I still have my ability to hear, thank goodness, especially after I listened to the new release from the Death Metellars from Atlanta, Georgia, – DAATH. This is my kind of Metal cup of tea – a full blown onslaught of Death Metal, that rages through all eleven new songs like an out of control meteor, ready to strike the desolate and cold planet Mars. The new lead singer for DAATH is Sean Z., one listen to “The Concealers” and I am very convinced that he is up to the task to be a standout Death Metal front man. Sean Z. on vocals just seems to engulf the attitude and strength of the lyrics, belting out with the desire and hunger that the entire Metal world should find captivating.
Overall, this entire new album from DAATH is of course, Death Metal, yet they incorporate an underlying mood of progressiveness, with melancholy echoes and synthetic eerie sounds – creating an atmosphere that is as dark as it is melodious. On “The Unbinding Truth” and “… Of Poisoned Sorrows” both tunes end in an abrupt and distorted manner, with the music skipping – the sounds of crackling, (like an old vinyl record being played), can be heard. (Upon my first listen, I thought I had a defect in my CD). This breakaway from the norm works fine for me, it only adds to the dark tone of what is being conveyed by DAATH.
Emil Werstler and Eyal Levi on guitars are reaching out to new heights with their skills on this album – they play very heavy and very fast, yet the breakdowns and leads are tastefully done for a Death Metal album. Jeremy Creamer on bass and Kevin Talley on drums pound out the rhythm section with pure force and defiance, that catapults this album into the real-deal realm of Death Metal. My copy of “The Concealers” I purchased directly through Century Media (my favorite record company on planet Earth), it came with an extra copy of the liner notes – authentically autographed by each member of DAATH!! Obviously, I am content with “The Concealers” – this is an album I highly recommend to all Metal and Death Metal fans. DAATH, in my Metal opinion, is a Death Metal force to reckon with and when their tunes are on – I am all ears.
“We Gotta Get Out of this Place” is yet another totally incredible song that The Animals gave to Rock music. Again, Alan Price is unmistakably brilliant on this song playing keyboard. I find it so amazing that these tunes were created in the mid 1960’s and still have a contagious Rock groove illuminating from them! The 1960’s and 1970’s Rock-Hard Rock eras were profound with establishing the importance of the keyboard and organ, as solid and true Rock music instruments. The Animals were an authentic British Rock band that stakes a mighty claim in the well established roots of Hard Rock and arguably Heavy Metal as well. Alan Price with his keyboard playing, gave The Animals an important element to their overall signature sound. Thank you Alan Price for the ever lasting music you created!

You must be logged in to post a comment.