Following their recent signing to Terminus Hate City, THE NOCTAMBULANT reveal the next few pages of this Southern Gothic chapter. Steeped in the traditions of Blues, Rockabilly, Goth rock and American Country, THE NOCTAMBULANT embrace this aesthetic and sonic niche while maintaining their signature black metal sound.
THE NOCTAMBULANT will release their forthcoming full length album Revivalon September 18, via Terminus Hate City.
On the new single “Skeleton Key” THE NOCTAMBULANT share: “this track captures the desire to achieve salvation and transcendence by any means necessary. It tells the story of using one body to reach immortality in another. The weakness of the flesh must be overcome in the pursuit of something greater.”
“Skeleton Key” unleashes a dire savagery through a blackened haze. Its foreboding onslaught marches steadily onward as weighted rhythmic strikes soon erupt into a fury of high-speed intensity. As the darkness consumes, the inevitable end is inescapable.
Revival – Track Listing:
1. Repent and Be Saved 2. Bring the Sorrow 3. Apokalypsis 4. Dark Dawn 5. Macabre 6. Interlude 7. Skeleton Key 8. Killing Tree 9. Hell Ride 10. San Martino 11. Red Right Hand
Recorded at Tri-Rush Studios, Revivalwas engineered and produced by E. Helvete and D. Franseth. The album was mixed and mastered by Daniel Thabet at Liquid Studios, with the cover art designed by Dream Creatures.
THE NOCTAMBULANT:
E. Helvete – Guitars/Vocals D. Franseth – Drums Lars G – Bass Rev. Beaumont – Lead Guitar
“Fresh on the heels of our successful tour with Alestorm and Twilight Force, we are now back home and ready to find a new, permanent singer for Greyhawk.
We are looking for someone who can sing cleanly with style and gravitas. Whatever your range is, we can work with it. But you need to be able to deliver the goods in that range, and be a dynamic singer both in the studio and on stage live. We are not just looking for a singer, we want someone to be the front person for this band.
Our plans include a new album, shows, tours, festivals, you name it! If you are looking to get on board with a band who wants to get out and do cool things as much as possible, then we are the band for you.
International tours are needed so a clean record and a passport is required as well as the availability to get on the road and tour for weeks on end.
Gender, location – all not deciding factors for us. Just be a cool human who wants to rock. All level of experience considered.
Russian Epic Metallers Scald return with a new EP!
Cruz Del Sur Music proudly presents, Relics, a new offering from Scald. Exhuming ancient songs from their past and giving them new life with Hrafn, their new vocalist, this is a must have for fans of the genre.
“Master of Tundra” – the EP’s first single, is available to stream at:
This EP opens a new chapter in Scald’s history. They were joined by Hrafn, a magnificent singer famous for his work with Vendel (Russia). He can truly do justice to Agyl’s legacy, which we present to you in Relics.
Three of the five songs, Master Of Tundra”, “Ravens”, and “Flame” were written after the recording of the legendary album Will Of The Gods Is Great Power (spring 1996 – fall 1997, the year Agyl died). At that point, the band chose to step away from traditional epic doom and, as an experiment, create songs with a more diverse style while still maintaining the original Scald atmosphere.
When writing these three songs, Scald were inspired by the work of the Norwegian Sami singer Mari Boine and in particular her album Leahkastin, progressive metal bands Fates Warning and Dream Theater; as well as Sanctuary’s album Into The Mirror Black and the magnificent singer Warrel Dane with his soulful vocals.
These songs had never been recorded in a studio before, but they were occasionally performed at Scald concerts in the past. Fans from all over the world kept asking Scald when they would finally record and release these songs.
“So here you go – this EP is for all of you who waited for it all these years! Your support is priceless and the release could not have happened without you!
The song “Falcon” was written by Agyl for his pre-Scald band called Ross, in 1991-1992. To honor the memory of this great vocalist, Scald decided to record a cover version of this song, and on Relics, in addition to the English version, they recorded it in Russian; the language Agyl performed it in.
Thanks to everyone who helps and supports us in these difficult times. Scald are beyond politics! Always were, always will be.”
– Scald
Relics will be released on September 4, 2026.
Line-Up:
Hrafn – vocals Harald – guitars Karry – guitars Velingor – bass Ottar – drums and percussion
Australian gothic metal act Victoria K return with their new single “Take It All”, out June 26, 2026, taken from the band’s forthcoming third studio album, The Pleasure of Sorrow.
Following the release of “Oh So Weary”, the new track opens a darker and more vulnerable chapter in the world of The Pleasure of Sorrow. Seductively melancholic and deeply personal, “Take It All” moves through loss, memory, and the slow process of healing, shaping an emotional journey that feels intimate, atmospheric and direct.
For fans of Evanescence, Lacuna Coil, and Spiritbox, Victoria K continues to evolve their gothic metal foundations through modern metalcore intensity, electronic textures, heavier dynamics, and layered sound design. The result is a sound that remains melodic and emotionally charged while pushing the band further into a darker, more contemporary space.
Speaking about the single, Victoria K explains:
“The song discusses a moment in time when a piece of yourself is taken from you. It may have been a piece of your character, of your youth, but it was a moment in time where you lost something of yourself in a way that felt as though it was out of your control.”
