Styx, a Rock/Hard Rock band that didn’t just grow on me in my early teens… instead, I fell over backwards upon my very first listen to their song Come Sail Away from The Grand Illusion album, (released in 1977). Jumping across the Pieces Of Eight (1978) and Cornerstone (1979) albums from Styx, (which both are unreal great albums for me as well), there is Paradise Theatre, (A&M Records), from 1981. Call it music imbedding at age fifteen, this Styx album just reminds me of so many good things about my life as an early teen. Memories, especially the good ones, are priceless. When music, Rock Music, can rekindle cool and fun times through memories… man, I’m not going to stop listening to such respective albums or songs – ever. Paradise Theatre doesn’t remind me of winning the lottery, getting an expensive car, falling in love, achieving straight A’s on my report card, (yeah right), nor does it send me back to a Hawaiian vacation. Nope. What Paradise Theatre does remind me of, is easier times, hanging out, the Christmas Holiday, snow days off from school and having no clue of who or what I wanted to be in life. Honestly, this Paradise Theatre album really reminds me of those things, the smaller things in life that matter too.
I’m certain I can sit here and compile a master list of Rock, Hard Rock and Heavy Metal albums, that meet the same memory criteria as this Styx Paradise Theatre album bestows for me. Recently, I finally purchased Paradise Theatre on CD, for the first time in my life! It was priced at $7, brand new. There were several, if not dozens of moments where I had this CD in my hands to buy… only putting it back down, because I get so damned conscientious about spending too much money on non essential items for myself. (I have to learn to relax, $7 is chump change compared to what is spent on Wall Street bailouts).
I cannot pinpoint the reason as to why Paradise Theatre reminds me of the previously mentioned. All I know is, come Christmas, these songs from this album just “pop” into my head. Watch out if it snows, it seems like I can actually envision the album cover in my mind as well, all the while I watch a snowfall. I do remember listening to the songs from Paradise Theatre during the Winter of 1981, it seems like yesterday. Funny, how I purchased this CD during the Winter of 2009, all of the variables were in place… some snow was on the ground, Christmas is approaching and I threw danger to the wind by spending an extra $7 on myself. (I guess you can call me a real thrill seeker, on the spending part of it all).
Every song on Paradise Theatre is a winner, that includes the songs that never made it to FM radio too. Quality, substance and an acute attention to lyrics are what makes these songs on Paradise Theatre so unbelievable for me. This album Rocks. There, I got that out of my system, that phrase needed to be stated and has become rather nerdy and extremely cliche too. Back in 1981, I never would understand what the term Classic Rock meant. In 1981, the only music that was really classic was Classical Music. Styx, through their albums of the 1970’s and 1980’s have given true meaning and understanding to the term/genre… Classic Rock.
I have always been a huge fan of Tommy Shaw, following his solo career along with his stints in Damn Yankees and Shaw/Blades. Dennis DeYoung on vocals gives this Styx band and album their trademark Rock essence, a sound that is so much stand alone. Dennis DeYoung’s voice is a trademark musical instrument of Styx. Of course, the aforementioned are all my opinions and interpretations, which I am steadfast about.
