BEATRIX is known as a furious and energetic live band in the Finnish underground, playing nightmarish black thrash metal, with skull crushing riffs, haunting melodies and demonic vocals.
After a successful Baltic tour with fellow maniacs JÄVELINand NIGHT SLASHER, a new song has been battle tested and is ready to be unleashed on the bleeding eardrums of the unsuspecting listeners.
The self titled song “BEATRIX” is the first single from the upcoming full length concept album the band has been building on since it’s incarnation in 2019.
It’s about becoming something greater, a praying mantis queen born from human flesh, which also answers the question of where the band’s name comes from.
01. Beatrix Composer: Aapo Härkönen Lyrics: Markus Leppänen
The album will be released next year on Diabolic Might Records. In the meanwhile BEATRIX will join Japan’s BARBATOS on tour for 5 support shows in Finland and Estonia.
Tour dates & venues: 15.8 Oulu, Finland – Snooker Time 17.8 Tampere, Finland – Varjobaari 18.8 Tampere, Finland – Vastavirta (All ages) 20.8 Espoo, Finland – Olarin Ossi 21.8 Tallinn, Estonia – The Krypt
“The Joyful Stain” is the latest single from long-running Australian thrashers, HARLOTT. The track appears on the band’s upcoming Exsequiis full-length, set for release on September 11th via Metal Blade Records!
The band comments, “‘The Joyful Stain’ is a homage to ‘the lucky country’ that we call home; a second-rate first-world dystopia governed by corruption, stupidity, and indifference.”
Watch HARLOTT’s video for “The Joyful Stain” HERE.
Watch HARLOTT’s previously released video for “Trial By Liar”HERE.
After a six-year gap, Exsequiis marks the boldest leap forward in HARLOTT’s career. Denser, harsher and more confident than ever, a razor-sharp sound built on world-class guitar work. The death of the gods, delivered by thrash metal artisans in the prime of their lives.
“Detritus Of The Final Age (2020) was a great experience in digging out sounds and ideas that we would have been too trepidant to explore,” explains guitarist/vocalist Andrew Hudson. “For Exsequiis, we went further into that, but with the confidence that it would work as it had done before.”
When describing the band’s creative process on Detritus Of The Final Age, Hudson notes, “Whether it’s lyrics or riffs or breakdowns, I always make sure that every song has at least one bit that makes you go ‘fuck yeeeeah.’” With Exsequiis, Harlott tripled-down on this strategy, ensuring the “fuck yeeeeahs are continuously overlapping for 46 minutes.
Exsequiis – Track Listing:
1. Incipiam
2. Void
3. Messiah Simplex
4. Trial By Liar
5. The God That Knows No Name
6. Kleptogenesis
7. A Still More Glorious Dawn Awaits
8. The Joyful Stain
9. Endling
10. Vice Borne
11. Exsequiis
Although undoubtedly a band with their own intrinsic identity, there is still much fun for the dedicated thrasher in spotting specific inspirational moments, a pinch of Arise-era Sepultura here, a ‘90s Overkill groove there, the odd touch of Testament technicality or crossover gang chant. However, when asked what HARLOTT regards as thrash metal’s gold standard, the response is unequivocal: “Does anyone ever answer this question with something other than Reign In Blood?”
Rick Rubin’s razor-sharp, in-your-face production on Slayer’s 1986 benchmark release is a fair pointer to the sound of Exsequiis. Bassist/vocalist Tom Richard‘s bass is especially well served, with an interesting tonal dominance in certain passages, but every layer is rammed upfront for maximum head-caving impact.
HARLOTT’s Exsequiis will be released on CD and digital formats as well as vinyl in the following color variant:
“Coagulation” A Side B Side (EU – Ltd. 500)
Lyrics remain in the depressingly real world, the band preferring not to embroider some supernatural phantasmagoria but instead casting a jaundiced eye over our bitterly divided current climate. “It’s been a pretty interesting time to live through politically and socially,” admits Hudson. “Disinformation appears to be the new normal and a population obsessed with content creation and online participation has really exposed some things that I think we were all probably happier being ignorant of.”
HARLOTT Live: 9/11/2026 Juz – Burghausen, DE 9/12/2026 Nuclear Intervention Fest – Kadov u Blatné, CZ 9/13/2026 Garage Pub – Krakow, PL 9/15/2026 Music-House – Graz, AT 9/16/2026 Escape – Vienna, AT 9/18/2026 MK Bar – Esch-sur-Alzette, LU 9/19/2026 Namenlos – Bonn, DE 9/20/2026 Zentralcafe – Nuremberg, DE 9/23/2026 Bambi Galore – Hamburg, DE 9/24/2026 Mukkes – Leeuwarden, NL 9/25/2026 Musicon – The Hague,NL 9/26/2026 Hellfort – Bruges, BE [For bookings contact: franziska@daggerbooking.com]
HARLOTT: Andrew Hudson – guitar, vocals Tom Richards – bass, vocals Leigh Bartley – guitar Glen Trayhern – drums
Blackened thrash metal entity Eternal Drak will storm stages across the province of Quebec this fall, announcing a run of regional tour dates in support of their sixth full‑length album, The Violence of Time, available now. The tour marks the band’s return to the province with their most aggressive and concept‑driven material to date, bringing their varied rhythm, catchy sound and uncompromising intensity directly to Quebec fans.
Across its ten tracks, the album dismantles the human understanding of past, present, and future. Each song is a violent thesis, a sonic and lyrical strike against the idea that time can be explained, contained, or understood. Instead of offering conclusions, the album explores fragments of realization, exposing how time pressures identity, warps memory, and rewrites causality.
Musically, the album is built for true old‑school metal devotees: those drawn to the raw spirit of thrash, the darkness of black metal, and the severity of death metal. Eternal Drak merge analog aggression with digital density, resulting in a sound that is varied in rhythm and catchy in impact, sharpened into their most cohesive identity yet.