Written as a form of catharsis, “Take It All” unfolds like a distant memory resurfacing through sound, capturing the aftermath of loss, the uncertainty that follows, and the emotional spiral of trying to make sense of something that cannot be undone. Rooted in Victoria K’s love for gothic metal, with Evanescence as a key reference point, the track lets its atmosphere, vocal melodies, and recurring main riff carry the emotional weight, turning restraint into one of its greatest strengths.
The single arrives as part of Victoria K’s upcoming third studio album, The Pleasure Of Sorrow, a new chapter that sees the band expanding their gothic metal roots with darker atmospheres, modern heaviness, and subtle electronic textures. Further details regarding the album, including the release date, will be revealed in the coming months. Stay tuned!
New album “Desolate Echoes of Turmoil” to be released via These Hands Melt
Kråkstad, Norway & Rome, Italy; 22 June 2026: Norwegian symphonic black metal group Profane Burial has unveiled a new single, “Triumph Of Dreadful Aftermath,” as an introduction to the upcoming full-length, Desolate Echoes of Turmoil, to be released later this year via These Hands Melt.
According to the band, “Triumph Of Dreadful Aftermath” tells the tale of how chronic insomnia and spontaneous panic tear apart the fabric of normality, dragging the human psyche into a nightmare dimension of disintegration and fear. With its ferocious style of expression, “Triumph Of Dreadful Aftermath” sets a whole new tone of aggressiveness for Profane Burial, with music that is dark and orchestral in its intensity.
Their upcoming album “Desolate Echoes of Turmoil” is considered the most elaborate and dynamic album produced by the band yet. While the new material deliberately maintains the core foundation of their established style, relying heavily on grandiose arrangements, bleak atmospheric textures, and sharp black metal execution, it also moves significantly further into progressive territory. Complex arrangements, changing structure, and unexpected timing make the band move into the modern, very emotional sphere without losing its characteristic dark and cinematic sound.
Track-list:
Den Fortaptes Krønike
Prognostic Augural Obsolescence
Triumph of Dreadful Aftermath
Channeling Epiphany
Horror Code pt. 2
Malicious Discomfort
To bring this specific vision to life, the band worked with notable names in the studio. The entire album was mixed and mastered by Børge Finstad at Toproom Studio, whereas the drum tracks were recorded independently at StrandStudio. Visually, the release is tied together by a striking, Rorschach-inspired cover artwork painted by Ella Kunst, a piece designed to mirror the existential and psychological tension found throughout the music.
Profane Burial originally formed in 2013, starting out as an ambitious studio project between Kjetil Ytterhus, known for his work with Haimad, Khôra, and Babels Tårn, and André Aaslie, who has performed with Funeral, Images At Twilight, Omnia Moritur, and Vitam Aeternam.
The project quickly grew into a proper live group, bringing in a highly capable lineup of musicians associated with prominent acts like Borknagar, Trollfest and Cadaver. After building early momentum with their 2018 debut album, The Rosewater Park Legend, the band switched into a trio format after 2020. This transition put Aaslie on guitar duties and positioned Ytterhus as the main vocalist, a creative shift that resulted in their 2024 album, My Plateau.
The album will be available across several formats via These Hands Melt. The release options include a standard digital album, a CD Digipack strictly limited to 200 copies, and a classic vinyl LP pressed in two separate color variants.
With “Leave It All Behind“, SINNER present the next single from their upcoming and final studio album, Boom Bang Goodbye, set for release on July 31, 2026, via RPM. The track begins with the atmosphere of a classic power ballad and gradually builds in intensity before culminating in a soaring, anthemic refrain. Combining ’80s-inspired melodies with a powerful modern sound, the song brings the kind of emotional dynamics that hard rock fans have always cherished.
Mat Sinner comments: “As a child of the 80s, this song fits perfectly into the soundscape I envisioned. 80s vibes and an ultra-fat, modern sound. Groovy, driving. It was a blast to make this song. My friend Ronnie Romero really outdid himself. What an incredible vocal performance, hats off to him!”
The accompanying video perfectly complements “Leave It All Behind”. Alongside Ronnie Romero and Mat Sinner, it features Alex Scholpp, Jim Müller, Leonie Jakobi, Sascha Krebs, as well as Thalia Bellazecca and André Hilgers (PRIMAL FEAR). Together, the performance footage captures exactly what “Leave It All Behind” is all about – emotion, energy and the visible joy of making music together.
Lyrically, “Leave It All Behind” looks back on times gone by while dealing with memories, transience and the act of letting go. Lines such as “Do you remember our wild days?” and “I leave it all behind” give the song a reflective touch without losing sight of what lies ahead.
With Ronnie Romero on vocals, “Leave It All Behind” delivers a fierce impact. His passionate performance carries the emotive tension between the calmer moments of the verses and the energetic peaks of the song, adding a fiery quality to the sound.
Once again, the album’s core musicians, Ronnie Romero (lead & backing vocals), Mat Sinner (bass & vocals), Alex Scholpp (guitars & lead guitars), Lisa Müller (keyboards) and Moritz Müller (drums), leave their unmistakable mark.
Following “Wait”, featuring Michael Bormann on vocals, “Leave It All Behind” is another taste of Boom Bang Goodbye; the final chapter of an extraordinary career. After more than four decades, 19 studio albums and countless international tours, Mat Sinner and his longtime companions are preparing one final musical statement.
