Here is a Rainbow album that I can never get enough of. Down To Earth, released on July 28, 1979. This Rainbow lineup is nothing short of legendary, unreal musicians they were together. I actually saved this vinyl copy of Down To Earth since the mid 1980’s, never having the thought of letting it go. Graham Bonnet on vocals is tops… for me. This album just illuminates Hard Rock meets Heavy Metal legitimacy, in my Metal opinion. To this day, I will crank up, (extremely loud), the two songs: All Night Long and Since You Been Gone. I endorse the other six songs on this album as well… songs like these are what makes a complete and memorable album. I often times, find it hard to believe that Down To Earth was released back in 1979, saying these songs are dated will never cross my Metal mind.
I have always embraced each lead singer that fronted Rainbow over the years. Each new lead vocalist lent a different sound and feel, while the hardness of Rainbow never seemed to wane for me. Ronnie James Dio, Graham Bonnet, Joe Lynn Turner and Doogie White made each respective Rainbow lineup unique. Sure, you can say that there have been four different Rainbow bands… the more Rainbow music that was made, the better, in my Metal opinion! I could never embrace the gossip or rumors that surrounded each Rainbow lineup, all I ever cared about were the albums that were created. Down To Earth seems to be an album that gets skipped over, when discussions/articles of great Hard Rock releases of the ’70’s are brought forth. Maybe my blabbing about this Rainbow Down To Earth album will inspire someone to give it a listen again or for the first time, it is extremely well worth it.
Listening to this Rainbow album puts me in a darn good mood. Heck, any Rainbow album puts me in a good mood and sets me straight. I wish that Ritchie Blackmore kept the Rainbow brand moving forward. Regardless, I’ll embrace and enjoy the Rainbow albums that did become reality… especially Down To Earth.
The Rainbow lineup for Down To Earth… and what a lineup:
Ritchie Blackmore – guitar
Graham Bonnet – lead vocalist
Roger Glover – bass guitarist
Cozy Powell – drums
Don Airey – keyboards
The track list for Down To Earth… these are songs, no fillers:
All Night Long
Eyes of the World
No Time to Lose
Makin’ Love
Since You Been Gone
Love’s No Friend
Danger Zone
Lost in Hollywood
* Since You Been Gone was written and recorded by Russ Ballard, originally appearing on his 1976 album Winning. Russ Ballard wrote one pretty cool song, in my Metal opinion.
The debut album by Foreigner, (self titled, released on March 8, 1977), was one of my first vinyl record albums that I ever owned. I actually bought the first Foreigner album shortly after receiving their Double Vision album as a birthday gift, back in 1979. (The Double Vision album was released on June 20, 1978). So it is safe to say, that the debut Foreigner album was playing on my turntable sometime in the Spring of 1979. Being an eighth grader in 1979, my exposure to Heavy Metal Music was at it’s most infant state, KISS was the only Heavy Metal Band I owned on album at this time. I always bring up my past history, as to the year of purchase of a said album and what bands I was into at the given time, so to make clarity to the evolvement of my becoming a Metalhead. It was a progression of listening to different Rock genres for me, since I was a kid. This Foreigner album is as integral a piece to that progression, as any other Rock album I ever listened to. Just as the Double Vision album, Foreigner’s debut album had me wanting more and that was a good symptom to have. There definitely was some psychological imbedding that happened to me with Foreigner at a young age, whenever I listen to their albums, (especially the first four), I feel like everything is alright.
I can remember the moment like it was yesterday. The moment in time of buying my first Michael Schenker Group album, at Caldor department store, back in 1982. It was the second studio album from Michael Schenker Group, it is often referred to as MSG ll, yet no where on my original album that I bought does it have the marking of “ll” on it. I guess the mystery of “ll” shall stay in my Metal mystery files for now. You can see, as proof, on the image below this post, that the front cover does not have “ll” on it. This image depicts the original album cover, the copy that I still own to this day. I have kept this Michael Schenker Group album in pristine condition for 28 years, this is an album that I extremely admire and highly recommend. The eight songs on this album are best described as Hard Rock, I find it difficult to label this album as straight forward Heavy Metal. There is one exception, Attack of the Mad Axeman is the one song from this album that I would label as an early 1980’s Heavy Metal song, in my Metal opinion.
I have owned the vinyl album of No Mean City by Nazareth since 1983. No, I could never part with this album at all over the years, never. For years I could never find No Mean City on CD, it most likely had been out of print for some time. To this day, No Mean City does not seem to be that readily available anywhere, on CD and especially on vinyl. Who knows, maybe there is an independent record store somewhere that has dozens of copies in their inventory… I just never come across this Nazareth classic myself. With the brilliant, Old School, Classic Hard Rock heard on this album, combined with the album cover artwork, makes for a keeper. I actually bought this album as a cut-out, back when Strawberries Records & Tapes was around. Back in the early 1980’s, cut-out bins found in any record store was Rock and Roll Heaven! You could always find cool albums in these cut-out bins at real discounted prices, many times there were hidden heavy gems in them. My copy of No Mean City has a cut in the top right corner of the album jacket – this never bothered me one bit. The enjoyment this album’s music has given me all these years more than makes up for any cosmetic defect on it’s exterior.
