Colombian black/death/grind force FLAGELO will see their ferocious debut EP Insaciable released worldwide on October 31st, 2025, through Nuclear Winter Records (CD and LP) and Night Terrors Records (MC).
Originally self-released by the band earlier this year, the record quickly carved its place as a raw and unrelenting slab of extreme metal. With its suffocating mix of grinding speed, cavernous doom and blackened atmosphere, Insaciable captures the essence of FLAGELO’s vision: primitive yet inventive, violent yet textured. Now given a full-scale release, the EP promises to drag a wider audience into the group’s vortex of visceral aggression, menacing soundscapes, and apocalyptic rage.
Track-list:
Insaciable
Viral
Rey de Nada
Historia Animal
Eslabón
Hailing from Colombia, with members from a handful of projects from Cali’s ripe underground, purveyors of grinding black death FLAGELO began activities in 2022 as an exercise in visceral aggression and menacing atmosphere.
Their first collection of songs released in 2025 titled Insaciable is a living, breathing slab of extreme sounds spanning blackened death, doom and grindcore. Melding inventive and atmospheric ideas into a primitive and straightforward approach that retains vile power and weight. All the while a barrage of bellowing voices and shrieks hurls misanthropic curses onto a self-annihilating world.
Line-up:
Francisco Gallego – Vocals Sebastián Osorio – Vocals, Guitars Miguel Méndez – Vocals, Guitars Luis Miguel Cuartas – Bass Juan José Moya – Drums
Ambitious and forward-looking, FLAGELO are already preparing the next chapter in their assault on the underground. With new material in the works and a confirmed slot at the 2026 edition of the Total Death Over Mexico Festival, the future looks certain to bring even more devastation.
FFO: Knelt Rote, Black Curse, Dead Congregation, Caustic Wound, Verberis
NYC’s legendary pioneers, AGNOSTIC FRONT, are set to unveil the unapologetically fierce new album Echoes in Eternity. The band’sestablished sound remains best known for their pure adrenaline-fueled riffs, unrelenting energy and outspoken critique on social corruption. “Way of War” is the first single to land ahead of this forthcoming onslaught; Echoes in Eternity is set to arrive in its full thunderous form on November 7, 2025, via Reigning Phoenix Music.
“The track is very much a sign of the times! How the corrupt politicians greed pulls us and many other nations into senseless wars. These actions unfortunately, come with casualties that civilians never call for. It’s the way of war.”
AGNOSTIC FRONT hold nothing back. In “Way of War”, the forthcoming album’s opener, a relentless storm of driving rhythms and aggressive vocal chants awaits. It’s an abrasive and raucous display of power against injustice.
AGNOSTIC FRONT is set to tour the Western United States this fall with a stacked line-up including STRUNG OUT (playing Exile In Oblivion in its entirety), MURPHY’S LAW and LA ARMADA. The tour is set to kick off on Wednesday, October 15th in Denver CO and will continue to pummel audiences across the West Coast until ending on November 2nd in Garden Grove CA.
Following the East Meets West tour, the band will then embark on an East Coast US tour with RAW BRIGADE and VIOLENT WAY as support.
EAST MEETS WEST TOUR DATES: October 15, 2025 – The Oriental Theater – Denver, CO October 16, 2025 – Metro Music Hall – Salt Lake City, UT October 17, 2025 – The Shredder – Boise, ID October 18, 2025 – Hawthorne Theatre – Portland, OR October 19, 2025 – El Corazon – Seattle, WA October 21, 2025 – The Ritz – San Jose, CA October 22, 2025 – Goldfield Trading Post – Sacramento, CA October 23, 2025 – Cornerstone Berkeley – Berkeley, CA October 24, 2025 – Ventura Music Hall – Ventura, CA October 25, 2025 – The Glass House – Pomona, CA October 26, 2025 – Swan Dive – Las Vegas, NV October 28, 2025 – The Rock – Tucson, AZ October 29, 2025 – The Nile Theater – Mesa, AZ October 30, 2025 – Transplants Brewery – Palmdale, CA November 01, 2025 – House of Blues – San Diego, CA November 02, 2025 – Garden Amp – Garden Grove, CA
East Coast American Tour 2025: Dec. 4 Cambridge, MA@ The Middle East Dec. 5 Atlantic City, NJ @ Anchor Rock Club Dec. 6 NYC, NY @ Irving Plaza Dec. 9 Richmond, VA @ The Canal Club Dec. 10 Columbia, SC @ New Brookland Tavern Dec. 11 Atlanta, GA @ The Masquerade (Hell) Dec. 12 Melbourne, FL @ Pineapples (Moon Room) Dec. 13 Miami, FL @ Gramps Dec. 14 Tampa, FL @ The Orpheum Dec. 15 Jacksonville, FL @ The Albatross Dec. 16 Greenville, SC @ Radio Room Dec. 17 Wilmington, NC @ Reggie’s 42nd Street Tavern Dec. 18 Raleigh, NC @ The Pour House Dec. 19 Lynchburg, VA @ Super Rad Arcade Dec. 20 Altoona, PA @ McGarvey’s Bar & Grill Dec. 21 Allentown, PA @ Archer Music Hall (Arrow)
A FIERY, CINEMATIC, AND UNCOMPROMISING INSTRUMENTAL HEAVY METAL EXPERIENCE THAT PUSHES THE BOUNDARIES OF THE VIOLIN
Esin Yardimli Alves Pereira, is known for her Celtic and Nordic albums and orchestral compositions for RPG players, and for performing medieval and Renaissance melodies on historical instruments with her ensemble The Wandering Bard, while reaching thousands of listeners every month. She has also shared the stage with Fernando Ribeiro, (vocalist and lyricist of MOONSPELL) and will make her debut on the heavy metal scene with an EP.
