NILE And CORONER – UNDERWORLD DISSONANCE U.S. TOUR 2027:
Plus Guest Support Syn Absence
Tue, March 2 – Greenville, SC at Radio Room Wed, March 3 – Nashville, TN at The Basement East Fri, March 5 – Dallas, TX at AM/FM Sat, March 6 – Corpus Christi, TX at House of Rock Sun, March 7 – Austin, TX at Come and Take It Live Tue, March 9 – Albuquerque, NM at Sunshine Theater Wed, March 10 – Mesa, AZ at Nile Theater Fri, March 12 – Boise, ID at Shrine Social Club Sat, March 13 – Spokane, WA at Knitting Factory Sun, March 14 – Seattle, WA at El Corazon Mon, March 15 – Portland, OR at Hawthorne Theater Wed, March 17 – Roseville, CA at Goldfield Roseville Thu, March 18 – San Francisco, CA at Great American Music Hall Fri, March 19 – Santa Ana, CA at Observatory Sat, March 20 – Los Angeles, CA at The Whisky Sun, March 21 – San Diego, CA at House of Blues Tue, March 23 – Denver, CO at Oriental Theater Thu, March 25 – Lincoln, NE at Bourbon Theater Fri, March 26 – Des Moines, IA at Wooly’s Sat, March 27 – Milwaukee, WI at The Rave Sun, March 28 – Joliet, IL at The Forge Tue, March 30 – Flint, MI at Machine Shop Wed, March 31 – Lakewood, OH at Mercury Fri, April 2 – Sayreville, NJ at Starland Ballroom Sat, April 3 – New York, NY at Gramercy Theatre Sun, April 4 – Worcester, MA at The Palladium Upstairs Tue, April 6 – Lititz, PA at Mickey’s Black Box Wed, April 7 – Baltimore, MD at Baltimore Soundstage Fri, April 9 – Pittsburgh, PA at Preserving Underground Sat, April 10 – Columbus, OH at The King of Clubs Sun, April 11 – Leesburg, VA at Tally Ho Theater
75. 40. 20. Three numbers. One extraordinary chapter in heavy metal history. New Album available for Pre-Order now
2027 marks a unique triple anniversary for Udo Dirkschneider and U.D.O.: Udo turns 75, U.D.O. celebrate 40 years as a band, and Voodoo Ranger marks the release of the German heavy metal institution’s 20th studio album. This very special record release will be celebrated on January 8, 2027 via powerhouse label Reigning Phoenix Music.
Today, U.D.O. open this milestone chapter with the first taste of Voodoo Ranger: new single “I’ll Die Trying.” Accompanied by an official music video, the track also marks the launch of the album pre-order.
Watch the official video for “I’ll Die Trying” HERE:
Rather than launching Voodoo Ranger with an all-out metal attack, U.D.O. introduce the album with one of its most personal moments. “I’ll Die Trying” is a classic U.D.O. ballad about perseverance, self-belief and staying true to your path, carried by the unmistakable voice of Udo Dirkschneider.
Voodoo Ranger – Track-list: 01. Testify 02. The Sky Is The Limit 03. Keep Me Alive 04. Back Breaker 05. I’ll Die Trying 06. Reach For The Crown 07. Pain & Glory 08. Hell Hunt 09. Voodoo Ranger 10. Magic Life 11. Devil’s Mind 12. Movin’ On
The song also became the album’s first single through an unexpected turn of events; a change of plans that, as Udo explains, ultimately felt like the right choice.
Udo Dirkschneider comments: “‘I’ll Die Trying’ is one of the most personal songs on Voodoo Ranger. It’s about never giving up, believing in yourself and always moving forward, no matter what life throws at you. The last verse especially means a lot to me because it reflects what I’ve experienced on stage for so many years. Every concert is a special moment and as long as people want to hear me sing, I’ll keep giving everything I’ve got. I’ve always believed that a great ballad can be just as powerful as the heaviest metal songs, and throughout my career these songs have become some of the most memorable ones. ‘I’ll Die Trying’ is another one of those songs that comes straight from the heart.
We originally planned to launch Voodoo Ranger with a different song, but after Peter and Alen were injured during one of the recent concerts of the Balls To The Wall – 40th Anniversary Tour, we had to postpone the original video production. Rather than rush things, we decided to let ‘I’ll Die Trying’ lead the way. Looking back, it feels like the right choice. The song captures a side of U.D.O. that has always been important to me. Ballads have been part of my career from the very beginning, and our fans have always embraced them. At the same time, nobody should think this album is getting softer: Voodoo Ranger is packed with classic U.D.O. power and has plenty of surprises waiting.”
AndVoodoo Ranger does indeed have more than a few surprises in store.
The album finds U.D.O. as unmistakable as ever with their signature sound firmly intact. Powerful riffs, massive hooks and Udo Dirkschneider’s unique voice meet heavier and darker moments.
Written by Udo Dirkschneider, Sven Dirkschneider, Peter Baltes and Fabian “Dee” Dammers, with additional contributions from new guitarist Alen Brentini, Voodoo Ranger brings four decades of heavy metal experience into an album that sounds unmistakably U.D.O. The album was produced and mixed by Martin “Mattes” Pfeiffer, mastered by Stefan Kaufmann, while its artwork was painted by acclaimed artist Eliran Kantor.
The album is only one part of what will make 2027 an exceptional year for Udo Dirkschneider and U.D.O. The band will celebrate four decades of U.D.O. live with the extensive Triple Anniversary Tour 2027, taking the anniversary across Europe and bringing together material from throughout the band’s history.
At the same time, another major chapter in Dirkschneider’s story will be told away from the stage: his official autobiography, created together with Dan Dreyer, will be published in the very same month as Voodoo Ranger.
Album, book and tour therefore meet at a unique point in his career. After more than five decades in heavy metal, Udo Dirkschneider has plenty of history to look back on, yet Voodoo Ranger makes one thing equally clear: U.D.O. are still looking ahead.
75 years. 40 years of U.D.O. 20 albums. And the metal heart keeps beating.
U.D.O. Artist Line-Up: Udo Dirkschneider – Vocals Sven Dirkschneider – Drums Fabian “Dee” Dammers – Guitar Peter Baltes – Bass Alen Brentini – Guitar
U.D.O. – TRIPLE ANNIVERSARY TOUR 2027
09.01.2027 DE-Leipzig, Haus Auensee 10.01.2027 DE-Hamburg, Große Freiheit 36 11.01.2027 DE-Berlin, Huxleys Neue Welt 12.01.2027 DE-Frankfurt, Batschkapp 13.01.2027 DE-Braunschweig, Westand 15.01.2027 DE-Oberhausen, Turbinenhalle 16.01.2027 DE-Markneukirchen, Musikhalle 17.01.2027 DE-Munich, Backstage Werk 18.01.2027 DE-Stuttgart, LKA-Longhorn 19.01.2027 FR-Paris, Bataclan 21.01.2027 CH-Pratteln, Konzertfabrik Z7 23.01.2027 ES-Barcelona, Sala Apolo 24.01.2027 ES-Madrid, Revi Live 25.01.2027 ES-Villava, Sala TOTEM Aretoa 27.01.2027 ES-Seville, Sala Custom 28.01.2027 PT-Lisbon, LAV – Lisboa ao Vivo 29.01.2027 PT-Porto, Hard Club 01.02.2027 IT-Milano, Magazzini Generali 02.02.2027 SI-Ljubljana, Club Cvetličarna 04.02.2027 BG-Sofia, Hristo Botev Hall 05.02.2027 RO-Bucharest, Quantic 07.02.2027 HU-Budapest, Barba Negra 08.02.2027 CZ-Ostrava, Club Garage 09.02.2027 CZ-Brno, Sono Centrum 11.02.2027 PL-Wroclaw, Concert Center A2 12.02.2027 PL-Poznan, B17 13.02.2027 PL-Krakow, Studio Kraków 14.02.2027 PL-Warsaw, Progresja 15.02.2027 PL-Gdańsk, Stary Manez 17.02.2027 SE-Gothenburg, Pustervik 18.02.2027 NO-Oslo, Vulkan Arena 20.02.2027 FI-Tampere, Tavara-asema
Tankcrimes is pleased to unveil a CD repress of Wings Of Chains, the debut full-length from Richmond, Virginia speed metal cult, BAT.
