album he’s co-producing with Warren Haynes, along with associate producer/mixer Fabrizio Grossi. Once again, it is the genuine excitement and infectious urgency, in the voice of Greg, that let’s me know just how much he loves Rock ‘N’ Roll… and his allegiance to the late and great Tommy Bolin. If you’re to measure a man’s character, based on the number of his friends, well, the list below tells all about Greg Hampton.

Here is a rundown, of the beyond fabulous Rock musicians that have already completed sessions or are committed to this Tommy Bolin “Tribute” album: Steve Lukather, Warren Haynes, Brad Whitford, Nels Cline, Glenn Hughes, Oz Noy, John Scofield, Prairie Prince, Slash, Billy Gibbons, Ben Harper, Tom Morello, Derek Trucks, Steve Morse, John Scofield and Omar Rodriguez-Lopez. I do apologize, if I missed any names here… this is as up to the minute as I have available.

By now, you should agree that Greg Hampton is a veteran of the Rock Music industry. Working alongside the likes of Alice Cooper, he wrote songs and played lead guitar for 2008’s Along Came A Spider. To say that Greg Hampton holds the deepest respect and admiration for the legendary Alice Cooper is factual. Just the tone in Greg’s voice alone, when he speaks of Alice Cooper, tells the whole story. Greg speaks of not just writing songs for Alice Cooper. As I’ve interpreted it, from our conversations, he speaks of creating works of art for him. One listen to Along Came A Spider and you probably will agree. I know I sure do.

In October of 2009, Lita Ford returned, only this time there was some wickedness involved… Lita’s Wicked Wonderland album that is. Lita Ford had not released a studio album since 1995’s Black, regardless if you loved or hated Wicked Wonderland, the real Queen of American Hard Rock and Heavy Metal was back. Greg Hampton co-produced, mixed and played a variety of instruments for Wicked Wonderland.

As Greg has reflected on his working on the Wicked Wonderland album, he has done so with the upmost pride in it’s music that he helped create. Certainly, there have been some critics that have put down this album since it’s release, thus pushing Greg Hampton’s buttons. It is understandable, this album Greg Hampton worked tirelessly on, any album that has his signature on it he rightfully should defend. I’ve told Greg, it’s all a matter of personal interpretation, that music is art and open to critiques. I just hope Greg can forgive me, for my not liking Wicked Wonderland.

In 2007, Greg Hampton put together an “All-Star” band if you will, of musicians who seem to carry the same open mindedness to music exploration as he. Enter… Science Faxtion. Greg Hampton provides guitar and vocals, with Buckethead, Brian “Brain” Mantia, Tobe “Tobotius” Donohue and of course, Bootsy Collins. In October of 2008, they released Living On Another Frequency.

Of course, there are many other projects (both past and present) that Greg Hampton has been involved with as both a musician and producer. I’ve attempted to cover some of Greg’s works above, to give you a better insight and understanding of this tremendously skilled musician. In the past couple of months, I am very appreciative to have spoken with Greg Hampton, on many occasions. Greg’s candor and friendly approach to conversation does not get taken for granted by me… I’ve really enjoyed and appreciated speaking to him. Here is what Greg had to say, with some questions I asked of him:

Stone: Doomsday Revolution, your debut album with The New Czars, describe how excited and proud you are of this album… as you rightfully should be.

Greg: Very pleased! I went in with no set of rules. Be it good, bad or indifferent, people can perceive this album the way they want. I’m happy with it. I do hope people dig it still! Going in there were no pre-conceptions or guidelines. I’ve already had a little criticism about this album having uninspired lyrics.

Stone: What? Uninspired lyrics? Are you kidding me?

Greg: You know what, I have to please me first. At the end of the day, I’ve learned not to get too caught up in the reviews. I used to want to search out the guy and kick his ass but I’ve matured and I’m not like that anymore.

Stone: Is there a significant meaning in your band being named The New Czars?

