Archive for the thrash metal music reviews Category

SLAYER – 1991 “DECADE OF AGGRESSION”, MY DOUBLE CD IS THE METAL SLIPCASE VERSION!

Posted in Album Review, guitar legends, Heavy Metal, heavy metal bands, heavy metal drummers, heavy metal history, metal music, metal odyssey, Music, rock music, rock music news, Thrash Metal, thrash metal albums, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music reviews with tags , , , , , , , , on January 11, 2010 by Metal Odyssey

Slayer. Just the name alone makes it known that this is serious, real serious… Metal. Slayer’s songs have and always will resonate the pissed off, evil and vendetta seeking side of the human spirit, the lyrics of their songs do not lie about that. The years pass by and Slayer is still the reigning dark side – Thrash Metal champions of the world, (in my Metal opinion). As a matter of Metal fact, I don’t recall a single moment in my Metal appreciating life, when Slayer has not been considered by me to be the baddest mother fu**ers to ever play Metal. Now, onward with the 1991 Slayer Thrash Metal, live slatanic classic… Decade Of Aggression:

Decade Of Aggression is a double CD, (double cassette or vinyl album too, if you want to get picky). The original release date for Decade Of Aggression was October 22, 1991, on Def American Recordings. Back around 1992, I was fortunate enough to discover this double CD in a very thick, black metal slipcase. (No kidding, it is real metal!). This metal slipcase encases both CD’s and the 24 page liner notes booklet. Man, is this metal slipcase heavy stuff… I have not actually weighed it, still, it feels like I am holding at least 5 or 6 pounds of metal! Sometime back in ’92, I saw this unique Slayer Decade Of Aggression package, behind the front counter at a Record Town store… in very expensive Connecticut. My eyes never lost sight of this Slayer prize that day, I made a Metal beeline to the cashier and stated I was buying this Slayer gem. I cannot recall for certain, the actual price I paid for this metal packaged version of Decade Of Aggression… it was in the neighborhood of around $50 U.S. and worth every cent. This limited edition package of Slayer Decade Of Aggression had a run of only 10,000 copies. My copy of Decade Of Aggression came with a certificate of authenticity, gold foil embossed, stating it is numbered: 005815 of 10,000.

* Note: Skeletons Of Society and At Dawn They Sleep are two songs found only on this metal slipcase version of Decade Of Aggression.

In the center front of this metal slipcase, is this classic Slayer logo – metal etched on a center block:

(This Slayer logo looks entirely silver on the front metal casing, due to it being metal etched.)

Here is what this incredible metal slipcase package of Decade Of Aggression, that I own, looks like:

The metal slipcase is unreal great stuff… whoever thought of marketing this back then is a Metal genius. The interior CD slipcases are of a heavy black paper stock. Note that the front cover of the liner notes depicts the original Decade Of Aggression album cover. I have seen the import version, some online merchants have it available for purchase today, it has the original album cover. (I own the original double cassette too, I have kept it in Metal mint condition all of these years. Here is another view of what the original album/cassette/CD cover looks like for Decade Of Aggression:

Now here is what the front album/CD cover of Decade Of Aggression looks like now, if you were to go to a retail record store today and buy it:

Now, as for the live Thrash Metal of Slayer heard within Decade Of Aggression… it’s F’n Slayer man. There is nothing more to break down other than it’s fast, brutal, aggressive and… live Slayer greatness. You’ll be blown away by Dave Lombardo and his double bass drumming assault, guitarists Kerry King and Jeff Hanneman dueling with leads and riffs that will sting your face like freezer burn and Tom Araya combining both the bass guitar and vocals into a frenzied slatanic blitz. Slayer is one of the very few bands I cannot get fancy about, when it comes to doing a review… what you should know is that Slayer sounds Thrash prolific on Decade Of Aggression. You will hear a band that executes and succeeds at maintaining the highest level of Thrash Metal energy, throughout this entire double CD of songs. These following two lines are actually printed, on the back cover of the liner notes:

Unlike most other live recordings, this is Slayer completely “live”. No overdubbing exists on this recording.