Track Listing: 1. We Force It To Speak – 5:15 2. The Unborn Paths Rot – 3:51 3. Me Hice Simultaneo – 3:30 4. The Blasphemy of Time – 3:35 5. Chaos Is the Law – 3:34 6. Where Cause Is Buried – 3:55 7. Across the Watching Veils – 3:53 8. Breathing Once Again – 3:45 9. The Cosmos Rejects You – 4:09 10. No Direction Total War – 2:57 Album Length: 38:24
Every track begins with a central written idea. Once the concept is defined, Eternal Drak builds the music to reflect the emotion and message of the text. Riffs, rhythms, and structures are crafted to echo the same intention, ensuring that even listeners who perceive the voice as an instrument still feel the weight of the lyrics.
Long‑time listeners can expect emotional continuity, thematic depth, and a sound that finally consolidates the band’s identity after years of evolution.
Over the years, Eternal Drak have evolved from raw thrash‑and‑black foundations into a dynamic force shaped by death metal, groove, and even Latin folk influences. Their sound has grown alongside the metal scene itself, adapting to new tools and technologies while preserving the intensity and character that define the band.
Recommended for fans of Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster, experience The Violence of Time (released July 17th, 2026) is available in its entirety at the following links:
“Paleomagnetic Resonance” visualizer created by Displaced/Replaced.
Aug. 11, 2026 – Lustmord, the pioneer of modern ambient electronic music, and Dave Lombardo, one of heavy music’s most influential percussionists, have joined forces as Lustmord Lombardo.
The pair release their debut album, The Pulse of Atoms, on Oct. 2 via Ipecac Recordings, offering a taste of their new collaboration with today’s release of “Paleomagnetic Resonance” (https://youtu.be/E0lBb2i-t3Y). “Paleomagnetic Resonance” visualizer created by Displaced/Replaced.
“One thing about an album like this is that you can’t really point it out as being part of any specific genre or hopefully any specific period,” Lustmord explains. “Is it from last year? Is it from 10 years ago, is it from 20 years ago, is it from 5 years in the future? It’s trying to create something that has its own sound, not tapping into whatever musical language or history you’re familiar with. It goes way, way further back. This is the sound of planets dying or of stars being born. It’s about a bigger picture. It’s the sound of the birth of the universe and the death of the universe; it’s not rock and roll.”
The two musicians met backstage at a Fantômas show, introduced by mutual friend Buzz Osborne, around the time that Lustmord and Melvins released their collaborative album. Nearly two decades later, Lombardo and Lustmord convened as Lustmord Lombardo, crafting an album that is as cold and distant as it is frantic and engaging. The Pulse of Atoms showcases an unheard side of Lombardo and brings Lustmord back to his industrial roots.
Rather than composing songs in a traditional sense, Lustmord built evolving walls and vortices of sound, leaving room for Lombardo to add percussion and various synthesizer layers. Once the editing and arrangement was complete, Lustmord mixed and mastered the record, which was a balancing act between the two players’ large, loud musical presences.
“I’m very proud of this collaboration because it’s so different from anything else that I’ve done,” Lombardo adds. “And to create this body of work with Lustmord – this guy is legendary! He rattles the plaster off of venues.”
Album pre-orders, including a pair of limited-edition vinyl variants (Clear and Smoke), CD, and digital pre-saves, are available now: https://lustmordlombardo.lnk.to/pulse.
The Pulse of Atoms cover (photography and design by Stefan Alt.)
Lustmord is widely regarded as one of the pioneers of dark ambient and industrial music. Active since the early ‘80s, his work draws on field recordings, low-frequency drones, and cinematic sound design to create immersive, atmospheric pieces. Lustmord’s catalog spans dozens of solo releases and collaborations, and his influence extends into film and game scoring, as well as experimental electronic production.
About Dave Lombardo
Dave Lombardo is a GRAMMY Award-winning drummer whose playing style helped define the sound of thrash and extreme metal. He is also one of the most versatile percussionists in heavy music, known as a founding member of Slayer, as well as his work with Fantômas, Suicidal Tendencies, Dead Cross, Mr. Bungle, the Misfits, and a wide range of collaborations. In 2023, Lombardo released his debut solo album, Rites of Percussion, which NPR praised as “a very different side of one of metal’s most punishing drummers.”
Later this week, Los Angeles-based eclectic rock alchemists SPIRIT IN THE ROOM will return to the road supporting Down and Helmet! The Strap It Down tour begins on August 15th in Atlanta, Georgia and closes on September 2nd in Chicago, Illinois. Tickets are on sale now. See all confirmed dates below.
SPIRIT IN THE ROOM w/ Down, Helmet: 8/15/2026 The Eastern – Atlanta, GA 8/16/2026 Piedmont Hall – Greensboro, NC 8/17/2026 The Basement East – Nashville, TN ** 8/19/2026House Of Blues – Cleveland, OH 8/20/2026 Stage AE – Pittsburgh, PA 8/21/2026 Elevation – Grand Rapids, MI ** 8/22/2026 Royal Oak Music Theatre – Royal Oak, MI 8/23/2026 History – Toronto, ON 8/25/2026 MTELUS – Montreal, QC 8/26/2026 The Palladium – Worcester, MA 8/27/2026 The Queen – Wilmington, DE ** 8/28/2026 Lark Hall – Albany, NY ** 8/29/2026 Town Ballroom – Buffalo, NY ** 8/30/2026 The Fillmore Silver Spring – Silver Spring, MD 9/01/2026 Bogart’s – Cincinnati, OH 9/02/2026 Ramova Theatre – Chicago, IL ** SPIRIT IN THE ROOM + Helmet only
The vision of Louisiana-born and Los Angeles-based singer, songwriter, and multi-instrumentalist Dennis R. Sanders, SPIRIT IN THE ROOM unfurls through cigarette smoke, cheap booze, and distortion like an anachronistic fever dream soundtracked by a collision of gothic vocal hues, immersive alternative architecture, and jarring metallic catharsis. It’s scary at times. It’s sad at other times. If you ever wondered what goes on in the head of a film noir hitman, horror novel asylum inmate, or a golden age silver screen villain, it might sound something like SPIRIT IN THE ROOM.