Your patience will be rewarded. Chile’s RIPPER returns with their first full-length since 2016’s Experiment of Existence.
The last decade has seen RIPPER refine their attack into a lethal blend of old-school death metal and thrash-or-be-thrashed aggression. The band has undeniably earned a reputation as one of South America’s premiere extreme metal exports.
Witness the band’s triumphant return with the first single offTowards Rebirth, “The Source Exterminator.” Stream the track at: youtu.be/J_QqGRoVQ2Q?si=BafNTXKHy5hO3jOz
Towards Rebirth contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.
Dark Descent Records will release Towards Rebirth on July 24th on CD, vinyl and digital formats.
(Photo Credit – Andrew Brophy) L-R: Dan Brophy – Rhythm and Lead Guitars and Vocals, Andrew Brophy – Drums and Lead Vocals, Dustin Smith – Bass Guitar and Vocals, Ruth Guechtal – Rhythm Guitar and Vocals
Hamilton, Ontario, extreme‑metal outfit METALADIAN erupt with the release of “Deaditation,” the ferocious and hypnotic title track single from their upcoming debut album out on Canada Day, July 1st, 2026. After more than twenty years of composing, refining, and shaping the band’s sound, composer, lead vocalist, and drummer Andrew Brophy finally unveils the first official chapter of METALADIAN’s long‑awaited recorded legacy.
“Deaditation” is METALADIAN’s most aggressive and unrelenting work, a dizzying, chromatic, multi‑vocal assault built on a three‑stage structure: plateau, ascension, descent. Each time the cycle restarts, the tempo subtly increases, dragging listeners deeper into a spiralling frenzy.
“The interplay between vocalists is quick, dizzying and hypnotizing… the music is incrementally and constantly gaining momentum, driving the track to a spiralling frenzy by the final descent,” adds Brophy.
Lyrically, the single paints a blackened world where victims reclaim power through a psychic retaliation, a Deaditation, forcing abusers to feel the pain they inflicted “100,000 fold.” Musically, it opens with riotous crowd samples, chromatic bass lines, droning harmonies, ripping feedback, and a tribal drum solo that launches the track into its relentless progression.
Fans of extreme metal, progressive death metal, and classical‑influenced metal will immediately recognize the ambition and precision behind the single.
Arriving July 1, 2026, “Deaditation”is the culmination of more than two decades of writing. Brophy began composing the framework on classical guitar in 2003, later expanding the material into a full three‑album arc.
Track Listing:
Left Hand Path – 9:44
Deaditation – 6:21
No Worse Death Than The Loss Of All Hope – (Wondering Why I Wonder Why) – 7:35
Confrontation With God – 11:59
Cure For Judgement – 6:51
Welcome To Your Holy Hell – 8:49 Album Length: 51:19
The debut album is a story‑driven descent and ascent, moving through spiteful violence, spiralling depression, suicidal ideation, confrontation with God, revenge, and finally, redemption.
“The album is drenched in violence and darkness, but with a hint of light that begins to show itself as the album progresses,” says Brophy.
Musically, the record is dense, chromatic, harmonically lush, and rhythmically punishing. Vocally, all four members contribute in a rapid‑fire call‑and‑response style: Andrew Brophy (drums, lead vocals) with melodic leads and rhythmic anchors, Dustin Smith (bass) brings guttural, ogre‑like lows, Dan Brophy (guitar) adds vicious, rabid‑dog riot vocals and Ruth Guechtal (guitar) exports ripping, high‑screeching screams. The result is a massive, layered vocal machine unlike anything in the Canadian metal landscape.
METALADIAN formed in Hamilton, Ontario, as the vehicle for Andrew Brophy’s intricate compositions, music that blends thrash, death, progressive, and technical metal with the darker works of classical composers such as Bartók, Penderecki, Mussorgsky, Stravinsky, Beethoven, and Mahler.
“Metaladian is my passion, my main source of creativity and catharsis for years,” adds Brophy.
Their sound is best described as complex, emotional, heavy, dark, and hypnotizing. The band’s lineup is deeply interconnected: Andrew and guitarist Dan are brothers, Ruth (guitar) is Dan’s wife, and Dustin (bass) is their “metal brother from another mother.”
All four also perform in the Hamilton extreme‑theatre metal act 30 Immolated; 16 Returned, and three members hold classical‑music degrees, including two doctorates in composition.
Recommended for fans of Strapping Young Lad, Metallica (early), Suffocation, Bela Bartok, and Ludwig Van Beethoven, METALADIAN’s “Deaditation” is available for pre-order at: https://metaladian.bandcamp.com/
Finnish melodic metal powerhouse ARION continue the rollout for their forthcoming fifth studio album with the release of their brand-new single and music video, “Into The Fire”, out now via RPM. Following the explosive first taste delivered by “Hurricane”, the band return with another high-energy anthem that combines towering melodies, crushing riffs, and an emotionally charged message about courage, trust, and stepping into the unknown.
