Archive for the Album Review Category

SAHHR – Self-Titled EP – A Metal Odyssey Album Review

Posted in Album Review, Black Metal, Metal, Music, rock music with tags , , , , on March 26, 2015 by Metal Odyssey

Sahhr - debut EP - promo cover pic - 2014

4.5 Out Of 5 METAL Fists!

Metal fists - 4.5 - album reviews metal odyssey

SAHHR call Los Angeles, California home and are a Black Metal band. Their new 3 song and self-titled EP is bloodthirsty and scalding to my Metal senses! Whoa, I dig this EP and highly recommend  it to ALL Black Metal fans across planet Earth. Each time I listen to this EP, it carries me off to another imaginary and mystical Metal world; that’s what excellent Black Metal does for me. I appreciate any songs SAHHR wanted to include on this EP; still I beg SAHHR to release MORE of their Blackened rage very soon!!

Sahhr - promo band pic - 2015 - #6626SMO

It’s all here, the blistering blackened Metal, vocals from the fiery depths of the nether world and an enjoyable atmosphere of fire and brimstone. No this isn’t cliché hot air coming from me, SAHHR is a Black Metal band to keep on your Metal radar and their new EP is worthy of buying and telling all your Metal peers about. By the way, the EP cover artwork is magnificent, to my eyes. Metal be thy name. – Stone

Track List: Altar Of Maggots, Slay The Savior, Miscreant

Below, listen to, enjoy and support SAHHR:

_______________________________________

MetalOdyssey

LONG LIVE SAHHR.

LONG LIVE METAL.

Stone.

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MANOWAR “The Dawn Of Battle” – EP From 2002 Revisited

Posted in Album Review, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , on October 27, 2010 by Metal Odyssey

MANOWAR – Over the decades, when it comes to my favorite bands, the collector “bug” will always kick in whenever I come across CD singles, EP’s, picture discs, 7″ vinyl, etc. that have been released with their music. Manowar released The Dawn Of Battle EP or as it is also called, enhanced CD single, back in 2002 on Nuclear Blast. Magic Circle Music, (founded by Manowar’s co-founding member and bass guitarist, Joey DeMaio), is also the co-label.

There are three songs, (The Dawn Of Battle, I Believe and Call To Arms) and CD-ROM bonus material on The Dawn Of Battle. My favorite out of the three songs is Call To Arms, it just thunders along with classic Manowar Heavy Metal power. There is nothing better than a heavy duty, psyche-out, Heavy Metal anthem to invigorate my Metal senses. Call To Arms supplies an ample dose of psyche-out splendor for me, with Eric Adams pronouncing each syllable of this song’s lyrics with a victorious Metal cockiness that he is so damn great at.

I Believe is a song straight from the Manowar text book of personal power, strength and victory. The tempo is dictated by the rhythm section of Joey DeMaio on bass and Scott Columbus on drums. The sheer power that the Heavy Metal stomp of Manowar provides on I Believe, is enough to make my home stereo speakers shudder at their mountings. Hail Manowar Heavy Metal!

The Dawn Of Battle is without a doubt, the fastest and Heaviest of the three songs heard on this EP. Eric Adams comes across with more vindictiveness on this song vocally, than on the other two songs. He does the near-spoken word at the mid-point of The Dawn Of Battle, which is characteristic. Manowar has a fabulous way of making their breakdowns feel awe inspiring. Guitarist Karl Logan is his excellent self on all three songs, providing plenty of melodic leads and ground shifting riffs.

Oh yeah… how about this cover artwork for The Dawn Of Battle… damn, it’s brutally intense stuff! It’s MANOWAR. I make no apologies for digging it myself… Metal be thy name.

* Call To Arms is also found on the 2002 studio album from Manowar – Warriors Of The World. I Believe and The Dawn Of Battle are found on Warriors Of The World “Gold Edition” as bonus tracks.

