Archive for September 22, 2021

Spain’s THIRTEEN BLED PROMISES Releasing ‘Foundation’ EP October 22nd On Lacerated Enemy 

Posted in Heavy Metal with tags , , , , on September 22, 2021 by Metal Odyssey

Madrid (SP) – Spanish Death Metal horde THIRTEEN BLED PROMISES will release Foundation this October 22 on Lacerated Enemy Records. The EP’s first single, “A Humanless War,” is available now at youtu.be/BMFDeoTly08.

Visit this location for single availability on other digital platforms.

On the Foundation EP, THIRTEEN BLED PROMISES play dissonant blackened technical death metal in the vein of Obscura, Der Weg einer Freiheit and Abhorrent.

Comments Lacerated Enemy: “We are very pleased to announce that THIRTEEN BLED PROMISES has joined Lacerated Enemy family. Hailing from Madrid, Spain, THIRTEEN BLED PROMISES formed in 2006 creating their brand of technical Brutal Death Metal. After releasing two successful albums, Heliopause Fleets (2012) and The Black Legend (2015), the band established a strong fan base in Europe and received great reviews for both.”

While supporting numerous well known acts since the creation of the band, THIRTEEN BLED PROMISES was ready to enter the studio again to record another masterpiece of blackened technical death metal. The record brings its influences from progressive and technical songwriting, while still accompanied by a blackened atmospheric quality that keeps the listener intrigued about what will come next.

Line-up:
Johny – Drums, Dario – Guitar, Fran- Guitar, Cosmea – Bass, Turri – Vocals


Pre-order:

laceratedenemy.bigcartel.com/artist/thirteen-bled-promises 

laceratedenemyrecords.

bandcamp.com/album/thirteen-bled-promises-foundation

Track Listing:
1. A Dead Fucking Alien And Now I Am Fucking Immortal, 2. Hell Froze, 3. Intergorelactic, 4. A Humanless War

facebook.com/thirteenbp

Source: ClawHammer PR

LONG LIVE THIRTEEN BLED PROMISES.

New York City’s TOWER To Release ‘Shock To The System’ In November 

Posted in Heavy Metal with tags , , , , on September 22, 2021 by Metal Odyssey

New York (NY) – In November, NYC true metallers TOWER will release their sophomore studio album, Shock To The System, via Cruz Del Sur Music. The album was recorded in May and June at Artifact studio in Ridgewood, New York, with Sasha Stroud serving as co-producer and engineer. The album’s cover was created by Morgan Jesse Lappin. 

According to vocalist Sarabeth Linden, half of the music and lyrics for Shock To The System were written during the recent lockdown attributed to the global pandemic. The result is TOWER’s most complete outing to date — a veritable metal call-to-arms that combines the band’s energetic brand of NWOBHM and classic rock into ten anthemic cuts. 

“We stayed centered around our established style but took it to new levels in some places,” says Linden. “The heavy parts are heavier than before, the fast parts are faster, the slow parts are slower, and one song is around seven minutes, which we’ve never come close to previously. Musically, there are a lot of firsts on this record.” 

TOWER (who are completed by the guitar tandem of James Danzo and Zak Penley and drummer James Jones) only has one previous full-length studio album to their credit, 2016’s self-titled outing. While their 2019 Tomorrow & Yesterday EP featured four songs of rocked-up metal, Shock To The System takes TOWER’s sound to the next level.  

“The first album is already five years old!” exclaims Linden. “It seems so long ago now. The songs that are still in the live set, like ‘Flames’, ‘Raceway Rock’ and ‘Elegy’ are still very much in the vein of the new material. The EP was a bit more simple and aggressive, and those elements are on the album, too, but manifest in a different way. In general, we have grown a lot as a band and as individuals. We’ve matured, and it’s reflected in the music.”

TOWER recently celebrated its return to the stage in July. With Shock To The System in the can, the band plans on preparing for future live dates — and a new bassist. “We’re in the process of revamping the lineup for tour, as Jeff Filmer stepped aside to give his full attention to his bands SHADOWLAND and HUSTLER,” closes Linden. “We’ll be ready to hit the road by year’s end. See you soon! Be prepared!”

Track Listing:
1. Blood Moon, 2. Prince of Darkness, 3. Metatron, 4. Running Out of Time, 5. Lay Down the Law, 6. Hired Gun, 7. The Black Rose, 8. On the Line, 9. In Dreams, 10. Powder Keg

Line-up:
Sarabeth Linden – Vocals
James Danzo – Guitar
Zak Penley – Guitar
James Jones – Drums
*Bass on the album recorded by Jeff Filmer.

towernyc.bandcamp.com/releases

facebook.com/TOWERnyc
cruzdelsurmusic.com

Source: ClawHammer PR

LONG LIVE TOWER.

JOAN AVANT Announces New Album  

Posted in Heavy Metal with tags , , on September 22, 2021 by Metal Odyssey

Dies Irae is the new enchanting, gothic offering from JOAN AVANT. Based out of Dallas, Texas, JOAN transcends genre boundaries writing classically inspired music with an experimental, heavy edge. Following her 2019 debut Drown Ophelia, the new release is louder, nastier, and darker.

