Tickets for all shows in Canada and USA go on sale tomorrow, Friday November 21, 10am local time.
2026 North American Tour Dates:
March 27, 2026 – Toronto, ON – The Concert Hall March 28, 2026 – Montreal, QC – M Telus March 29, 2026 – Worcester, MA – The Palladium March 31, 2026 – Pittsburgh, PA – The Roxian April 1, 2026 – Detroit, MI – The Fillmore April 3, 2026 – Minneapolis, MN – The Fillmore April 4, 2026 – Chicago, IL – Byline Bank Aragon Ballroom April 5, 2026 – St. Louis, MO – The Pageant April 7, 2026 – Atlanta, GA – Buckhead Theater April 8, 2026 – Nashville, TN – Brooklyn Bowl April 10, 2026 – Austin, TX – Radio East April 12, 2026 – Los Angeles, CA – The Wiltern
Seventh Album, Settle All Scores, Out Now On Maggot Stomp
INTERNAL BLEEDING, having just days ago stormed the Northeastern US on their three-day release weekend for their merciless new Settle All Scores LP, today announces a run of international tour dates for the first half of the new year.
From March 13th through 15th, INTERNAL BLEEDING will hit the Northeast US once again, playing Albany, Harrisburg, and Baltimore with support from Brick By Brick.
Just announced today, from April 23rd through May 1st, INTERNAL BLEEDING will co-headline across the UK and Ireland with Party Cannon on the UK/IE Vomitour 2026 – True Slam Edition, with shows in Newcastle, Glasgow, Dublin, Manchester, Leeds, Nottingham, Exeter, Cardiff, Birmingham, and Southampton, followed by a set at Incineration Festival in London on May 2nd alongside Hypocrisy, Vreid, Tomb Mold, Blood Fire Death, Dragged Into Sunlight, and more.
INTERNAL BLEEDING will head back across the Atlantic in August to play Death Feast Open Air in Germany. Find tickets HERE and watch for additional dates to be posted shortly.
INTERNAL BLEEDING Tour Dates: 3/13/2026 Empire Live – Albany, NY # 3/14/2026 Capital Music Hall – Harrisburg, PA # 3/15/2026 Metro Baltimore – Baltimore, MD # 4/22/2026 The Grove – Newcastle, UK * 4/23/2026 Slay – Glasgow, UK * 4/24/2026 Grand Social – Dublin, IE * 4/25/2029 Rebellion – Manchester, UK * 4/26/2026 Key Club – Leeds, UK * 4/27/2026 Rescue Rooms – Nottingham, UK * 4/28/2026 Phoenix – Exeter, UK * 4/29/2026 Clwb Ifor Bach – Cardiff, UK * 4/30/2026 Asylum – Birmingham, UK * 5/01/2026 Papillon –, Southampton, UK * 5/02/2026 Incineration Festival – London, UK 8/20-22/2026 Death Feast Open Air – Andernach, DE
= W/ Brick By Brick
= UK/IE Vomitour 2026 – True Slam Edition w/ Party Cannon
For over thirty years, Long Island, New York’s undisputed kings of slam, INTERNAL BLEEDING, have been stabbed in the back, suffered through terrible tragedies, and experienced frustrating setbacks, yet, they have not let these challenges define them. The pent-up anger, frustration, and feelings of betrayal of the past three decades have been crystalized and synthesized into their seventh album, Settle All Scores.
INTERNAL BLEEDING bulldozes everything in its path on these eight new tracks which are focused on those who have done the band wrong. It is a testament to the band’s resilience and strength in adversity. Prepare yourself; Settle All Scores is the most aggressive, slam-filled INTERNAL BLEEDING album to date.
INTERNAL BLEEDING’s Settle All Scores is out now on LP, CD, MC, and digitally through Maggot Stomp HERE.
Produced by INTERNAL BLEEDING, re-amped and mixed by Taylor Young at The Pit Studio in Sunland, California (Nails, Xibalba, God’s Hate), and mastered by Brad Boatright at Audiosiege (Obituary, Creeping Death, Vastum), the production on Settle All Scores is simply decimating.
The album is completed with cover art by Mark Richards (Heavy Hand Illustration, Tomb Gallery & Tattoo) and photography by Paul McNeill. Additionally, guest vocals are provided by Sherwood Webber of Skinless, Mikey Petroski of Never Ending Game, and former INTERNAL BLEEDING vocalists Joe Marchese, Jay Lowe, and Frank Rini.
Young Rock Powerhouse Brings New Life to Classic Anthem Amidst Upcoming UK Tour
London, UK – With her unmistakable voice and raw emotional intensity, Courtney Hadwin delivers a stirring tribute to the late Ozzy Osbourne with her live cover of “Changes.” Recorded at Decoy Studios, she strips away excess production in favor of honesty and grit. Hadwin breathes new life into the Black Sabbath classic, turning it into an introspective reflection on transformation and growth.