The Complete Track Listing For Decade Of Aggression:

Disc One

(Recorded live at Lakeland Coliseum, Lakeland, Florida, 7/13/91):

Hell Awaits

The Antichrist

War Ensemble

South Of Heaven

Raining Blood

Altar Of Sacrifice

Jesus Saves

Dead Skin Mask

Seasons In The Abyss

Mandatory Suicide

Angel Of Death

Disc Two

(Recorded Live at Wembley Arena, London, England, 10/14/90):

Hallowed Point

Blood Red

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Die By The Sword

Black Magic

Captor Of Sin

Born Of Fire

Skeletons Of Society *(only on this metal slipcase version)

(Recorded live at Wembley Arena, London, England, 10/14/90):

At Dawn They Sleep *(only on this metal slipcase version)

Postmortem

(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):

Spirit In Black

Expendable Youth

Chemical Warfare

____________________________________________

Stone - Motorhead Tee  pic:small

LONG LIVE SLAYER.

Stone.

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Children Of Bodom – “Skeletons In The Closet” Album Of Cover Songs Is Metal Thrashing Good

Posted in Album Review, cool album covers, cover songs, creepy album covers, current extreme metal albums, current extreme metal music, current thrash metal albums, current thrash metal music, extreme metal bands, extreme metal music, guitar legends, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal odyssey, Music, new thrash metal albums, scary album covers, spooky album covers, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal cover songs, thrash metal from finland, thrash metal guitarists, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 5, 2009 by Metal Odyssey

Children Of Bodom "Skeletons in the Closet" small album pic!I really get a kick out of Alexi Laiho, his lead vocals and lead guitar play are extreme to the Metal maximum. I know that sounds rather yahoo, only there is no other way to really explain it. I like this guys style, he is hell bent on playing some of the fastest Thrash Metal Music out there. On the new Children Of Bodom album, Skeletons in the Closet, (released on September 22, 2009), there are seventeen cover songs. Of the bands and musicians that are covered here, there is one song that I simply cannot get into or simply stomach. Hey, one lousy song out of seventeen isn’t too shabby. Consider the fact, that I really like the other sixteen songs on Skeletons in the Closet and I declare this album a Metal winner. Let’s cut to the Metal chase here and I’ll just state that the cover of the Britney Spears song, Oops… I Did It Again is equally lame as it is annoying. I have never been intrigued by Britney Spears, nor do I give her even one millionth of an ounce of respect for any music she has done in her life.

I don’t hold anything against Alexi Laiho and Children of Bodom for doing this crappy cover song, the liner notes spell out clearly as to why this song was covered in the first place. I will paraphrase the explanation found in the liner notes  – apparently, Children Of Bodom, during a night of heavy drinking, were listening to a party CD they made and this crap song was looping over and over. The members of Children Of Bodom made a pact that someday they would cover this crap song, obviously they did, on Skeletons in the Closet. The explanation, (in the liner notes) for this crap cover song goes on to finish: “… and pissed a lot of people off! That’s just what we do”. In the Metal end, sure, after listening to this crap cover of Britney Spears, I felt pissed off – now I think it is damn funny, a song intended to be a joke, not to be taken seriously like it’s original artist Britney Spears.

As I stated, the remaining sixteen cover songs I like a great deal. The Thrash Metal representation of these songs explode with the power and aggression that I have always admired with Children Of Bodom. Many of my favorite Metal bands are covered extremely hard and heavy on this album: Silent Scream from SlayerAces High from Iron Maiden, Hellion from W.A.S.P., Don’t Stop At The Top from Scorpions, Mass Hypnosis from Sepultura and Waiting from King Diamond. Children Of Bodom give these songs their stylistic Thrash Metal stamp on them, I find myself appreciating their versions a whole lot. Whenever it comes to covering Slayer, man, that is a tough Metal task to take on.