This CD/EP also includes some very cool bonus material. There is a documentary, that lasts about 6 minutes or so, that features some behind the scenes footage of Manowar’s “Ringfest” performance from August of 2002. It has the sound engineer for Manowar, Jeff Hair, talking about how his responsibility to take care of the “live” sound details. The stage/equipment/instrument tech for Manowar who goes by the name of Dawk, also talks about how everything you see on a Manowar stage is “real” and put together by him. Dawk also states that Manowar plays at “7000 rms watts of power”… whoa, that’s power! It is mentioned that Dawk has been with Manowar since the early 80’s… since the beginning of Manowar. Jan Freitag, Manowar’s production manager, speaks on this documentary as well… only he speaks in a different language that sounds European to me, maybe German?

There are snippets of “live” footage showing Manowar performing at this 2002 “Ringfest”, showing Joey DeMaio (bass guitarist) taunting the police that supposedly were called to shut down Manowar from performing… due to the “live” music being played too loud. It’s funny stuff to watch, as Joey DeMaio drops a bucket load of “F” bombs on the evening’s developments. Needless to say, this “Ringfest” performance by Manowar was not shut down by anybody.

* A promotional trailer for the Manowar “Fire & Blood” DVD is also on this EP. It goes by rather quickly, lasting just over a minute or so. Still, it’s fun to have this stuff added to this EP… in my Metal opinion.

* The “live production lighting animation” segment of the bonus material lasts no more than 30 seconds. It shows still photos of the different stage lighting and setups that Manowar used during their tours. It’s nothing to jump up and down about due to it being “still” photos changing over, nonetheless it is interesting to look at.

It was fun to dig this Manowar CD/EP out and slap it into the computer to watch these bonus material segments, even if the running time on them was short. I definitely recommend this Dawn Of Battle EP to all Manowar fans… and Heavy Metal fans worldwide.

HAIL MANOWAR!

Track Listing For Dawn Of Battle:

The Dawn Of Battle

I Believe

Call To Arms

* For more info on MANOWAR, click here: MANOWAR – Official Website

LONG LIVE MANOWAR.

Stone.


THE CARS – DEBUT ALBUM FROM 1978 REVISITED

Posted in Album Review, classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, metal odyssey, Music, new wave music, rock and roll news, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on October 20, 2010 by Metal Odyssey

The Cars have always been summed up and best described as a New Wave Band. Alright, I’ll let that jive with me, only on their first album, The Cars had some serious Rock in their Wave. Missing Persons were a New Wave Band too, so was Men Without Hats and neither of those two bands come even remotely close in sounding like The Cars. So, were The Cars really a New Wave Band after all? A Flock Of Seagulls… now that’s what I consider a New Wave Band from the 80’s to sound like.

Due to the timing of The Cars being released, I gather it is probably “convenient” to lump this band into the New Wave crowd too. The debut and self titled album from The Cars was perhaps, just a few hundred slivers heavier, than your standard New Wave Band of the late ’70’s and early ’80’s. Sure, Missing Persons had a few “heavier” songs for their New Wave sound and style, with very decent drumming from Terry Bozzio, his playing and songwriting really was standout with that band. (Plus, Terry Bozzio was and still is an excellent drummer and all around musician too… in my Metal opinion).

I can recall hearing the “first” single off of this album, it was Just What I Needed. Can I recall the actual year I first heard this song? Ugh. Maybe it was 1979. No, I think it was 1980. Who really gives a flying elephant crap about when I first heard Just What I Needed. The simple fact is that I loved this song from the opening note. Seriously, this song’s significance lies in it’s originality for no other song really sounded like it, back in 1978.

I’m trying to “think back” and remember if there was another band out there that sounded like The Cars did, at the time of their 1978 debut album. This was 1978, not 1988, when a decade later you could swoop up a hundred New Wave Bands or so and compare them all against each other. Growing up in the late 70’s and early 80’s, I just accepted The Cars and their sound without giving any thought as to what music genre they belonged to. (Now that I’m a cranky old man, I scrutinize music genres like there’s no tomorrow). As each new song from their debut album trickled onto FM radio, I became more of a fan of them and this album.