BAT‘s esteemed membership on Wings Of Chains is well known featuring vocalist/bassist Ryan Waste (Municipal Waste, Volture), guitarist Nick Poulos (Municipal Waste, Volture), and drummer Felix Griffin (D.R.I.) and their collective experience bleeds through every gnarled note of the record.
Initially released in 2016 via Hells Headbangers, the twelve-track production is an unapologetic firestorm of filth and fury. But more than that, such hard-charging and immediately headbanging speed metal can only come from total diehards who intimately know the secret of steel. From the opening “Bloodhounds” on down to the band’s titular theme song, BAT barrels forth like filth hounds of Hades, pounding metal with violence and force, leaving “Total Wreckage” in their wake.
Comments Ryan Waste, “We’re psyched to have our debut album back on CD format to accompany the LP at Tankcrimes. Many of these songs will remain in the setlist for our upcoming tour with Voïvod this October. BAT is flying higher than ever on Wings Of Chains!”
Order Tankcrimes’ CD and vinyl editions of BAT’s Wings Of Chains HERE.
Stream THOMAS MILLER’S LAZARUS EFFECT’s “Closer To The Sun” HERE.
As THOMAS MILLER’S LAZARUS EFFECT, the new venture from former founding Symphony X bassist Thomas Miller, prepares to release its eponymous debut through Sensory Records in October, the label presents the album’s second single, “Closer To The Sun.”
Thomas Miller started his music career in central New Jersey and played in numerous cover and original bands influenced by progressive bands from the 1970s and 1980s. In 1986, he met Michael Romeo, a local progressive and classically influenced guitarist, with whom he then recorded and played in several bands. In 1994, they formed Symphony X and recruited the rest of the band members to complete the lineup and sign with Japanese record label, Zero Records.
After international critical acclaim for their albums Symphony X, Damnation Game, The Divine Wings Of Tragedy, Twilight In Olympus, and A Prelude To The New Millenium, they did various tour dates in Japan, Europe, and NYC. Shortly afterwards, due to personal issues, Thomas stepped away from the band.
Continually writing and recording on various projects and honing his writing skills, Miller collaborated on a recording project with vocalist Hollywood How Portney in 2017, and after interactions with fans over the years and realizing his chemistry with How, he decided to start writing for a new project, which would become THOMAS MILLER’S LAZARUS EFFECT.
Two former Symphony X bandmates, guitarist Michael Romeo and keyboardist Michael Pinnella, would also lend their talents to the project, and Eric Rachel – producer of Symphony X’s first six albums as well as Black Sabbath, The Black Dahlia Murder and countless others, was enlisted to mix and master the album, which is completed with art and design by Rodrigo Gudiña.
The result is an epic, forty-nine-minute progressive metal opus, inspired by majestic themes and various musical overtones. Fans of Symphony X, Dream Theater, Circus Maximus, Redemption, Kamelot, and other grand progressive metal acts should immediately check out THOMAS MILLER’S LAZARUS EFFECT.
Miller delves, “‘Closer To The Sun’ takes a more progressive direction than the first single, ‘When Darkness Falls.’ This song represents the combination of mythological lyrics, middle eastern tonalities and aggressive guitar and bass rhythms. I also liked the idea of acoustic guitar and violin to add another layer to the musical atmosphere, setting the story line as a buildup to the main rhythmic themes.”
THOMAS MILLER’S LAZARUS EFFECT’s “Closer To The Sun” is now playing on Bandcamp HERE and YouTube HERE.
Sensory Records will release Thomas Miller’s Lazarus Effect on CD, LP, and digital platforms on October 30th. Preorders are live at the label webstore HERE and on Bandcamp, the standard audio HERE and the 24-bit hi-res HERE.
Stand by a new video and more on the album to drop over the coming weeks.
Death metal veterans SINISTER Official return with their fifteenth studio album, “Lucid Nightmares”! Pre-order begins NOW!
It’s an absolute “must have” for all fans of traditional death metal. The album features ten tracks packed with catchy, memorable riffs and an incredibly brutal sound; combined, these elements open a new chapter in band’s career and elevate Sinister to even higher level.
New album Keeper Of The Light arrives January 29, 2027 via PERCEPTION – A Division Of Reigning Phoenix Music
Following the recent announcement of their brand-new studio album, Keeper Of The Light, and its powerful first single “Last Man Standing,” power metal force SERIOUS BLACK are back with another new track. Today, the band has released the official music video for their new single “Party in the Sun,” taken from the upcoming record, which will arrive on January 29, 2027 via PERCEPTION – A Division Of Reigning Phoenix Music. In support of the release, the band will embark on an extensive tour throughout Europe with Rhapsody Of Fire and support bands; find all dates listed below!
Inspired by the incomparable atmosphere of Wacken Open Air and the worldwide heavy metal community, “Party in the Sun” is a celebration of everything that makes rock and metal culture so special: friendship, unity, live music and the unique bond shared by bands and fans across the globe. With its infectious energy and festival spirit, the song delivers a fitting soundtrack for everyone whose heart beats to the rhythm of heavy metal.
And if that chorus sounds like it was made for a rather big stage, SERIOUS BLACK happens to agree. The band have decided to throw their hat into the ring for the Eurovision Song Contest 2027, submitting “Party in the Sun” for consideration as Germany’s entry. Whether the road ultimately leads from the festival fields to the Eurovision stage remains to be seen, yet a song about bringing people together through music seems like a pretty good place to start.
Band mastermind Mario Lochert comments: “Party in the Sun” tells the story of the worldwide heavy metal family, people from all corners of the globe whose hearts beat to the same rhythm. It is a song about unity, friendship, and the unique bond between musicians and their audience that makes the rock and metal scene so special. Inspired by the incomparable atmosphere of Wacken Open Air, widely regarded as one of the world’s most iconic metal festivals, the song is a tribute to this unique way of life. At the same time, its message represents the entire festival and live concert culture, because wherever people come together to celebrate music, this extraordinary sense of unity and the magic of rock and metal comes to life.”
“Party in the Sun” is a summer party that celebrates metal, friendship and unity.”