Other cover songs on Skeletons in the Closet that are powerful Thrash Metal listens are: Rebel Yell from Billy Idol, Hell Is For Children from Pat Benatar and Talk Dirty To Me from Poison. These three songs standout for I like them a great deal more than the original versions. Ghost Riders In The Sky appears on this album too, (it appears on the Children Of Bodom album Blooddrunk as an unlisted ghost song, excuse the pun). Somebody Put Something In My Drink from the Ramones is excellent! Alexi Laiho sounds like he is really enjoying this song as I listen to him sing it. Still, nothing can ever top the original version of this song by the unreal great and legendary Ramones. Trust me, you will NEVER know that the song Just Dropped In (To See What Condition My Condition Was In) is from Kenny Rogers. NO WAY, am I ever interested in hearing the original version either… especially since this cover version Thrashes like there is no tomorrow.

Overall, the Metal verdict is Skeletons in the Closet is loaded with fiery Thrash Metal passion from Children Of Bodom, with their trademark keyboards only enhancing the experience. I will listen to this covers album for years, hopefully decades to come. I am soon going to use the “F” word… watch out… here it comes… Children Of Bodom made a darn fun album here. Thankfully the crap song is the very last on the track list, making it easier to just end the album at song #16. I recommend Skeletons in the Closet and always highly recommend Children Of Bodom to all.

Children Of Bodom "Skeletons in the Closet" large pic #2


EXODUS – “Bonded By Blood” I Still Bond To For Old School Thrash Metal

Posted in 1980's heavy metal albums, 1980's thrash metal albums, 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's thrash metal music, Album Review, classic metal, collecting metal music, cool album covers, creepy album covers, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album reissued, heavy metal albums, heavy metal albums 1985, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal vocalists, independent record labels, Metal, metal music, metal music albums, metal music today, metal odyssey, Music, old school heavy metal, old school thrash metal music, scary album covers, spooky album covers, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal bands, thrash metal guitarists, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal songs, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2009 by Metal Odyssey

EXODUS "Bonded By Blood" original album cover large picExodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).

Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.

Exodus "Bonded By Blood" alternate cover small picListening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.

This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.

Exodus as they appeared on their first album Bonded By Blood:

Gary Holt on guitar

Rick Hunolt on guitar

Paul Baloff on lead vocals

Tom Hunting on drums

Rob McKillop on bass

Track Listing for Bonded By Blood:

Bonded By Blood

Exodus

And Then There Were None

A Lesson In Violence

Metal Commando

Piranha

No Love

Deliver Us To Evil

Strike Up The Beast

* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.

* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.

Exodus "Bonded By Blood" alternate cover large pic

MEGADETH asserts Thrash Metal Supremacy with ENDGAME

Posted in 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1980's thrash metal, 1990's heavy metal bands, 1990's thrash metal bands, 1990's thrash metal music, Album Review, classic metal, collecting music, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, essential thrash metal songs, guitar solos, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music this decade, metal music today, metal odyssey, Metal Reviews, Music, new thrash metal albums, old school thrash metal music, rock music, scary album covers, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums 2009, thrash metal bands, thrash metal legends, thrash metal music, thrash metal music reviews, thrash metal today, vintage thrash metal bands with tags , , , , , , , , , , , on September 20, 2009 by Metal Odyssey

 

Megadeth Chrome Logo Banner 2009

 

 

 

Life is good. Life is cool. Especially when Megadeth releases four albums in the last three years, (2 studio, 1 live and 1 greatest hits). The newest album Endgame, (released September 15, 2009 on RoadRunner Records), has made this Metalhead very, very happy. I have been a Megadeth and Dave Mustaine fan since Killing Is My Business… and Business is Good was released back in 1985 and I have seen Megadeth live. Needless to say, Megadeth is without question, one of my core Metal Bands that I am thankful for still being around in 2009 making new music. Dave Mustaine deserves any and all the Metal accolades that may come his way, as I see it, he is as important a figure in the history of Metal Music as anyone… ever. The Metal appreciation that I have for Endgame goes beyond the expectations I had leading up to this albums release… the more I listen to Endgame the more powerful the music feels to me. I am not being bias when I state there is not one average song on Endgame, all eleven songs are tremendous creations of the Megadeth Thrash Metal brand.