Out of the nine songs heard on The Cars, seven of them made it to FM airplay. Seven! That is nothing to sneeze at either… how many Rock or Hard Rock bands can any of us name in 2010, that can boast seven songs from one album, being accepted into FM airplay and becoming hits? A “debut” album no less! It’s not as if these songs on The Cars were “Poppy” either, they were mainstream certainly, still a far cry from sounding “bubble gum”. These seven songs were played so often on the Connecticut FM radio stations, (WHCN, WCCC and WPLR), that I am guilty of never having bought this album, many years after it’s release.

Elliot Easton played guitar on The Cars with an obvious hard edge, his solo on Just What I Needed is an example of what I mean. It’s guitarists like Elliot that really exemplify playing for the song unselfishly and skillfully, versus the household name guitarists out there, who have accentuated their fame through piles of average solo albums throughout the decades.

Ric Ocasek’s vocals were meant for The Cars. I know that sounds rather cliche, only it’s so true. Ric Ocasek gave The Cars a booming personality with his vocals. The “modern” vibe that The Cars pulsated with through their songs seemed to stick to Ric’s voice like glue. The late/great Benjamin Orr not only played bass for The Cars, he was the lead vocalist on All Mixed Up as well. Benjamin Orr’s vocals were perfect for this song, giving it that added emotion and personal element befitting of the lyrics. (His vocals on The Cars 1984 hit Drive, from their Heartbeat City album is another memorably gigantic performance from him as well).

The Cars presented an edgy futuristic listen into Rock’s eventual “wide-open” Pop feel of the 80’s, courtesy of Greg Hawkes on keyboards and an open mindedness of this band to create songs that were fabulously accessible. Regardless of the Rock/Pop direction The Cars did take into the 80’s, this debut album is by far, their best full-throttle, Rock teetering on Hard Rock effort… with a New Wave approach, let’s not forget.

Moving In Stereo can be the cornerstone New Wave song for The Cars. There was and still is something almost fantastically mystical about my never wanting to turn this song off, when I hear it on the radio. Could it be that The Cars really are moving me, through stereo? I feel semi-scared now. Good Times Roll has all the ingredients of bursting out of it’s seams with a loud guitar solo and a psyched out tempo that doesn’t relent. It does not happen that way though. It’s the keyboards that administer the melancholy antidote of calm, making this song still feel like the good times are rolling, nonetheless… in a Logan’s Run sort of cosmic way.

The Cars as I look back upon them now, were a mighty decent Rock, I mean, New Wave Band. After all these years, however, it is more beneficial for me personally, to call The Cars debut album a Classic Rock gem. If I was to recommend that “one” album from The Cars to a civilization outside of our Milky Way, it would no doubt be their debut album. For those on this planet, that are just being introduced to The Cars, I would recommend their debut album as well. These excellent musicians that decided to call themselves The Cars, as I look back now, are a symbolic example of their era, showing just how dynamic and memorable a band could become, by solidifying a unique sound from a Rock meets New Wave fusion.

THE CARS was released in June of 1978, on Elektra Records.

Track Listing For The Cars:

Good Times Roll

My Best Friend’s Girl

Just What I Needed

I’m In Touch With Your World

Don’t Cha Stop

You’re All I’ve Got Tonight

Bye Bye Love

Moving In Stereo

All Mixed Up


Rest In Peace, Benjamin Orr.

Stone.

TWEAK BIRD – Self Titled Album Is Eclectic And Heavy!

Posted in Album Review, alternative rock bands, alternative rock music, avant-garde metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock and roll, rock music, rock music news, stoner metal music with tags , , , , , , , , , , , , on September 28, 2010 by Metal Odyssey

TWEAK BIRD – Brothers Ashton and Caleb Bird have rode into town from Southern Illinois, with their self-titled, eclectically fused and heavy, full length album. Released on August 31, 2010, on Volcom EntertainmentTweak Bird is the follow-up to this bands 7 song EP, Reservations from 2008. From the looks of the album cover, Ashton and Caleb seem to be pretty psyched out about things… as well they should be, since Tweak Bird were invited as an opening act for the Progressively Alternative legends known as Tool this past Summer of 2010. Your music must be striking a heavy nerve and be interesting plus different enough for Maynard James Keenan to take such a prominent notice.