Keeper Of The Light – Tracklist: 1. Last Man Standing 2. Final Ride 3. Guardian Of Eden 4. Majestica 5. Light Up the Sky 6. Keeper Of The Light 7. Party In The Sun 8. Little Bird Fly 9. Rise Of A Hero 10. Bad Surprise 11. Lords Of Metal
Since their formation, SERIOUS BLACK have established themselves as one of the leading names in modern power metal. Combining the experience of musicians from renowned metal acts with memorable songwriting, crushing guitars, anthemic choruses and emotionally charged melodies, the band has built a strong international reputation.
With multiple charting releases, more than 200 concerts worldwide, and acclaimed performances at major festivals and tours across Europe, Asia and beyond, SERIOUS BLACK continue to prove why they remain one of the genre’s most compelling live acts. Keeper Of The Light perfectly captures the band’s trademark blend of power, melody and passion while pushing their sound forward with renewed energy.
Marking the band’s next chapter, the album once again showcases everything fans have come to expect from SERIOUS BLACK: massive guitar riffs, driving rhythms, soaring melodies and the unmistakable vocals of Nikola Mijic, all wrapped in a powerful, modern production by Mario Lochert and Bob Katsionis.
All of the eleven songs on the album will see SERIOUS BLACK stylistically return to its roots. Straight, classic power metal. The sound the band once became known for reigns again.
“The return to what once characterized us was already indicated on “Vengeance Is Mine” and “Rise Of Akhenaton”,”Lochert explains the natural evolution of the band and adds: “Since joining five years ago, our singer Nikola Mijic has turned out to be a real jewel for us. Because of his expressive voice and his intuitive feeling for great melodies, the songs have gained more clarity and a more direct presence.”
SERIOUS BLACK Tour Dates: 07.01.27 – DE – ESSEN Turock 08.01.27 – NL – TILBURG O13 09.01.27 – DE – SIEGBURG Kubana 11.01.27 – UK – LONDON Underworld 12.01.27 – UK – MANCHESTER Rebellion 13.01.27 – UK – WOLVERHAMPTON KK’s Steel Mill 14.01.27 – FR – LILLE The Black Lab 15.01.27 – FR – VAUREAL Le Forum 16.01.27 – FR – LIMOGES CCM John Lennon 17.01.27 – FR – BORDEAUX Rocher de Palmer 19.01.27 – ES – MADRID Revi Live 20.01.27 – ES – BARCELONA Salamandra 21.01.27 – FR – MONTPELLIER Victoire 2 22.01.27 – FR – TOULOUSE Metronum 23.01.27 – FR – RIOM La Puce a L’Oreille 24.01.27 – FR – COLMAR Le Grillen 26.01.27 – DE – ERLENBACH Beavers 27.01.27 – CH – PRATTELN Z7 28.01.27 – FR – GRENOBLE L’Ilyade 29.01.27 – IT – MILANO Alcatraz 30.01.27 – DE – LINDAU Vaudeville 31.01.27 – DE – MUNICH Backstage 02.02.27 – HU – BUDAPEST Analog Music Club 03.02.27 – SK – NITRA JS Retro Bar 04.02.27 – CZ – PRAHA Futurum 05.02.27 – PL – KRAKOW Studio 06.02.27 – PL – WARSAW Stodola 07.02.27 – DE – LEIPZIG Hellraiser 08.02.27 – DE BERLIN Orwo Haus * 09.02.27 – DE HAMBURG Logo* 10.02.27 – BE KORTRIJK DVG Club* 11.02.27 – DE STUTTGART Wizemann * 12.02.27 – DE SELB Rockclub Nordbayern *
Headliner Shows without Rhapsody of Fire
SERIOUS BLACK: Nikola Mijic – Vocals Mario Lochert – Bass Dominik Sebastian – Guitar Maurus Mayer – Guitar, Keys Christian Widmann – Drums
Louisiana metal icons CROWBAR, led by riff lord and vocalist Kirk Windstein with guitarist Matt Brunson, drummer Tommy Buckley, and returning bassist Pat Bruders will return to the road this week on an epic North American tour.
The journey begins with two headlining shows on September 15th and 16th in Greenville, South Carolina and Richmond, Virginia respectively. From there, the band will join Dying Fetus and Sanguisugabogg from September 17th in Philadelphia, Pennsylvania through October 22nd in Nashville, Tennessee. Additional support will be provided by Left To Suffer, Deterioration, and Scorching Tomb on select dates.
The band will also be doing Meet and Greets throughout the tour. Find more information HERE.
On November 13th and 14th, the band will join Slayer for two special Reign In Blood 40th Anniversary shows at the Kia Forum in Inglewood, California alongside Cannibal Corpse and Cavalera, followed by a performance at The Great NOLA Trendkill with Pantera, Down, BlackLabel Society, Corrosion Of Conformity, Power Trip, Eyehategod, Pig Destroyer, Rāde, and Herakleion later that month.
Tickets for all shows are on sale now. See all confirmed dates below.
CROWBAR: 9/15/2026 Radio Room – Greenville, SC 9/16/2026 The Broadberry – Richmond, VA w/ Dying Fetus, Sanguisugabogg, Left To Suffer, Deterioration: 9/17/2026 Franklin Music Hall – Philadelphia, PA 9/18/2026 The Fillmore – Silver Spring, MD 9/19/2026 The Palladium – Worcester, MA 9/20/2026 Brooklyn Steel – Brooklyn, NY 9/21/2026 L’Olympia – Montreal, QC + 9/23/2026 Danforth Music Hall – Toronto, ON + 9/25/2026 Crofoot Ballroom – Pontiac, MI 9/26/2026 The Rave – Milwaukee, WI 9/27/2026 HOB Chicago – Chicago, IL 9/28/2026 Val Air Ballroom – Des Moines, IA 9/29/2026 Uptown Theater – Minneapolis, MN 10/01/2026 Summit Music Hall – Denver, CO 10/04/2026 Knitting Factory – Spokane, WA 10/05/2026 Roseland Theater – Portland, OR 10/06/2026 Showbox SoDo – Seattle, WA 10/08/2026 UC Theatre – Berkeley, CA 10/09/2026 Riverside Municipal Auditorium – Riverside, CA 10/10/2026 The Novo – Los Angeles, CA 10/12/2026 The Van Buren – Phoenix, AZ 10/13/2026 Sunshine Theater – Albuquerque, NM 10/15/2026 Emo’s – Austin, TX 10/16/2026 The Aztec Theatre – San Antonio, TX 10/17/2026 House Of Blues – Houston, TX 10/18/2026 The Bomb Factory – Dallas, TX 10/20/2026 Jannus Landing – Tampa, FL 10/21/2026 The Masquerade – Atlanta, GA 10/22/2026 Brooklyn Bowl – Nashville, TN
+ w/ Scorching Tomb
End Tour
11/13/2026 Kia Forum – Inglewood, CA w/ Slayer, Cannibal Corpse, Cavalera
11/14/2026 Kia Forum – Inglewood, CA w/ Slayer, Cannibal Corpse, Cavalera
11/20-21/2026 The Great NOLA Trendkill @ Lakefront Arena – New Orleans, LA w/ Pantera, Down, Black Label Society, Corrosion Of Conformity, Power Trip, Eyehategod, Pig Destroyer, Rāde, Herakleion
CROWBAR was created in 1990 from the ashes of The Slugs. Original members Kirk Windstein and Jimmy Bower (Down, Eyehategod) had a vision to move away from the trendier thrash sound of that time, and create their own brand of doom metal with a bit of upbeat hardcore mixed in.