The song Endgame is Dave Mustaine’s political statement, he has never been bashful about his political feelings in the past and still gets his point across in 2009. Endgame is one cool song with double cool lyrics too. Dialectic Chaos is the opener to Endgame, a Thrash Metal instrumental that forges itself upon me like a can of Megadeth whoop ass… unreal good is the bottom line here. Dave Mustaine and Chris Broderick trade back and forth solo’s on Dialectic Chaos with complete Thrash Metal shock and awe… the same goes for their guitar playing throughout this entire Endgame album. Due to the Thrash Metal brilliance and total music quality, you would think this Megadeth lineup had been playing together for twenty five years. This Day We Fight! is simply put, a song about kicking some serious butt. This Day We Fight! can be interpreted quite well as a Thrash Metal war song – leading a charge to victory. The big hubbub leading up to the release of Endgame was reading about Dave Mustaine writing a ballad – The Hardest Part Of Letting Go. Honestly, maybe the first and last thirty seconds or so of this song would remotely be considered a ballad by my standards… if this is a ballad then I adore Thrash Metal ballads forever. A very cool song indeed, a diverse and rewarding listening moment on Endgame.

Megadeth "ENDGAME" banner 2009

 

Before Endgame was released, Megadeth had (and still has) this Endgame album streaming in it’s entirety on their MySpace Music page. I chose Head Crusher, How The Story Ends and The Right To Go Insane as my three favorite songs, after listening to Endgame streaming on Megadeth’s MySpace Music page. These songs are still my choice picks, however, the more I listen to Endgame, the more I like every song, especially the brutally intense instrumental Dialectic Chaos. Megadeth is no longer just a great Thrash Metal band with decades of Metal history behind them, Dave Mustaine and Megadeth lead by example with releasing albums of quality material on a very frequent basis and asserting themselves as one of the top dog’s of the Thrash Metal genre. (I cannot bypass Slayer ever). Dave Mustaine has thought enough of the fans to continuously release albums and DVD’s the last few years that are Thrash Metal quality, not quantity. Endgame has to be considered as one of the best albums that Dave Mustaine has ever created with Megadeth. Seek out Megadeth and Endgame, it will serve you right. This has been my Metal opinion.

Megadeth as they appear on Endgame: Dave Mustaine on guitar and lead vocals, Chris Broderick on lead guitar, James Lomenzo on bass guitar and Shawn Drover on drums.

Megadeth "ENDGAME" VERY LARGE ALBUM PIC

SHADOWS FALL – “RETRIBUTION” album is a Thrash Metal lightning strike!

Posted in 1990's thrash metal albums, 1990's thrash metal music, Album Review, cool album covers, current extreme metal albums, current extreme metal music, current heavy metal albums, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, new thrash metal albums, rock music, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums 2009, thrash metal music, thrash metal music reviews, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 16, 2009 by Metal Odyssey

Shadows Fall "Retribution" small picHighly recommended to all Metal fans all over the globe! That is just how unreal good Retribution from Shadows Fall is… that I start off by just bluntly recommending this new album. Seriously, Retribution is one solid chunk of Thrash Metal Music for me. On this new release, (released September 15, 2009), Shadows Fall sounds as if they are not holding back the hard and heavy for no one. I am not taking the easy way out by saying all ten songs are damn incredible. The all encompassing barrage of Metal fury, that highlights each turn and corner on Retribution, is like a Metal power rush to my brain that I do not want to end. In my Metal opinion, it very much seems as if Shadows Fall took a long and hard listen to the once in a millennium, Metal masterpiece from Slipknot called All Hope Is Gone… and decided they too wanted to raise their own Metal bar. The All Hope Is Gone influence I hear on Retribution, is deserving of a raucous Metal applause for Shadows Fall, for if this influence is to be true… Shadows Fall surely knows real Metal when they hear it. The unrelenting surge of Metal power both musically and vocally, (both lead and backing/gang vocals), found within Retribution, are the best ways I can describe my All Hope Is Gone comparison. 