Well, I’ve taken notice of Tweak Bird too. Yes, I’m no Maynard James Keenan, still I have learned long ago that when you play from the heart and don’t follow the leader with your Heavy Rock sound, a band is going to stand out from the sea of clones. Tweak Bird has seemed to navigate themselves through this sea of clones and gathered up their Rock influences to make a menagerie of sound that is both Heavy and semi-Progressive. With a sprinkle of Alternative ambiance that seems to peer through the cracks of Tweak Birds’s sound, it’s still the Heavy Stoner riffs and chunkiness of Caleb’s baritone guitar that commands their sound.

There are moments, while I listen to Tweak Bird, that I feel I’m hearing The Sword in a slightly tempered down groove. Then, the vocal harmonies of Ashton and Caleb seem to combine for what makes this album stand apart from being just another Heavy assemblage of songs. The comparison likeness, no matter how subtle, to that of the great Geddy Lee, is not an out of the realm statement to make when mentioning the vocals of these two brothers.

One moment where Tweak Bird’s music gets diverse, Alternative if you will, is on the song A Sun/Ahh Ahh, where an extended saxophone solo by John McCowan, (who is referred to as “sometimes third band member” in a Volcom Entertainment press release), comes into play at around the two-minute mark of this song that runs 4:13. The overlapping and intermittent vocal ahh’s over the saxophone lends to an almost eerie feel… and I dig it. “A Sun/Ahh Ahh” comes to a close with the saxophone solo and fittingly makes sense.

Flute anyone? Tweak Bird incorporates the flute into Flyin’ High”. This song simultaneously breathes a slow tempo while Caleb plays the thickest and heaviest Stoner riffs that makes me bang my head in slow motion. It can be done… slow motion headbanging… Tweak Bird taught me how. As with the saxophone, Tweak Bird makes the flute fit right into their Heavy motives, almost in a hallucinating sort of way. Cool.

The last song on Tweak Bird, Distant Airways”, is the longest as well. Six songs clock in under 3 minutes, two songs under 2 minutes and one song barely over 4 minutes long. “Distant Airways” plays out at 6:15 long and doesn’t bore the senses as a useless and redundant epic either. The good ol’ saxophone makes its appearance once again on “Distant Airways”, giving these sax moments I hear a smoky lounge vibe that borders on the ultra cool. Hey… I have stated that Tweak Bird has shunned away the “clone syndrome” of Heavy Music and this song exemplifies this statement with ease. Distant Airways comes to a synthetic close with what sounds like a UFO taking off from some god forsaken crop field. A bona-fide Progressive moment. Cool again.

“Tunneling Through” showcases Ashton Bird hitting the drums hard (as he has been quoted: his hitting the drums hard being the “trick” in making his drums “sound good”). To me, Ashton’s drumming does sound good… and yes, it does sound like he hits the drums damn hard too. “Tunneling Through” gives way to a victorious feeling of “opening your mind” and journeying into the unknown. A tad psychedelic in it’s lyrical content? Sure thing. These lyrics married with the Stoner riffs and Heavy crunch, gives me that early 70’s Blue Cheer slap to my forehead. I point out this song as being my personal favorite from Tweak Bird.

Tweak Bird opens the album with The Future”, a song that has proved to me that Psychedelic Heavy Metal does exist, especially when this type of cool experimentation occurs. “The Future” has a memorable and steady beat that is not short on the Heavy side of Tweak Birds’s bag of cool & Rockin’ tricks. “The Future” ends with lots of fuzzy distortion that might have me borrowing my daughters lava lamp very soon. The shortest song from Tweak Bird is Round Trippin'”, playing at 1:12. The UFO’s have come to land! One listen to “Round Trippin'” and you’ll know what I mean there. This synth laced instrumental, puts an exclamation point on my tagging Tweak Bird as indeed… semi- Progressive.

Beyond is a track that takes the classic vibe of Surf Rock and beams it down into 2010… and is played the Tweak Bird way. Maybe the resurgence of Hawaii Five-O has some credibility after all. This song would make for a fabulous addition to this revamped television series soundtrack. Am I being a wise guy here? Nope. Beyond has all the feel and sound of modern day “Surfin’ USA”, only without the teeny-bop lyrics of actual… surfing. Cool.