Built around furious riffs, huge arrangements, intense vocals and a fiery guitar solo, “Into The Fire” captures the moment of overcoming fear and finding strength through connection. Guitarist and songwriter Iivo Kaipainen explains:
“A jump into the unknown may feel scary, yet sometimes there’s no option but to go. If only there was someone to help you make that decision, to take that leap and jump with you: You close your eyes, take their hand and now you feel strong enough. That’s what ‘Into The Fire’ is about.” The result is a powerful melodic metal track that further showcases ARION’s ability to blend modern heaviness with arena-sized hooks and heartfelt storytelling.
About ARION: ARION are among Finland’s most exciting modern melodic metal exports. Known for their high-impact songwriting, technical skill and engaging stage presence, the band continues to bridge the gap between classic and modern metal.
Over the years, ARION have toured extensively across Europe and Japan with acts such as Dream Theater, Gloryhammer, Battle Beast, Bloodbound and Sonata Arctica. They have also collaborated with renowned vocalists including Elize Ryd (Amaranthe), Noora Louhimo and Melissa Bonny (Ad Infinitum / Kamelot).
With tens of millions of streams to their name, including the standout track “At The Break Of Dawn” surpassing 20 million streams and achieving gold status in Finland, ARION have firmly established themselves as one of the most important new wave metal export acts from the country. Their continued evolution and international presence underline their growing importance in the global metal scene.
Technical death metal juggernauts PSYCROPTIC present their new single, “No Blade Of Grass.” The track comes off the band’s impending new full-length, and first for Metal Blade Records, The Pulse Of Annihilation, set for release on July 17th.
“This one has a good blend of old-school PSYCROPTIC-style riffage and slightly sludge filled, loosey-goosey sections straight outta the classic death metal era,” remarks guitaristJoe Haley. “The whole thing is brought together with the choral/orchestral chorus. Something for everyone! Going to be a fun one to rip live!”
Bassist Todd Stern agrees, “It’s an unbelievably catchy tune! The main verse is one of my favorite bits on the whole record. Classic riffage, steam rolling the whole song forward with solid momentum all along. Badass.”
Adds vocalist Jason Peppiatt, “I had so much fun with this song as it was the first song that [vocalist Jason] Keyser had written for the band and it was awesome to have someone bring different ideas to the table than what I normally would. Vocally it’s nice and fast and has a real sick flow and groove to vocal parts.”
Watch PSYCROPTIC’s “No Blade Of Grass” video HERE.
Watch PSYCROPTIC’s previously released video for first single, “Gathering A Venomous Herd,”HERE.
Across The Pulse of Annihilation, PSYCROPTIC sounds focused, disciplined, and fully aware of their trajectory. Complexity remains foundational, but it is now guided by compositional restraint and veteran confidence. With this release, the band reaffirm their status not merely as technical death metal stalwarts, but as architects actively shaping its future, proving that mastery, sharpened by time, only grows more lethal.
The Pulse Of Annihilation features cover art by Belial Necroarts (Gaerea, In Aeternum) and will be available on digipak CD and digital formats as well as vinyl in the following color variants:
World Ablaze (Tiger’s Eye) – (US) Sleepy Hollow (Radioactive Dust) – (US) 180g Black – (EU – Ltd. 500) Barren Waste (Swamp Green Gold Melt) – (EU – Ltd. 250) Fires Of Time (Gold Black Splatter) – (EU – Ltd. 250)
PSYCROPTIC will join labelmates Rivers Of Nihil for a short run of Australian dates this August with support provided by Growth and Slaughtercult. From there, PSYCROPTIC and Rivers Of Nihil will unite with The Zenith Passage (also on Metal Blade) for four shows in Japan. See all confirmed dates below and stay tuned for additional live dates to be announced in the weeks to come.
PSYCROPTIC w/ Rivers Of Nihil, Growth, Slaughtercult: 8/13/2026 Magnet House – Perth, AU 8/14/2026 Lion Arts – Adelaide, AU 8/15/2026 Max Watts – Melbourne, AU 8/21/2026 Manning Bar – Sydney, AU 8/22/2026 Necrosonic Festival – Brisbane, AU
w/ Rivers Of Nihil, The Zenith Passage: 8/24/2026 Socore Factory – Osaka, JP 8/25/2026 3Star Imaike – Nagoya, JP 8/26/2026 Space Odd – Tokyo, JP 8/27/2026 Space Odd – Tokyo, JP
For over two decades, PSYCROPTIC has operated at the vanguard of technical death metal, defined by instrumental precision, structural intelligence and an uncompromising creative ethic. From their Tasmanian origins to commanding stages worldwide, the band have built a reputation on rhythmic complexity, exacting musicianship, and a refusal to plateau.
At the core of this next phase is guitarist and principal songwriter Joe Haley. Over time, Haley’s compositional voice has evolved from pure technical density into something more architecturally deliberate. On The Pulse Of Annihilation, riff construction feels sharper, transitions more fluid, and thematic motifs more intentional. Haley’s writing demonstrates a seasoned understanding of pacing—knowing when to constrict, when to expand, and how to weaponize silence and space within otherwise relentless arrangements. Experience has not diminished intensity; it has refined its delivery.
The record features the dual-vocal assault of Jason Peppiatt and Jason Keyser (Origin), a partnership that debuted on PSYCROPTIC’s previous full-length, Divine Council. Peppiatt’s commanding growl intertwines with Keyser’s razor-edged articulation, creating a dynamic vocal interplay that adds dimension and contrast to the band’s dense instrumentation. This twofold approach heightens the record’s impact, featuring layered, confrontational elements that remain tightly synced with the band’s intricate foundation.