SPIRIT IN THE ROOM’s released their PassengersEP in 2024. The offering includes three previously unreleased tracks (“Creepy Phone Calls,” “Show Me You,” and “Covenant”) as well as three additional tracks (“I Have A Heart,” “Affectionate Projectile,” “You Caught Hell”) that have been released throughout the years on YouTube, Bandcamp, and SoundCloud but never before available as a proper collection.
Above: Passengers EP cover
Find orders for SPIRIT IN THE ROOM’s Passengers EP at Bandcamp at THIS LOCATION and additional merch at the Housecore Records webshop at THIS LOCATION.
Watch SPIRIT IN THE ROOM’s video for “Creepy Phone Calls” HERE and lyric video for “Show Me You” HERE.
SPIRIT IN THE ROOM remains comfortable in the dark. Audiences initially met Sanders as part of Black Light Burns. However, he introduced SPIRIT IN THE ROOM during 2010 before revealing a series of projects: The Holy Phobia, Pt. 1 EP (2014), Demon (2015), and Spirit In The Room, Vol. 1 EP (2019), in between various singles and countless shows. SPIRIT IN THE ROOM released their Flamingo EP in 2022 via Housecore Records.
Maximum Volume Music hailed, “…a blistering heavy garage-come-industrial metal banger,” while Distorted Sound wrote, “we experience a whole range of feelings from paranoia to obsession that make Flamingo what it is: a musically progressive record with Sanders more than ready to take risks along the way.” In 2023, SPIRIT IN THE ROOM served as support for Pantera on four shows in the Western US.
Swedish heavy metal titans RAM will release their new full-length, titled Against, on October 9th, through Metal Blade Records.
It has been nearly seven years since The Throne Within, an album defined by its spiritual and metaphysical themes. With Against, RAM takes a more grounded approach, focusing on the experience of being pushed beyond reasonable limits and refusing to comply. The album captures that moment of resistance “that fire of defiance, which ultimately defines its title and message,” as the band collectively states.
For the production, RAM reunited with their longtime collaborator Johan Reiven, who had previously worked with the band on Lightbringer (2009). Without their own studio, having sold Black Path Studios the band recorded at Studio Recordia in Varberg, Sweden.
“At first, I wasn’t really comfortable not being in my own domain,” admits singer Oscar Carlquist. “But Johan is a far better sound tech than me and he did a wonderful job. We recorded the solos in a cool new way, as we set up two amps, one wet with a lot of effects and one dry with no effects. They were both mic’d up separately and they played into the enormous recording room in Recordia that is 150 square meters, where we placed two room mics (left and right).”
The approach resulted in a rich, organic sound that enhanced the album’s overall character. Musically, both guitarists continue to favor bridge pickups, maintaining a sharp and aggressive tone. The equipment used on Against reflects a classic approach, contributing to a sound that feels both timeless and direct. Sonically, Against was conceived as a return to classic recording philosophies.
Drawing inspiration from the early works of Dio, MSG, and Sweet, the goal was to create an honest and unpolished sound. What you hear is what you get! In a music landscape increasingly divided into countless subgenres, the band positions itself deliberately outside of categorization. The title Against, itself, reinforces the band’s longstanding identity as nonconformists, viewing heavy metal as a form of sonic rebellion.
“We do not give a fuck about all these new strange subgenres popping up. We try to play heavy metal in its purest form. We try to hang on to the center of that energy, and we are completely uninterested in 99% of the metal scene,” asserts Carlquist.
As a precursor to the release, RAM delivers the record’s lead single, “Ghost Emperor” and an accompanying video.
Carlquist comments, “This is the opener of the album, a straightforward classic heavy metal song and pure RAM. Lyrically, it deals with how our power structures exist to conceal the true rulers, the ones we will never see or know, pulling the strings behind the curtain and controlling us all.”
RAM Live: 9/12/09/2026 Candelabrum Metalfest – León, MX 10/09/2026 TBA – Gothenburg, SE *Release Show 12/04/2026 Spectrum – Murcia, ES 12/05/2026 Peter Rock – Valencia, ES 12/06/2026 Upload – Barcelona, ES 12/07/2026 Urban – Vitoria, ES 3/12-13/2027 Heavy Metal Thunder Fest – Pisek, CZ 5/20-22/2027 Iron Fest – Ohmbachsee, DE
RAM: Oscar Carlquist – vocals Morgan Pettersson – drums Harry Granroth – guitar Martin Jonsson – guitar Tobias Petterson – bass
General on-sale begins Friday, August 14, at 10:00 a.m. local time.
Jan 10 • São Paulo, BR Jan 12 • Montevideo, UY Jan 13 • Buenos Aires, AR Jan 15 • Santiago, CL Jan 17 • Quito, EC Jan 19 • Bogotá, CO Jan 20 • San José, CR Jan 22 • Guadalajara, MX Jan 23 • Monterrey, MX Jan 24 • San Luis Potosí, MX Jan 26 • Querétaro, MX Jan 27 • Puebla, MX
Tampa Death Fest returns to the legendary Brass Mug for its 8th annual edition on September 4th and 5th, 2026, delivering one of the strongest underground death‑metal weekends in Florida.
This year’s lineup fuses rising underground brutality with veteran icons. Friday, September 4th will erupt with Syndicate, Eroguro Phantasmagore, Homicyde, Unholy Disciple, Leprosy, Sacrilous, Viogression, and Foreverless. While Saturday, Sept 5th crushes with Grave Filth, Ramtha, Gouted Corpse, Coathanger Abortion, Sapraemia, Gangrenesia (Puerto Rico), Must Not Kill, and Tampalegends Nasty Savage closing out the night.