The “Pop” or commercial accessibility of Tweak Bird’s songs sound non-contrived and it works well within the parameters of Heaviness that they pound away with. Caleb is an admitted T-Rex fan and loves Marc Bolan’s songwriting technique, thus the underlying reasoning behind a Classic Rock “Pop” characteristic, swirled within Tweak Bird’s overall sound. Clearly, Tweak Bird is a Heavy Band when it’s all said and done. Ashton and Caleb just mix it up by implementing the saxophone and flute within their Heavy Music playbook, showing that taking chances in Rock Music can make a comeback in 2010.

Do I like Tweak Bird? I sure do. I admire their making an album that is not generic. Knowing they are a Heavy Band is just the beginning… one must listen to each song and hear for themselves that the “unexpected” is just as cool as the “expected”. The one constant throughout the songs heard on Tweak Bird, is that you will hear Ashton and Caleb both playing Heavy… regardless if there are those intermittent moments of stylistic changes, the Heavy always returns.

Any multi-faceted, Rock Music nut should have a field day listening to Tweak Bird. Heavy Music fans that want a slice of Alternative cake, with their search for up and coming bands, might get exactly what they have been looking for with Tweak Bird. After listening to Tweak Bird several times, my use of the word “cool” has heightened… and I’m going for another slice of that Alternative cake. Cool.

* Tweak Bird was produced by Deaf Nephews – Dale Crover (Melvins & Altamont) and Toshi Kasai (Big Business & Altamont).

* For more info on TWEAK BIRD, just click on the cool links below:

TWEAK BIRD – myspace music

TWEAK BIRD – Official Website

Pictured above: Ashton on left, Caleb on right.

Track Listing For TWEAK BIRD:

The Future

Lights In Lines

Round Trippin’

A Sun/Ahh Ahh

Beyond

Tunneling Through

Sky Ride

Hazement In The Basement

Flyin’ High

Distant Airways

GO GET ‘EM, TWEAK BIRD!

Stone.

MURDERDOLLS “WOMEN AND CHILDREN LAST” – MY FIRST METAL IMPRESSION

Posted in Album Review, extreme metal music, Hard Rock, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal news, horror metal, horror punk, metal odyssey, Music, punk rock music, rock & roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , on August 31, 2010 by Metal Odyssey

MURDERDOLLS – Yes, I made my Murderdolls CD purchase today, on it’s release date. The deluxe edition looked too fantastic to pass up, therefore I snagged this version of Women And Children Last and so far… it has served me right. The three bonus tracks on the deluxe edition are: Mother F**ker See, Mother F**ker Do, The Funeral Ball and A Moment Of Violence. The bonus DVD includes live songs recorded at The Key Club in W. Hollywood, CA on June 17, 2010.

So, what would my favorite track be thus far? Well, I have listened to Women And Children Last about five times today… and I am not remotely close to growing tired of one song yet. Actually, this new Murderdolls has been quite the escapism for me. The raucous, pissed off and nightmarish lyrics are a sheer delight to listen to… especially after I watched the news at noon today.

The lead single from Women And Children Last, My Dark Place Alone, still blasts out at me like a stick of Metal dynamite, leaving me thinking… this crazy shit is F’n fun! Blood Stained Valentine is one hell of groove infested number… it Rocks so hellishly fine this… Blood Stained Valentine! Summertime Suicide has some deep and depressing lyrics… only the melodic hardness of this song has taken me by surprise and makes it a damn cool song, worthy of hitting the repeat play button multiple times. Pieces Of You is another infectiously heavy and vibe ridden song that has me in Metal stitches.

Wednesday 13 has the vocals of a modern day Horror Punk meets Horror Metal superstar. Joey Jordison is Metal sound and Metal solid on guitar. If there is any question about Joey delivering the licks with a six string, then just one listen to Rock N Roll Is All I Got is the sure fire-slap to the forehead reminder that he is the real deal. Whoa… Rock ‘N’ Roll is (gasp) fun sometimes! Whatever You Got, I’m Against It electrifies with fun vibes throughout, with strong hints and deep shades of Punk Rock flavor… Old School style too.