PSYCROPTIC: David Haley – drums Joe Haley – guitars Todd Stern – bass Jason Peppiatt – vocals Jason Keyser – vocals
Raleigh, North Carolina traditional heavy metal band CRIMSON STEEL have released their new single “Dark Rider,” the second single from their forthcoming full-length album Show No Fear, out October 2, 2026 via Heaven and Hell Records.
“Dark Rider” charges forward with classic heavy metal intensity, galloping rhythms, sharp riffing, and apocalyptic imagery. The track captures CRIMSON STEEL in full command of their traditional metal foundation, pairing high-energy musicianship with a cinematic sense of dread and momentum.
Built around visions of plague, death, famine, destruction, and unavoidable catastrophe, “Dark Rider” descends like an omen. Relentless percussion, forceful bass, soaring vocals, and layered guitar harmonies drive the song with urgency, giving it the feeling of a warning carried on steel and thunder.
Show No Fear presents CRIMSON STEEL in a fully realized narrative landscape shaped by fear, transformation, power, sacrifice, and perseverance. Across the album, the band brings together traditional heavy metal force, cinematic atmosphere, progressive-minded arrangements, and emotionally charged performances. The record moves with the scope of dark fantasy while staying rooted in the human struggle to confront fear, endure conflict, and emerge with strength.
With Show No Fear, CRIMSON STEEL delivers an album built for listeners drawn to classic heavy metal storytelling, soaring vocals, driving rhythms, and dramatic musicianship. The production preserves warmth and organic energy while giving the record the clarity and impact of a modern heavy metal release.
Show No Fear was produced by Wendy Brancaccio and recorded and mixed at Vintage Noise Studio with Wendy Brancaccio and Bill Spears. The album was mastered by Anthony Focx. Cover artwork and design for Show No Fear isby Johnathan @gerardster.
CRIMSON STEEL:
Tina Langevin – Lead Vocals David Ryan – Guitars, Backing Vocals Joel McGee – Bass, Vocals Will Adkins – Drums, Backing Vocals
Italian death metal act GORGE announce the release of their debut full-length album Deeds of Horror, set to arrive on August 27, 2026 via Time To Kill Records. The band also unveils the first single taken from the record, “Visions Before Dying”, now available on all digital platforms.
“Visions Before Dying” is a relentless death metal assault, driven by blistering speed and suffocating intensity reminiscent of the classic brutality associated with bands like Suffocation and Dying Fetus. The song moves between ferocious blastdriven passages and crushing, cavernous grooves, creating a violent dynamic that feels both chaotic and oppressive.
Lyrically, the track explores the mysterious threshold between life and death. Inspired by psychological and metaphysical films such as Altered States and Jacob’s Ladder, the song dives into the unsettling visions and dreamlike experiences that might occur in the final moments before the body gives out.
“Visions Before Dying” imagines the mind drifting through fragments of memories, distorted realities, and unknown dimensions, where dreams, hallucinations, and subconscious fears merge into a final sequence of surreal revelations, a descent into the last visions the brain may conjure as consciousness slowly fades into darkness.
Track-list:
1. Sacred Misconception 2. Visions Before Dying 3. Mortal Decimation (Deeds Of Horror) 4. Interlude 5. Unhinged Punishment (ft. Angel Ochoa) 6. Without Inheritance 7. Fear Of Losing Another Vital Limb 8. Repetition Of The Kill
Formed in 2025 by Edoardo Nicoloso (Fulci, Jorelia, TV-Crimes) and Roberto Sava (Jorelia), GORGE were created with the intent of exploring death metal in its most direct and uncompromising form, drawing inspiration from the raw energy of the genre’s foundational years while developing a personal and dynamic approach.
The band’s approach is rooted in a direct, riff-driven philosophy that draws heavily from the foundational era of Suffocation, Dying Fetus, Gorguts and Malevolent Creation, updated with just the right amount of modern weight without compromising its original identity.
GORGE blends death metal with a gritty hardcore sensibility, resulting in a groovy yet ferocious sound that avoids overused slam dynamics in favour of tighter songwriting and internal rhythmic variation. At the centre of everything lies the riff, treated as the primary narrative force across all compositions, supported by a constant attention to structural tension and release.
Seattle (WA) – Combining Groove, Thrash, and Death Metal, Tormenta has released their debut single, “Jungle Dead”! The song is taken from the band’s forthcoming debut album (details coming soon).
Tormenta brings a cyclonic storm from the mountains of Seattle, Washington! The trio blends chaotic, intense energy with catchy choruses and groovy riffs.
Delve into the chaos of the cosmos with “Limitless,” the new single release from the US and Mexico based melodic death metal band FALSIMONIAN. The quartet’s dynamic heavy sound is influenced by Mexican folk and Latin-American roots music, as well as progressive elements and jazz. FALSIMONIAN‘s forthcoming EP For Survival issetto arrive independently on November 7, 2026.
Drawing inspiration from concepts such as autotheism, the big bang, and relativity, the band takes a more abstract approach with their lyrics in “Limitless”. The track’s narrative is positioned from the perspective of a celestial being, leaning into the cosmic horror realm, which is a personified form of the universe.