Greg: No, not really. I was stuck in traffic, on Sunset Boulevard, on a Friday night and this band name just popped into my head! This album is a changing of the guard, musically, I guess. It has Metal and Progressive elements… and we’re all pretty good players doing it!

Stone: The more I listen to your vocals, which I admire, the more I hear some Ian Gillan influence. Am I off track, right on or kind of close in my opinion?

Greg: I’m more influenced by Glenn Hughes. Glenn is a great friend of mine. He came in to sing on a Tommy Bolin tribute album we’re doing. I’ve known Glenn for years. I had Trapeze albums when I was like, twelve or fifteen years old! One of my most favorite Glenn Hughes album is “Soul Mover”, Dave Navarro and Chad Smith played on it. It’s too bad more people don’t know about this record, it’s probably over their heads or something.

Stone: What is your idea or prediction of a Doomsday Revolution?

Greg: Well, I mean, the irony is my birthday is on December twenty first, it lands on the end of the world. As I blow out the candles, we’ll wait and see if we all implode! (laughs)

Stone: (laughs)

Greg: There’s a lot of conceptual things coming out. I’ve been researching and reading about more things, all of the elements I take in have opened my mind. “Doomsday Revolution” is no conceptual album though.

Stone: What motivated you to write “Why Do U Have 2 Lie”?

Greg: My good friend Billy Bob Thornton, he made a movie called “Daddy and Them”. It was an autobiographical situation about his life, a story that Billy told me about, it was about recollections of Billy’s life. That’s all I have to say about it really, I can’t elaborate any further.

Stone: “Brush With The Devil” takes me on an old school ride which I don’t mind taking. Was there an old school intent here, on your part?

Greg: I don’t know, in the early ’80’s, it was Pop stuff for me. My influence lies in the ’70’s, with the Beatles, Deep Purple, Led Zeppelin and Aerosmith. This song has an interesting meter and chord progression, I had to deliberate as how to sing it, with the melody over it and the chorus over it. It was a challenge.

Stone: “Time Stops” has many cool elements going on and is my favorite song on Doomsday Revolution. Which song is your personal favorite?

Greg: I like so many of them, “Crotch Critters”, “Don’t Watch Me”, “Time Stops” and “Why Do U Have 2 Lie”. The bridge on this song I could never get a handle on. I had the basic chords down. Paul came in and seemed to gel it all together. The initial verse came together on the piano, then I worked with the electric sitar for the basic elemental music. It’s hard to know! I wrote 25 songs, recorded nine or ten instrumentals, with another two or three vocal songs and two instrumentals on the digital bundle. Plus there are remixes on the digital bundle too. There are so many songs I like.

Stone: It’s understandable, Greg.

Greg: I can’t approach my music like when I write for Alice Cooper or Lita Ford, it just doesn’t make sense. They are different types of music. The instrumental things I really enjoy, it brings me thinking about Rush, I’m a big fan of Rush. I love the counter melodies Rush played. You know, I listen to the songs and re-learn my vocal bits. It’s a challenge singing on some of these songs! It’s the heat of the moment on recording them. I really do like neurodelica, it’s a crimsonesque (King Crimson like) instrumental. It’s not even on the record, it’s on the digital bundle.

Stone: Between Paul (Ill), David (Moreno) and yourself, there is a cornucopia of music styles you all are very well versed at playing. Can “Doomsday Revolution” be considered the consensus favorite style of music you guys really want to play?

Greg: There are so many different and eclectic musical variables in this new album. There are influences from Nine Inch Nails, the Beatles, some Jeff Beck fusion, Rush, King Crimson, Reggae and Funk. The song “Doomsday Revolution” has a funky Rock thing going on. I’m into too many types of music to be narrowing it down to what I play. When I’m driving the car, it could be Jimi Hendrix and Rammstein that I’m listening to! “Time Stops” has a Steely Dan-ish vibe happening with the verses and sitar parts. After “Time Stops” the songs get a little heavier though.

Stone: Having been influenced by King Crimson, describe how you felt having Adrian Belew contribute to “Doomsday Revolution”?