Heavily influenced by The Melvins, Carnivore, Trouble, Saint Vitus, and a blend of Black Sabbath meets East Coast Hardcore, CROWBAR set out to create an original sound which has become influential to many bands over the last 36 years. Windstein is the only original member and has helped carry the band through numerous lineups and twelve critically acclaimed albums.
CROWBAR’s most recent studio offering, the critically acclaimed Zero And Below, was released in April 2022 via MNRK Heavy.
Canadian modern metal band OSYRON present an electrifying offering in their new single release, “Higher.” Alongside the atmospheric track, the Canadians have launched their pre-sale for the forthcoming, self-titled, full length album. Osyronis scheduled for release on November 27, 2026, via Distortion Music Group (DMG) – Powered by Reigning Phoenix Music.
Guitarist Bobby Harley shares:
“We chose this song as the first single because we feel it’s a great representation of the band as we are now, and a good overall idea of the album. We wanted you to be able to sing the chorus right back to us after hearing it for the first time, but then leave you with a sore neck from the outro. It has all you love in an Osyron song – catchy chorus, heavy verses, dual guitar harmonies, drums, and even vocals.”
“Also, this is one of those tracks where the foundation is much older than you’d expect. The riffs and polyrhythmic patterns in the verses and outro were pulled from an idea Tyler wrote back in 2013. It finally felt like the right time to revive it, bringing it to life collaboratively with many more years of musical growth behind us.”
Of the DMG signing, the band also comments:
“We’re absolutely thrilled to be joining the Distortion Music Group family for this next chapter of Osyron. After more than a decade of building this band, releasing four somewhat okay albums, playing shows across North America and Europe, developing our sound, and even having a Polish guy in the band, finding the right label for this record was extremely important to us.”
“DMG’s passion for heavy music, their international reach, and the connections they have throughout the metal community make them the perfect partner for what we want to accomplish with this album.”
“This album represents a huge step forward for us, and we couldn’t be more excited to have the babes at Distortion Music Group right there beside us as we enter this new era.”
Maurizio Iacono, General Manager of DMG, commented, “We are proud to introduce Osyron to the DMG family. The band is one of Canada’s best-kept secrets that will finally get the chance to shine on a world stage; We are happy to have them on board as they continue their journey through the progressive power metal world!”
Emerging out of an immersive atmospheric haze, “Higher” erupts into life with a ferocious brutality manifested through thunderous guitar rhythms and discordant harmonies. The track’s chorus soars with melodic intensity, while the heavy power remains relentlessly impactful. Through compelling vocal melodies to monstrous harsh, OSYRON demonstrate their prowess for balancing a sonic attack and ethereal soundscapes.
Seattle (WA) – Power-infused death-thrash futurists Xoth will join Havok, Hellripper, and Slackjaw for a full U.S. tour this October! This run follows Xoth’ssuccessful tour across the Midwest and East Coast last fall.
The conquest begins October 21st in the high desert of Salt Lake City, and culminates October 20th in the ominous shadow of the Rockies in Denver, CO.
Armed with the otherworldly arsenal of their acclaimed opus, Exogalactic, a record hailed for its labyrinthine precision and galactic vision, Xoth beckons all mortals to assist them in praising the ancient ones on this most monumental journey.
Full Itinerary:
Wed 10/21 – Salt Lake City, UT – Metro Music Hall Thu 10/22 – Boise, ID – Shrine Social Club Ballroom Fri 10/23 – Seattle, WA – El Corazon Sat 10/24 – Portland, OR – Dante’s Mon 10/26 – Roseville, CA – Goldfield Trading Post Tue 10/27 – Berkeley, CA – Cornerstone Berkeley Wed 10/28 – Los Angeles, CA – The Regent Theater Thu 10/29 – Fresno, CA – Strummer’s Fri 10/30 – Las Vegas, NV – Backstage Bar & Billiards Sat 10/31 – Mesa, AZ – Nile Theater Mon 11/2 – Dallas, TX – AM/FM Tue 11/3 – Austin, TX – Come and Take It Live Wed 11/4 – Houston, TX – Warehouse Live Midtown Fri 11/6 – Atlanta, GA – Masquerade (Hell) Sat 11/7 – Nashville, TN – Basement East Sun 11/8 – Asheville, NC – Eulogy Mon 11/9 – Richmond, VA – Canal Club Wed 11/11 – Baltimore, MD – Baltimore Soundstage Thu 11/12 – Harrisburg, PA – Capital City Music Hall Fri 11/13 – Boston, MA – Brighton Music Hall Sat 11/14 – New York, NY – Racket Sun 11/15 – Lakewood, OH – Mercury Music Lounge Tue 11/17 – Detroit, MI – Catacombs at the Sanctuary Wed 11/18 – Chicago, IL – Reggies Thu 11/19 – Kansas City, MO – Recordbar Fri 11/20 – Denver, CO – Gothic Theatre
For ticketing information, updates, and additional live dates, visit: beholdxoth.com.
Dawnbreed Records released Exogalactic on November 3, 2023.
The mighty NEUROSIS continues to book new live performances in support of their mammoth An Undying Love For A Burning World LP, today announcing tour dates through the end of the year and into 2027.
Following the already announced San Francisco shows on October 16th and 17th, NEUROSIS has just announced two shows in Brooklyn on October 30th and 31st, two Chicago shows on November 21st and 22nd, two Portland shows on November 27th and 28th, a Seattle show November 29th, a set at Converge’s Saddest Day in Boston on December 12th, and a Los Angeles performance on January 2nd. They will also make their return to play two sets at Roadburn Festival in the Netherlands in April of 2027.
General ticket sales for the new shows begin this Friday, September 11th at 10am local time. Both San Francisco shows are sold out. Expect to see more NEUROSIS live announcements over the coming months.
photos by Bobby Cochran
NEUROSIS Tour Dates: 10/16/2026 The Fillmore – San Francisco, CA w/ Terry Gross [SOLD OUT] 10/17/2026 The Fillmore – San Francisco, CA w/ Kowloon Walled City [SOLD OUT] 10/30/2026 Warsaw – Brooklyn, NY w/ Uniform 10/31/2026 Warsaw – Brooklyn, NY w/ Primitive Man 11/21/2026 Metro – Chicago, IL w/ Mr. Phylzzz 11/22/2026 Metro – Chicago, IL w/ Primitive Man 11/27/2026 Revolution Hall – Portland, OR w/ special guests TBA, Great Falls 11/28/2026 Revolution Hall – Portland, OR w/ special guests TBA, Trigger Object 11/29/2026 Showbox SODO – Seattle, WA w/ special guests TBA, Great Falls 12/12/2026 Converge’s Saddest Day @ Roadrunner – Boston, MA w/ Converge, Coalesce, more 1/02/2027 The Wiltern – Los Angeles, CA w/ Special Guests TBA 4/17/2027 Roadburn Festival – Tilburg, NL w/ Emma Ruth Rundle, more
The return of NEUROSIS and surprise release of their first new album in a decade, An Undying Love For A Burning World, tore a hole in the sky in March of this year. The album immediately became fan favorite in the band’s groundbreaking discography, heralded as one of the year’s best immediately upon its release.
An Undying Love For A Burning World was recorded by Scott Evans (Kowloon Walled City, Sumac, Great Falls) at Studio Litho in Seattle over three weekends this Winter and mixed in three days, just six weeks before release at Evans’ Antisleep Audio in Oakland.