A chaotic mood emerges from “Limitless” which begins with an onslaught of sharp and aggressive rhythmic stabs. The violent intensity creates a sense of disturbance and discomfort. Stylistically, “Limitless” is rooted in melodic death metal though progressive sections and groove passages are incorporated across the track. This song also features the first guitar solo heard by Cesar Robles on the upcoming EP in a display that is initially melodic before developing into intricate, technical shredding.
Presented through the lens of a fictional, dystopian world, the EP considers the everyday impact onto individuals who are living under the threat and fear of a world-ending catastrophe. “Limitless” is a key moment for the narrative’s protagonist in which, through a moment of introspection, they decide to take action against the imposing darkness.
For Survival was produced by Jesus Fuentes Valverde, with mixing and mastering by Gil Andrade. Drums engineering was undertaken by Ruben Sanchez at Urvn Studios, with guitars and keyboards recorded by Jesus Fuentes Valverde and vocals recorded by Erick Valverde. Guitar and vocal editing, and bass programming, was by Jesus Fuentes Valverde. Additional guitars on “Limitless”, “Judgment” and “For Survival” were recorded and edited by Cesar Robles.
For Survival Track-list:
Freefall – 3:57
The Enemy – 4:02
Limitless – 3:44
Judgment – 4:48
For Survival – 5:05
All artwork photography for the EP and single releases are from X-Rays Erick Valverde has taken over the last 10 years. The artworks utilize original photographs of a colorful sunset as the light source behind the X-Rays. These colors are commonly seen in the desert skies of the US/Mexico border. Ariadne Willis, adjusted the photographs for the layout and design of the EP and single covers. Erick’s accidents and health struggles have also indirectly influenced the overall theme of the EP. Additional photography by Rancho Creativo Studios.
FALSIMONIAN:
Erick Valverde – Vocals Jesus Fuentes Valverde – Guitars, Keyboards Cesar Robles Sanchez – Lead Guitars Mauricio “Moritz” Gonzalez – Drums
TIL THE END’s self-titled Lifeforce Records debut album will be released on September 11th and is up now for preorder/ presave.
New single Until the End up now on all digital platforms.
With their widely acclaimed debut EP Dark Kings, TIL THE END made an impressive entrance into the melodic death metal community last year, immediately winning over a broad audience. With the release of their first full‑length album, the band now takes the next major step. The self‑titled record on LIFEFORCE RECORDS is a clear statement: an expression of confidence, artistic determination, and an unwavering focus on what matters most – the music. And the music speaks for itself.
The line‑up of the group, founded in 2023, brings together four musicians firmly rooted in the international scene: vocalist Antony Hämäläinen (Nightrage, Armageddon), guitarist Kostas Sotos (Mystic Prophecy, Crystal Tears), drummer Márton Veress (Orgy, Armageddon), and bassist/rhythm guitarist Nic Svensson (Slaves For Scores, Swede Studios). TIL THE END is their shared vehicle to pay tribute to the legendary Gothenburg sound while simultaneously pushing it forward with modern energy and a contemporary artistic vision.
01. Form the Beginning (Genesis) 02. Lava 03. Dismal Paradise 04. These Little Voices 05. I’m Falling Apart 06. Awakening 07. Hybrid Fragments 08. Cemetery Trees 09. Higher and Beyond 10. Until the End
Album Artwork by Gustavo Sazes (Soilwork, Nightrage, Firewind, etc.)
DEBUT ALBUM, IT IS GOING TO GET DARK, OUT JULY 10TH VIA SHARPTONE RECORDS
Alabama’s meteoric, metallic hardcore crew NO CURE have released their devastating new single, “Slowly Turning Blue,” the latest offering from their highly anticipated debut full-length, It Is Going To Get Dark, due July 10th via SharpTone Records.
Combining crushing metal aggression with razor-sharp songwriting, “Slowly Turning Blue” showcases another side of NO CURE’s evolving sound. Built around massive riffs and the band’s trademark intensity, the track balances raw emotion with the kind of mosh-inducing energy that has made their live performances increasingly notorious across the underground.
Regarding the song, vocalist Blaythe Steuer comments:
“‘Slowly Turning Blue’ is a song I needed to write before No Cure was even an idea. Unfortunately, it’s pretty emotionally challenging for me, so instead I will talk about how much I love the static pinch riff, the harmonized guitars in the bridge, and the Sepultura drums section. I can’t wait to play this one live starting next month across the US because to be honest you are dancing.“
Produced, engineered, and mixed by longtime collaborator Kevin Langley, It Is Going To Get Dark finds NO CURE expanding beyond the boundaries of their previous releases while retaining the ferocity, precision, and confrontational spirit that have fueled their rapid ascent. Written and recorded in Alabama between extensive touring cycles, the album channels personal turmoil, social unease, and unfiltered aggression into the band’s most ambitious statement to date.
With It Is Going To Get Dark set for release on July 10th via SharpTone Records, NO CURE continue proving why they have become one of the most talked-about names in contemporary hardcore and extreme music.