Greg: I always wanted to work with Adrian. Yet, I’m a huge fan of Rush too! I always liked Adrian’s solo stuff, I dug it all my life. I’ve always had a Beatles influence too. It’s more of a broad based influence with Adrian, he is a multi-instrumentalist like me. Adrian and King Crimson have held a depth of broad based musicianship over the years and that’s incredible. Adrian made me feel good that he compared our stuff to Nine Inch Nails and heavier King Crimson. Adrian is a great human being and an amazing singer too.

Stone: Being a multi-music talent, what is your favorite instrument to play and why?

Greg: Probably guitar. Right now, there are four sitting around me. It’s an immediate thing, I turn on my little amp on my desk and start writing and jamming.

Metal Odyssey Note: (Greg now picks up one of his guitars and breaks out into the opening riff from Alice Cooper’s – “Vengeance Is Mine”… and it kicks ass too).

Greg: “Vengeance Is Mine”… I wrote this song for Alice Cooper’s Along “Came A Spider” album. I never played that riff in my life, then one morning, with no coffee and barely awake, that riff just popped in my head as I was halfway down the stairs. This riff was of the instant gratification variety, I had three cups of coffee and finished the whole thing! All the main music was written and done before I recorded with Alice Cooper for “Along Came A Spider”. Most of the guitar parts I never changed a note. That album is all basically from the original first take. Don’t screw with it if it’s already good, why reinvent it?

Stone: That makes sense to me.

Greg: When Alice asked me what I had for “Along Came A Spider”, I had “Vengeance Is Mine” first. Eric Singer came over to my house and I played it for him, he said, “that’s the song man”! Eric played the drum fills, we did two takes on drums and then Eric walked out the door to tour Australia with KISS. Things went so well with it because I’ve known Eric since ’88, so I can communicate with him. I spent fifteen or sixteen hours of tracking this entire song, (“Vengeance Is Mine”), Alice’s vocals, mixing and everything else.

Stone: Wow, Greg. Most people would never know just how much time is spent in making a song, let alone an entire album.

Greg: I know.

Stone: What was it like to record with Alice Cooper on “Along Came A Spider”?

Greg: I’ve been a huge fan of his since I was a kid. Alice is the greatest guy and his stories are great! After so many years and probably thirty albums or so, there are so many stories. It was a gratifying and defining sort of experience for me. I wanted to deliver and I did. Rick Derringer and Pat Travers were big influences on me, so working with these guys over the years along with Alice… it’s check it off my bucket list so to speak! Alice would produce me! Danny Saber, Alice and I wrote all the songs for “Along Came A Spider”. Alice is a true professional and a legend. His memory retention of what he just sang is astounding! He’s a brilliant guy and a wonderful human being.

Stone: Does Alice Cooper belong in The Rock And Roll Hall Of Fame?

Greg: That’s a criminal thing, really. There wouldn’t be a lot of these people in the industry without Alice Cooper. It’s just stupid and ridiculous that he’s not in there. Obviously, somebody in that committee over there has it out for him. It’s embarrassing to all of us in this business and it’s pathetic. You would think that someone on that committee would have the balls to do the right thing. It’s such a political mess going on with that place.

* For more info on The New Czars, just click on the link below:

THE NEW CZARS – myspace music

The New Czars

From left to right: Paul Ill (bass), Greg Hampton (guitar), David “Chilli” Moreno (drums)

LONG LIVE GREG HAMPTON & THE NEW CZARS.

Thank You, Greg.

Stone.

WARBEAST “Krush The Enemy” – Thrash Metal That’s Mandatory!

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal music with tags , , , , , , , , , on November 4, 2010 by Metal Odyssey

WARBEAST – Released back on April 27, 2010, on Phil Anselmo’s Housecore Records, Krush The Enemy is the debut album from this Thrash Metal juggernaut from Texas called… WARBEAST. To say that Warbeast pummels and Thrashes with a formidable amount of speed and power is a gross miscalculation. Try ultra-formidable speed and Thrash power. This band excels at brandishing their own Thrash Metal identity, leaving me wanting to tell the world they kick some serious Thrashin’ ass.