As one of the bands that helped ignite Florida’s extreme‑metal movement in the mid‑80s, Nasty Savage remains a cornerstone of the scene and a perfect headliner for a weekend built on pure aggression. If you crave real deathmetal, raw, heavy, and unfiltered, the kind Tampa helped define, this is one of 2026’s essential weekends. Two nights. Zero filler. Maximum brutality. See you in the pit.
Formed in 1988, Viogression rose from the Midwest underground with early demos that led to their acclaimed debut, Expound & Exhort (1991), earning them a world tour with Deathand Pestilence. After Passage (1994) and a long hiatus, the band returned with A Pure Formality (2014), reigniting their momentum and live presence. They pushed forward with 3rd Stage of Decay (2022) before crafting their fourth album, Thaumaturgic Veil (2025), praised for blending old‑school brutality with cerebral, metaphysical themes. The record marks a bold new chapter in Viogression’s evolving legacy.
Nasty Savage is a thrash metal band from Brandon, Florida, that became well known for the wild and theatrical stage antics of frontman “Nasty” Ronnie Galetti. During the band’s early years, Galetti gained a reputation for his high-energy performances, which famously included smashing television sets over his head onstage.
The group’s debut album, featuring the standout track “XXX,” was recorded at Progressive Music in Tampa and helped secure a deal with the influential metal label Metal Blade Records. Nasty Savage released four albums between 1983 and 1989 before disbanding.
Following years of reunion rumors, the band returned with the album Psycho Psycho in 2004, marking their comeback with a collection of new material. Since then, Nasty Savage has continued to perform select live shows while maintaining its legacy as a cult favorite in the thrash metal scene. In October 2024, the band released its latest studio album, Jeopardy Room.
Imagine horror, blood, and gore splattered across a heaping dose of true old‑school death metal, shoved into a meatgrinder and served with a smile. This is Leprosy. Exhumed in 1988, Leprosy is a Death/Splatter Gore metal force hailing from the Pittsburgh “Steel City” underground. Over the decades, they’ve shared the stage with giants including Napalm Death, Cannibal Corpse, Malevolent Creation, Forbidden, Entombed, Venom Inc, Exodus, Deicide, and many more, earning their reputation as one of Pennsylvania’s most enduring and blood‑soaked extreme‑metal acts.
Gangrenesia is an active, slamming brutal death metal band from Caguas, Puerto Rico, formed in 2022 and known for their ultra‑violent gore themes, hyper‑percussive slam riffs, and extreme vocal brutality. They’ve quickly become one of Puerto Rico’s most vicious new extreme metal exports, releasing multiple singles, demos, and EPs that have circulated heavily in the slam/brutal‑death underground.
Recent WACKEN METAL BATTLE USA 2026 National Finalists! Ramtha is an extreme metal band from St. Petersburg/Tampa, Florida, known for fusing death metal, thrash, grind and hardcore into a high‑intensity hybrid sound. Active since 2022, the band has carved out a distinct identity within Florida’s extreme metal scene.
They’ve released two EPs, Void Tyrant (2023) and Through Eyes of Death (2024), and are currently developing a third EP slated for 2026. Ramtha has earned a reputation for explosive live performances, frequently hitting Tampa’s Brass Mug and sharing stages with major acts such as Exhorder, Crypta, Worm, Gruesome, Artillery, Killing Addiction, Bandit, Gillian Carter, Dayglo Abortions, and Hong Kong Fck You. With momentum continuing to build, the band remains a rising force in the underground.
Italian post-black metal collective DIE SÜNDE have signed with Time To Kill Records for the release of their debut full-length album, Effemeridi, scheduled to arrive before the end of 2026.
Emerging as one of the best-kept secrets of Italy’s increasingly vibrant underground, DIE SÜNDE have quietly built a strong reputation through two highly acclaimed EPs: their self-titled debut in 2020 and Strega in 2022. Across those releases, the band established a distinctive artistic identity by weaving together black metal and post-hardcore/metal into a constantly evolving musical language, where fractured rhythms, dynamic songwriting and an instinctive sense of tension are held together by a deeply melancholic emotional core.
Rather than relying solely on aggression, DIE SÜNDE explore a broad expressive spectrum. Harrowing screams coexist with evocative clean vocals and choral arrangements, giving their songs an organic emotional depth that never feels forced or ornamental. The result is a sound capable of shifting naturally between violence and introspection, always driven by sincerity rather than convention.
With Effemeridi, the band takes a decisive step forward. Expanding both the scope and ambition of its songwriting, the album refines everything that has made DIE SÜNDE such a compelling presence within the Italian extreme metal landscape, presenting their most cohesive, mature and emotionally resonant work to date.
More details about Effemeridi, including artwork, tracklist and the first single, will be unveiled in the coming weeks.
Line-up: Michael Anthony Foti – vocals Simone Carraro – guitar Nicola Rizzo – bass Filippo Baccega – drums
Additional composer for the the album: Carlo Giacomel – guitar
U.S. Progressive/Melodic Death Metal duo, IAPETUS, have returned! The band is set to release their first new album since 2019’s critically acclaimed, The Body Cosmic! Willowtip will release the new opus, The Mother Void, on October 16.
Joining core members Matthew Cerami and Jordan Navarro on the album is featured vocalist Fabienne Erni of Eluveitie, along with several notable guest musicians, including drummer Brody Taylor Smith (Invent Animate), guitarist Benji Baret (Ne Obliviscaris), and vocalist Frank Harper (Caelestra).
The forthcoming album was mixed and mastered by the legendary Jens Bogren & Tony Lindgren.
IAPETUS released the following statement concerning The Mother Void:
“The Mother Voidis the story of a mother and a son; of mankind and the cosmos; of feeling destined to failure in a world designed to destroy. It is a conceptual record, meant to be digested in whole; the conclusion to a trilogy of albums dedicated to the tension between mortal existence and immortal space. It is our most personal record to date, and its scope is mirrored in size only by the passion that accompanied its creation. We claw fromThe Mother Void.”