1. When The Spasms Cease 2. Oblivion Crusade 3. Brain Matter Displacement (Ft. Jayway) 4. Slowly Turning Blue 5. Ironclad (Ft. Tyler Short) 6. Starved In Sanctuary (My Hands Are In Your Chest Cavity) 7. My World In Flames 8. Convulsing In The Dark 9. Sharpen The Blade (Ft. Skyler Condor) 10. Purity Spiral (Ft. Vincent Bennett) 11. I Am Still Fucking Straight Edge 12. Everything I Love Is Dead or Dying
Fans can witness the mayhem live this summer as NO CURE embarks on their headline tour, featuring support from BIG ASS TRUCK I.E., BAYWAY, and BOLTCUTTER.
NO CURE Tour Dates – W / BIG ASS TRUCK I.E., BAYWAY & BOLTCUTTER:
July 9 – Baltimore, MD – Ottobar July 10 – Brooklyn, NY – Elsewhere July 11 – Albany, NY – Empire Underground July 12 – Hamden, CT – Space Ballroom July 13 – Philadelphia, PA – Ukie Club July 14 – Pittsburgh, PA – Preserving Underground July 15 – Lakewood, OH – Mahall’s July 16 – Toronto, ON – Hard Luck July 17 – Detroit, MI – The Sanctuary July 18 – Chicago, IL – Cobra Lounge July 21 – Denver, CO – HQ July 22 – Salt Lake City, UT – Kilby Court July 24 – Palmdale, CA – Transplants July 25 – Oxnard, CA – Mystery Shop (★) July 28 – Dallas, TX – RBC July 29 – San Antonio, TX – Vibes Underground July 31 – Orlando, FL – The Abbey Aug 1 – Atlanta, GA – The Masquerade Aug 2 – Greensboro, NC – Hangar 1819 Aug 3 – Richmond, VA – The Canal Club Aug 9 – Houston, TX – The End Aug 11 – Oklahoma City, OK – 89th Street (★) Aug 13 – Las Vegas, NV – American Legion Post 8 Aug 14 – San Diego, CA – Corazon Del Barrio Aug 15 – Los Angeles, CA – Sound And Fury (☆)
Monolord, who are currently in the midst of a U.S. tour following the release of their new album, Neverending, have partnered with Dunable Guitars for a pair of signature model instruments: Dunable USA Custom Gnarwhal and R2 Bass.
Monolord have been great friends of Dunable Guitars for almost a decade, using the brand’s guitars and basses as weapons of choice for their torrential downpour of heavy tones and catchy hooks live and in the studio. Neverending is a perfect showcase of their mastery in blending loud metal with great songwriting, and similarly an encapsulation of what Dunable instruments were built for.
Artist signature models for Thomas Jäger and Mika Hakki are long overdue, and Dunable is happy to finally present their Dunable USA Custom Gnarwhal and R2 Bass signature instruments, limited to only six of each model.
“Mika and I have been playing our Dunables for a couple of years now and to get your own instrument with your own specifications, it’s pure magic,” Jäger says. “These instruments came out great and we’re absolutely stoked.”
Hakki adds: “After years of using and owning several Dunable Guitars, it’s a great privilege to be part of the Dunable team with this amazing instrument. When Sacha Dunable asked us what color options we wanted for the instruments, I just saw this sick scorched bass in my mind, and he got probably equally as stoked on the idea as we did. Great minds twist alike!”
These guitars and basses feature a custom Monolord Icon graphic on the headstock, tuxedo stripe pickguard, and a charred Swamp Ash body, giving a classy yet grizzled look to these weapons of doom.
The single High-Wind P90 pickup in Jäger’s Gnarwhal comes from Lollar Pickups, a company whose founder literally wrote the book on pickup winding. The P90 lends itself incredibly well to all applicable tones, from loud cleans to ultra heavy fuzz and distortion.
Hakki’s R2 Bass comes in two pickup variants – one with dual Dunable Katana pickups, for a hot output, but sharp attack, and one with a Dunable D-Split and D-J pickup combo, for a more traditional sound.
Grab one of these unique instruments while you can. Orders are live at this link: https://dunableguitars.com/
Dunable Gnarwhal – Thomas Jäger limited artist collab model
Scale length: 24.75″ Neck: mahogany Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Graph Tech Ratio Bridge: Nashville TOM/Stop Tail Bridge Pickup: Lollar Soapbar P90 – High Wind Controls: 1 volume Setup: E standard 10-46 Case: hardcase
Dunable R2 Bass – Mika Hakki limited artist collab model (Katana variant)
Scale length: 35″ Neck: maple Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Leo Quan Badass Clover Bridge: Leo Quan Badass Neck Pickup: Dunable Katana Single Black Foil Bridge Pickup: Dunable Katana Single Black Foil Controls: 2 volume 1 tone Setup: E standard 105-45 Case: hardcase
Dunable R2 Bass – Mika Hakki limited artist collab model (PJ variant)
Scale length: 35″ Neck: Maple Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Leo Quan Badass Clover Bridge: Leo Quan Badass Neck Pickup: Dunable D-split Bridge Pickup: Dunable D-J Controls: 1 volume Setup: E Standard 105-45 Case: hardcase
ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track “Precious Stones“.
The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE.
Eternal Recurrence – Track List:
Precious Stones
8 by 8
Amor Fati
Relativity
Eternal Recurrence
“Precious Stones” features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.
Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, “In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”
All material on Eternal Recurrencewas composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project’s logo was designed by Pavel Kurbanov at All4band Design.
