ZZ TOP – Legends. Rock ‘N Roll Hall Of Famers. Mammoth Influence on all genres of Rock. Now then, when a cover song album of ZZ Top songs is released, these “covers” better be damn good. I can’t stand it when a band or musician just messes around with a Rock classic and “thinks” their famous name alone will give them a pass. Not here folks. I will present to you: The Good, The Bad & The Ugly when it comes to these ZZ Top cover songs I’ve been listening to on: A Tribute From Friends. Plus, I won’t be swayed by the fact that these are “friends” of ZZ TOP. Sometimes “friends” can ruin a classic song without even trying.
Let’s get right to it, shall we?
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THE BAD:
The opening track is Sharp Dressed Man performed by The M.O.B. Who’s The M.O.B.? Mick Fleetwood, Steven Tyler and John McVie. At first, I found this song fun. Then, it irritated the living hell out of me. All I kept picturing was The M.O.B. performing this song at a senior citizen Summer picnic or some Sunday afternoon church fair, with all in attendance going crazy for it. When a cover song sounds “old” and trudging… that’s what happens to my imagination.
Somehow Wolfmother had Cheap Sunglasses thrown in their lap to cover. Not good. I dig the first two studio albums from Wolfmother, only I don’t grasp this cover of Cheap Sunglasses. Annoying. I’ll have to admit, this is the first time I’ve ever been not keen to Andrew Stockdale’s vocals. Another problem is, this cover song sounds way too much like… Wolfmother. A disinterested Wolfmother at that.
THE UGLY:
So sorry that a Rockaholic and Metalhead like myself had NO clue who Wyclef Jean is until now. Rough Boy sounds so over-covered here entirely. Come on now, a Hip Hop / R&B artist covering a ZZ Top song? That is not an entirely bad idea, as long as this song is on an album of covers from ALL artists of Wyclef Jean’s genre.
This song unfortunately doesn’t fit in with the “Rock” flow for me, on this album. To my ears, Rough Boy was as “commercial” as it could get for ZZ TOP back in 1986 and this cover only magnifies it’s “Pop” personality to an embarrassing level. If Wyclef Jean is a friend of ZZ Top’s, then ZZ TOP should have remembered: “friends don’t let friends cover their songs”.
THE GOOD:
Nickelback. Yes, Nickelback. This love ’em or hate ’em Hard Rockin’ band knocked it out of the Classic Rock park with their cover of Legs. This song does sound like Nickelback, yet they did not stray from the non-stop Rockin’ groove that this song originally was all about. Nickelback just gave it more heaviness.
Daughtry. Yes, Daughtry. This guy sings Waitin’ For The Bus / Jesus Left Chicago as if he really digs and feels the song thoroughly. I make NO apologies, Chris Daughtry sings this ZZ TOP classic straight from the heart. Hell, that’s how it comes across to me anyways. Plus, Daughtry didn’t screw around with this songs tempo or try to “reinvent the F’n wheel” with it.
Mastodon. These guys gave Just Got Paid their signature stamp of progressiveness without even trying. Turning Just Got Paid into a relevant Hard Rock song that smokes was obviously… the mission of Mastodon.
Filter covers Gimme All Your Lovin‘ with a grand Alternative meets Industrial sound that is admirable. It’s Filter. The legendary Billy F Gibbons lends his vocals and electric guitar to La Grange. Cool. The remaining tracks are fine listens, just watch out for the bad and the ugly. Don’t say I didn’t warn you.
* ZZ TOP – A Tribute From Friends was released back on October 11th, 2011, via Show Dog / Universal.
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A Tribute From Friends – Track Listing:
Sharp Dressed Man – The M.O.B. (Steven Tyler, Mick Fleetwood, John McVie)
Gimme All Your Lovin’ – Filter
Tush – Grace Potter & The Nocturnals
Legs – Nickelback
Cheap Sunglasses – Wolfmother
Got Me Under Pressure – Duff McKagan’s Loaded
Beer Drinkers and Hell Raisers – Coheed & Cambria
Just Got Paid – Mastodon
Rough Boy – Wyclef Jean
Waitin’ For The Bus / Jesus Just Left Chicago – Daughtry
La Grange – Jamey Johnson
LONG LIVE ZZ TOP.
LONG LIVE “GOOD” ZZ TOP COVER SONGS.
Stone.