The official video for “Red Giant,” the album’s first single, is available now at: youtu.be/Jx-F1uWgClU
Guest Vocals recorded by: Valentin Voluta. Drums performed by: Brody Taylor Smith. Drums arranged by: Jordan Navarro & Brody Taylor Smith. Drums recorded by: John Douglass (Vorticist Studios). Additional Synths + SFX: Mark Lazeski. Guest Guitar Solo on “TON”: Benjamin Baret (Ne Obliviscaris). Guest Vocals on “TON”: Frank Harper (Caelestra).
Produced by: Fascination Street Studios. Recorded by: Alexander Backlund. Mixed by: Jens Bogren. Mastered by: Tony Lindgren. Additional Recording by: Ricardo Borges. Mix Assistant: Johan Martin.
Cover Art by: Vanessa Lemen. Album Layout and Artwork by: Alex Eckman-Lawn.
Hypaethral Records is pleased to announce the reissue of Cosmolith, the debut full length from Canadian blackened death duo ARKTHEOS, out now for the first time on LP and CD.
The first glimmer of ARKTHEOS was kindled in 2015, guided by a vision that is at once introspective and violent, meditative yet visceral, embodying both darkness and the fire that cuts through it. D. Ibson (guitars, voice) began composing the band’s earliest material as a continuation of his previous work in melodic black metal, but with a stronger emphasis on muscular riffing, pummeling rhythms, and a deeper exploration of nature and spirituality. Years later, he joined forces with T. Pill (drums, synth), and together their shared vision took on a more defined and formidable shape
The band unleashed their first demo in late 2023, followed by their full-length debut, Cosmolith, released digitally in the Summer of 2025. Drawing from the intensity and chaos of both death and black metal, Cosmolith channels elemental forces and cosmic immensity into a series of psychedelic visions, hymns to forgotten gods and declarations of defiance in the face of infinity; the album drawing comparison to acts such as Urfaust and Bolt Thrower.
Comments Ibson, “Cosmolith came from the desire to harness the energy and scope of extreme metal and channel it to express genuine awe and wonder. It is a dense psychedelic sonic tumult that bridges death metal and black metal, built around an emotional core of ecstasy and revelation.”
“It is the violence of a Summer storm, the crashing waves of the ocean, a thundering herd of wild animals. It is the sound of gazing into infinity and getting lost in the stars; of a massive ancient forest, teeming with life and full of secrets; and of a mortal being grappling with such vastness.”
“It is the blood rushing through your veins and your primal instincts roaring to life. These songs are anthems to the nameless gods and spirits who embody each of these.”
Cosmolith, which features cover art by Adam Burke, was recorded by ARKTHEOS at Black Hall and mastered by Roland Rodas at Cavern of Echoes. The record is available now on vinyl (Ltd 200 on Meteorite) and CD (Ltd. 200 Pro-pressed CDs with 4-panel digipak).
Find orders at the Hypaethral webshop HERE and Bandcamp HERE.
DISHEARTENED (feat. Nikita Kamprad/ Der Weg Einer Freiheit) is the first single from A SECRET REVEALED’S upcoming fourth album THE RUIN I SUMMONED FORTH, out October 16th on Lifeforce Records.
The title of the fourth full‑length by A SECRET REVEALED already serves as a dark omen: The Ruin I Summoned Forth sounds powerful, oppressive, and inescapable. And that very weight permeates all eight songs of the album. The band from Würzburg crafts a sonic landscape defined by immense emotional force, urgent intensity, and a density that feels almost impossible to contain. Their wall of sound is never an end in itself, but the foundation of an existential expression that hits immediately and resonates long after.
Stylistically, the quintet moves within the tension field of post‑metal – a sound that doesn’t deny its core roots, yet highlights more clearly than ever their affinity for black metal, melodic death metal, and modern, forward‑driving heaviness. Time and again, fragile, searching passages open up, giving the massive sound room to breathe, occasionally interwoven with subtle, almost folkloric accents. Fittingly, the opener ‘Disheartened’ sets an early exclamation mark: with Nikita Kamprad of Der Weg einer Freiheit as guest vocalist, the track gains additional depth and sharpness.
The Ruin I Summoned Forth marks the band’s third release on LIFEFORCE RECORDS, following Sacrifices (2019) and When The Day Yearns For Light (2021). Their debut The Bleakness was released in 2015 via Bastardized Records.
Across all four records, a clear narrative thread emerges: A SECRET REVEALED consistently strive to craft strong thematic arcs and a massive, uncompromising sound that grips listeners from the very beginning and leaves a lasting impact. Once again, the band presents a cohesive work in which individual elements rise into an overwhelming whole, until, in the end, the inevitable unfolds: The Ruin I Summoned Forth.
Beyond the Top Records has welcomed extreme progressive metal group DREAMER to its roster.
The band, featuring members of BLIGHTED EYE and THE ZENITH PASSAGE, will release its debut album, Autogenesis, later this year. Following the band’s 2021 instrumental demo, Autogenesis sees DREAMER‘s vision come to life with 9 epic tracks of melodic and boundary-pushing metallic wizardry.
Fans were given a preview of what’s to come with the 2025 single, “Hollow,” which is slated to appear on the album. Stream the song now on Spotify.
Beyond the Top is set to release Autogenesis this fall on digital, CD and two vinyl variant editions. Release date and pre-order information coming soon.
Eleven chapters. One descent. A concept album where every song becomes another step into an infernal world.
New York-based heavy/thrash metal project Quemasantos has unveiled the complete details surrounding its forthcoming second full-length album, Stranded In Hell, an ambitious concept record scheduled for release on October 9, 2026, through Digmetalworld & MVD Entertainment Group.
Conceived as an eleven-chapter journey, Stranded In Hell follows a protagonist descending through an infernal realm where fear, temptation, justice, isolation, and survival become interconnected parts of the same story.
