Austrian black metal band IN CRUCEM AGERE have released the title track from their upcoming album Calling the Void. The album will be released via code666 on October 22.
Originally formed in 2010, the project encompasses a narrative exploring the darkness inside man for whom there is no hope of salvation. Calling the Void sees the next chapter of this haunting concept unveiled.
Let’s finish what we started. Shall we?” – Maynard James Keenan
LOS ANGELES – TOOL have announced a mammoth 2022 tour, with the Los Angeles-based band spending 3 months traversing the U.S. followed by a month of European dates.
TOOL elected to kick off the highly-anticipated trek in Eugene, Ore. as a nod to the abrupt halt to their 2020 Fear Inoculum tour. Slated to play the Matthew Knight Arena on March 12, 2020, the show, along with the band’s remaining tour dates, was canceled as nationwide lockdowns began to take effect that evening.
It is with great pleasure I get to announce our return to the road,” said Danny Carey. “These past 18 months have been trying to say the least but from great trials come great lessons and great rewards. We are genuinely looking forward to sharing them with you.”
Tickets for all dates went on sale Friday, Oct. 1st at 10 am local time (UK and Irish dates went on-sale at 9 am local time).
Blonde Redhead opens on dates from Jan. 10 to Feb. 10. The Acid Helps opens from Feb. 19 to March 20.
FearInoculum arrived in August of 2019, following years of anticipation. The album debuted at #1 on Billboard’s Top 200, shattering sales and radio records while also earning widespread critical praise. NPR said, “Fear Inoculum was worth the 13-year wait,” The Atlantic declared the release “precise and devastating,” Revolver dubbed the 10-track album “a masterpiece that will be dissected for years to come” and Consequence of Sound said Fear Inoculum finds “TOOL in peak performance.”
Photo credit: Travis Shinn
TOOL formed in 1990, releasing five studio albums: Undertow (1993), Ænima (1996), Lateralus (2001), 10,000 Days (2006), and Fear Inoculum (2019); two EPs: 72826 (1991) and Opiate (1992), and the limited-edition boxset Salival (2000). The band has won four GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”), Best Recording Package (2007, 10,000 Days) and Best Metal Performance (2020, “7empest”). TOOL is DannyCarey (drums), JustinChancellor (bass), AdamJones (guitar) and MaynardJamesKeenan (vocals).
Texas death bringers I AM will kick off 2022 supporting death metal veterans Nile on their Age Of Vile Divinities US Tour. The trek begins on February 3rd in Nashville, Tennessee and makes its way through over two dozen cities, coming to a close on March 12th in Spartanburg, South Carolina. Additional support will be provided by Incantation and Sanguisugabogg.
Comments the band: “We’re incredibly excited to smash over a month of dates with some monsters of bands. With new music hidden away, it’s swelled up and ready to burst. Be prepared to enter into our domain. See y’all in February!” See all confirmed dates below.
I AM have come to embody the subgenre known as “Texas death.” While the band takes influence from “The Big Four,” their homage to artists like Pantera, Power Trip, and Cro-Mags is undeniable. Their signature style of dive-bomb guitars and guitar-driven riffs has come to define the genre.
Formed by vocalist AndrewHileman in 2011, I AM quickly gained recognition in the great state of Texas as being a band meant for bigger things. After paying their proverbial dues and touring relentlessly, solidifying Texas death across North America on tour with bands like The Acacia Strain, For The Fallen Dreams, and Kublai Khan, I AM released their debut album, Life Through Torment, in February of 2017.
By 2018, the band began recording a new album with Randy Lebeouf at Graphic Nature Audio (Kublai Khan, Left Behind, Great American Ghost) with a vision of capturing their chaotic live performance and power they’d become known for. Hard 2 Kill was released in November of that year to serious critical acclaim. Decibel Magazine declared, “I AM know how to write songs that make you want to move,” Kerrang! noted, “Devoid of pretension and brimming with tangible anger, the band’s music is an angry headbanger’s dream.”
I AM will release their next full-length via MNRKHeavy with details to be unveiled in the months to come.
BlackDonutRecords is pleased to announce that they have signed avant-garde trio BOVINENIGHTMARES. The self-titled debut album is set to be released next year on CD, vinyl and digital formats. The band recently contributed a track to World Without End, An Underground Tribute To Samhain and will also be featured on the upcoming MELVINS tribute A Future of Bad Men, both of which are on Black Donut Records.