The Kinks – another legendary Rock and Roll Band, (and Hard Rock Band too), that I have never forgotten about… no Metal way. I first caught on to this great band upon their Low Budget album being released – back on September 7, 1979. The Kinks were huge back in the day… I specifically remember the late 1970’s into the 1980’s version of The Kinks. This band had one hell of a work ethic – always touring. There used to be a horde of kids wearing The Kinks concert shirts to High School back in the early ’80’s… as a Metalhead back then, I thought that was cool, due to my fondness for this band. I never was lucky enough to catch The Kinks in concert… back in the early 80’s would have been the choice time too. That is alright, I can always Rock out to The Kinks by listening to their songs whenever I want, like I have been doing since 1979. The Kinks were rightfully inducted into The Rock and Roll Hall of Fame back in 1990. I could not endorse a band like The Kinks any louder to the younger generation of Rock/Classic Rock fans… they really put out some incredible music spanning four decades.
Foghat Live was released in the Summer of 1977. I did not own this album in 1977, instead I got my ears tuned into this Hard Rock Classic right when I was entering High School, just a few short years ago in 1980. Yeah, yeah, yeah… I bought this Classic Hard Rock gem on 8-track as well in 1980. I played it until all you could eventually hear was – hiiiisssssss. This Foghat Live album introduced to me back then, an unreal good sound of live and powerful Hard Rock Music. Being fourteen years old at the time, I was not yet the concert goer, no adult in my young life was into Rock concerts, plus I obviously was not old enough to drive a set of wheels just yet. Therefore, Foghat Live was the Hard Rock concert that entertained me for hours and nights on end. As a young teen, this album was my Hard Rock concert, it took me right there… I imagined seeing Foghat live, center stage in a middle row, on the floor. I will forever look back upon Foghat Live as an album that enriched my Hard Rock soul… an album that was a stepping stone or prelude, if you will, to the incredible world of Metal Music. This album helped soften me up and navigate me towards even heavier music. Hearing the Hard Rock – live power of Foghat made me hunger for more, to hear more heavier bands that were out there. Fast forward to 2009 and I still reach out for some classic Foghat – Hard Rock boogie… it will never grow old on me.
Masters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
Gene Simmons, The Demon, bass guitarist for KISS, music producer and actor. (The many hats this legend has worn are numerous, quite the achiever is Gene Simmons, in my Metal opinion). Gene Simmons always seems to stay in the public eye, the limelight follows this Heavy Metal icon everywhere he goes… with “Celebrity Apprentice” and his very own family reality series “The Family Jewels” making his presence seen and known while KISS is idle. A short while back, I started writing about my favorite KISS solo albums, in preferential order, no less. Why am I doing this? First, I am celebrating the four original members of KISS, their solo albums being what I consider to be quite a historical achievement in Heavy Metal and Rock history. The quality across the board is apparent in the music that Gene, Paul, Ace and Peter created with their solo albums… my reminding and/or informing anyone who is interested in these great KISS solo albums makes for a fine Metal deed. For me to list in order, my favorite KISS solo albums, (it is not etched in Metal stone here), deciding the sequence of which album ranks 1 thru 4, is based on which album has given me the biggest Metal listening thrill over the decades.
Ted Nugent “Free For All”, (released in 1976), is an album of Hard Rock songs that I slap the label of greatness on. There is no one you can compare Ted Nugent to… he was and still is his own Rock and Roll Warrior. Meat Loaf’s vocals and Ted Nugent’s guitar are a double dose of Classic Hard Rock superiority on this album. Meat Loaf is the lead vocalist on the songs: “Writing On The Wall”, “Street Rats”, “Together”, “Hammerdown” and “I Love You So I Told You A Lie”. Meat Loaf is the real deal vocally, on these songs. “Free For All” was an accomplishment of incredible songs that just continue to knock me over to this day. This album just carries me off into the thunderous land of Hard Rock glory. Ted Nugent is truly an originator of 1970’s Hard Rock guitar… listening to the guitar play of this legend makes me want to stand atop a crowd of onlookers and scream hell yeah!! In my Metal opinion, Ted Nugent and “Free For All” is all about 1970’s Hard Rock in it’s most genuine and heaviest state. An uncompromising group of songs that are Hard Rock personified, aimed at stirring up a good time and feeling the Ted Nugent power of guitar cool. I finally had my first introduction to this album and other Ted Nugent albums at that, in the early 1980’s. Ted Nugent quickly made me aware that Hard Rock music should never be watered down, it should be hard driven and fostered with head turning guitar licks aplenty. With “Free For All”, there are so many Hard Rock attributes happening that this album could easily be labeled as The Great Reference Book of Hard Rock, in my Metal opinion.