Rather than presenting a collection of unrelated songs, the album unfolds as a continuous narrative in which every chapter reveals another layer of an unforgiving world. Musically, Stranded In Hell remains rooted in classic heavy and thrash metal, while embracing cinematic atmospheres and dynamic arrangements that give each composition its own identity.
Ignacio Orellana
For Ignacio Orellana, the album also represents an important personal milestone. Known primarily as a drummer throughout his musical career, Stranded In Hell marks the first time he steps forward as the band’s bassist while also composing, producing, recording, mixing, and mastering the entire album.
“I’ve been a drummer since I was fourteen, but I’ve always wanted to play bass and develop my own musical ideas. This album became the opportunity to finally do that. The music wasn’t written to fit a genre or follow trends; it simply reflects the records I’ve listened to throughout my life and everything I was experiencing while writing it.”
Nelson Diaz
Lyrically, the album was developed by longtime collaborator Nelson Díaz, whose storytelling transforms each composition into another chapter of the album’s descent through Hell. The only exception is “Burning The Black,” written by Orellana as a deeply personal reflection inspired by the illness and passing of his wife, Ximena Muñoz.
Adding another layer to the project, each song features a guest guitarist from across the international metal community, bringing together musicians from Chile, the United States, Brazil, and Colombia.
Track Listing:
One Foot In Hell (Juancho Gómez – Masacre, Colombia)
Burning The Black (Felipe Roa – Acaro, USA)
Succubus (Héctor Guzmán – Distraught, Chile)
Stalking Sharks (Marco Cusato, Chile)
Nameless (Joe Sims – Axemaster, USA)
Red Planet (Regisson Silva – Masterpiece, Brazil)
Vampire (Richard Pilnik, Chile)
The Oneironaut (Cristian Ira – Nimrod, Chile)
Under The Moonlight (Sebastián Osorio – Reigning, Chile)
The album was recorded at Oily Sound Studios (New York, USA), with vocal sessions taking place at Estudios Ultrasónico and Estudios Attic in Chile.
For collectors, Stranded In Hell will be available as limited deluxe digipak CDs, with vinyl editions also available through Digmetalworld.
Release Schedule:
September 1, 2026 – Digital pre-orders begin.
September 1, 2026 – Instant Grat track: “One Foot In Hell.”
September 15, 2026 – Exclusive Bandcamp Listening Party with Ignacio Orellana and Nelson Díaz, where fans will hear the complete album before its official release while interacting live with the creators.
THE FIRST SINGLE TO BE TAKEN FROM THE NEW ALBUM GOH-KA – SET FOR RELEASE ON PEACEVILLE ON SEPTEMBER 4th
Japanese metal pioneers Sigh are back with ‘Unputenpu’, the first single to be taken from their upcoming new studio album ‘Goh-ka’, alongside a stunning new music video created by Costin Chioreanu.
Speaking about the new track, frontman and Sigh mastermind Mirai Kawashima said:
“Honestly, I have no idea at all how the song sounds to other people. Shuffle is the world-widely used rhythm and Japan is no exception. I’ve been using this rhythm in the songs like “Shikigami”, “Ecstatic Transformation”, and “Midnight Sun” but I guess I have completed my own Japanese style on “Unputenpu”. The guitar lead by Mikael Åkerfeldt from Opeth definitely gives another boost to the song.”
“Unputenpu expresses the idea that whether a person is blessed with good fortune or struck by misfortune is determined by God’s will, the will of heaven, fate or something totally beyond our control and we cannot do anything to change it. Anyone could die today or lose somebody you love. Life can be cruel any time. The song is based on my personal experience but I don’t want to talk about the details…”
Goh-Ka is a new highlight of atmosphere, technical mastery, and meticulously arranged epics of metallic grandeur. Main-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically and lyrically.
From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies and Japan into a cauldron and stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock and classical music are also evident over the album’s close to one-hour duration.
The album title ‘Goh-ka’ has a triple meaning, being: 業火 infernal fire scorching sinners, 劫火 a huge fire that burns down the world at the end of time, and 業果 karma. The primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body’s decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, and the detachment from physical beauty and worldly attachment.
It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead and rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover and in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.
PRE-ORDERS OF THE ALBUM FROM THE PEACEVILLE STORE AND BAND STORE WILL COME WITH THE FREE ‘LEGACY OF HORRORS’ 10-TRACK SIGH SAMPLER.
Joining Mirai Kawashima and Dr Mikannibal along with guitarist Nozomu Wakai, are Frédéric Leclercq (Kreator) on bass, plus renowned US drummer Mike Heller.‘Goh-ka’ was recorded across multiple studios, and once again mixed and mastered by Lasse Lammert at LSD studios in Germany.
SIGH TOUR DATES:
EUROPE 09/03 PL Aleksandrow Lodzki Summer Dying Loud 09/04 PL Cracow Zaścianek 09/05 CZ Ostrava Metal III 09/07 DE Munich Hansa 39 @ Feierwerk 09/08 DE Leipzig Moritzbastei 09/09 DE Berlin Badehaus 09/10 DK Copenhagen Beta @ Amager Bio 09/11 DE Hamburg Betty 09/12 DE Oberhausen Death & Damnation Fest 09/13 NL Leeuwarden Neushoorn 09/14 NL Utrecht DB’s 09/15 FR Paris Backstage By The Mill
Japanese metal pioneers Sigh formed in 1989/1990. Their genre-classic Black Metal debut Scorn Defeat arrived in 1993, and with a subsequent journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (and first for Peaceville Records), Shiki. This was followed by the remaking of their Hangman’s Hymn album as part of the band’s 35th anniversary celebrations, in the shape of I Saw the World’s End: Hangman’s Hymn MMXXV (2025).
“Allocated Savagery” is the latest single from veteran German thrash legion, EXUMER. The track comes by way of the band’s latest studio album, Death Mask Messiah, set for release on August 28th through Metal Blade Records.
Death Mask Messiah is inspired conceptually by US politics of the last decade, the pandemic, the use of misinformation to stir up cultural divides, etc. Vocalist Mem V. Stein also explores the 30-year anniversary of Waco, Texas and the standoff with the Branch Davidians.