The band’s warped vision of dark riffs, maniacal crooning and growling, and time signature mayhem have carved out a unique sound that’s akin to a melding of THE MELVINS, FAITH NO MORE, and TOM WAITS. They’ve been blending experimental and familiar soundscapes and rejecting the boredom of formula and compromise since 2019.
Black Donut Records owner Morey Straus commented “I’ve been a huge fan since discovering the band on social media a couple of years ago. I am thrilled that they chose us to release their first full length record.”‘
WILDSTREET’s latest album III (1.6 million streams) was released via Golden Robot Records in June. It boasted some incredibly successful singles like ‘Mother’, ‘Set It Off’, ‘Still Love You’ and ‘Born To Be’. III gathered a huge amount of critical acclaim both with fans and press alike, and saw some amazing album reviews.
To follow on from the success of III,Wildstreet will bring their fans a real treat with their cover of The 69 EYES hit, ‘Mrs. Sleazy’. The single will be released digitally via Golden Robot Records on the 18th of October.
WIQLDSTREET recorded their cover of The 69 EYES ‘Mrs. Sleazy’ after Jyrki 69 responded to this question on Twitter in 2011: ‘Which songs & which bands would you want to record covers of your songs?’ Never playing the song as a band, they quickly demoed the song, and recruited drummer Dennis Leeflang (Bumblefoot) to guest on the final track. WILDSTREET intended to release the song in December 2012 as a free ‘Christmas gift’ for fans, but with an industry in transition and the band on the verge of breakup the cover was never properly released until now.
WILDSTREET’s ‘Mrs. Sleazy’ pays obvious tribute to the The 69 EYES. The band effortlessly captures the original song’s Helsinki punk-rock attitude, while not at all subtly (ie: guitar harmonies and a frantic two hand tapping guitar solo) reminding the listener that this is WILDSTREET.
Making friends and headlines, the band has spent most of 2021 touring in the USA. Their ‘Kings Of World Tour’ has included a stop at Rockfest WI in July & will take them to Europe in October to perform alongside label mates Hardcore Superstar at Swiss Rock Cruise. Their tour plans in Europe include shows in Switzerland, France & Belgium. 2022 will begin with tour dates in Mexico and Colombia with Crashdiet & HRH Spring Break in the United Kingdom.
American Southern Gothic Black Metal band THENOCTAMBULANT are pleased to announce that they have inked a deal with NonServiamRecords. The new album will be released in Autumn 2021as a physical CD Digipak and through all digital platforms.
The band comments: “We are extremely proud to sign with Non Serviam records. We know several of their bands already and we are now ready to form an alliance so powerful that only darkness can master.”
Non Serviam Records CEO Ricardo Gelok further comments:
“I knew when I heard the dark, melodic and evil tones of The Noctambulant that this is a band that I had to sign. Every time I listen to their music I feel like I’m experiencing a dark ritual. The band is a huge asset for the label, and we are really pleased to work with them”
Finland’s InbornTendency brings their particular brand of groove-oriented death metal to the world via TheCharonCollective. The trio’s new EP, “GodKiller,” features four songs exhibiting their fusion of punishing metal, hardcore principles, and splendid melody. Aside from delivering pummeling guitar riffs, you can expect lyrics that delve into matters of the heart like faith, life, and death.
You can buy Inborn Tendency’s “Godkiller” on CD or Digital now right here. It’s also available on Spotify, Apple Music, YouTube, and other streaming outlets.
You can get more info about Inborn Tendency on their Facebook page.
See what other bands and projects are available from The Charon Collective here.
We are beyond excited about this one guys! April 16th, 2021 we will be headlining Hyperspace MetalFestivalIII in Vancouver. It’s Canada’s premier melodic & power metal festival!
This will be our first ever Canadian date and we are thrilled to be premiering in a new country alongside so many amazing bands!
We will be breaking out a few surprises and once more unveiling our brand of dark melodic metal on the live stage. It feels so good to start to have tour dates coming up where we can share our music with you. April 16th is going to be a special one any way you slice it!
Canadian thrashers LUTHARO have finally released their new video “Hopeless Abandonment”. The song is taken from their upcoming album Hiraeth.
Vocalist Krista Shipperbottom comments: Hopeless Abandonment has finally been released world wide and it comes with a strong meaning! This song wants you to remember that you were put on this earth with purpose and you have a destiny to fulfill!”