Brian Fair on lead vocals has never sounded this unreal great before, based on what my ears hear on Retribution. Brian Fair shows his harmonious side as a crooner and just as suddenly can deliver the bad ass vocals I have always expected… and he does so with the determination and tenacity of a seasoned Metal pro. If it was ever possible for Jason Bittner to elevate his already incredible Metal talents on drums, well, he did it here on Retribution… whoa. Jonathan Donais on lead guitar, takes full Metal command with creative leads that are above impressive. One recent professionally paid Metal Music critic wrote in the November 2009 issue of Revolver Magazine: “arguably the most mainstream-friendly album the group has made” – (?), uh, I beg to differ. First, I would never equate the word mainstream to Shadows Fall… never, ever, from 1998’s Somber Eyes to the Sky to 2007’s Threads of Life. Now, with Retribution, for this album to even be remotely considered mainstream friendly, well, that is like saying a Pit Viper hanging from a tree limb above your head is friendly too. Nickelback is mainstream friendly, with absolutely no disrespect of course, to them. This is just another perfect Metal example, that there are some Metal Music critics out there that never bother to listen to the album(s) they are being paid to review. Frustrating, to say the least.

My two choice picks on Retribution are: King Of Nothing and Embrace Annihilation. These are the two songs that just embody the core Thrash Metal essence of Retribution, in my Metal opinion. Shadows Fall has made me feel Metal secure, with their creating Retribution, this is an album that encapsulates all things powerful about Thrash Metal. Metal truth be told, I will be recommending this album to anyone who listens for the rest of my Metal life. Musical integrity and the respect for quality song writing are characteristics every band should uphold, Shadows Fall upheld them on Retribution ten fold. Shadows Fall will always have their Metalcore roots, with Retribution, they have imprinted themselves into the Thrash Metal genre like an unstoppable lightning strike.

Shadows Fall are:

Brian Fair on lead vocals

Jonathan Donais on lead guitar/vocals

Matthew Bachand on guitar/vocals

Paul Romanko on bass 

Jason Bittner on drums

Retribution was produced by Zeuss and released on Ferret Music and Independent Label Group.

Shadows Fall "Retribution" large pic

“Frankenstein” – The Edgar Winter Group Rock Classic, an Over Kill Thrash Metal cover song

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's thrash metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's thrash metal albums, 1990's thrash metal bands, 1990's thrash metal songs, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock albums, classic rock bands, classic rock cover songs, classic rock instrumentals, classic rock music, classic rock music 1972, classic rock songs, cool album covers, essential classic rock albums, essential thrash metal albums, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, Metal, metal music, metal odyssey, Music, old school hard rock, old school thrash metal music, Over Kill, Rock, rock music, Thrash Metal, thrash metal albums 1991, thrash metal cover songs, thrash metal music, thrash metal music 1991, thrash metal music instrumental songs, thrash metal music reviews, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Metal Odyssey

The Edgar Winter Group "They Only Come Out At Night" small picIf I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.

Now, step in… Over Kill. “Horrorscope” was released on September 3, 1991 and on this album, Over Kill includes the cover version of “Frankenstein”. The running time of this Over Kill  cover version comes in at 3:29, compared to The Edgar Winter Group’s original version of 4:44. Despite the shortened length of time, Over Kill demonstrated a monstrous Thrash Metal approach to honoring such a legendary Rock instrumental classic. Yes, I bought this Over Kill album within the first week of it’s release back in 1991, (I still have it on cassette too). When I first listened to Over Kill’s Thrash Metal burn on “Frankenstein”, I was stunned, all I felt was the immediate power force of guitar, bass and drums all coming together like a Metal typhoon. The only word that I honestly can remember saying aloud, listening for the first time to Over Kill’s cover version was… whoa. I also dropped plenty of complimentary f-bombs alongside the adjectives of great, incredible and insane. I still do, when talking about this Over Kill cover of “Frankenstein”. I will not lie, I look upon Over Kill, past and present, as if they were and still are the Thrash Metal kings of the entire universe. That type of Metal bias has no persuasion whatsoever, when I tell the entire planet that this cover by Over Kill is one for the Metal record books. As for the “Horrorscope” album itself… Thrash Metal of profound intensity.

