Archive for the 1989 heavy metal music Category

KISS – “HOT IN THE SHADE” – REVISITING A 1989 KISS KLASSIC!

Posted in 1970's heavy metal bands, 1980's classic rock music, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1989 heavy metal music, 1990's heavy metal bands, classic rock bands, current hard rock bands, current heavy metal bands, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1989, heavy metal songs, metal odyssey, Music, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2010 by Metal Odyssey

KISS – I honestly don’t know what’s not to love about this KISS album. Since it’s October release back in 1989, I can’t ever refuse Hot In The Shade the moment my eyes make contact with it… I just have to play it and play it LOUD. This album is chock full of the patented KISS hard & heavy… with all the vocal harmony I could ever wish for. Melodic isn’t the word for a song like Hide Your Heart, super melodic is more like it. There should have been a disclaimer within the liner notes of Hot In The Shade for Hide Your Heart… that stating: Warning – this song is extremely contagious to your Hard Rock and Heavy Metal health!

Hot In The Shade opens up with Rise To It, man, if this KISS song doesn’t get a rise out of any fan of Hard Rock or ’80’s Heavy Metal, then that person should check into the: Sprawling Meadows Mellow Clinic for the Dazed and Confused. Seriously, if I am having a semi-funky day or I’m starting to feel a tad down, Hot In The Shade is a pump you up and psyche you out Heavy Metal prescription I reach for. Metal be thy name.

Even Michael Bolton got in on the act with Hot In The Shade, co-writing the power ballad – Forever alongside Paul Stanley. I guess if you need some teary eyed lyrics, just call Michael Bolton up and he will deliver the kleenex worthy goods. Never the excitable ballad fan that I am, Forever is one inspirational and love infested song. For being the power ballad that it is, I respect Forever and find it to be a decent listen. Plus, due to the intense psyched out mood I’m in while listening to Hot In The Shade, once Forever comes on… I keep on listening. It’s kinda funny how Forever is the song right after Love’s A Slap In The Face too.

Even a deep album track like Boomerang Rocks like there is no tomorrow, Gene Simmons sounds classic on vocals. Silver Spoon is another example of a deep track that resonates the classic hard & heaviness of KISS. Hot In The Shade was released at the tail end of the 80’s Heavy Metal boom… and what an asterisk KISS put at the end of this power packed decade. At the end of my Metal day, this is a KISS album from the past, that I would have no problem recommending to someone, who has never listened to this iconic band before. Is this the greatest KISS album ever? Of course it isn’t… yet it isn’t the Asylum album either.

KISS as they appeared on Hot In The Shade:

Gene Simmons – bass & vocals

Paul Stanley – guitar & vocals

Eric Carr – drums

Bruce Kulick – guitar

Track Listing for Hot In The Shade:

Rise To It

Betrayed

Hide Your Heart

Prisoner Of Love

Read My Body

Love’s A Slap In The Face

Forever

Silver Spoon

Cadillac Dreams

King Of Hearts

The Street Giveth And The Street Taketh Away

You Love Me To Hate You

Somewhere Between Heaven And Hell

Little Caesar

Boomerang

* KISS – Hot In The Shade was released on Mercury Records.

LONG LIVE KISS ROCK ‘N ROLL!!!

Stone.

FAITH NO MORE – “THE REAL THING” 1989 ALBUM HELPED ME EMBRACE HEAVY MUSIC DIVERSITY

Posted in 1980's alternative metal music, 1980's alternative music, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's rock albums, 1980's rock music, 1980's hard rock, 1980's hard rock bands, 1980's hard rock songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1989 heavy metal music, Album Review, cool album covers, grunge, grunge bands, hard rock bands, hard rock music, hard rock songs, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal history, heavy metal music, heavy metal music 1989, metal odyssey, Music, rock music, rock music history with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on February 7, 2010 by Metal Odyssey