From Scorpions twitter timeline: Are you a Rock Believer? Scorpions announce new studio album “Rock Believer” + World Tour 2022.
Scorpions Rock Zone fan community members have exclusive first access to tickets + VIP packages 10a CEST tomorrow 30 Sep at the scorpionscommunity.com.
I bought these Motörhead pins sometime back in the early to mid 80’s, at a store called Wasteland in Torrington Connecticut. I was serving time in high school then. Wasteland was filled with all kinds of Rock and Metal merch; plus lots of smoking and toking supplies too. This store was in walking distance to my parents house and near the Y.M.C.A., thus I made countless trips there. I would go to that Y.M.C.A. for pick up basketball games and to lift weights; it kinda kept me out of trouble. I’m laughing as I wrote that.
I didn’t always buy at each visit; just looking around the place and smelling the burning incense was a treat for me. Wasteland was an escape from the crap a teenager had to deal with, back then. It’s amazing what memories these little Motörhead pins rekindle.
I remember buying black light bulbs, black light posters, band t-shirts, pipes, lots of pins, band stickers and patches and rolling papers there. Funny how I never bought a bong or lava lamp there for they had plenty for sale. Those really were easier times. It’s fun to reflect on it all. I just wish I kept some of those band t-shirts for they’re worth lots of money now. Then again, I really wore out those shirts.
I’ve sold and traded away hundreds of Rock and Metal pins over the years; so I’m very happy I have these Motörhead pins today. When I saw Motörhead years ago they opened for Slayer. Overkill was the other opening band. Metal be thy name! Thanks for reading and stay safe out there. – Stone
“Anadem Gyre” is the brand-new ethereal single from ANTIQVA (pronounced as; antiqua). The chamber black metal project was founded by Xenoyr (NE OBLIVISCARIS) and LindsaySchoolcraft while on tour in Europe in the Autumn of 2015.
“We’re pleased to reveal our debut music video, “Anadem Gyre”, a song released only in vinyl format in 2020 as a bonus track to our “Funeral Crown” single. “Anadem Gyre” is a more emphasised dark folk element from within our sound, a portion of this infused into our chamber black metal backbone is what to expect on our debut album. With all our tracks we utilise the Romanian tongue and so we thought it fitting that we pay respect to the country, one so rich in spirit, character, and folklore. We hope you enjoy this visual experience.”
Featuring an experienced ensemble of past, present, and live musicians from well-established bands; NE OBLIVISCARIS, NEGATOR, KARKAOS/BLACKGUARD, BLACK CROWN INITIATE, SUSPERIA/ABYSSIC, and THE OCEAN.
ANTIQVA is: Xenoyr – harsh vocals, lyrics, artistic vision Lindsay Schoolcraft – ethereal vocals, piano, main classical composer Fabian Schaper – guitars and main composer Justine Ethier – drums, percussion, main composer Memnock – bass, contrabass Dalai Cellai – Cello
Track Details: Lyrics by Xenoyr Violin and viola performed by David “Dagda” Sanchez Romanian voices performed by Ady Cernea Guitars recorded at: Doubletrack Studios – Germany Lindsay’s vocals recorded at: Monolithic Productions (Tyler Williams) – Canada Percussion recorded at: Silver Wing Studios (Jonathan Lefrancois-Leduc) – Canada Xen’s vocals recorded by: Troy McCosker (Audio Ninja) – Australia Cello recorded at: Bandito 36 Studio (Damian Murdoch) – Germany Andy’s vocals recorded at: Sonic Pariah Studio (Garrin Beaudoin) – USA Bass and contrabass recorded at: Darkwoods Studio – Norway
Mixed by Carson Slovak at Atrium Audio, USA Mastered by Lasse Lammert at LSD Studios, Germany Artwork, logo, and design by Xenoyr
Diabolica is the fourth full length album from solo project HAIDUK. Fusing punishing melodic black metal and high speed death-thrash, HAIDUK is the demonic brainchild of multi-instrumentalist LukaMilojica.
In Luka’s own words, Diabolica is: “Pure evil, speed and darkness!”
With lightning-fast songs HAIDUK returns to the hyper-speed riffing approach, following 2018’s more hypnotic sounding album Exomancer. Thematically, the new album is a continuation of the lore explored in the previous releases, with new short stories, maps, and a timeline included in the CD booklet.
Just popping in to tell you guys our Evergrey tour that we were so stoked about just got cancelled.