“‘Allocated Savagery’ delivers a brutal musical and lyrical account of the event,” comments Mem. “The track captures the intensity of the confrontation with the ATF, while reflecting on themes of misinformation and division that still resonate today.”
Watch EXUMER’s previously released video for “Death Mask Messiah”HERE.
Death Mask Messiah serves as EXUMER’s first new studio output in seven years and further cements the band’s legacy as a dauntless thrash metal institution. A logical and compelling progression from their three previous albums, the 11 ferocious songs, produced by Dominic Paraskevopoulos (Kreator, Caliban) and mixed and mastered by Arthur Rizk (Soulfly, King Diamond), take a more brutal and direct musical approach.
Recorded from December 2025 through January 2026, Death Mask Messiah is also the first EXUMER LP recorded with the rhythm section of drummer Jerome Reil and bass player Alex Voss. “You can feel their young energy, coupled with our trademark aggression and experience,” says Mem. “The band sounds more focused and yet raw, thanks to their addition to the lineup.”
The sequencing of Death Mask Messiah mirrors the intended lyrical and conceptual narrative to the music guitarists Ray Mensh and Marc B. composed for the album. The result is an auditory and emotional rollercoaster ride worth repeating.
“I think we are heading toward a thrash renaissance, with legacy bands like us, Exodus and Kreator dropping new albums, and younger bands becoming very popular with younger fans,” Mem observes. While it’s been a few years since EXUMER’s last album, Death Mask Messiah is doubtless worth the wait, the band believes that, “it’s always quality over quantity for EXUMER, and we hope and believe people appreciate that approach.”
As a bonus, Death Mask Messiah includes a guest and a cover song: Nasty Ronnie Galletti from American metal legends Nasty Savage sings on EXUMER’s version of his band’s track “Unchained Angel.” EXUMER supported the band in 1988 on their first European tour.
Death Mask Messiah features front art and layout by Björn Gooßes of Killustrations (Sodom, Vomitory) and will be released on CD-Digipak and digital formats as well as vinyl in the following color variants:
180g Black “Galaxy” Red/Black “Saturn” Grey/Brown Ripple (Ltd. 250) “Onyx” Black Ice w/ White Splatter (Ltd. 250)
11. Unchained Angel (Nasty Savage cover feat. Nasty Ronnie)
EXUMER Live: 10/23/2026 Nuclear Winter Festival 2026 – Hirschaid, DE 11/21/2026 Alcatraz & Pluto Festival – Deinze, BE 2/20/2027 Endzeit Festival 2027 – Essen, DE 7/26/2027 Nackenbrecher Open Air – Teuchern, DE
EXUMER: Mem V. Stein – vocals Ray Mensh – guitars Marc B. – guitars Alex Voss – bass Jerome Reil – drums
Finnish death metal/grind duo GOATBURNER will release Time of Danger on October 9th, 2026, via Time To Kill Records.
Originally released across two separate EPs, Time of Danger brings together the band’s earliest and most essential material in a single release for the first time. The six-track collection unites the 2022 Danger EP and the 2018 Time to Burn EP, tracing the origins and evolution of GOATBURNER‘s unmistakable blend of old-school death metal, sludge and powerviolence.
The first single, “Brutal Awakening”, is available now:
Formed in 2017 by Jaakko “Spider” Forsman and Keijo “Kaos” Niinimaa (ROTTEN SOUND), GOATBURNER was created to channel a raw and uncompromising vision of extreme music built on crushing riffs, primitive grooves and relentless aggression. Working as a two-piece, the band has developed a massive wall of sound that defies expectations both in the studio and on stage.
Time of Danger documents the first chapter of the band’s journey. The A-side features the tracks originally released as the Danger EP in 2022, while the B-side revisits the band’s self-released 2018 debut Time to Burn. Newly mastered in 2026 by Keijo Niinimaa, the release presents these recordings as a cohesive work while preserving their raw intensity and underground spirit.
The cover artwork, painted by drummer Jaakko “Spider” Forsman, reflects the atmosphere of uncertainty, danger and death that defines both the release and the world surrounding it.
With members also known for their work in ROTTEN SOUND, RATFACE, MORBID EVILS, SKULMAGOT and PIKAKASSA, GOATBURNER have spent years relentlessly touring the European underground. Following a summer run with Delinquentes, the band will embark on the legendary Campaign For Musical Destruction Tour 2026, joining grindcore pioneers Napalm Death, death metal legends Master and rising force Brat for an extensive European run throughout November and December.
The tour will bring GOATBURNER‘s devastating two-piece wall of sound to more than twenty cities across the continent, including stops in Germany, Scandinavia, the Baltics, Eastern Europe, Italy, Switzerland and the Netherlands.
Campaign For Musical Destruction Tour 2026:
Napalm Death Master BRAT Goatburner
06.11 – Nürnberg, Germany – Löwensaal 07.11 – Flensburg, Germany – Roxy 08.11 – Copenhagen, Denmark – Pumpehuset 09.11 – Stockholm, Sweden – Kollektivet Livet 11.11 – Oslo, Norway – Vulkan 13.11 – Helsinki, Finland – Korjaamo 14.11 – Jyväskylä, Finland – Lutakko 15.11 – Tampere, Finland – Olympia 17.11 – Tallinn, Estonia – Paavli Kultuurivabrik 18.11 – Riga, Latvia – Spēlēt Concert Hall 19.11 – Vilnius, Lithuania – Loftas 20.11 – Kraków, Poland – Hype Park 21.11 – Jaroměř, Czech Republic – Nároďák Hudební Klub 24.11 – Bucharest, Romania 26.11 – Thessaloniki, Greece – WE 27.11 – Athens, Greece – Gagarin 205 28.11 – Sofia, Bulgaria – Studio Orfei 29.11 – Sofia, Bulgaria – Orfey Myuzik 01.12 – Ljubljana, Slovenia – Cvetličarna 02.12 – Bologna, Italy – Locomotiv Club 03.12 – Aarau, Switzerland – KIFF 04.12 – Lindau, Germany – Club Vaudeville 06.12 – Utrecht, Netherlands – TivoliVredenburg
In a display of utter devastation and dark grandeur, post-deathcore act BURIAL PATH have unleashed their foreboding new offering, “Lilitu” featuring guest vocals by Abigail Bexx. “Lilitu” is accompanied with a powerful performance video. The track follows the band’s previous harrowing single release “A Display of Penance”.