Well, my first Metal impression of Women And Children Last, after nearly six thorough listens, is that this Murderdolls album is spontaneously contagious! I don’t predict that my Metal impression shall change anytime soon, unless… maybe I’ll like this new Murderdolls album even more with each listen. Murderdolls don’t disappoint on delivering the Heavy, nor do they disappoint on bringing some Horrific Fun back into the world of Rock ‘N’ Roll either. That’s my first Metal impression of Women And Children Last, so let it be Metal written, so let it be Metal done.

LONG LIVE MURDERDOLLS & THEIR ROCK ‘N’ ROLL!

Stone.

JUDAS PRIEST “TURBO” – 1986 ALBUM IN MY METAL RETROSPECT

Posted in Album Review, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, heavy metal songs, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , on April 30, 2010 by Metal Odyssey

JUDAS PRIESTTurbo was released on Columbia Records, back on April 14, 1986. This Turbo album, is my least favorite Judas Priest album. There. I said it. Now, does that mean I would never listen to Turbo ever again? Of course not. By process of Metal elimination, there has to be my least favorite Judas Priest album… Turbo unfortunately gets the Metal nod for being the one. I revere Judas Priest… they are and always shall be a core band of mine. Therefore, I am not about to pick apart an album where they chose to experiment with synthesizers and melody. I have and always shall accept Turbo for what it is… a detour during the unreal and great legacy of Judas Priest.

Let’s face it, Turbo has eventually become not the drastic detour that Judas Priest would ever undertake. Nostradamus released in 2008, is a far superior musical detour than Turbo. I really feel that this Nostradamus album has motivated me to embrace the maturation process of Metal bands that I uphold. I find the Nostradamus album to be an exquisite listen in not just Metal… it’s an exquisite listen in music period. Well, not to get off the Metal track here… back to Turbo.

I remember buying the Turbo album, (on vinyl), along with Ozzy Osbourne’s album from 1986 – The Ultimate Sin. It was an early Spring day back in 1986 when I bought these two albums together… I was Metal psyched. I eventually upgraded both Turbo and The Ultimate Sin to CD… and I still have The Ultimate Sin on CD, Turbo I sold for a few bucks years ago. Now, regardless of looking upon Turbo as my least favorite Judas Priest album… I uncannily miss having it around. I do have easy access to the song Turbo Lover, it’s on a Judas Priest “Greatest Hits” CD I have:

The Best Of Judas Priest: Living After Midnight

This “Best Of” CD really is power packed with some vintage Judas Priest songs and worth owning, especially if you have “holes” in your Judas Priest album/CD collection.

I will admit, the song Parental Guidance used to get me psyched out. It was the whole anti-establishment and anti-authority thing happening in my brain back then. I still stand strongly behind this song’s anti-censorship theme. I’ve read that this song was Judas Priest taking a direct aim at the constipated PMRC… if true, a Metal kudos to The Priest!

The Turbo album does rekindle some cool memories for me though… man, this CD was always cranked up to the max at every keg party I hosted, back around 1986 – 1988. There always was someone who wanted to hear Turbo back then at my parties… it was popular for the first few years or so it seemed. When I do hear the song Turbo Lover now, it reminds me of those hot Summer nights back in the late 80’s. No, not that kind of “hot Summer night”… this song really reminds me of hanging out on a hot and humid Summer night and drinking beer. Go F’n figure.

So there you have it… I consider Turbo as my least favorite Judas Priest album ever, the album as a whole reminds me of keg parties I hosted as a much younger dude and Turbo Lover reminds me of hot and humid Summer nights of hanging out and drinking beer. Throw in the fact that I kinda miss owning Turbo too. I guess I couldn’t be more Metal honest than that.

“I’M YOUR TUBO LOVER… TELL ME THERE’S NO OTHER”… NOW, SOMEONE PASS ME A COLD ONE. PLEASE.

LONG LIVE JUDAS PRIEST!

Stone.