Watch the FIREKEEPER ALLIANCE x NEUROSIS short film featuring the songs “We Are Torn Wide Open” and “Mirror Deep” HERE and stream the album HERE.
An Undying Love For A Burning World is available on LP in an array of variants, CD, cassette, and digital/streaming via the band’s own Neurot Recordings HERE.
Blackened symphonic death metal ensemble ILLUSION OF FATE unveil their new single and video release, “Exsanguination.” This is the first single to arrive ahead of the band’s upcoming EP, scheduled for January 2027.
“‘Exsanguination’ began as one of the first songs written after experimenting with a seven string guitar”, the band explain. “While the foundation remained rooted in melodic blackened death metal, the goal was to create something with a stronger death metal punch while continuing to emphasize melody”.
The band also expand their sonic range, drawing inspiration from synthwave and incorporating industrial electronic textures to create an enhanced cinematic atmosphere.
Lyrically, “Exsanguination” “explores the struggle of existing within an endless cycle of change while fearing the loss of identity. Ancient wisdom, symbolic imagery and forces older than humanity guide the narrator through a painful process of transformation”.
Alongside this announcement, ILLUSION OF FATE will be appearing at Northern Wisconsin Metalfest and performing at The Den supporting ARMED FOR APOCALYPSE with FATAL FALL, this September.
9/10 – Northern Wisconsin Metalfest, Lake Nebagamon, Wisconsin 9/13 – The Den, Sioux Falls, South Dakota
Exsanguination was produced by Hayden Crownover at Crownover Productions. The release was mixed by Hayden Crownover and mastered by Alan Douches. The cover artwork for Exsanguination was created by Kevin Wegner (Very Deadly Media).
About ILLUSION OF FATE:
Emerging from the wastes of the American Midwest, ILLUSION OF FATE has been honing their distinctive brand of blackened symphonic death metal since 2019. With multiple releases available worldwide, national tours across the United States, and performances at underground festivals including Tennessee Metal Devastation, Michigan Metalfest and the legendary Milwaukee Metalfest, the band only continues to persevere.
ILLUSION OF FATE unveiled their first EP Emerging Sentience in 2020, followed by the King of Serpents EP in 2021 and Portals to Kur LP in 2024, all released independently. At the core of ILLUSION OF FATE’s identity lies the Bloodcult Mythos, an epic, grimdark saga spanning millennia, conceptually woven through each EP and full length release.
Their unmistakable fusion of thrash, death, and black metal with sweeping orchestral arrangements conjures an atmosphere both ethereal and terrifying. Combined with their commanding stage presence, infused with the theatrical visuals of black and gothic metal, they immerse audiences fully into the world their music describes.
Notably one of Wisconsin’s only touring metal acts, the band has shared the stages with iconic acts such as OBSCURA, RIVERS OF NIHIL, VALE OF PNATH, DYING FETUS, DECREPIT BIRTH, PSYCROPTIC, UADA, OMNIUM GATHERUM, and many more. ILLUSION OF FATE continues to carve their place among modern extreme metal with new releases and live expansions on the horizon, the Bloodcult grows ever stronger. The forthcoming EP will arrive in January 2027.
ILLUSION OF FATE: Kevin Wegner (King Morbid) – Vocals Hayden Crownover (Erebus)- Lead Guitar and backing vocals Bryan Bykowski (Slaanesh)- Bass Guitar and backing vocals Austin Vicars (Malevolence)- Drums and percussion
Czechia OSDM beasts Sněť have officially unleashed their newest full-length, V bažinách vědomí.
Having annihilated the underground with their 2021 debut LP and kept things flowing with two splits in the interim, this promises to be an excellent slab of old-school death metal.
V bažinách vědomí is out now via Me Saco Un Ojo (vinyl and cassette) and Dark Descent Records (CD and cassette).
Watch the music video for album track “Kladivo ve tmě” at this location.
V bažinách vědomí kicks right in with ominous and eerie atmospherics coupled with some absolutely revolting grooves; it is clear these fiends mean business. It should be abundantly obvious that Sněť have been refining their craft to something precise and lethal.
Keeping those ’90s hallmarks intact while adding subtle touches that show they’ve found their own identity, the album delivers a gruesomeness and discomfort that reflects the band’s evolution without sacrificing any of its punishing intensity.
Consuming the listener with an eldritch atmosphere while piercing through the fog with pure rancidity, Sněť‘s new album boasts a massive production that crushes with total morbidity. Combining the mulch-like tones of death metal’s golden era with an even warmer, more classic sound creates a devastating mix.
Beyond its grotesque exterior lies a savage and gripping record, balancing memorable hooks with violent, chaotic passages. There is no pretence to Sněť, they simply play death metal the way they want to hear it, and that shines throughout V bažinách vědomí. If you love brutality, grooves, death and riffs, don’t miss this one.
V bažinách vědomí track list:
1) Tíha světů
2) Kladivo ve tmě
3) Natur
4) Ve stínu slunce
5) Apokalyptický smaragd budoucí doby
6) Moskyt
7) Jako každý
8) Nekončící koloběh snění a probouzení
9) Dřevěný kůl
10) Znetvořená panna
V bažinách vědomí was recorded at Golden Hive Studio by Amák Golden, and mixed and mastered by Greg Wilkinson at Earhammer Studios. Cover art by Řád Zdechlin (Tomáš Mitura).
Extreme metal juggernaut SLAUGHTERSUN present a tribute to CORONER with a cover of “Die By My Hand.” While striving to honor the sonic appeal of the original recording, SLAUGHTERSUN have injected elements of their own distinctive character into their interpretation.
“The original recording of Coroner’s ‘Die By My Hand’ is a relic of it’s time and a prime example of the legendary fidelity produced by Scott Burns at Morrisound in Tampa FL back in the 80’s and 90’s”, shares band leader Ben Karas. “In a time before drums were routinely gridded and productions were overly polished, the power trio Coroner proved that metal could be as groovy as it is dark and brutal. Moving the boundaries of recorded music, their virtuosic musicianship and infectious musical pocket solidified their place as an influence to Slaughtersun’s sound.
The technical side of the recording is also of interest as it is part of the roster of bands with Scott Burns’ unique production style. Burns’ goal was to preserve the primal energy of the music but present it in a way where all of the details could be heard. As all of Slaughtersun’s music is self produced and contains unconventional instruments, a similar attempt at innovation is present.”
Originally written and performed by CORONER, SLAUGHTERSUN‘s interpretation of “Die By My Hand” was recorded by sound engineers Ben Karas and Chris Alfano. The track was produced, mixed and mastered by Ben Karas at Frost Gauntlet Recording, Lyndhurst, NJ. Cover artwork for the single is by Slam Slabs.
About SLAUGHTERSUN:
Since 2023, SLAUGHTERSUN has been on a rampage to brand their trademark style in the realm of metal. Rooted in the sonic domain of death metal but traversing outward, band leader Ben Karas (WINDFAERER, THANK YOU SCIENTIST) is uncompromising in producing demented music unlike anything that exists by means of unorthodox instrumentation and infectious compositions.
Their critically acclaimed Black Marrow EP is proof that SLAUGHTERSUN is something unique, making album of the year lists in 2025 and leaving listeners bloodthirsty to hear the forthcoming debut full length album.