Blue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.
I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.
On one of my recent Hard Rock/Heavy Metal hunts via the second hand route, I came across a true Classic Rock album that I grabbed ahold of within milliseconds of spotting it… Boston “Don’t Look Back”. As a Metal bonus, this great album is also – still factory sealed. That is so right, this vintage Boston album which was released on August 2, 1978, has still, it’s original plastic wrapping protecting it for thirty one years. I never owned “Don’t Look Back” on album before, finding a mint copy of it now, in 2009, is so fine. Sure, I have Boston on CD, yet landing one of my favorite Classic Rock bands on sealed vinyl, on a trip to a thrift store unleashes a cool high for me… every time. I realize this price always gets mentioned when I write about my vintage album finds, it is the truth when reveal it only cost fifty cents. Yikes, that is cheaper than most of the plastic prizes my daughters pay for at the (what I still call) bubble gum machines in front of the grocery stores.
Foreigner, a Hard Rock band that opened the doors to the world of Heavy Music for me. “Double Vision”, an album that I consider to be one of the greatest Rock or Hard Rock albums ever created. On June 20, 1978, “Double Vision” was released. On January 26, 1979, I received this revered album as a birthday gift from my late mother. I was able to choose an album, just one album, on a trip to the Caldor department store… Foreigner “Double Vision” was my choice, on that birthday. Each year that passes by, these fond memories only grow stronger. Man, if I was to say I have listened to this album more times than any other album, it would not be a stretch. Back in 1979, I was only listening to a handful of Hard Rock bands that would eventually guide me into evolving into the Metal Music loyalist that I am today. I was thirteen years old and completely blown away by this album and band… I listened to every lyric, every chord, every note, that erupted from these songs. Foreigner was actually teaching me, at this very young age, that Hard Rock music this enormous could and would make my life enjoyable. I continue to reflect, to revisit often, the bands and albums that molded my heavy music tastes. 
Is it just me thinking this way? Deep Purple “Deepest Purple”, (subtitled “The Very Best of Deep Purple”), is the epitome of what a Rock/Hard Rock Greatest Hits album is supposed to be. These Deep Purple classics are hands down, sensational and historical Rock Music. Gimme a break, how can any generation not want to embrace these songs? These Deep Purple songs are perfect examples of just how amazing the song writing was in Rock and Hard Rock, back in the 1970’s. Could Deep Purple have been ahead of their time? I certainly think so, by at least a decade. The hardness, forget about the heaviness for a second, is what drives these Deep Purple songs to the top tier of Rock and Hard Rock history, in my Metal opinion. Just stop to think about this, for a Metal second… how many new Rock or Hard Rock bands out there today, could actually put out a Greatest Hits album, down the road, with such impeccable and recognizable songs? “Smoke On The Water” and “Highway Star” are two Hard Rock songs alone, that represent a generation of Rock and Hard Rock music and the decade of the 1970’s. “Fireball” and “Child In Time” are just the icing on the Hard Rock cake here.
Ace Frehley will always be my choice pick for the guitarist of Kiss. Ace Frehley was the original guitarist and in my Metal opinion, the best at lead guitar for Kiss. I few posts ago, I stated that my favorite Kiss solo album of all time is Paul Stanley. I cannot backtrack that sentiment, the Paul Stanley album is for me, #1. With that said, out of the four Kiss solo albums, Ace Frehley is clearly my #2 choice. My fellow peer in Metal blogs over at The Metal Files, (a cool Metal Music blog that is worth the visits), commented his favorite Kiss solo album is Ace Frehley… this spurred me into delving into the Ace Frehley solo album once again. I do own the Ace Frehley solo album, (released on September 18, 1978), a record that has been with me for decades. I actually bought this Ace Frehley vinyl from a cut-out bin, from a small department store named Woolworths, back in the very early 1980’s. My Ace Frehley album has the top right corner actually cut off, therefore, that is probably why it was in a cut-out bin! Despite the cosmetic damage that this album cover suffered, the album itself and the large fold-out poster of Ace Frehley that was included with the album, never sustained damage from the cut-out process. (Each Kiss solo album had a large fold-out poster of the respective Kiss musician inside the album sleeve, with each of the four posters interlocking together, through die cuts, to form one giant Kiss collage, if you will).