I will succumb by stating, I honestly without a Metal doubt, cannot choose one version of “Frankenstein” over the other. This is a wicked example of how an original Rock Classic can be so legendary and inspiring, yet the cover version with all of it’s grand Thrash Metal bite and might, results in my saying it is a Metal tie. September is just around the corner… October shall be upon us very soon… “Frankenstein” will be played very loud by me very many times starting now… my home stereo speakers are going to get a Metal workout like they never experienced before.

Over Kill "Horrorscope" album large pic

lamb of god – “Wrath” is a welcomed overdose of Thrash Metal ferocity

Posted in Album Review, cool album covers, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, current live heavy metal albums, current metal albums, current thrash metal albums, current thrash metal music, essential heavy metal albums, essential metal music albums, extreme metal music, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal music 2009, Heavy Metal Reviews, Metal, metal music, metal music this decade, metal music today, Metal Reviews, Music, new thrash metal albums, recent heavy metal albums, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal music, thrash metal music reviews, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , on July 30, 2009 by Metal Odyssey

main-150Lamb of god, now here is the meat and potatoes that I need in my Metal diet. Oh, the usual Metal adjectives can be thrown at this band… fast, furious, heavy, insanely heavy, blistering, scorching and Metal blinding. Now that all those notoriously used descriptions of lamb of god are out of the way, (I will never argue with using the preceding adjectives), my lone word to describe lamb of god and “Wrath” is infreakincredible. If you are hungry for a Metal album that is totally filled to the brim, with non stop, forcefully driven Thrash, “Wrath” will set you Extreme and/or Thrash Metal straight. The only warning here is that you very well may become corrupted and/or addicted to “Wrath”, which will in turn have your Metal senses on the verge of a Thrash overdose. Favorite song on “Wrath” you ask? Forget about it… this is one of those rare albums where the Metal is all inclusive to the moniker unimaginably great. Yup, I am blast beating the lamb of god drum here, darn proud of it too.

My first listen to “Wrath” made it very clear, to me, that lamb of god is happening now… this incredible Thrash album has not been dug up from decades ago, it is current and ranks above a crowded room of new and vintage Thrash Metal albums. Of course, this is my Metal opinion… I will not go over the deep end and credit “Wrath” as being the greatest Thrash Metal album ever, yet “Wrath” gets permanently placed on my all-time favorite list without further deliberation. Is “Wrath” excessive? You betcha it is and I take the Thrash Metal pummeling like the seasoned Metal addict that I am. This album boasts, with clarity, the strength of lamb of god as a unit, pure, forceful and unrelenting power in the music and vocals. As I see it, after listening to this album, lamb of god shall never ride shotgun to no other Metal band in the land.

“Wrath” begins with a surprisingly eloquent and soothing instrumental, intro, titled “The Passing”, which lends itself as an innocent segue to “In Your Words”, where once this song kicks in, all mellow bets are off. “Everything To  Nothing” is my favorite song on “Wrath”, (I will bend and pick one out from this album), it just has the most memorable riffs, leads and vocals. Randy Blythe on vocals for me, is as grinding, lean and mean as they come. Randy can deliver the Death Metal growls just as easy as he belts out the Thrash Metal vocals. (I personally cannot grasp any Metalcore tag that at times, gets placed on lamb of god). I really admire the style of Chris Adler on drums, with John Campbell on bass these two guys are crushingly good. Willie Adler and Mark Morton on guitars are today’s example, of an axe slinging duo of Metal profoundness. Richmond Virginia should erect a lamb of god visitors bureau. To have the bragging rights of being the home turf for this band, is a great Metal story. By this point, you probably are aware that I highly endorse listening to and buying lamb of god’s Metal… I could not be more emphatic about this album “Wrath” and the band that created it.

* “Wrath” was released on Epic Records on February 24, 2009. 

 

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