We were so excited to see all of you – but ultimately this is just another struggle we have to overcome.
Ticket refunds are available at the point of sale.
We will be announcing our own dates soon. You can be the first to find out about them by following us on Facebook or Instagram as well as by staying on this list.
In the meantime – we printed a ton of merch for this that we’re currently stuck with. It cost us a ton of money and we need to start selling it.
Check out the full line of Curse Of Autumn merch that we printed here:
Madrid (SP) – Spanish Death Metal horde THIRTEEN BLED PROMISES will release Foundation this October 22 on Lacerated Enemy Records. The EP’s first single, “A Humanless War,” is available now at youtu.be/BMFDeoTly08.
Visit this location for single availability on other digital platforms.
On the Foundation EP, THIRTEEN BLED PROMISES play dissonant blackened technical death metal in the vein of Obscura, Der Weg einer Freiheit and Abhorrent.
Comments Lacerated Enemy: “We are very pleased to announce that THIRTEEN BLED PROMISES has joined Lacerated Enemy family. Hailing from Madrid, Spain, THIRTEEN BLED PROMISES formed in 2006 creating their brand of technical Brutal Death Metal. After releasing two successful albums, Heliopause Fleets (2012) and The Black Legend (2015), the band established a strong fan base in Europe and received great reviews for both.”
While supporting numerous well known acts since the creation of the band, THIRTEEN BLED PROMISES was ready to enter the studio again to record another masterpiece of blackened technical death metal. The record brings its influences from progressive and technical songwriting, while still accompanied by a blackened atmospheric quality that keeps the listener intrigued about what will come next.
New York (NY) – In November, NYC true metallers TOWER will release their sophomore studio album, Shock To The System, via Cruz Del Sur Music. The album was recorded in May and June at Artifact studio in Ridgewood, New York, with Sasha Stroud serving as co-producer and engineer. The album’s cover was created by Morgan Jesse Lappin.
According to vocalist Sarabeth Linden, half of the music and lyrics for Shock To The System were written during the recent lockdown attributed to the global pandemic. The result is TOWER’s most complete outing to date — a veritable metal call-to-arms that combines the band’s energetic brand of NWOBHM and classic rock into ten anthemic cuts.
“We stayed centered around our established style but took it to new levels in some places,” says Linden. “The heavy parts are heavier than before, the fast parts are faster, the slow parts are slower, and one song is around seven minutes, which we’ve never come close to previously. Musically, there are a lot of firsts on this record.”
TOWER (who are completed by the guitar tandem of James Danzo and Zak Penley and drummer James Jones) only has one previous full-length studio album to their credit, 2016’s self-titled outing. While their 2019 Tomorrow & Yesterday EP featured four songs of rocked-up metal, Shock To The System takes TOWER’s sound to the next level.
“The first album is already five years old!” exclaims Linden. “It seems so long ago now. The songs that are still in the live set, like ‘Flames’, ‘Raceway Rock’ and ‘Elegy’ are still very much in the vein of the new material. The EP was a bit more simple and aggressive, and those elements are on the album, too, but manifest in a different way. In general, we have grown a lot as a band and as individuals. We’ve matured, and it’s reflected in the music.”
TOWER recently celebrated its return to the stage in July. With Shock To The System in the can, the band plans on preparing for future live dates — and a new bassist. “We’re in the process of revamping the lineup for tour, as Jeff Filmer stepped aside to give his full attention to his bands SHADOWLAND and HUSTLER,” closes Linden. “We’ll be ready to hit the road by year’s end. See you soon! Be prepared!”
Track Listing: 1. Blood Moon, 2. Prince of Darkness, 3. Metatron, 4. Running Out of Time, 5. Lay Down the Law, 6. Hired Gun, 7. The Black Rose, 8. On the Line, 9. In Dreams, 10. Powder Keg
Line-up: SarabethLinden – Vocals JamesDanzo – Guitar ZakPenley – Guitar JamesJones – Drums *Bass on the album recorded by Jeff Filmer.
Athens-based metal outfit W.E.B. will release their Colosseum full-length on November 19th via Metal Blade Records today; unveiling the record’s artwork, track listing, first single, and preorders.