Dennis DeYoung sings it so right, on the songĀ The Best Of Times, with these lines:
Our memories of yesterday
Will last a lifetime
We’ll take the best, forget the rest
And someday we’ll find
These are the best of times
Track Listing For Paradise Theatre:
Side One:
A.D. 1928
Rockin’ The Paradise
Too Much Time On My Hands
Nothing Ever Goes As Planned
The Best Of Times
Side Two:
Lonely People
She Cares
Snowblind
Half-Penny; Two Penny
A.D. 1958
State Street Sadie
Styx, as they appeared on Paradise Theatre:
Dennis DeYoung – keyboards & vocals
Tommy Shaw – guitars & vocals
Chuck Panozzo – bass guitar
John Panozzo – drums & percussion
James Young – guitars & vocals
The debut album by Foreigner, (self titled, released on March 8, 1977), was one of my first vinyl record albums that I ever owned. I actually bought the first Foreigner album shortly after receiving their Double Vision album as a birthday gift, back in 1979. (The Double Vision album was released on June 20, 1978). So it is safe to say, that the debut Foreigner album was playing on my turntable sometime in the Spring of 1979. Being an eighth grader in 1979, my exposure to Heavy Metal Music was at it’s most infant state, KISS was the only Heavy Metal Band I owned on album at this time. I always bring up my past history, as to the year of purchase of a said album and what bands I was into at the given time, so to make clarity to the evolvement of my becoming a Metalhead. It was a progression of listening to different Rock genres for me, since I was a kid. This Foreigner album is as integral a piece to that progression, as any other Rock album I ever listened to. Just as the Double Vision album, Foreigner’s debut album had me wanting more and that was a good symptom to have. There definitely was some psychological imbedding that happened to me with Foreigner at a young age, whenever I listen to their albums, (especially the first four), I feel like everything is alright.
I can remember the moment like it was yesterday. The moment in time of buying my first Michael Schenker Group album, at Caldor department store, back in 1982. It was the second studio album from Michael Schenker Group, it is often referred to as MSG ll, yet no where on my original album that I bought does it have the marking of “ll” on it. I guess the mystery of “ll” shall stay in my Metal mystery files for now. You can see, as proof, on the image below this post, that the front cover does not have “ll” on it. This image depicts the original album cover, the copy that I still own to this day. I have kept this Michael Schenker Group album in pristine condition for 28 years, this is an album that I extremely admire and highly recommend. The eight songs on this album are best described as Hard Rock, I find it difficult to label this album as straight forward Heavy Metal. There is one exception,Ā Attack of the Mad Axeman is the one song from this album that I would label as an early 1980’s Heavy Metal song, in my Metal opinion.
Motorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All Ā that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.
When I listen to 
Here I go again… pulling out another great and scary Rock song that is just eerily perfect for the Halloween season. In 1986, the ever legendary John Fogerty released his solo album – Eye of the Zombie
It’s always great to vent. Vent I did in my last post – where I needed over 1,100 words to express my disappointment in not being able to purchase the new KISS CD – Sonic Boom at my local Super Walmart on October 6, 2009, (the release date for it). Just as I hoped for and predicted, at 4:00 p.m. EST, I entered the Trexlertown, Pennsylvania, Super Walmart and took hold of my very own copy of Sonic Boom. (Phew). I can now say I bought this new KISS CD on it’s release date… yes, it means something to me. I have my core Heavy Metal and Hard Rock Bands that I have followed for decades, when they release a new album I try my very best to buy it on the release day. Metal case closed. I went to this Super Walmart twice during the morning of October 6, (the release date), my last visit was at 9;30 a.m. EST, as I left empty handed. I will say this much… the packaging for this Sonic Boom CD is INCREDIBLE! Ā Once I get to crank up Sonic Boom for a couple of listens, I will post my Metal jubilation. Here are some quick tidbits about my Sonic Boom shopping experience at Super Walmart, plus other related notes:
The Kinks – another legendary Rock and Roll Band, (and Hard Rock Band too), that I have never forgotten about… no Metal way. I first caught on to this great band upon their Low Budget album being released – back on September 7, 1979. The Kinks were huge back in the day… I specifically remember the late 1970’s into the 1980’s version of The Kinks. This band had one hell of a work ethic – always touring. There used to be a horde of kids wearing The Kinks concert shirts to High School back in the early ’80’s… as a Metalhead back then, I thought that was cool, due to my fondness for this band. I never was lucky enough to catch The Kinks in concert… back in the early 80’s would have been the choice time too. That is alright, I can always Rock out to The Kinks by listening to their songs whenever I want, like I have been doing since 1979. The Kinks were rightfully inducted into The Rock and Roll Hall of Fame back in 1990. I could not endorse a band like The Kinks any louder to the younger generation of Rock/Classic Rock fans… they really put out some incredible music spanning four decades.
