RED FANG – released their debut, self titled and full length studio album on March 31, 2009. Red Fang plays meat & potato’s Heavy Metal… they are for all Metal intents and purposes – Stoner Metal. It’s been essentially a year since this Red Fang album was released, amidst the ever growing and popular Stone Metal crowd of bands. Where Red Fang takes a different approach is in the grooves… instead of just laying down the heavy riffs and thunder thump rhythm, these songs really groove along very effectively. A solid example is Bird On Fire, if this song can’t make you move then something is terribly wrong. Red Fang is a giant riff party, with all the retro heaviness to go along with it.
On Good To Die, the guitar leads jump out at me with the celebration of old school vibes. The tempo changes on this song gel together very well, a standout song that harkens back to the day when Hard Rock was transforming into Heavy Metal. Humans Remain Human Remains begins with a simple riff, this opens the door to the molasses thick rhythm section that embodies all the brooding beats I come to expect from quality Stoner Metal. The vocals never get lost in the background, nor do they ever fade off during any verses. What is admirable about the vocals on Red Fang is the lack of shouting or incoherentness. Red Fang seems to take the vocals just as seriously as the heavy music… both definitely compliment each other.
When I first heard the opening track, Prehistoric Dog, the realization set in that Red Fang is serious about their Metal craft. Prehistoric Dog is one of the finest Metal songs I have heard, that would be considered recent. Sharks and Wings Of Fang are two songs that are really standout, with their fired up tempos and borderline punkness it’s a reminder as to what the Bon Scott era AC/DC had accomplished so damn well. Yes, the heavy is woven within the songs on Red Fang, still it is the attitude that gives these same songs the hard smack and personality, that comes across as original.
Fans of High On Fire, The Sword, Saviours and early era (1970’s) Heavy Metal should grin and raise their fist to the air upon listening to Red Fang. The Metal word needs to get out about Red Fang… and this album needs to be played loud for your cranky neighbors to hear. Upon listening to the remainder of Red Fang, I realized this is a Heavy Stoner Band that won’t be flying under the Metal radar for too much longer.
RED FANG IS:
Maurice Bryan Giles – guitar/vocals
David Sullivan – guitar/vocals
John Sherman – drums
Aaron Beam – bass/vocals
Track Listing For RED FANG:
Prehistoric Dog
Reverse Thunder
Night Destroyer
Humans Remain Human Remains
Good To Die
Bird On Fire
Wings Of Fang
Sharks
Whales And Leeches
Witness
* Red Fang was released on Sargent House – (an Indie label)
* Red Fang formed in 2005 and hail from the cool U.S. city of Portland, Oregon.
* Red Fang did self-release an EP, in 2007 – Red Fang Tour EP 2, 5 songs are on it, four of which appear on their full length. Suicide is the only song from this EP, that does not show up on the debut full length album. The songs on the Red Fang EP are: Prehistoric Dog, Reverse Thunder, Night Destroyer, Suicide, Humans Remain Human Remains.
It was this RED FANG album cover that caught my Metal attention at first. I gave it a very brief listen at my neighborhood fye, liked what I heard immediately and the rest is Metal history.
Stone.
W.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.
Thank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.
Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.
W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.
I will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.
Back on October 4, 1983, Black Sabbath released their eleventh studio album – Born Again. I was serving time in high school as a senior in 1983, I also became a born again Metalhead that same year, thanks to this most underrated Black Sabbath album. I am not kidding or trying to sound like a yahoo by stating that. Born Again was a match made in Metal heaven for me… the prolific vocals of Ian Gillan uniting with the ultra legendary Black Sabbath. I have to admit, with Ozzy Osbourne and Ronnie James Dio not fronting Black Sabbath, it was common place for professionally paid Rock Music critics to easily overlook the other lead singers this Rock And Roll Hall of Fame band has bestowed over the decades. I never overlooked a damned thing Black Sabbath had done, especially when they joined forces with Ian Gillan. From the front album cover artwork of the demon baby, to the down right eerie and chilling Metal Music heard on Born Again, this album is a must listen and own in Metal Music 101.
Yes! I got rid of it! I actually sold it! The “it” I am referring to is the absolutely annoying new album from Lita Ford – Wicked Wonderland. I foolishly bought the CD at Walmart for an even $10.00, (factor in the 6% sales tax and it set me back $10.60). The good Metal news is, I sold it today, finally! I brought it to f.y.e. and man, I never expected to get this much loot for it… f.y.e. took Wicked Wonderland off my hands for $6.25!! I’m NOT complaining. An extremely generous price that f.y.e. is, (for some reason), willing to pay for this CD. I was issued store credit towards other Metal purchases at f.y.e., a fine deal to me. Sure, I am out $4.35 at the end of the day, however, getting rid of this CD for any amount of money is a joyous Metal memory for me. I did state in my review, on this album, that I was definitely going to sell it… I actually held onto it for way too long.
I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.
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