Back in 1989, when I first heard the song Epic by Faith No More, I thought to myself… this is different. Here is a song that seemed to spark my interest, while also psyching me out in a way similar to, (yet not equal to), the way my beloved Metal, Thrash or Death Metal does. I was worried, was this song spelling doom for Metal Music? Was Faith No More conspiring along with the Grunge invasion from Washington State, to take over the world? I liked Epic a great deal, the loyalty for my Metal genres would never be in jeopardy… despite turning onto an Alternative (semi-Heavy Metal) Hard Rock band like Faith No More. How ridiculous it all seems now, the thoughts that went through my head, as I look back upon my first listens to The Real Thing, (Slash Records/Reprise), back in 1989. The self questioning of my Metal loyalty? Whatever. I should have known better then… Metal Music wasn’t going away – ever. Grunge was not going to take over the world either. In fact, since the abrupt and tragic end of Nirvana, I have kept up with the music career of Dave GrohlAlice In Chains has become a core favorite of mine over the years, with Stone Temple Pilots not being too far behind. As for Faith No More, this is a band that mixed things up for me in ’89 and beyond… in a very good way.

The questioning of my self Metal loyalty back in ’89 and into the early ’90’s was due in part to the Metal is done “misinformation” that the mass media was playing around with. The commercial media just was not covering the Metal Music and Metal Bands during these supposed dark times. Therefore, being a devout Metalhead, listening to anything remotely considered to be Alternative, meant that I was part of this out in the open and massive conspiracy, designed to thwart and defeat Metal Music from planet Earth altogether. Nonsense! The real conspiracy were the ridiculous and self imposed thoughts that permeated through my brain back in those days!

The Grunge and Alternative Metal movements have taught me a valuable Metal lesson, one that I have become empowered by and carry out to this very day in 2010: I listen to what I like, what moves and inspires me, regardless of it’s respective genre.

The Real Thing album includes the cover of a legendary and ultra historic Heavy Metal song – War Pigs by Black Sabbath. REDEMPTION!! Buying The Real Thing by Faith No More back in 1989 was Metal worthy after all!! In my Metal opinion, while listening to the Faith No More cover of War Pigs, I get the impression Michael Patton on vocals, Jim Martin on guitar, Bill Gould on bass and Mike Bordin on drums sound very much like a Heavy Metal Band to me. Besides, Mike Bordin transitioned his Alternative Heavy Music style to full-on Heavy Metal, flawlessly, while being the drummer for Ozzy Osbourne too.

Woodpecker From Mars isn’t just a far-out and cool song title, this instrumental is Metal, Arabian atmospherics and all. Woodpecker From Mars has become my Alternative Metal soundtrack to my Alternative Rock and Metal embracing, Metalhead life. Each time I listen to Surprise! You’re Dead!, it justifies my liking Faith No More and The Real Thing as much as I do, this is just an incredibly heavy song, real heavy. Since 1989, I have listened to and enjoyed this Faith No More album, it really is The Real Thing for me.

Stone.

McAULEY SCHENKER GROUP – “SAVE YOURSELF” 1989 ALBUM REVISITED

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, Album Review, cool album covers, hard rock bands, hard rock music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1989, heavy metal videos, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2010 by Metal Odyssey

I have forever and always will be an admirer of Michael Schenker, the lead guitarist of The Michael Schenker Group, McAuley Schenker Group, UFO and of course, an original guitarist for the Scorpions. Michael Schenker has also released numerous albums through a solo career and side projects. McAuley Schenker GroupSave Yourself, was a choice Metal pick of mine today… I reached for this CD and let it’s Heavy Metal engulf my ears. Released on October 25, 1989, Save Yourself was an instant Metal favorite for me since it’s release. Always the impeccable Metal guitarist, Michael Schenker, through his signature sound, is such an amazing standout figure in the history of Heavy Metal… in my Metal opinion. Is this the greatest Michael Schenker guitar led album ever? Not necessarily, yet Save Yourself does come across with it’s melodic Metal power – amazingly well for my liking. This is an album that I have never grown tired of, nor ever will. Is Robin McAuley my favorite vocalist on a Michael Schenker album? No, Gary Barden is, that is not an insult to Robin McAuley, it’s just my personal choice. I really like the vocals of Robin McAuley, Old School and never overreaching.