Meat L
Foghat Live was released in the Summer of 1977. I did not own this album in 1977, instead I got my ears tuned into this Hard Rock Classic right when I was entering High School, just a few short years ago in 1980. Yeah, yeah, yeah… I bought this Classic Hard Rock gem on 8-track as well in 1980. I played it until all you could eventually hear was – hiiiisssssss. This Foghat Live album introduced to me back then, an unreal good sound of live and powerful Hard Rock Music. Being fourteen years old at the time, I was not yet the concert goer, no adult in my young life was into Rock concerts, plus I obviously was not old enough to drive a set of wheels just yet. Therefore, Foghat Live was the Hard Rock concert that entertained me for hours and nights on end. As a young teen, this album was my Hard Rock concert, it took me right there… I imagined seeing Foghat live, center stage in a middle row, on the floor. I will forever look back upon Foghat Live as an album that enriched my Hard Rock soul… an album that was a stepping stone or prelude, if you will, to the incredible world of Metal Music. This album helped soften me up and navigate me towards even heavier music. Hearing the Hard Rock – live power of Foghat made me hunger for more, to hear more heavier bands that were out there. Fast forward to 2009 and I still reach out for some classic Foghat – Hard Rock boogie… it will never grow old on me.
I really, really, really like In This Moment… especially the vocal talent of Maria Brink. I bought The Dream last September of 2008, man, what an album. Collectively speaking, In This Moment put out one incredibly melodic Heavy Metal album of songs, with The Dream. Sure, In This Moment took on a more mainstream Heavy Metal sound, yet it hooked me line and Metal sinker. On June 30, 2009, In This Moment released The Ultra Violet Edition of The Dream
On Saturday, of this 2009 Labor Day Weekend, I set out on a trip to buy back to school necessities for my daughters. The local mall, which is only minutes away, provides for a cool stroll… an f.y.e. is located inside. (Yessssss!). As my daughters and wife are perusing the kids sneakers, all I kept thinking was… what is currently hiding in the batch of used CD’s over at f.y.e.? The trip to this particular mall proved to be very worthwhile, no sneakers were found that my daughter liked, however, we had some fine pizza slices for lunch while we were there, plus I found The Law. The debut album The Law 
Masters Of Reality –Ā Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness onĀ Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me Ā (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
On October 28, 1977, Queen –Ā News Of The World was released. I was eleven years old, not interested very much at the time about owning this album. Sometime within the first year of this albums release, I ventured into the local Bradlees department store, took one look at the 45 rpm sleeve of the QueenĀ –Ā We Are The Champions/We Will Rock You, (double A single), the very large head of that somber, yet spooked out robot head had me hooked and intrigued. I was just as enthralled by the artwork of this robot head as I was the two songs on the 45 record. I treated this 45 record and sleeve like it was pure gold… staring into the eyes of this nightmarish robot head, becoming transfixed by this image. Of course, I listened to this 45 record like there was no tomorrow, as an eleven year old in 1978, just owning this stuff was bragging material at the Parochial School I was enrolled at. I no longer have this memorable 45 record with it’s alluring sleeve, I positively do not remember how I let it go. Fast forward to 2009, I now am the proud owner of two album copies of this incredible Hard Rock masterpiece, both copies are vinyl too, not CD. I have spent fifty cents on each album, for one dollar… two copies of the Queen album News Of The World. I will never buy the third copy of this album I find, I’d rather leave it to the next collector or fan of exceptional Hard Rock Music and/or Queen, to be just as thrilled as I am of it’s artistic and musical importance.
Gene Simmons, The Demon, bass guitarist for KISS, music producerĀ and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion).Ā Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.
If I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.
Ted Nugent “Free For All”, (released in 1976),Ā is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs.Ā “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originatorĀ of 1970’s Hard Rock guitar…Ā listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
Blue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my earsĀ next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well).Ā This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard RockĀ Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard RockĀ album, that has consistently lured me back for many a listen over the years.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all timeĀ is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
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