Abigail Bexx shares, “There’s a quiet pressure that comes with being a woman in extreme music. Before you open your mouth, people have already decided what you’ll sound like, what you’ll be capable of, or whether you belong at all. ‘Lilitu’ was born from that tension. It’s about every woman who’s ever felt reduced to someone else’s expectations and choosing to stand anyway.”
Guitarist Matthew McClure comments, “‘Lilitu’ is about rejecting imposed identity. The song progresses through several emotions, from recognizing the oppression of imposed identity to reclaiming one’s true identity and the freedom from that imposition. This is a psalm of rejecting the ‘authority’ that imposes identity and fighting the ideology that sustains it.”
In “Lilitu”, BURIAL PATH unearth obliterating intensity through crushing rhythms, deafening gutturals and ethereal orchestration. The power and anguish of this track is inescapable. The musical arrangement provides no moment of rest; the momentum is unceasing from its onset. “Lilitu” exposes the suffering and oppression of women. Lyrically, BURIAL PATH draw upon religious imagery and ideas that are often used to reinforce patriarchal inequality.
Left to right: Maya Pobst, Abigail Bexx
About BURIAL PATH:
Formed in 2023, BURIAL PATH consists of Maya Pobst (vocals) and Christian Caringer (bassist) from Missouri, Nebraskan Matthew McClure (guitar), Nola Veru (drums) from Texas and Martin Rosa III (guitar) from Florida. Their sound is a refined evolution of Deathcore, leveraging modern production to craft an atmosphere that is both entrancing and resonant, designed to evoke deep emotions and provoke thoughtful introspection through their music.
Black death metal force BELPHEGOR has finished work on its 13th studio album, scheduled for release in the first quarter of 2027 via Reigning Phoenix Music.
The forthcoming record will mark the next chapter in BELPHEGOR’s uncompromising legacy, continuing the band’s relentless exploration of black death metal and its distinctive fusion of brutality, darkness and ceremonial intensity.
As work on the album progresses, BELPHEGOR reminds their supporters to revisit the first two singles from the upcoming release:
Further details surrounding BELPHEGOR’s 13th studio album will be revealed in due course.
BELPHEGOR will also unleash its magickal processions across Europe in autumn 2026 with the “Praise The Beast” European Tour 2026.
The trek kicks off September 29 at Turock in Essen, Germany, and will storm through Belgium, the Netherlands, Scandinavia, Central Europe, Poland, and the UK before reaching its final ritual on October 18 at The Underworld in London.
Joining BELPHEGOR as special guests are death metal legends KRISIUN and black metal coven ASAGRAUM. A fourth band will be announced soon. Stay tuned.
BELPHEGOR “Praise The Beast” European Tour 2026:
29.09. – GER – Essen, Turock 30.09. – BEL – Kortrijk, DVG 01.10. – NLD – Dordrecht, Bibelot 02.10. – NLD – Hengelo, Metropool 03.10. – DEN- Copenhagen, Richter 04.10. – SWE – Gothenburg, Monument 06.10. – FIN – Helsinki, On The Rocks 07.10. – SWE – Stockholm, Kollektivet Livet 08.10. – SWE – Malmö, Plan B 09.10. – GER – Berlin, Musikbrauerei 10.10. – CZE – Uherske Hradiste, Klub Mir 11.10. – CZE – Plzen, Serikovka 13.10. – POL – Krakow, Hype Park 14.10. – POL – Gdańsk, Drizzly Grizzly 15.10. – GER – Osnabrück, Bastard Club 16.10. – UK – Sheffield, Corporation 17.10. – UK – Torquay, Arena 18.10. – UK – London, The Underworld
Tickets and additional information will be available through local venues and promoters.
French progressive death metal visionaries EPITAPHE are set to release their highly anticipated third full-length album, III, on September 11, through Aesthetic Death (CD + LP) and Gurgling Gore (MC).
Following the overwhelming acclaim received by II, EPITAPHE return with their most ambitious and fully realized work to date. Rather than departing from the artistic path that established the band’s identity, III refines, expands and elevates every defining element of its predecessors into a collection of compositions that is both more immersive and more emotionally compelling.
The album pushes the band’s death metal foundation to new extremes, embracing an even harsher, darker and more unforgiving sound without sacrificing the sophistication that has become synonymous with EPITAPHE. Counterbalancing its crushing weight are exquisitely crafted acoustic passages and richly atmospheric interludes that paint vivid sonic landscapes. Once again, at times the distinctive voice of the saxophone plays a central role, adding remarkable depth, warmth and color while further reinforcing the band’s unmistakable musical identity.
Rather than relying on a predictable contrast between moments of aggression and restraint, III unfolds with an organic, narrative flow, allowing each composition to evolve naturally and reveal new layers over repeated listens. Every transition serves a purpose, every melody contributes to the wider emotional arc, and every arrangement reflects a meticulous attention to detail. The result is an album of exceptional scope and cohesion, confirming EPITAPHE as one of the most artistically significant acts in today’s extreme metal landscape.
III was recorded by James Leonard at Mémoire Mécanique Studio and Pentachrome Wave Studio, before being mixed by James Leonard and mastered by Greg Chandler at Priory Recording Studios. The album artwork features “Spring Frost”, a striking painting by acclaimed Finnish artist Petri Ala-Maunus, perfectly complementing the record’s immersive atmosphere and profound sense of scale.
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