W.A.S.P. – “LIVE… IN THE RAW” RESONATES THE LIVE POWER AND SOUL OF HEAVY ROCK ‘N ROLL!!

Posted in 1980's heavy metal albums, 1980's live heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1987 heavy metal music, 1990's heavy metal bands, Album Review, cool album covers, current heavy metal bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1987, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal songs, heavy metal vocalists, live heavy metal albums, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , on March 10, 2010 by Metal Odyssey

W.A.S.P. – released their first live album, Live… in the Raw on November 27, 1987, on Capitol Records. This is THE live W.A.S.P. album to own… in my Metal opinion. My best Metal buddy Scott and I practically wore this cassette out back in those late 80’s… (yes, the cassette is still in my Metal stash). With Live… in the Raw being reissued, back in 1998, four bonus tracks have since been included on this Heavy Metal masterpiece. (See track listing below). Every song rages with thorough and uncompromising heaviness, as only W.A.S.P. can deliver it. Blackie Lawless has always and still penetrates my Metal senses like an unrelenting electric shock… his vocals are damn great on this live album. Damn great.

All I hear on Live In The Raw, since Metal day one, is one impeccably talented and confident band. This W.A.S.P. lineup is classic, downright legendary. W.A.S.P. took their hits from the vulgar PMRC, (these bored political housewives started this obscene attack on Rock ‘N Roll’s freedom back around 1985), in the end, all that these snotty billionaire’s got out of their unnecessary antagonism was a lousy parental warning sticker to be put on albums. Let Metal freedom reign. If you look at the front album cover of Live… in the Raw closely, there is PMRC scrawled inside a circle with a line going through it, (just underneath the title Live… in the Raw), … that’s funny, even in 2010.

As I look back upon it now, the PMRC really did Rock ‘N Roll and all of it’s trillions of fans a huge favor… they only made us embrace and behold our bands and music we cherish all the more stronger. Live… in the Raw reestablished my fond joy that Heavy Metal brings to my life back in 1987, as I listen to this album now in 2010, it continues to reestablish that Metal fact. I knew W.A.S.P. was an enormous Heavy Metal band before Live… in the Raw was released, I just didn’t realize how F’n huge they really were… until my ears were Metal christened with this live album.

After all these years, songs like – Harder FasterI Wanna Be Somebody, I Don’t Need No Doctor, Blind In Texas and The Manimal, as heard in all their live, Metal glory, revs me up to the point where I’m beyond psyched out… I’m super F’n psyched out. You know what? I’m going out on a Metal limb here… Live… in the Raw is simply untouchable. That’s it. The overall theme of this live W.A.S.P. album is Heavy Metal F’n rules. How else can I explain it? It’s blue collar, old school and I’m not about to get fancy about this live W.A.S.P. album. I’m not going to tip toe through the F’n tulips to describe the Metal credibility and importance that this W.A.S.P. album bestows. Nor shall I fart around about the unreal energy level that Blackie Lawless and the boys generate on it. It’s Heavy Metal good times… one gigantic Heavy Metal party… this Live… in the Raw album is. Every and any fan of Hard Rock and/or Heavy Metal MUST own this piece of Heavy Metal history.

Suck me, suck me, eat me raw!!!

W.A.S.P. as they appeared on Live… in the Raw:

Blackie Lawless – vocals & rhythm guitar

Chris Holmes – lead guitar

Johnny Rod – bass

Steve Riley – drums

* Scream Until You Like It was included on the 1988 movie soundtrack for Ghoulies II.

Track Listing for Live… in the Raw:

Inside The Electric Circus

I Don’t Need No Doctor

L.O.V.E. Machine

Wild Child

9.5. – Nasty

Sleeping (In The Fire)

The Manimal

I Wanna Be Somebody

Harder Faster

Blind In Texas

Scream Until You Like It

Shoot From The Hip (Live) – bonus track

Widowmaker (Live) – bonus track

Sex Drive (Live) – bonus track

Sleeping In The Fire (Acoustic Studio Track) – bonus track

* My reissued CD copy of Live… in the Raw is on Snapper Classics.

Stone.

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