Each member of Kiss had released a solo album back on September 18, 1978. I remember back then, being a young Kiss fan, there was much to rejoice about… four new Kiss albums to choose from. Being just twelve years old, I could not just run out and buy all four new albums. Back in 1978, my parents did not have a bounty of expendable cash to dole out to me, thus I was only earning a quarter here and there for the yard work I did. (Sounds like the 1930’s or something, doesn’t it?). Instead, I waited patiently to obtain or receive as a gift, one or all of the Kiss solo albums. Not until January 26, 1979, did I receive the Paul Stanley solo album, as a birthday gift from my parents. To say that I was ecstatic on that day would be an understatement… Paul Stanley was and still is, my favorite musician and vocalist from Kiss. At that age, I remember just staring at the front cover portrait of Paul Stanley, holding the album jacket in my hands, thinking this was the greatest birthday of my entire life. The memories are so cool to reflect on… what is more cool is that Paul Stanley is still making music both solo, (“Live To Win”, October 24, 2006), plus with an upcoming new Kiss album.
Rainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.
Metal Odyssey > Heavy Metal Music Blog 
Why I feel KISS gave Rock n’ Roll back to America and other KISS points too
Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's hard rock, 1970's heavy metal, 1970's heavy metal albums, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's heavy metal albums, 1980's classic rock, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current heavy metal music, essential classic rock albums, essential heavy metal albums, Gene Simmons, glam metal music, Heavy Metal, heavy metal albums, heavy metal bands this decade, heavy metal memorabilia, heavy metal music, heavy metal this decade, Metal, metal music, metal music today, metal odyssey, Music, old school heavy metal, Rock, rock & roll, rock and roll, rock and roll hall of fame complaints, rock music, rock music commentary, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands with tags 1970's classic rock music, 1970's hard rock music, 1970's heavy metal music, 1970's rock music, 1980's heavy metal bands, ace frehley guitarist, american rock and roll bands, bruce kulick guitarist, classic heavy metal music, classic rock, classic rock music, eric carr drummer, eric singer drummer, gene simmons bass guitarist, Heavy Metal, heavy metal music, history of rock and roll, kiss albums, kiss army, kiss hard rock band, kiss heavy metal band, kiss rock band, mark st. john guitarist, metal music, metal odyssey, Music, paul stanley guitarist, peter criss drummer, rock and roll hall of fame, rock and roll history, rock and roll music roots, rock music, rock n' roll music, roots of rock and roll, the british invasion of rock and roll, tommy thayer guitarist, vinnie vincent guitarist on August 28, 2009 by Metal OdysseyKiss being introduced to the world in 1974 may have had more of an impact than some Rock historians think… The Grateful Dead, with their extremely loyal and abundant following with unmatched touring was American – I will never disagree with this bands unique impact on Rock Music history. However, Kiss was not about peace and love… this was the loudest band in the land Dressed To kill, singing about girls that are Hotter Than Hell, partying, Makin’ Love, God of Thunder, a Love Gun and all things against the norm in ways that were not quite presented before in Rock Music history. What Rock Band from the 1960’s used Pyrotechnics like Kiss? How many Rock musicians could spit up blood and still play the bass and sing? Who used such an elaborate and eye defying stage show before Kiss? Kiss not only made Rock n’ Roll powerful, they (gasp) made it fun and entertaining too. The marketing blitz of items that portrayed the Kiss logo and band were everywhere during the 1970’s… if you look around today, these same items plus new products bearing Kiss are around us. Any Kiss tour during the 1970’s was nothing to ignore, the Kiss Army was never just a fictitious entity… it was and still is real.
After Kiss broke all the Rock n’ Roll rules, more Rock bands than I could ever mention here took their lead and emulated Kiss either musically, with make-up, through stage shows and/or marketing. When I stop to think about it, what other Rock or Heavy Metal Band garnered more media attention during the 1970’s than Kiss? With their all around power of Rock, Kiss let it be known, through their albums, that they were not fooling themselves or the fans all along. Kiss is setting the stage again, ready to unleash their brand new album Sonic Boom onto the masses… October of 2009 should be quite the month in the life of this middle aged Metalhead, for Kiss shall return… giving back their brand of Rock n’ Roll to us all again. That is why, in my Metal opinion, Kiss gave back Rock n’ Roll to America back in 1974, they are now only going to remind us as to why their music lives on.
It is high time for the so called Rock and Roll Hall of Fame in Cleveland, Ohio, to stop playing nonsensical games and induct an American Rock Band that redefined American Rock n’ Roll history through their music and pop culture impact, Kiss over the decades has become an American institution. Since I am on the topic, I could care less about the voting process or who votes at the Rock and Roll Hall of Fame, all I know is that the ignorance is growing by leaps and bounds over there in each passing year of it’s existence. I do have one word of advice for the Rock and Roll Hall of Fame, (if you can consider this an actual word), DUH? I would guarantee this… more fans will go to this Hall of Fame to see Kiss than than anyone could ever imagine. Once again, this is my Metal opinion and I am steadfast about it.
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