The dueling guitars of Rick Perry and Scott Shelby are a bounty of unbelievable riffs and leads that don’t sound textbook nor duplicated from Thrash Metal’s glorious past. Double bass explosions are courtesy of Joe Gonzalez, with Alan Bovee keeping the thunderous rhythmic pace throughout this fantastic album. This is real-deal and original Thrashin’ licks happening on Krush The Enemy… with no additives or fillers. As I listen to Warbeast, I don’t get the vibe that they are part of this enormous Thrash revival that has taken over the planet. Instead, it sounds like Warbeast was around since 1984 and are administering their Thrash assault upon the masses with legendary conviction. If I didn’t know any better, I’d be thinking I missed out on Warbeast during those deliriously Metal ’80’s!

Former front man for Rigor MortisBruce Corbitt on vocals comes across punctually angst ridden, with an attitude that’s fiery or pissed off, take your Metal pick. I’ll pick both. Bruce sings these songs on Krush The Enemy as if Warbeast is a Thrash Metal band to reckon with… and I’m reckoning they are. Check that, Warbeast plays Thrash so damn good, they must be reckoned with. Seriously, Krush The Enemy is not just another Thrash Metal CD, where you listen to it once and then plop in on top of the pile. Warbeast plays such potent Thrash, I am going to have Krush The Enemy playing rather frequently, if not daily, for some time.

When bringing up relevance when it comes to Old School Thrash Metal, when has it ever been out of favor in our Metal community? Um, never. I have sincerely arrived to dislike the word relevance anyways. With all of that out of the way, Warbeast’s Krush The Enemy is as close to Old School Thrash Metal as any Metalhead will hear. Damn, is this album a stompingly brutal listen for my ears, making me believe that real Metal is alive and quite well.

A breakdown of songs here would be nonsensical in every Metal sense of the word. Just know that Krush The Enemy is all about the total Thrash Metal package, with ten songs that should come with a whiplash warning to thine neck. Head banging and neck thrashing is not just allowed while listening to Krush The Enemy, it’s mandated.

* For more info on WARBEAST, just click on the links below:

WARBEAST – myspace music

WARBEAST – Official Website

* For more info on Housecore Records, click here: HOUSECORE RECORDS

WARBEAST:

Bruce Corbitt – vocals

Rick Perry – guitar

Scott Shelby – guitar

Alan Bovee – bass

Joe Gonzalez – drums

* As reported on the official WARBEAST website, on August 13, 2010, “The Governor” Rick Perry has been replaced by guitarist Bobby Tillotson, aka “J.R.”. WARBEAST expresses there are no hard feelings, they love Rick Perry and he shall be a member of the WARBEAST family forever.

* Rick Perry and Scott Shelby are former guitarists for Texas Thrash Metallers… Gammacide. Bass guitarist Alan Bovee also played for Gammacide.

* Drummer Joe Gonzalez is formerly from Demonseed, a Death Metal band from Dallas, Texas.

* Krush The Enemy was produced by: Philip H. Anselmo… and a damn great job Phil did producing this album, in my Metal opinion.

Track Listing For Krush The Enemy:

Krush The Enemy

Unleashed

Self Will Run Riot

The Plague At Hand

Born With A Blackened Heart

Scorched Earth Policy

Guardian Angel

The Controller

Stalker

We Are The Vultures

LONG LIVE WARBEAST.

LONG LIVE HOUSECORE RECORDS.

Stone.

BLACK SABBATH “Live Evil” – Some Metal Reflections On This 1982 Live Classic…

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , on November 3, 2010 by Metal Odyssey

BLACK SABBATH – Released back in December of 1982, on Warner Bros. Records, Live Evil was the first “official” live Black Sabbath album. (Live At Last was released around 1980 and was not sanctioned by Black Sabbath. I picked up Live At Last on CD years ago, ditching my cassette version, sometime in the early 90’s). When Live Evil hit the store shelves, (which was a Caldor department store for me), it was like knowing something special was waiting for my ears… this was Black Sabbath with Ronnie James Dio and it was live.