Metal Odyssey Warning: There is NOT one bad or sub-par song on Save Yourself, in my Metal opinion. Seek out this album and listen to it at your own Metal risk… you just might find yourself liking this album a great deal.

I Am Your Radio is a prototypical 1980’s Heavy Metal anthem. With its heavy stomping and power driven rhythm section, accompanied with a backdrop fused with all the electrifying guitar leads and riffs you can ask for… throw in a climactic solo for good Metal measure too. Can this song be construed as ’80’s corn dog? Not in my Metal mind… especially when this song is played LOUD, like it was meant to be heard. What We Need is an engaging Heavy Metal song, strong vocals from McAuley and muscular guitar licks from Schenker abound. Shadow Of The Night is rich with it’s Heavy Metal chorus, a true ’80’s melodic anthem, a sing-along for MSG die hards!

There Has To Be Another Way is the lone instrumental on Save Yourself. This is not Michael Schenker showing off, no ego is prevailing here… just a bitter sweet sound of emotion being spoken from his flying V. (As fine of a mellow/Metal guitar instrumental I’ve ever heard). Get Down To Bizness has the attitude and flamboyancy that late 1980’s Heavy Metal was so notorious for. Combine the vocals and solo of this song and you have a molten ball of Heavy Metal, raging with all the greatness of this era’s heavy music. Anytime is a power ballad THAT I EQUATE TO HEAVY METAL GREATNESS. That is correct… a ballad that I revere!! Wow, there really are Heavy Metal ballads that get Metal recognition on Metal Odyssey after all! Simply put, Anytime with it’s lyrics, melody, tempo and complete musicianship… is an all time favorite song of mine… period. Anytime gives me salamander bumps up and down my arms and across my face, each time I hear it. (Don’t repeat this to anyone… you all MUST Metal promise!).

Bad Boys gets the adrenaline flowing on high, it’s not a knock you out song, it’s just a song that has bite with raw undertones. Besides, Michael Schenker makes good on his guitar solo on Bad Boys, regardless of how shortened it is. Save Yourself as the album opener, opens with Michael Schenker letting it be known he is THE guitar god on this album and with his band. Save Yourself is arguably the heaviest song on this album. Take Me Back is the last song on this album, it is almost like Robin McAuley and Michael Schenker wanted to save one of the best for last… for Take Me Back IS one of the best songs on Save Yourself. A commercially accessible song is Take Me Back, still it is Heavy Metal with Michael Schenker leaving his signature – guitar stamp of approval all over it. Steve Mann, not to be ignored, plays alongside Michael Schenker on this album and my ears hear his credibility throughout, both on guitar and keyboards.

Check out and listen to the power ballad – Anytime… this song just gets better for me with each listen:

McAuley Schenker Group as they appeared on Save Yourself:

Michael Schenker – lead guitar

Robin McAuley – lead vocals

Steve Mann – guitar and keyboards

Rocky Newton – bass guitar

Bodo Schopf – drums

Track Listing For Save Yourself:

Save Yourself

Bad Boys

Anytime

Get Down To Bizness

Shadow Of The Night

What We Need

I Am Your Radio

There Has To Be Another Way (instrumental)

This Is My Heart

Destiny

Take Me Back (bonus track)

Save Yourself was originally released on Capitol Records.

BADLANDS – “DREAMS IN THE DARK” 1989 VIDEO REVISITED!

Posted in 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1989 heavy metal music, cool album covers, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1989, heavy metal videos, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands with tags , , , , , , , , , , , , , , , , , , on January 28, 2010 by Metal Odyssey

I am always in that Old School Heavy Metal mood. All someone needs to do is simply whisper an Old School Band or musician’s name to me and I’m checking in… into Old School U. BADLANDSDreams In The Dark video from 1989 is a trip down Metal memory lane. The vocals and energy from the late Ray Gillen, combined with the guitar wizardry of Jake E. Lee, gives this Dreams In The Dark song and video it’s Classic Heavy Metal appeal. Let’s not count out the powerful rhythm section of Greg Chaisson on bass and Eric Singer on drums… wow. In my Metal opinion, Badlands was a great Heavy Metal Band, this video only solidifies my Metal claim. My best Metal buddy and Metal Odyssey’s Metal researcher Scott Coverdale landed me a copy of the Badlands debut album, on CD, back in the Fall of 2009. I yapped all about getting this Badlands CD upgrade along with a review on October 26, 2009… you can check it out by clicking the header below the video, (if you like).  I hope you enjoy this Badlands video as much as I do!