About ETERNAL RECURRENCE:
ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.
Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.
Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.
All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation.
Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.
THE 2016 HIT ALBUM FROM THE SWEDISH LEGENDS – PRESENTED ON 2LP PEARL DAWN VINYL
“The Fall of Hearts is an absolute jewel from start to finish” Decibel Magazine (USA)
Katatonia released their seismic opus, The Fall of Hearts, in 2016 to chart and media success. Reaching #1 in the USA Heatseekers and #5 in the USA Hard Rock charts, #2 in Sweden’s Hard Rock chart, #3 in Canada’s Hard Rock chart, #4 in the UK’s Rock and Metal chart, #6 in Finland, #11 in Germany and saw success in Australia with their first ever chart entry.
Katatonia had worked tirelessly touring the world since 2012’s Dead End Kings, as well as expanding their fanbase through two albums on Kscope, Peaceville’s sister label. 2013 saw the release of Dethroned and Uncrowned, which exploded the core of the songs on Dead End Kings creating new moods and textures. Both releases illustrated the band’s journey toward The Fall of Hearts, which featured a more progressive sound, a sound which provoked The Guardian to refer to the band as “bridging of the gap between metal and modern prog.”
DISC 2 C.1 – Serac [07:25] C.2 – Last Song Before The Fade [05:01] C.3 – Shifts [04:54] D.1 – The Night Subscriber [06:10] D.2 – Pale Flag [04:23] D.3 – Passer [06:25]
Bonus Tracks D.4 – Sistere [04:11]
The Fall of Hearts was the first record to feature new drummer Daniel ’Mojjo’ Moilanen with the addition of their then-recently recruited guitarist Roger Öjersson (Blindead 23, ex-Tiamat), who sprinkled some blistering solos on the album. With this release, Katatonia continued to push their musical boundaries beyond the metal scene whilst drawing in new fans from across the musical spectrum, putting them on par with peers such as Opeth and Anathema, cementing their place as one of the most revered and cherished bands in modern heavy music.
The dramatic yet desolate artwork was created by longtime designer and illustrator Travis Smith.
This special and limited tenth anniversary pressing of The Fall of Hearts is presented on double pearl dawn vinyl and includes a gatefold sleeve.
Québec City-based Bulgarian folk and black metal band TSAR STANGRA will release their new full-length album, Химните на разрушените светове (Hymns of the Broken Worlds), on July 1, 2026 via GLOBMETAL PROMOTIONS.
Created over the course of nearly a decade, Химните на разрушените светове is the band’s most ambitious work to date. The album explores Bulgarian history, folklore, pagan ritual, exile, language, and cultural memory through a collision of black metal aggression, Balkan melody, ceremonial atmosphere, tambura, orchestration, and lyrics written in Bulgarian.
Founded by vocalist Stanislav Stefanovski, TSAR STANGRA was built around the mission of preserving Bulgarian heritage through extreme metal. On Химните на разрушените светове, that mission expands into a larger meditation on identity, displacement, and the meeting of worlds.
Written largely in Québec by musicians from different cultural and musical backgrounds, the record carries a natural tension between Bulgarian folk tradition and Western black metal, between pagan symbolism and literary sources shaped by Christian Bulgarian poets, between ancestral memory and life far from the homeland.
The album opens with “Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”), an epic invocation of Thracian memory and Bulgarian ancestry. “Хан Аспарух” (“Khan Asparuh”) follows with a martial black metal tribute to the founder of the First Bulgarian Empire, while “Черна песен” (“Black Song”) turns inward through the poetry of Dimcho Debelyanov.
The record later moves through the exile and longing of “Тъга за Юг” (“Longing for the South”), the Kukeri ritual force of “Земни стражи” (“Guardians of the Earth”), and the uncompromising pagan invocation of “Завръщането на родния бог” (“The Return of the Native God”), before closing with “Българският език” (“Bulgarian Language”), a tribute to the survival of Bulgarian language and identity.
The artwork, created by Paolo Girardi, reflects the album’s central theme of cultural collision. Kukeri, ancient masked figures from Bulgarian pagan tradition, stand before the burning Basilica of Sainte-Anne-de-Beaupré, one of Québec’s most recognizable Christian landmarks. The image captures the album’s vision of old ritual, new geography, ancestral memory and transformation.
Химните на разрушените светове follows TSAR STANGRA’s debut full-length Небесният ковач(Celestial Forger), the 2023 single “Черна песен” (“Black Song”), and the 2024 live album Битката за Фиорда – На живо в Сагене (The Battle of the Fjord – Live in Saguenay).
Track-list:
“Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”) – 6:45
“Хан Аспарух” (“Khan Asparuh”) – 6:35
“Черна песен” (“Black Song”) – 4:41
“Последният поход” (“The Final March”) – 3:03
“Тъга за Юг” (“Longing for the South”) – 4:49
“Земни стражи” (“Guardians of the Earth”) – 6:42
“Завръщането на родния бог” (“The Return of the Native God”) – 3:11
“Българският език” (“Bulgarian Language”) – 5:43
For fans of ROTTING CHRIST, NEGURA BUNGET, DRUDKH, MELECHESH, BATHORY, and IMMORTAL, the new album offers a deeply cultural and ritualistic take on pagan black metal.
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
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