I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
I am going to embark on a topic that may be sensitive to some people… what really happens when a grocery store song gets you, well, psyched? I have decided tonight, to come out of the grocery store song closet. Yup. Please note, that department store chains also play songs over their central speaker system as well… I will refer to grocery store songs to simplify things. Be honest with yourself, there just had to be at least one moment in your life, where you were innocently shopping in a grocery store and then… that song was played. For me, I have had numerous experiences while grocery shopping and suddenly a song begins that just touches my Rock and Roll nerve. How do you act when this situation arises? Do you show emotion? Maybe you hide your psyched out – inner feelings and pretend that nothing is going on at all, you are in a public setting… a damn grocery store for Metal sakes. Let’s explore this incredibly taboo subject together now, shall we?
It is really senseless to ignore that this grocery store song phenomenon exists… it is o.k. to hear a song playing in a grocery store that psyches you out. My top three grocery store songs ever are: Lido Shuffle by Boz Skaggs, Sweet Talkin’ Woman by The Electric Light Orchestra and Call Me by Blondie. Seriously, I really strain to hold back my psyched out feelings when Lido Shuffle gets played at the grocery store – really. I can remember each moment when I heard these three songs in the grocery store… I felt so good I wanted to run up and down the aisles, high five strangers while shouting yeah! I have been fortunate enough to have heard Sweet Talkin’ Woman several times at the grocery store now, each time is a psyched out charm. Now, for the truth… when I do hear a grocery store song that gets me riveted, I stay cool and collected. My face may show signs of Rock Music satisfaction, a semi-grin if you will, however, staying cool is the best advice I can give anyone who hears a song they like in the grocery store. Just this evening, I was meandering about in an antiques mall, my wife and one half of my twin daughters were close by. Anyhow, inside this antiques mall, Old School Country Music was being played through the stores speaker system. No songs were psyching me out… no problem, until… Carly Simon came on with Your So Vain.
Uh, Carly Simon did get me semi-psyched out at the antiques mall tonight. Maybe it was due to my surroundings… all of this old stuff… antiques everywhere, the ambiance within the framework of this store is quite calm and somewhat like a rerun of The Walton’s. With all of this mellow and old fashioned stimulus around me, hearing Carly Simon sing Your So Vain in the midst of all the Old School Country Music just did it for me. Honestly, I now understand why Faster Pussycat did a cover of Your So Vain… this song most likely struck a chord with Taime Downe (lead singer of Faster Pussycat), like it did me tonight. Weird stuff. Remember, we as a society, are most likely 35 years away from hearing Megadeth and Obituary songs being played as grocery store songs. This is a shame. I have to take what is given to me here, then my Rock and Roll mind filters out the very best of what I do hear with these current grocery store songs that are being played… the psyche me out ones. Now, before you ever step foot into a grocery store again, please take some solid Metal advice in regards to getting psyched out by a song you may hear once there…
Ace Frehley has waited a long time to create and produce a new album, Anomaly is so incredibly worth the wait. I finally bought Anomaly today, (September 23, ’09, yeah, I am a week late from it’s release date), what an album of 12 songs. An unreal good album, a can’t miss for any fan of any Rock genre. I cannot stop listening to this new Ace Frehley album, oh darn. Anomaly for me, is one of those albums that I get contagious about and addicted to… oh darn. Before buying this album, I had not a clue as to what any of the songs sounded like. Man, what an incredible surprise to hear these songs for the first time… this album leans more towards Ace Frehley’s 1978 KISS solo album – not towards the sound of his Frehley’s Comet band from the late 1980’s. The Metal kicker is this… Anomaly rocks harder and heavier than the Ace Frehley 1978 KISS solo album, my ears cannot tell a lie. Where Anomaly gives a nod to 1978 is this: Old School Hard Rock and Heavy Metal. With that being said, Anomaly definitely embodies the grooves and heaviness of today’s Heavy Metal sound, while veering away from any resemblance of late 1980’s commercial heavy sound that was so popular in it’s day.
As I listen to Ace Frehley play guitar throughout Anomaly, all I can say to those who want to listen is this – Ace Frehley is back!! Ace Frehley shall remind the Rock and Roll world with all of it’s genres that yes, he can play guitar very well… and sing too. Ace Frehley’s vocals do not sound like a man who has been out of the recording studio for so many years, instead, it is my Metal opinion that Ace Frehley’s vocals are damn good and cool. Just listening to Anomaly takes me back to the days when quality songs were an important staple to Hard Rock and Heavy Metal bands. A sense of urgency to be real, is what I hear through the entirety of Anomaly, Ace Frehley has fused his very own Hard Rock and Heavy Metal sound with a nod to yesteryear, making Anomaly an album that far extends any relevance factor. From the song writing to the band backing up Ace Frehley here, this is a total album package. Ace Frehley has plenty of cool and damn good solo’s throughout this entire album, one of the many quality points of Anomaly.