SLAUGHTERSUN: Chris Alfano – Sundowning Incantations Ben Karas – Treble Strings Cody McCorry – Bass Strings Jason Quinones – HammerBattalion
ABSOLUTE POWER have shared the title track of their forthcoming second album, “Needs Must When The Devil Drives”, due out on November 6, 2026 via Time To Kill Records. The song features former Judas Priest and Iced Earth vocalist Tim “Ripper” Owens, contributing his unmistakable screams to one of the album’s most powerful statements.
For Shane Embury, the track is also deeply personal, looking back at the environment in which he and Simon Efemey grew up and the role heavy metal played during their formative years:
“This song, whilst being title track of our new record, also talks about how both Simon and I grew up in the West Midlands listening to heavy metal of 1980’s, all the classics as you would expect. The areas where we both came from were very much industrial areas! Working class families and for us, as teenagers, heavy metal was our escape from the everyday realities of our areas. You did what you had to, just to get by. Needs Must When the Devil Drives!”
Fifteen years after the release of their self-titled debut, the heavy metal project founded by vocalist and producer Simon Efemey and Napalm Death bassist Shane Embury returns with a powerful celebration of classic heavy metal.
Drawing inspiration from the timeless legacy of Judas Priest, Saxon, Black Sabbath, Dio and the New Wave of British Heavy Metal, “Needs Must When The Devil Drives” combines old-school riffs, unforgettable melodies and larger-than-life songwriting, with the energy and attitude of a new era.
The world is in meltdown and we’re all going to hell in a handbasket. Thankfully, ABSOLUTE POWER are here to offer maximum-volume resistance to the madness, with their monumental second album, “Needs Must When The Devil Drives”.
ABSOLUTE POWER is the brainchild of vocalist and producer Simon Efemey and bassist/multi-instrumentalist Shane Embury, two heavy metal lifers who, between them, have left an indelible imprint on modern music.
Embury is the longtime bassist of grindcore pioneers Napalm Death, a band that began pushing music to its furthest extremes in the 1980s and has never stopped evolving. Efemey is one of the most influential British metal producers of his generation, having shaped the modern scene through his work with artists including Paradise Lost, The Wildhearts and Napalm Death, while also developing a reputation as one of the most charismatic figures behind the scenes.
Together, they spent five years crafting “Needs Must When The Devil Drives”, an exhilarating tribute to the classic heavy metal they grew up with, infused with the energy and attitude of 2026.
“I want people to have a good time in the old school way,” says Efemey of the album. “I want them to forget the mundane, boring or horrible parts of their jobs. I want them to forget themselves for a couple of hours. That’s what good music should allow us all to do.”
The album continues the vision that originally brought ABSOLUTE POWER together: a desire to recapture the sense of adventure, grandeur and excitement that defined the heavy metal of their youth.
“When we did the first album, we wanted to make songs like our heroes, Judas Priest, Saxon, the New Wave of British Heavy Metal, everything we liked as kids,” explains Efemey. “When we were on tour buses, we’d have a few drinks and start blasting old-school heavy metal like Black Sabbath or Dio. One day we said we should write our own tunes like that.”
The debut album was embraced by fans of traditional metal, and “Needs Must When The Devil Drives” expands on that foundation, delivering a collection of songs built around powerful riffs, memorable hooks and a strong sense of identity. The title itself comes from an old proverb that Efemey and Embury would jokingly repeat to each other during the recording sessions.
Alongside the title track, “Saviour” the song “Kernschmelze” showcases the band’s most direct and energetic side, while “Mountain Of Hope” increases the epic dimension that’s always been central to ABSOLUTE POWER. “Within” temporarily strips away some of the heaviness in favor of a more atmospheric and hypnotic approach, recalling the psychedelic spirit of 1970s classics such as Black Sabbath’s “Planet Caravan”.
The album features a reinterpretation of Queen’s 1978 classic “Sheer Heart Attack”, preserving the original’s punk-driven energy while adding the unmistakable personality of ABSOLUTE POWER.
Efemey and Embury invited several respected musicians to contribute to the album’s expansive sound. Former Judas Priest and Iced Earth vocalist Tim “Ripper” Owensreturns after appearing on the first record, delivering his unmistakable screams on the title track. The Mission and Tricky guitarist Mark Gemini Thwaite adds subtle layers and textures to several songs, expanding the band’s traditional metal foundation.
“I’ve known him for years,” says Efemey. “I recorded a demo for his old band years ago. I sent him some tracks and he put some magic on them. He added a little goth flavour to some of those tracks. It took it further than the first album, which was just straight-down-the-line traditional metal.”
Also appearing on the record are Napalm Death guitarist John Cooke and drummer Carl Stokes, whose career includes collaborations with bands such as Cancer and The Groundhogs.
At the heart of ABSOLUTE POWER, however, remains the partnership between Efemey and Embury. Both grew up in the West Midlands and shared formative experiences attending concerts at Birmingham’s legendary Odeon before following very different paths: Embury becoming one of extreme metal’s defining musicians, and Efemey establishing himself as a highly respected producer.
“Over the years our paths crossed, and we realized we had a similar love for music and a similar sense of humour – Monty Python, The Young Ones, really dark humour,” says Efemey.
Throughout his career, Efemey has worked with artists ranging from British indie heroes The Wonder Stuff to extreme metal pioneers Napalm Death, but his influence has always extended far beyond production. His larger-than-life personality and his approach to music have made him a unique figure within the British scene.
“You hear the stories from back in the day about these legendary bands and the mad stuff they’d get up to,” he says. “For me, that’s part of rock’n’roll. I never wanted to just be the guy sitting there in the studio nodding along with what bands say. It was more about entertaining people and entertaining ourselves.”
Yet behind all the chaos, Efemey has always remained focused on the most important element being the songs.
“We don’t take ourselves too seriously, but we’re serious about the music,” he says of ABSOLUTE POWER. “We reject ideas that aren’t good enough. Every song needs a good riff and a catchy melody. I wouldn’t let anything go out that was just fodder. That approach has always been prevalent in my work.”
That philosophy defines “Needs Must When The Devil Drives”. The album carries the confidence of a band that knows exactly what it wants to achieve, embracing the foundations of classic heavy metal while sounding fully alive in 2026. As the world falls apart around them, ABSOLUTE POWER stand tall, armed with riffs, melodies and songs built to last.
“I can’t think of many new British bands doing what we do,” says Efemey. “I think people like our stuff because it’s old-school with melodies you can sing along to. We use the formula from the 70s and 80s because we know it works. We make this kind of music because we love it and we want people to sing along with us.”
Track-list:
1. Needs Must When the Devil Drives (feat. Tim “Ripper” Owens) 2. Saviour 3. Kernscmelze 4. Stand Up and Be Counted 5. Within 6. Mountain of Hope 7. Insanity 8. Hammer of Justice 9. Praise the Fire 10. Sheer Heart Attack 11. Orphans of the Storm
Line-up:
Simon Efemey – vocals Shane Embury – Bass, Additional Instruments
Guests musicians:
Tim “Ripper” Owens – vocals (ex Judas Priest, Iced Earth) Mark Gemini Thwaite – guitars (The Mission, Tricky) John Cooke – guitar (Napalm Death) Carl Stokes – drums (Cancer, The Groundhogs) Joe Taylor – drums Dominik Gryzbon – lead guitar Ilsa Nielson – lead guitar
ANGELS ON THE BATTLEFIELD battle stigma with new single and music video, “Beauty in a Body Bag.” Led by JD McGibney, the L.A. based instrumental symphonic progressive metal band present a heavy and melodic offering in this track.