BADLANDS – 1989 Heavy Metal Debut Album Still Reigns Supreme

W.A.S.P. “THE HEADLESS CHILDREN” 1989 PICTURE DISC IS FOR KEEPS!

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal picture discs, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1989 heavy metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, collecting heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal memorabilia, heavy metal music, heavy metal music 1989, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, old school metal bands, rare heavy metal records, rare picture discs, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 30, 2009 by Metal Odyssey

I bought this W.A.S.P.The Headless Children picture disc way back in 1989, I don’t remember the actual month, all I remember is being completely thrilled by this W.A.S.P. album. I initially bought The Headless Children on cassette… I still have it too… in super duper mint condition. I’ve mentioned in past posts, that I am fortunate by keeping some of my Heavy Metal picture discs from the 1980’s. I really am psyched that I did keep this W.A.S.P. picture disc, especially since W.A.S.P. has never ceased with Heavy Metal output over the years. Add the fact that W.A.S.P. is in my top 5 of favorite lifetime bands and that about says it all. Now that I have immersed myself so deeply into the 2009 release from W.A.S.P. – Babylon, I find myself wanting to collect more offbeat and collectible W.A.S.P. stuff. Time, patience and greenbacks are all key, in striving to achieve any collection that I so crave. I will stumble upon some W.A.S.P. stuff in 2010… and when I do, I will blab away about it right here on Metal Odyssey, you betcha.

Metal Odyssey Note: I just cannot wait to hit up the flea markets and thrift stores in 2010… Metal Music hunting will be turned up a notch this coming year, I vow to make the finds a Metal reality, at low end prices to boot! All of the discarded and unloved Metal memorabilia out there, shall be saved upon my finds! (That felt so tremendously great, to get that out of my system).

Uh, yeah, back to this unreal great picture disc. Blackie Lawless started to get a bit more serious with his song lyrics and themes on The Headless Children, the proof is in the listening and/or reading of these lyrics. My Metal buddy Scott agrees with me on that statement… I think he is the one who actually stated it to me! Blackie Lawless either wrote or co-wrote every song on this album, with the exception of The Real Me, (which was written by Pete Townshend – guitarist/vocalist for the ultra legendary The Who). The Heretic (The Lost Child) and Thunderhead are two songs on this album that Blackie Lawless co-wrote with lead guitarist Chris Holmes. The Headless Children and The Real Me are my two favorite songs on this album. Let me just say that every song on The Headless Children is Old School – wrecking ball – Heavy Metal. No one Metalhead out there can do wrong by buying this album, Metal truth be spoken… it is a must own. In my Metal opinion, I consider The Headless Children to be a very strong W.A.S.P. album, the foundation for the great run of albums Blackie Lawless delivered in the 1990’s. The Headless Children picture disc I have owned for so long, well, it IS a keeper.

The front cover/side A of this picture disc, has the original front cover album artwork, (see image below). On the B side of this picture disc are the complete lyrics to the songs, printed right onto the vinyl. The thick plastic sleeve that this picture disc has been safely stored in, for over 20 years, also came with a cardboard backing insert too… it has a black & white photo of Blackie Lawless with Chris Holmes to his left and Johnny Rod to his right. The cardboard backing – cover photo is right here… look below:

W.A.S.P. as they appeared on The Headless Children:

Blackie Lawless – lead vocals & guitar

Chris Holmes – lead guitar

Johnny Rod – bass guitar & vocals

Frankie Banali – drums

** Lita Ford – provides backing vocals on Thunderhead

The complete track listing, for the original 1989 album release and picture disc of The Headless Children:

Side One:

The Heretic (The Lost Child)

The Real Me

The Headless Children

Thunderhead

Side Two:

Mean Man

The Neutron Bomber

Mephisto Waltz

Forever Free

Maneater

Rebel In The F.D.G.