I really, really, really like In This Moment… especially the vocal talent of Maria Brink. I bought The Dream last September of 2008, man, what an album. Collectively speaking, In This Moment put out one incredibly melodic Heavy Metal album of songs, with The Dream. Sure, In This Moment took on a more mainstream Heavy Metal sound, yet it hooked me line and Metal sinker. On June 30, 2009, In This Moment released The Ultra Violet Edition of The Dream
I am Metal psyched about another great Metal album coming out in this month of September of 2009, Children of Bodom – Skeletons In The Closet
I cannot wait to get my hands on this new album and crank it up extremely loud, on September 23, 2009, I will. I am just very curious as to how the Britney Spears cover of Oooops! I Did It Again… is going to sound like. What about the Kenny Rogers song? Man, that should be a Metal hoot. Knowing the way Children of Bodom play their Metal, I am confident they will rage these songs into Extreme Metal bliss. Still, I cannot believe I am writing about Britney Spears, Kenny Rogers and Children of Bodom in the same post. One thing is for sure here, Children of Bodom can never be accused of not being diversified. The cover songs represent a darn cool list of bands here… Slayer, W.A.S.P., Iron Maiden, Alice Cooper, Scorpions, Ramones – these are legendary bands without question. Thank you, Finland, for the fine Metal export they call Children of Bodom.
Lullacry is a Gothic Metal/Hard Rock band straight out of Helsinki, Finland. I stumbled upon this band, by perusing the incredibly insane selection of Metal Music – over at Century Media Records online, (CM Distro.com). What caught my attention with this Lullacry “Fire Within” EP were two things: the price was $2 for the CD (!) and this band does a cover of the legendary W.A.S.P. song – “L.O.V.E. Machine”. Hey, for two bucks it seemed like a pretty risk free proposition… especially since I never listened to this band before. (I purchased several items on this order, therefore my shipping cost per CD was low). One of the recurring living on the edge moments of my life is when I purchase a Metal CD without really knowing what I’m getting. Well, what I did get with Lullacry, is a darned solid and sound Gothic Metal/Hard Rock band that has raised my curiosity in their other albums out there. This is the only Lullacry CD that I own… delving deeper into their catalog of music might be a Metal option for me in the near future. Before I go any further, this band is not for every Metalhead out there, the overriding Metal sound is Gothic, due in large part to the lead vocals of Tanja. This female vocalist is very reminiscent of Amy Lee, (from Evanescence fame), on the song “Crucify My Heart pt. II (piano version)”, as Gothic sounding of a song if there is one. This song is definitely a Gothic ballad, Tanja emits quite a captivating voice here, in my Metal opinion.
Iron Maiden released their fourth studio album, “Piece Of Mind” in 1983. An amazing Heavy Metal album it was and forever will be. I bought that album back in ’83… stared at the front cover for hours, which in fact, probably equals out to actual days. I have always been mesmerized by artist Derek Riggs artwork of mascot Eddie. This album does not contain the cover song of “Cross Eyed Mary”, instead, it was released as a “b” side to the single “The Trooper”, taken from the “Piece Of Mind” album. To the best of my Metal research, “The Trooper” single was released on June 20, 1983. I frequented a small and independent record store on an almost daily basis back in the ’80’s, (I won’t divulge the name of this store for personal reasons), upon a daily stop there… there it was… Iron Maiden “The Trooper” Maxi Single on vinyl no less!! My Metal memory is very vivid about this moment… I stared this beautiful Iron Maiden rarity down, bought it and have kept it pristine ever since. Plus, this was the only copy this store had, I never saw this Iron Maiden single on vinyl again. (Certainly, there has to be more out there in collections or online today, I just never happened to come across one in person). This Iron Maiden Maxi Single as it is called, again, is on vinyl that is the actual size of an album -(an EP if you will), it plays at 45 rpm.