ANGELS ON THE BATTLEFIELDexplain the concept behind “Beauty in a Body Bag”:“This song was written to capture the dark and tormenting struggle that is so strongly associated with Borderline Personality Disorder. People with BPD often describe it as feeling like having an endless black hole of emptiness living inside of them, leaving them with an unstable and shifting self identity. As a result, BPD can be chaotic and terrifying.
‘Beauty in a Body Bag’ was written to give this darkness form, and allow those who are struggling to face that darkness head on in order to learn how to overcome it.”
“Beauty in a Body Bag” was a song that was originally written for JD McGibney’s old Long Island band and was subsequently rearranged for ANGELS ON THE BATTLEFIELD. Instrumentally, the arrangement is more straightforward by design in order to highlight the band’s melodic capabilities.
“Beauty in a Body Bag”was produced by ANGELS ON THE BATTLEFIELD. The track was recorded at Counter Communications and engineered, mixed and mastered by Chris Wirsig. Produced by ANGELS ON THE BATTLEFIELD, the music video was directed and edited by Tom Flynn.
About ANGELS ON THE BATTLEFIELD:
Based out of Los Angeles, CA, ANGELS ON THE BATTLEFIELD began as a side project for guitarist JD McGibney (ex-VOODOO KUNGFU) before augmenting to a full line-up in 2021. Alongside McGibney, the instrumental symphonic progressive metal band is now comprised of Jason Klein on bass (ex-BUTCHER BABIES), Eddie Trager on drums (ex-NEKROGOBLIKON) and Chris Wirsig on keyboards (award winning TV and film composer).
The ethos of the band is to empower listeners through music, to assist individuals who are fighting on their own battlefields and to help them find courage. ANGELS ON THE BATTLEFIELD strive to improve awareness of and discourse around mental illness through the power of heavy metal. The band made their live debut at the 2022 “This Is My Brave” mental health fundraiser, where the band helped to raise around $30,000 to donate to local Los Angeles mental health charities.
Canadian melodic death thrash force INVICTA return with “Overthrow Divinity,” the first single from their upcoming EP Sapienomachy.
Active since 2017, INVICTA have carved out a reputation for aggressive old school riffing, sharp melodic hooks, and a modern approach to death and thrash metal. With one EP and two full-length albums already behind them, the Kitchener-Waterloo band now enter a new chapter with Sapienomachy, a concept-driven release that expands their sound into power metal, traditional metal balladry, and progressive storytelling.
Inspired by Greek mythology, Sapienomachy takes its name from mythic conflicts such as the Titanomachy and Gigantomachy. The EP reimagines the tale of Prometheus giving fire to humankind, following a story in which humanity turns that gift into a weapon and wages war against the gods, ultimately destroying their universe.
The EP’s artwork was created by legendary German artist Andreas Marschall. Drawing from Greek myth, the cover depicts Prometheus embedded in the mountain, offering his final flame to humankind.
“Overthrow Divinity” launches the EP with fast-paced power metal influence, twin harmony guitar leads, and relentless drumming. Lyrically, the song is told from the perspective of humanity rising against the gods after generations of oppression and restraint. Its story also speaks to modern anxieties: mankind given tools and technologies meant to help, only to turn them toward destruction in a relentless lust for power.
Sapienomachy also marks a unique creative moment for INVICTA. Originally written as part of a full-length album, these songs were set aside and shaped into their own standalone release, allowing the band to explore a more narrative, dynamic and mythological side of their writing.
About INVICTA:
INVICTA features Kyle Edissi on guitar and vocals, Jonah Kay on guitar, Reef Hassanien on drums, and Chip Tanner on bass. The band’s discography includes The Executioner EP, Halls of Extinction, and Triumph and Torment, alongside singles and covers including “Rising Force,” “Forces of Annihilation” and “Hatebreeder.”
INVICTA have toured across Canada and the United States, including runs supporting HEATHEN and FIRST FRAGMENT, and have shared stages with LICH KING, SOULFLY, TOXIC HOLOCAUST, NAPALM DEATH, and PRIMITIVE MAN.
“Overthrow Divinity” is the first glimpse into Sapienomachy, a release that pushes INVICTA into grander, more mythic territory while retaining the speed, aggression, and melodic bite that has defined the band since its earliest days.
Finnish metal visionaries AMORPHIS are set to join forces with melodic death metal pioneers INSOMNIUM for the North American co-headline tour, with support from US melodic death/doom metal act HINAYANA. Beginning in Boston, MA, on November 17, the bands prepare to bring powerful storytelling and haunting heaviness to audiences as the winter months draw near.
The tour sees AMORPHIS continue celebrations in aid of their latest full-length Borderland. Released via RPM in September 2025, the album marks a milestone in the band’s 35‑year evolution, blending melodic depth and dynamic narratives with a refreshed creative spark borne from their first collaboration with producer Jacob Hansen.
[Photo: Anne Swallow]
AMORPHIS x INSOMNIUM Tour Dates:
11/17 — Boston, MA — Paradise Rock Club 11/18 — Montreal, QC — Theatre Beanfield 11/19 — Toronto, ON — The Concert Hall 11/20 — Columbus, OH — The King of Clubs 11/21 — Detroit, MI — Magic Stick 11/23 — Chicago, IL — House of Blues 11/24 — Minneapolis, MN — Varsity Theater 11/25 — Lincoln, NE — Bourbon Theatre 11/27 — Denver, CO — The Gothic Theatre 11/28 — Salt Lake City, UT — Metro Music Hall 11/30 — Vancouver, BC — Rickshaw Theatre 12/01 — Portland, OR — Hawthorne Theatre 12/02 — Seattle, WA — The Showbox Market 12/04 — Berkeley, CA — The UC Theatre 12/05 — Los Angeles, CA — The Regent Theater 12/06 — Mesa, AZ — The Nile Theater 12/08 — Austin, TX — Come And Take It Live 12/09 — Dallas, TX — Granada Theater 12/11 — Orlando, FL — The Abbey 12/12 — Jacksonville, FL — The Albatross 12/13 — Atlanta, GA — The Masquerade 12/15 — Richmond, VA — The Canal Club 12/16 — Baltimore, MD — Baltimore Soundstage 12/18 — Reading, PA — Reverb 12/19 — New York, NY — Irving Plaza
Swedish heavy metal squad RAM presents their latest single and video for “Night Blade.” The track appears on their forthcoming new long player, Against, set to drop on October 9th through Metal Blade Records.
Comments vocalist Oscar Carlquist, “The return of the riff! Before writing this song, I had been contemplating about the fact that ‘70s and early ‘80s metal was a lot more about the riff than what you hear and have heard for a long time. I wanted to bring that back and wrote a typical super simple oldschool riff to carry the song. A perfect song to headbang to.”
Watch RAM’s previously released video for “Ghost Emperor” HERE.