The double gatefold album jacket was something else for my eyes all those years ago. So many of the songs characters, from the Black Sabbath catalog, finally came to life, on one album cover. I remember adhering to this Black Sabbath lineup, with Ronnie James Dio, Tony Iommi, Geezer Butler and Vinny Appice as being almost sinister, yet so alluring, due to the dark themes heard on the Heaven And Hell and the Mob Rules albums.

There was this extra special mystique happening with this Live Evil album… as it came across to me, upon my first few listens to this album. I still feel this way to this day. Live Evil seemed to emit a certain Metal mystique that only the Heaven And Hell and Mob Rules albums bestowed before it. As Best Metal Buddy Scott Coverdale and I have discussed over the years, this Live Evil album just seems to ignite with atmospheric waves of mysticity. At least we both know what each other means, in describing this overwhelming vibe that comes across to both our senses.

Since the first time I listened to Live Evil until this very day, the atmosphere of sound that this live album projects makes me feel like I am actually there, witnessing this Black Sabbath lineup jamming out their songs. No, I don’t feel as if I’m front row and center stage either… it’s as if I’m hovering around the outskirts of the crowd, all the while taking in each moment these songs provide. I envision a really dark arena that Black Sabbath performs in too. This may sound crazy to some, only it’s just the way I hear this Live Evil album, especially when I close my eyes and drift off to this highly underrated, live Metal classic.

I no longer have the double vinyl of Live Evil, the double CD I received as a gift from Scott Coverdale, some years ago. Sometimes it’s not all about reviewing an album based on “the standard formula”. There are those times, where I want to reveal just how an album affects me or reacts to me, on a personal level. Live Evil just makes me realize I’m listening to real Metal again… as the songs play, my mind then wanders off to those days of yesteryear, of waiting to catch my ride to a keg party in the woods… as I stand outside in the cold New England snow.

Long Live The Metal Mystique Of Black Sabbath… and Live Evil.

Stone.

DIO “At Donington UK: Live 1983 & 1987″ Releases November 9, 2010!

Posted in classic rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal music, live rock music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on November 1, 2010 by Metal Odyssey

DIO – The late, ultra great and infinitely legendary Ronnie James Dio will be celebrated once again, on DIO – At Donington UK: Live 1983 & 1987. This double live CD, power packed with 25 songs, will be released on November 9th, 2010. This extremely cool DIO double CD will be released on Niji Entertainment Group.

By looking at the track listing, (see below), there is an excellent mix of DIO, Rainbow and Black Sabbath songs on this double live CD! I can no longer pick my favorite band that Ronnie James Dio had fronted… I love each one to the fullest. Each band that Ronnie sang for had their unique style, sound and character… that can never be duplicated. Yes, this DIO release I will be purchasing without a hiccup of uncertainty. Metal be thy name.

* 1983 = DIO – Holy Diver Tour and 1987 = DIO – Dream Evil Tour.

Front Cover:

Back Cover:

Track Listing For DIO – At Donington UK: Live 1983 & 1987:

Disc 1 (1983):

Stand Up And Shout

Straight Through The Heart

Children Of The Sea

Rainbow In The Dark

Holy Diver

Drum Solo

Stargazer

Guitar Solo

Heaven And Hell

Man On The Silver Mountain

Starstruck

Man On The Silver Mountain (Reprise)

Disc 2 (1987):

Dream Evil

Neon Knights

Naked In The Rain

Rock And Roll Children

Long Live Rock ‘n’ Roll

The Last In Line

Children Of The Sea

Holy Diver

Heaven And Hell

Man On The Silver Mountain

All The Fools Sailed Away

The Last In Line (Reprise)

Rainbow In The Dark

LONG LIVE THE MUSIC OF RONNIE JAMES DIO.

REST IN PEACE, RONNIE JAMES DIO.

Stone.

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