Blind Guardian is a Power Metal meets Progressive Metal band, straight out of the fine country of Germany. I enjoy the Power Metal and Progressive Metal genres immensely, Blind Guardian for me, is always a cool listen. As I was browsing around the Century Media Records online site (CM Distro.com) several months ago, I happened to find an EP from Blind Guardian that quickly caught my Metal attention. The name of this EP is “Fly”, (released in 2006), it contains three songs: “Fly”, “Skalds and Shadows” and the cover version of the Iron Butterfly classic – “In-A-Gadda-Da-Vida”. I knew instantly I needed to purchase this EP. I have always and forever revered this Psychedelic, Classic Rock, gem of a song that Iron Butterfly created with “In-A-Gadda-Da-Vida”, (originally released in 1968). I placed my order for this Blind Guardian EP without ever hearing it first… I had complete confidence in Blind Guardian delivering a decent cover version of this song, plus as I stated earlier, their Power – Prog Metal style never put me in the doldrums whatsoever.
Blind Guardian “Fly”, as with any of this bands albums, never fail to peak my curiosity based on the album cover artwork on their releases. Going in, I knew they are a capable, talented and quality Metal band, with intellectual lyrics and story telling to coincide with their songs. I am pleased at purchasing “Fly”, all three songs are diverse, with my favorite being the cover song from Iron Butterfly “In-A-Gadda-Da-Vida.” Blind Guardian’s version is very heavy, all power, it rocks tough and hard, while paying great respect to this songs originally intended hardness and dark landscape. The only key aspect here, is to know that this is the shortened cover version of this song, at 3:38 long, (the original Iron Butterfly album version is 17:05 long). Blind Guardian if anything, makes this song sound just as macabre and melancholy, (quite a musical feat), with the vocals and music sounding equally haunting as the original. Some may feel Blind Guardian makes “In-A-Gadda-Da Vida” sound more spooky than the original version… there have been times I have thought just that. Now, as to the age old argument… is the cover version better than the original? Of course, it would be a monstrous feat to blow away the original Iron Butterfly rendition of “In-A-Gadda-Da-Vida”… I will always like the original version more. With that said… once you hear Blind Guardian cover this song, you may very well be like me and think – whoa, this is a really cool and heavy way to commemorate a classic… a Metal job well done.
Motorhead and Anthrax. Each band is a prominent member in the Metal Music world. Motorhead and Anthrax have always hinted, albeit with Metal stylings, their musical taste for Punk Rock Music. Both of these legendary Metal bands covered the Sex Pistols classic “God Save The Queen” from the “Never Mind The Bollocks, Here’s the Sex Pistols” album, (released in October of 1977). This song was written of course, by Paul Cook, Steve Jones, John Lydon (Johnny Rotten) and Glen Matlock. Both cover versions are really cool and heavy, with Motorhead having their unmistakable, heavy coated vocals and bass guitar of Lemmy Kilmister leading the way. You know it’s Motorhead when you hear their cover of this prolific song… no pretensions, no frills, no sugar coating. The Motorhead cover version of “God Save The Queen” can be found on the “We Are Motorhead” album, (released on May 16, 2000). The Anthrax cover version is found on the EP – “Armed And Dangerous”, (released in February of 1985). In my Metal opinion, Anthrax covers “God Save The Queen” with convincing Punk Rock attitude, the reasons for this lays in the lead vocals of Joey Belladonna as well as the backing vocals. Musically, Anthrax is right on the Punk Rock bulls eye, which always led me to believe this particular lineup could have experimented even more with Punk Rock songs.
After just one listening experience with “Influence” (released March 6, 2007) and you hear and feel the unique musical chemistry, that both Tommy Shaw and Jack Blades have together. The overall up beat vibe throughout “Influence” will have you not putting this disc away for a very long time. What an accomplished set of Classic Rock gems that Shaw-Blades covers! Typically, I always approach cover songs with skeptical tendencies. Usually one or two listens to a cover tune, will be enough of a listen for me to either like it or cherish the original version. With “Influence”, I was taken completely by surprise by how Tommy Shaw and Jack Blades brought new Rock life to these classics. While I listen to this album, I cannot help but go through a Rock and Roll reality check, realizing where the roots of Rock music actually come from. The Mama’s and the Papa’s, Simon and Garfunkel and Seals & Crofts may have their legacies emblazoned in the Rock Folk and Easy Listening genres, yet their lyrics, song structures and melodies can so easily be considered the building blocks of true Classic Rock. Tommy Shaw and Jack Blades took hold of these musical building blocks and ran with it… creating a sensational album of Classic Rock, that breaks down any generational barriers that carry the tags of dated and non-relevant.
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