* A Metal Note: Maneater is NOT the Hall & Oates song, NOT! Ugh.

Release date for The Headless Children original album: April 15, 1989

Release date for The Headless Children picture disc: Sometime in 1989

Record Label: Capitol Records

The Headless Children picture disc code, (whatever that is, it’s on it anyways): ESTPD 2087

Here is what The Headless Children picture disc looks like, front/A side:

If you look really closely at the artwork on The Headless Children, there are quite a few real life bad dudes on the cover. How many can you identify?

BRITNY FOX – 1989 “BOYS IN HEAT” IS A GLAM SLAM OF A HEAVY METAL ALBUM

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1989 heavy metal music, Album Review, collecting heavy metal albums, cool album covers, cover songs, glam metal, glam metal music, Hair Metal, hair metal music, hair metal music genre, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2009 by Metal Odyssey

The 1980’s, here I go again. There were Heavy Metal Bands aplenty to choose from back in the ’80’s, Britny Fox being one. Only thing is, I never bought any Britny Fox albums back then. It wasn’t because I did not like this band, it all came down to choice and what albums would I throw my (little) money at. Now it is 2009, (obviously) and the Britny Fox Boys In Heat CD is blaring it’s Hair Metal glory for me today. Um, I have to thank my best Metal buddy, Scott, for landing me this CD. Thanks dude. Would I have eventually bought this Britny Fox CD or any Britny Fox CD for that matter? The Metal answer is… probably yes. I just don’t know when precisely that would have happened. The same mindset holds true for me today, with so many choices out there and a reality cap of spending. I am in awe at times, realizing how much catching up I have in Heavy Metal listening. Catching up on Heavy Metal albums going back decades is not a bad hobby, I am not complaining. For all Metal intents and purposes, this Britny Fox CD, Boys In Heat, is some decent Hair Metal candy for my ears.

Cutting to the Metal chase here, my favorite song on Boys In Heat is the cover song – Hair of the Dog. With that stated, I do revere the original version of Hair of the Dog by that legendary band known as Nazareth. This cover of Hair of the Dog is not better than the original, however, Britny Fox did a glam slam job of covering it. Not that it matters, yet Britny Fox gets my Metal approval for their version of Hair of the Dog. Throughout this entire Boys In Heat album, the one constant that I notice is… Britny Fox can play. Britny Fox obviously came out with a throng of other Hair Metal Bands back in the mid to late ’80’s, what really sets this album apart from the Hair Metal pack? I always like quality, not quantity. Boys In Heat is a 13 song album that is consistent with quality, both in it’s Metal and vocals.

Long Way From Home has a kickin’ guitar solo, plus the song has more grooves than I can count. Dean Davidson on lead vocals and rhythm guitar, has those vintage Hair Metal pipes. I truly compare his vocals to that of Tom Keifer of Cinderella. Quite frankly, that is not a bad dude to be compared to. Stevie is as rock solid a Hair Metal song as I have ever heard. Shine On is a song that carries the beat non-stop, it is that kind of song I want to crank up extremely loud on my car CD player, with the windows down on a long drive. The melodic drive of each song on Boys In Heat, never ceases from the opening track of In Motion… this album epitomizes Hair Metal heavy. I also liken this album to be a funk buster, if Boys In Heat can’t get me out of a funk I’m in, then nothing will. What’s that? Did someone say feel good? Once again, if Boys In Heat can’t make me feel good, uh, then something is wrong.