It has been nearly seven years since RAM’s The Throne Within, an album defined by its spiritual and metaphysical themes. With Against, RAM takes a more grounded approach, focusing on the experience of being pushed beyond reasonable limits and refusing to comply. The album captures that moment of resistance, “that fire of defiance, which ultimately defines its title and message,” as the band collectively states.
Musically, guitarists Harry Granroth and Martin Jonsson continue to favor bridge pickups, maintaining a sharp and aggressive tone. The equipment used on Against reflects a classic approach, contributing to a sound that feels both timeless and direct. Sonically, Againstwas conceived as a return to classic recording philosophies.
Against Track Listing:
1. Obsession
2. Ghost Emperor
3. One Vs. All
4. Abattoir
5. Out of Control
6. Leaving
7. Against
8. Night Blade
9. Rising Again
10. 1984
11. The Final Hour
The album artwork, created by Carlquist himself, also reflects a conscious shift toward simplicity. In contrast to previous covers filled with symbolism, the focus is placed squarely on the band’s iconic ram-horned skull emblem, ensuring that the identity of the band remains unmistakable.
Drawing inspiration from the early works of Dio, MSG, and Sweet, the goal was to create an honest and unpolished sound. What you hear is what you get! In a music landscape increasingly divided into countless subgenres, the band positions itself deliberately outside of categorization. The title Against itself reinforces the band’s longstanding identity as nonconformists, viewing heavy metal as a form of sonic rebellion.
One of the most noticeable aspects of the record is its concise songwriting. Where earlier work may have leaned toward complexity, this album embraces clarity and precision. This evolution reflects a broader maturation, with the Swedes recognizing that restraint and focus can be more impactful than technical display.
RAM’s Against full-length will be released on CD and digital formats as well as vinyl in the following color variants:
180g Black Clear Lilac Marbled Purple Melt (Ltd. 300) Crystal Clear Blackdust (Ltd. 300) Silver Black Splatter (Ltd. 250)
Ultimately, Against stands as a statement of intent, a reaffirmation of identity and purpose. Or, as they put it themselves: “Fear the return of the Heavy Metal Tyranny!”
In related news, after 17 years as the bassist for RAM, Tobias “Tobbe” Petterson has decided to step down from the band. Petterson has been a pivotal part of both RAM‘s recordings and live shows and his steadfast bass playing and ferocious stage presence will be missed.
The band comments, “Petterson will always remain a part of the RAM family and we part as brothers, still united by the power of heavy metal. But the heavy metal tyranny must proceed, new horizons await and these will be shared with our new bass player Desekrator of Voodus and Stormdeath fame. Desekrator has been close to the band for decades and through being a die hard fan he is already well versed with the true spirit of RAM. This combined with his bass skills makes him the perfect replacement for Tobbe. Onward Upon The Black Path!”
Petterson will perform his final show with RAM on October 9th in Gothenburg, the band’s record release show.
RAM Live: 9/12/09/2026 Candelabrum Metalfest – León, MX 10/09/2026 Skjulet – Gothenburg, SE *Record Release Show w/ Portrait 12/04/2026 Spectrum – Murcia, ES 12/05/2026 Peter Rock – Valencia, ES 12/06/2026 Upload – Barcelona, ES 12/07/2026 Urban – Vitoria, ES 3/12-13/2027 Heavy Metal Thunder Fest – Pisek, CZ 5/20-22/2027 Iron Fest – Ohmbachsee, DE
RAM Recording Lineup: Oscar Carlquist – vocals Morgan Pettersson – drums Harry Granroth – guitar Martin Jonsson – guitar Tobias Petterson – bass
Belorusian Death Metal Pack, Eximperitus, have released the official video for “Chalkionic Wandering Among the Wreckage of the Future,” a track from latest album Meritoriousness of Equanimity.
Willowtip Records released Meritoriousness of Equanimity on January 30, 2026, on vinyl, cassette, CD and digital formats.
Meritoriousness of Equanimity contains nine independent compositions united by the idea of searching for inner support in an era of turbulence. Exposure and scourging of social dogmas and morbid tendencies on the ruins of the old world…
“In times when despair overflows human hearts… when the chasm of strife between civilizations widens… when loyalty to ideologies tears blood ties apart… when the world stands still, poised for the final leap of prolonged self-destruction… We can draw strength solely from internal sources, which are filled only by the multifaceted power of Death Metal…”
I. One Step Long Infinity. II. Contemplation of the Plastic Fibers of Perfection at the Second Level of Reality. III. Twelve Centuries of Triumph of the Third Kingdom… IV. Finding Consistency in the Fourth Quadrant of Eternity. V. The Untimely Fruit of the Unsaid. VI. Golden Chains for the Construction of Individual Greatness. VII. Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom… VIII. Chalkionic Wandering Among the Wreckage of the Future. IX. Standing at the Skirt of the Ruins of Human Nature (…on the Other Side of Man and Time).
Following the success of the singles “Checkmate” and “Flying Monkey,” BLUE MEDUSA, the band of metal icon Alissa White-Gluz, takes a step forward with “CROCODILE,” released on Friday, September 4th on all platforms.
Dark, tense, viscerally disturbing, “CROCODILE” explores that creeping feeling that danger is approaching, even when it remains invisible.
“‘CROCODILE’ speaks of that feeling of being watched… that instinctive fear when you know danger is lurking nearby, even without seeing it. The feeling that something is hiding just beneath the surface of what seems safe or familiar. It is in this tension, between what we perceive and what we sense, that the song lives.” – Alissa White-Gluz
The music video marks a new chapter in the visual collaboration between the singer and Vicente Cordero (Industrialism Films), with the two artists once again co-directing the video. It features the very first performance of Blue Medusa with the full band. Alissa plays a one-of-a-kind guitar, custom-made by Nik Huber Guitars as part of a three-way collaboration between Sea Shepherd, Doyle Wolfgang von Frankenstein and Blue Medusa. Equipped with Doyle-signed Von Frankenstein Monster Gear pickups and strings, and autographed by both artists, it will be auctioned to benefit Sea Shepherd’s marine conservation efforts.
Beatriz Mariano (Okkultist) also brings her creative touch: chilling visuals & saturated voice.
Alissa White-Gluz, a multifaceted artist and activist, was at Hellfest this year, where fans enjoyed a special acoustic set with Savage Lands, followed by a surprise appearance alongside Sepultura on “Kaiowas” during one of the Brazilian band’s final concerts.
Elsewhere, the singer has been involved in numerous collaborations: three different stages at Wacken Open Air , including “Our Kingdom,” the festival’s official anthem composed with Bear McCreary, two vocal performances with Dragonforce at Sonic Temple and Welcome to Rockville, whom she will rejoin this fall for the Inhumane Rampage anniversary tour in North America. Also, several surprise appearances with Ice Nine Kills in Europe, notably at Rock am Ring and Rock im Park, as well as Heavy Week-End in France!
This autumn, Louder Than Life and Aftershock will host Blue Medusa ‘s first-ever festival appearances, ahead of the band’s arrival in Europe in 2027. More announcements to follow…
BLUE MEDUSA TOUR DATES:
2026 Sept 18 – Louisville, KY – Louder Than Life Festival Oct 2 – Sacramento, CA – Aftershock Festival
2027 July 28-31 – Wacken, DE – Wacken Open Air Aug 11-14 – Villena, ES – Leyendas Del Rock Aug 18-21 – Dinkelsbühl, DE – Summer Breeze Open Air
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
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