JOAN comments:

“This album really melds a world of fantasy Victoriana with symphonic hard rock. I can’t wait to share it.”  

JOAN’s musical venture began in childhood with classical training. Having become frustrated by the limitations of classical music and drawn to the artistic freedom of rock and metal music, she fused the two elements into her self-titled rock act.

Dies Irae will release on the 10th of December 2021 via Red Masque Records.

Track List:

  1. Cirque Fernando
  2. Better Broken
  3. Courtesan
  4. Mr. Chandler
  5. Party for Dolores
  6. Dies Irae
  7. Marionetta
  8. All the Voices
  9. Keys to the Castle
  10. End of the Opera

Links:
https://www.joanavant.com

https://www.redmasquerecords.com/

Source: C Squared Music

LONG LIVE JOAN AVANT.

W.E.B. – Greek Symphonic Extreme Metal Act To Release ‘Colosseum’ Full-Length November 19th Via Metal Blade Records; New Video Now Playing + Preorders Available 

Posted in Heavy Metal with tags , , , , on September 22, 2021 by Metal Odyssey

(Photo by Georgina Staikou)

Athens-based metal outfit W.E.B. will release their Colosseum full-length on November 19th via Metal Blade Records today; unveiling the record’s artwork, track listing, first single, and preorders.

Forged in 2002 out of a “necessity to scream, blast, and create emotions and get on stage to exchange them with an audience,” Greece’s W.E.B. have steadily forged a path to becoming one of the premier European symphonic extreme metal bands expressing darkness and death through adrenaline and poetry. An output that’s both candid and theatrical, W.E.B. is here to move you, provoke you, and invite you on a journey through ravendark and starless nights. With four albums already under their collective belt, 2021’s fifth full-length, Colosseum, is inarguably the band’s greatest and most direct work to date.

“We wanted this album to be as straightforward as we could make it. We wanted it to be aggressive and to the point, and at the same time we have pushed literally everything, higher, faster, louder, harder. It is our most metal album,” states guitarist/vocalist Sakis Prekas. Combining the brutal with the catchy and drenching it in orchestrations that only serve to expand its epic scale, Colosseum is a thrilling, gripping listen with each of its nine tracks playing an important part in the album as a whole, making it clear that W.E.B. stands toe-to-toe with anyone in their genre.

With Colosseum, the band welcomes two new members: drummer Nikitas Mandolas, who joined following the recording of 2017’s Tartarus and whose playing is perfectly suited to the music W.E.B. make, and bassist/vocalist Hel Pyre. “Apart from the great lyrics and the perfect bass performance, she offered her brutal and clean vocals on many parts of the album, leaving her own mark of fire. This is a completely new element for W.E.B. that really gave a unique character to the material.”

With the lineup solidified, writing commenced in early 2019, sending ideas back and forth to one another, subsequently honing each song over many pre-production sessions. “With no references, when we make music, our only thoughts are that we want to make it sound as awesome as we can,” states Sakis. The dramatic orchestrations are of course a large part of that, with Christos Antoniou of Septicflesh handling this aspect of the sound as he has on previous W.E.B. releases. “Metal is the most revolutionary music genre ever to exist; adding to it symphonic orchestra makes the experience even more epic and emotional in a massive way. We want our music to inspire the senses, thus we aspire to make it intense from our perspective.”

Stream W.E.B.’s first single “Dominus Maleficarum” at THIS LOCATION.

W.E.B.’s Colosseum will be available on CD, fruit punch-colored LP, and digital formats. Find preordering options HERE.

In titling the record ColosseumW.E.B. draw comparisons with the past and present, in typically brutal style. “The Colosseum was the famous gigantic arena in Rome to give the people ‘food and spectacle,’ whereas what it truly did was to quench the mob’s thirst for blood and violence and keep their minds away from thinking; kind of an ancient TV-brainwash machine,” notes Sakis. “People nowadays seem to be thirsty for blood more than ever. They seek violence in almost everything. You can see it in social media, in the streets – even a simple fight between kids in a schoolyard attracts the other kids, not to separate but to watch. Humans miss the Colosseum and what it gave to their violent nature, even though they will never admit it. The title Colosseum is the irony of giving them what they secretly desire. Maybe then they will start to understand what they see in their mirror and hopefully it will bother them.”

Colosseum was recorded, mixed, and mastered in Sound Abuse Production Studio in Athens by Psychon and produced by Sakis Prekas. While Sakis admits it was the most difficult record they’ve ever made, it was also the smoothest of all recording sessions, largely due to being so prepared. “It also had to do a lot with the chemistry between us and the way Psychon works with us: keeping the recordings on a strict schedule, and at the same time making us always feel comfortable to express ourselves.”

Still, there were obstacles to overcome when it came to orchestrations and arrangements. “When you enter the rabbit-hole of symphonic orchestra and synths, you are in a chaos of sounds, and new ideas are always born through this. We had to spend hours on sound design and decisions like never before, yet the outcome speaks for itself.”

http://webmetalband.com

http://www.facebook.com/webdarkness

Source: Earsplit PR

LONG LIVE W.E.B.

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