Michael Kelly Smith on lead guitar is as cool as they come, his guitar licks are impressive on Boys In Heat. This album does not lack in the powered up lead and solo department, thanks to him. Billy Childs on bass and Johnny Dee on drums, give me every reason in the Metal world, to turn the bass control up to high, while this album is busting out. It is always a great experience to hear an album that is from years past and like it, especially when it is of the Heavy Metal genre. Britny Fox may not have been on my purchase list back in 1989, yet they are on my current playlist today… courtesy of my best Metal buddy Scott and this CD – Boys In Heat.

LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small album picAh, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

Lita Ford "Wicked Wonderland" large album pic

Skid Row – 1989 debut album still boasts a Heavy Metal variety

Posted in 1980's hair metal albums, 1980's hair metal bands, 1980's heavy metal albums, 1980's heavy metal ballads, 1980's heavy metal hits, 1980's hair metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1989 heavy metal music, 1990's heavy metal albums, 1990's heavy metal music, Album Review, classic heavy metal albums, essential heavy metal albums, Hair Metal, hair metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, Music, old school hair metal bands, old school heavy metal, rock music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2009 by Metal Odyssey

main-150Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.).  1989 was the beginning of the Grunge Music era, with Nirvana and  Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.

Skid Row is a band that I always referred to as Heavy Metal… Hair Metal can be a justified label for this band as well, with their look and the 1989 breakout release of “Skid Row”, this puts them in the correct time period for that genre. Sebastian Bach in my Metal opinion, bestowed some real flamboyant, powerful, Arena Rock, style of vocals on “Skid Row”. Sebastian Bach did not introduce anything brand new to Heavy Metal with his vocals, yet I always felt he could carry a note and sing with the best of this genre. What had always stood out with Sebastian Bach’s vocals, for me, was his undeniable enthusiasm and cocky confidence. (Two necessary characteristics to have, especially for a Heavy Metal front man). As a total Heavy Metal band, Skid Row certainly never lacked any of the pertinent skills necessary to get the job done. This original Skid Row lineup on “Skid Row” combined their musicianship to create eleven top tier Heavy Metal songs. Not a bad tune in the bunch, in my Metal opinion.

“Here I Am” is probably my favorite song on this album, it just flat out Rocks. This song was not one of the hits that made it to FM radio or MTV back in the day, still, this is my hit pick. “Makin’ A Mess” is another pick of mine that scorches with speed, without question the fastest Heavy Metal song on this album. As for the hits… “Youth Gone Wild” is the most memorable and pumped up – heavy song that I point out here. Even though I may not belong to any youth generation anymore, I still get psyched out of my Metal mind when this song is cranked up. Yeah!! “18 And Life” is another major single that received it’s just due on FM radio and MTV as well… the lyrics make sense, the song Rocks heavy, the combination of these two descriptions makes this song a winner for me. “Midnight/Tornado” is as good as it gets with 1980’s Heavy Metal… the guitar solo, it just brings it man. The lyrics are tidy, the song is heavy, the Heavy Metal power is on high… “Midnight/Tornado” does it for me. O.K., there is a ballad on this album, “I Remember You”. Now, I can make a list of Heavy Metal ballads that stretches from Boston to Lancaster, Pennsylvania, that I cannot stomach… “I Remember You” is not one of them. Sebastian Bach sings it… Skid Row brings it. I have spoken my Metal mind on that one.

In Metal summary, “Skid Row” delivered the heavy, at times fast, a ballad and some extremely popular and powerful hits. “Big Guns”, “Sweet Little Sister”, “Can’t Stand The Heartache” and “Piece Of Me” are the four opening songs that are best described as a Heavy Metal continuum of solid songs. “Rattlesnake Shake” is no pushover song either. Heavy album, 1980’s heavy and by today’s Old School Heavy Metal standards… a Heavy Metal album worth passing along to the youthful Metalheads of 2009. Let the youth of today listen to this Skid Row album and they should go wild.

Here is the original Skid Row, as they appeared on “Skid Row”… useful information for a well balanced Metal Music diet: Sebastian Bach on lead vocals, Dave “The Snake” Sabo on rhythm, lead guitars & backing vocals, Rachel Bolan on bass guitar & backing vocals, Rob Affuso on drums & percussion and Scotti Hill on lead and rhythm guitars.

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