Forged in 2002 out of a “necessity to scream, blast, and create emotions and get on stage to exchange them with an audience,” Greece’s W.E.B. have steadily forged a path to becoming one of the premier European symphonic extreme metal bands expressing darkness and death through adrenaline and poetry. An output that’s both candid and theatrical, W.E.B. is here to move you, provoke you, and invite you on a journey through ravendark and starless nights. With four albums already under their collective belt, 2021’s fifth full-length, Colosseum, is inarguably the band’s greatest and most direct work to date.
“We wanted this album to be as straightforward as we could make it. We wanted it to be aggressive and to the point, and at the same time we have pushed literally everything, higher, faster, louder, harder. It is our most metal album,” states guitarist/vocalist Sakis Prekas. Combining the brutal with the catchy and drenching it in orchestrations that only serve to expand its epic scale, Colosseum is a thrilling, gripping listen with each of its nine tracks playing an important part in the album as a whole, making it clear that W.E.B. stands toe-to-toe with anyone in their genre.
With Colosseum, the band welcomes two new members: drummer Nikitas Mandolas, who joined following the recording of 2017’s Tartarus and whose playing is perfectly suited to the music W.E.B. make, and bassist/vocalist Hel Pyre. “Apart from the great lyrics and the perfect bass performance, she offered her brutal and clean vocals on many parts of the album, leaving her own mark of fire. This is a completely new element for W.E.B. that really gave a unique character to the material.”
With the lineup solidified, writing commenced in early 2019, sending ideas back and forth to one another, subsequently honing each song over many pre-production sessions. “With no references, when we make music, our only thoughts are that we want to make it sound as awesome as we can,” states Sakis. The dramatic orchestrations are of course a large part of that, with Christos Antoniou of Septicflesh handling this aspect of the sound as he has on previous W.E.B. releases. “Metal is the most revolutionary music genre ever to exist; adding to it symphonic orchestra makes the experience even more epic and emotional in a massive way. We want our music to inspire the senses, thus we aspire to make it intense from our perspective.”
Stream W.E.B.’s first single “Dominus Maleficarum” at THIS LOCATION.
W.E.B.’s Colosseum will be available on CD, fruit punch-colored LP, and digital formats. Find preordering options HERE.
In titling the record Colosseum, W.E.B. draw comparisons with the past and present, in typically brutal style. “The Colosseum was the famous gigantic arena in Rome to give the people ‘food and spectacle,’ whereas what it truly did was to quench the mob’s thirst for blood and violence and keep their minds away from thinking; kind of an ancient TV-brainwash machine,” notes Sakis. “People nowadays seem to be thirsty for blood more than ever. They seek violence in almost everything. You can see it in social media, in the streets – even a simple fight between kids in a schoolyard attracts the other kids, not to separate but to watch. Humans miss the Colosseum and what it gave to their violent nature, even though they will never admit it. The title Colosseum is the irony of giving them what they secretly desire. Maybe then they will start to understand what they see in their mirror and hopefully it will bother them.”
Colosseum was recorded, mixed, and mastered in Sound Abuse Production Studio in Athens by Psychon and produced by Sakis Prekas. While Sakis admits it was the most difficult record they’ve ever made, it was also the smoothest of all recording sessions, largely due to being so prepared. “It also had to do a lot with the chemistry between us and the way Psychon works with us: keeping the recordings on a strict schedule, and at the same time making us always feel comfortable to express ourselves.”
Still, there were obstacles to overcome when it came to orchestrations and arrangements. “When you enter the rabbit-hole of symphonic orchestra and synths, you are in a chaos of sounds, and new ideas are always born through this. We had to spend hours on sound design and decisions like never before, yet the outcome speaks for itself.”
SALTOFTHEEARTHRECORDS is proud to announce the signing of Connecticut based hard rock juggernaut, KINGSANDLIARS.
Comprised of brothers, Charlie (vocals/guitars) and Nick Bellmore (drums/vocals) as well as Christopher Tayler Beaudette (vocals/bass) This album sees a more streamlined band returning to the spotlight as a three piece, hell bent on delivering some heavy as all hell, well crafted, catchy songs.
The members of KINGS AND LIARS share international notoriety as members of some severely ass kicking bands… Kingdom Of Sorrow, The Dee Snider Band, Jasta, Entierro, and Toxic Holocaust to name a few.
KINGS AND LIARS drummer, Nick, is an uber producer who has been at the helm of many many kick ass releases. When great artists want to up the heavy, they call these guys.