Released by the label CordaSonora, KIANIS – Homage to Carmilla is a five-part, 12-minute EP set to be released on all digital platforms on October 31st, Samhain/Halloween. The first single, a strong and intense segment from the heart of the story, “Part II: …Twelve years ago, I saw your face in a dream” will be available to listeners on October 3rd.
The EP pays homage to Joseph Sheridan Le Fanu’s gothic classic Carmilla. Esin gives voice to the lesbian vampire Carmilla, who has historically remained in Dracula’s shadow, through her violin. The EP builds on the book’s gothic atmosphere, evoking determined, powerful and contradictory female figures and the darkest shades of red. Its 12-minute progressive and intense form mirrors the short but striking structure of the novel, delivering a dramatic impact.
Drums are performed by Xi, from the black metal band, GAEREA. Xi’s drumming emphasizes the dark and threatening nature of the EP. Esin considers having drums recorded by a musician of this caliber a great honor and source of pride for the project. On guitars and bass, Ricardo Alves Pereira, who has shared life, stage, and studio with Esin for years, strengthens the EP’s old-school backbone with riffs that support the orchestral texture without overshadowing the violin.
Having achieved her desired dynamics and intensity with real string instruments since The Songbook of Tchinar releases, Esin recorded all orchestral parts herself. During production, the orchestral mix was handled by Esin, while Metehan Köktürk, (whom Esin has long called her “personal Jedi”), mixed and mastered the EP, bringing Carmilla’s ferocious tone to life.
The EP speaks to listeners who appreciate timeless music, independent of today’s fast-consumption trends. Esin’s audience includes those who have passionately listened to the same albums for ten, forty, or fifty years, as well as those in the heavy metal world looking to experience a new energy with the violin. KIANIS – Homage to Carmilla proves that violin and orchestral elements can take center stage in heavy metal.
Who is Esin Yardimli Alves Pereira? Esin is a musician, composer, and producer whose work revolves around the violin and its relatives, producing across a wide musical spectrum. She has performed classical, rock, jazz, medieval, and Renaissance music for almost twenty years.
Focused on historically informed performance practices and yet innovative, The Wandering Bard has also brought to stage a selection of the Iberian Peninsula’s +-800-year-old scorn and mockery songs (cantigas de escarnio e maldizer) with MOONSPELL’s vocalist and songwriter, Fernando Ribeiro.
In 2017, Esin turned toward production and sound engineering and co-founded the label CordaSonora, with Ricardo Alves Pereira. She has been involved in the sound engineering and design of 17 album releases. In 2024–2025, she becomes co-director of the Ciclo de Música Medieval de Leiria and Dias de Música Medieval da Batalha festivals in Portugal.
From Esin about KIANIS – Homage to Carmilla: “This EP matured in my dreams for a long time; it emerged when I felt I could convey my emotions fully while maintaining my own identity. I have played in rock and underground metal bands across various countries. In the early days, there weren’t even smartphones or digital cameras to capture a memento or two, and unfortunately, no band I joined since then lasted. I am tired of saying, ‘You know, I used to play metal,’ and with this EP, I no longer need to. I look forward to collaborating with other musicians who will draw inspiration from this EP and imagine my violin in their music. I played all string parts myself, translating the misty, eerie orchestral sounds in my head directly into the recording.
The conceptual framework of the EP is based on the idea that beauty can also be frightening. Carmilla is not alone; in literature, folk tales, and mythology, many powerful female figures are ultimately portrayed as ‘monsters’ or ‘threats’, yet the flame of love for them never dies. The violin, capable of being both seductive and aggressive, is one of the best instruments to convey this theme.
Each section’s title is taken directly from the Carmilla book, at most serving as a guide, while the EP’s instrumental form frees the listener’s imagination. Simple and strong rhythmic structures communicate directly to the listener’s pulse and my harmonic and melodic choices aim to convey the intended emotions as clearly as possible.”
“My influences within the genre include members of Opeth, Dimmu Borgir, Septicflesh, Moonspell and Symphony X. Outside the genre: Jeremy Soule, Marcin Przybyłowicz, Paweł Błaszczak, Adam Skorupa, Krzysztof Wierzynkiewicz, Dario Marianelli and Sean Callery. Outside of music: Zdzisław Beksiński, John Howe, Richard Taylor, Michael Ende, Mary Shelley, H.P. Lovecraft, Edgar Allan Poe, and Sheridan Le Fanu. I hope one day to thank them all individually, at least those still alive.”
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