Courtney Hadwin’s rendition of “Changes” is both reverent and fierce. Known for her standout vocals and magnetic stage presence, she channels the vulnerability and sincerity that made the original so iconic, while imprinting it with her own soul-driven style. The recording captures the tension between fragility and strength, revealing an artist who continues to evolve beyond her explosive beginnings. “‘Changes’ has always been up there as one of my favourite all-time songs,” says Hadwin. “All I see when I go through my social media comments is ‘cover a Black Sabbath song,’ so I gave it a go on tour a couple months back and I’ve had messages since saying ‘record it,’ so I thought yanno what, why not!”
The track was brought to life by a stellar lineup of musicians, including Orlando Avalon on electric guitar, Gabrielle Ornate on keyboards and backing vocals, Matt Townsend on drums, and Raj Bumia on bass. It was engineered by Robert Sellens, mixed by Orlando Avalon, and mastered by John Webber. Together, they crafted a version that feels both classic and contemporary, a fitting homage to Osbourne’s legacy and a showcase of Hadwin’s artistry.
At just 13 years old, Courtney Hadwin stunned the world with her Janis Joplin–esque audition on America’s Got Talent, a viral moment that introduced millions to her powerhouse voice and bold stage presence. Rather than conforming to the pop expectations that followed, Hadwin forged her own path, channeling her grit, soul, and lived experience into music that speaks directly to her generation.
Now 21, with over 3.7 million followers across TikTok, Instagram, and Facebook, she has grown into a dynamic artist whose sound fuses rock, soul, funk, punk, and R&B. Her debut album Little Miss Jagged, co-written with producer Kevin Bowe (Etta James, Lynyrd Skynyrd, Steve Van Zandt), captures the highs and lows of coming of age through raw storytelling and unfiltered emotion. Praised by outlets like FAULT Magazine, PopDust, and Soundsphere for her distinctive voice and genre-defying style, Hadwin continues to prove she’s far more than a viral sensation; she’s a singular force in modern rock, ready to define her next era on her own terms.
Courtney Hadwin’s cover of “Changes” marks another chapter in her evolution with a balance between her blues-rock roots and a maturing, passionate voice that resonates with authenticity. Since first capturing global attention on America’s Got Talent, she’s grown into one of the most promising young figures in the current rock scene, fearless in exploring new depths while maintaining her trademark fire. In early 2026, she will be embarking on a ten-show tour across the UK, showcasing her new album live.
Tour Dates: Feb 7 – The Cathouse, Glasgow Feb 9 – The Grove, Newcastle upon Tyne Feb 10 – Sidney & Matilda, Sheffield Feb 12 – The Camden Assembly, London Feb 13 – The Lounge Bar, Alton Feb 14 – The Anvil, Bournemouth Feb 15 – The Cobblestones, Bridgwater Feb 17 – The Lodge – The Deaf Institute, Manchester Feb 18 – The Louisiana, Bristol Feb 19 – The Hare & Hounds, Birmingham
Earlier this year, acclaimed Japanese metal vocalist and songwriter Saeko took a temporary step back from music to undergo major surgery. Now on a steady path to recovery, she is gradually returning to creative work and preparing to reintroduce her music to fans around the world.
While her long-anticipated mini-album, originally scheduled for release in 2025, has been postponed to early 2026, Saeko has released the 2025 Remastered Edition of her debut album Above Heaven Below Heaven, worldwide, on all digital platforms. The album was originally produced by Lars Ratz and Co-produced by Michael Ehré.
Due to the original multitrack recordings being unavailable, the remaster was carefully produced using the original CD source. Thanks to the expertise of V. Santura at Woodshed Studio (Germany), the new edition preserves the emotional core and sonic identity of the original while enhancing its overall balance and clarity.
Rather than a reconstruction or remix, this reissue offers listeners the chance to rediscover the work that launched Saeko’s international journey, a journey that saw her tour with Doro Pesch in 2004 and become the first Asian female artist to perform at Wacken Open Air in 2005.
Often hailed as a milestone for Japanese women in the global metal scene, Saeko’s debut album represents a unique cultural bridge between East and West, between deeply personal songwriting and the grandeur of European melodic power metal.
“It’s been over twenty years since I first recorded these songs,” Saeko shares. “Back then, touring with Doro and standing on the Wacken stage as a Japanese woman felt almost impossible, yet it happened. Now, after all these years, I wanted listeners to reconnect with that starting point before hearing how far these songs have evolved.”
Now, two decades later, it stands again as a bridge between the past and the future, leading to the upcoming mini-album that will feature three newly re-recorded tracks from this original work.
SAEKO line-up: Saeko Kitamae – Vocals Guido Benedetti – Guitars Alessandro Sala – Bass Michael Ehre – Drums
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