“When we started KINGS and LIARS we had a few goals – write serious riffs, have amazing choruses, focus on great harmonies, and be able to do it all live,” said KINGS AND LIARS bassist/vocalist Christopher Taylor Beaudette. “With this album we have definitely reached our goals sound wise, and we really can’t wait to bring this album on the road, and bring our performances to new levels.”
Guitarist/vocalist Charlie Bellmore comments on singing with Salt Of The Earth Records: “It feels like We’ve found a kindred spirit in Salt Of The Earth Records. And we have absolute trust that our new friends at the label will be the hardest workers in the room. They are going to bust ass to get our music into the ears and hands of heavy riff lovers everywhere. That’s what KINGS AND LIARS is all about. We want to get our music to everyone who has ever wanted to hear it.”
Salt Of The Earth Records founder Scott Harrington had this to say about his newest acquisition, “To say I am amped about having KINGS AND LIARS on Salt Of The Earth Records is an enormous understatement. When I heard these songs I damn near dropped. Seriously, Charlie writes epic riffs, and this band floors me. Just wait till you hear this!”
KINGS AND LIARS will release their first album on Salt Of The Earth Records this winter. In July, the band released a single titled “We Are Alive.” Stream the song at this location.
Seattle-based doom/sludge trio DEATHCAVE will return to the stage this Winter for a two-week run of live dates beginning December 2nd in Seattle, Washington and concluding December 15th in Sacramento, California. Support will be provided by labelmates Heiress as well as Worship, Duhkha and Ugly on select shows. See all confirmed dates below.
Named after the Apache Death Cave in Arizona, DEATHCAVE was forged in 2018 and hit the ground running as its three members — Freiburger (Throne Of Bone, Brain Scraper), Benny Koslosky (Swampyheavy), and Tony Muñoz (Razorhoof, Worship) — are longtime veterans of the underground touring circuit.
The band released their critically lauded Smoking Mountain full-length last year.A devouring fusion of thrash, psychedelic, stoner, and doom elements with lyrics based on personal stories reinterpreted in the realm of mythological tales, DEATHCAVE’s Smoking Mountain revolves around the concept of inevitable death and decay of not only humans, but nature as well.
Smoking Mountain was recorded by Ben Verellen (Harkonen, Helms Alee) at The Unknown in Anacortes, Washington, mixed by Verellen at Verellen Amplifiers and mastered by Brad Boatright (Integrity, Full Of Hell, Gatecreeper, High Command) at Audioseige. The thundering five-track offering, which includes guest vocals by Andrea Vidal (Holy Grove), Dave Verellen (Botch, Narrows), and Neil McAdams (Black Breath), as well as a track dedicated to late Black Breath bassist Elijah Nelson, and is available digitally and on limited edition vinyl.
Stream Smoking Mountain via the DEATHCAVE Bandcamp page at THIS LOCATION.
DEATHCAVE is putting the finishing touches on their followup to SmokingMountain with details to be unveiled in the weeks to come.
Harder Truths is the epic debut solo release from JOSEPHIZAYEA featuring some heavyweights of the metal world including the legendary Doc Coyle from BAD WOLVES & GOD FORBID, Kris Norris, formerly of DARKEST HOUR, Buz McGrath of UNEARTH, Chris Daniele, formerly of The ACACIA STRAIN, Tim MacMillar of PROTEST THE HERO, THROUGH THE EYES OF THE DEAD’s Justin Longshore, as well as Josh Gilbert of AS I LAY DYING / WOVENWAR.
“I’m absolutely elated to announce the coming release of my first ever solo album, “Harder Truths”. I did my very best to assemble this album in collaboration with some of the best and brightest songwriters in heavy music, some of whom I have personally been following for many years, and even a few of whom I’m honored to now call my friends. This endeavor took a lot of time to put together, as ensuring my commitments to my other projects, Sour Times, Seeking Sirens, and From Under Concrete Kings was paramount of my priorities. Also of tremendous importance was doing this thing the right way, involving as many of my friends in my current and former bands into the fold as possible, because I wouldn’t be here today without them. I truly hope that you all will find this release well worth the wait.”
JOSEPH has been producing songs and performing as a vocalist since 2007, and has released nine albums, numerous singles and covers of various genres. Currently the vocalist for FROM UNDER CONCRETE KINGS, SEEKING SIRENS, and SOUR TIMES, he’s shown no signs of slowing down. This collaboration album will be released under the umbrella of JOSEPH’s production company “Do Work” on the 26th November 2021.
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
Metal Odyssey > Heavy Metal Music Blog 
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