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Ozzy Osbourne Randy Rhoads Tribute – Live Album From 1987 Is Priceless, Old School, Heavy Metal History

Posted in classic rock, guitar legends, guitarists, Hard Rock, Heavy Metal, heavy metal albums, heavy metal history, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on March 23, 2011 by Metal Odyssey

OZZY OSBOURNE RANDY RHOADS TRIBUTE – How often do you turn to your collection of music, whether it be CDs, vinyl, cassettes or (gulp) 8 tracks for that refreshing listen in Old School?  And as you rummage through your music collection, you find that one Old School release you haven’t listened to in quite some time? It happened to me a couple of days ago. This Old School album I’ve revisited is Ozzy Osbourne Randy Rhoads – Tribute. I have this live Heavy Metal masterpiece on CD and cassette, once owning it on vinyl. This is a “double-album” release and all 14 songs are on one CD.

Why do I refer to this album as a masterpiece you question? This is the first and only live Ozzy Osbourne album that features the infinitely legendary Randy Rhoads (Randall William Rhoads) as guitarist. Randy Rhoads passed away at age 25, back on March 19, 1982. It was a “freak” small plane accident that took Randy Rhoads away from us all, halfway through the Diary Of A Madman tour. I won’t get into anymore details about this sad story… the internet is loaded with the complete story on this horrible day in Rock Music history.

There are three Black Sabbath classics heard on this live album: Iron Man, Children Of The Grave and Paranoid. Randy Rhoads did these Black Sabbath classics spectacular Metal justice on Tribute. Yes, Tony Iommi is the originator and guitar master of these Black Sabbath songs, there is no dispute. If anything, Randy and Tony are on the same Metal tier in my most honest Metal opinion. Two entirely different guitar styles and two unique legends of Heavy Metal and Rock history are they both. Each guitarist has carved out his individual Metal legacy for all eternity. What more can I say about that?

As I listen now, some 24 years after this live album has been released, the chills still run up and down my body when I crank these Heavy Metal classics up… just as it happened to me in 1987. When a live album or any album for that matter, can never lose it’s euphoric Metal vibe that it gives me, such as this one, then I Metal ordain it a Metal Masterpiece. I’m forever left spellbound by listening to Randy Rhoads play his riffs, leads and solo’s throughout this entire live album. The studio out-takes of Randy Rhoads playing Dee never ceases in capturing my full attention. The all encompassing Metal high I get from hearing these live versions of Flying High Again, I Don’t Know, Crazy Train and Mr. Crowley is a personal feeling that is priceless.

Randy Rhoads has a featured guitar solo on Suicide Solution and it is a dizzying listen into just how immense, influential and dynamic his guitar playing was… and forever will be. Ozzy’s vocals on these live songs sound just incredible to my ears, it’s vintage Ozzy. There will never be another Ozzy Osbourne, just like there shall never be another Randy Rhoads. These two ultra-amazing men of Metal created two magical albums together with Blizzard of Ozz (1980) and Diary Of A Madman (1981). Those were two back-to-back Heavy Metal albums that essentially catapulted Ozzy’s solo career to iconic heights and made Randy Rhoads, the guitarist, an everlasting influence and legend.

Both of these iconic Heavy Metal albums are celebrated on this live Tribute album and Ozzy Osbourne paid tribute to Randy Rhoads through it’s release. The guitar playing and song writing of Randy Rhoads shall be celebrated forever by this Metalhead. This is a live album that belongs in every Hard Rock and Metal fans collection of music, I can’t fathom any reason otherwise. Ozzy Osbourne Randy Rhoads – Tribute is a live album that captured important Heavy Metal and Rock music history, which will be passed down for Metal generations to come.

The band as listed in the “original” album liner notes:

Ozzy Osbourne – vocals

Randy Rhoads – guitar

Rudy Sarzo – bass

Tommy Aldridge – drums

Track Listing For Ozzy Osbourne Randy Rhoads – Tribute:

I Don’t Know

Crazy Train

Believer

Mr. Crowley

Flying High Again

Revelation (Mother Earth)

Steal Away (The Night) (With Drum Solo)

Suicide Solution (With Guitar Solo)

Iron Man

Children Of The Grave

Paranoid

Goodbye To Romance

No Bone Movies

Dee (Randy Rhoads Studio Out-Takes)

* Ozzy Osbourne Randy Rhoads – Tribute was produced and engineered by Max Norman. The executive producer was Ozzy Osbourne.

* Ozzy Osbourne Randy Rhoads – Tribute was released March 19, 1987, on Epic Records.

The combination of knowing that the month of March marks the passing of Randy Rhoads and speaking with “DeadDave” of Dead Daves Radio.com about Old School Heavy Metal over this past weekend, prompted me to dig out this classic work of live Heavy Metal… without my even thinking about it. I guess needing to listen to Ozzy Osbourne Randy Rhoads – Tribute was imbedded in my Metal sub-conscious, all along this past week.

I met “DeadDave” for the first time in my Metal life at the COLD, KOPEK, Egypt Central, Oceans Divide and Maddam Ink. concert at the Crocodile Rock Cafe on Saturday, March 19th. I’ll tell the world this much… “DeadDave” is one cool dude who likes his Horror, Hard Rock and Heavy Metal. Thanks for the conversations “DeadDave” and for the Metal knowledge you shared as well.

Long Live Ozzy Osbourne.

Rest In Peace, Randy Rhoads.

Stone.

8 Comments »

IRON MAIDEN “The Number Of The Beast” – Metal Excellence From 1982 Is Never Forgotten

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal songs, metal music, metal odyssey, Music, new wave of british heavy metal, progressive metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 11, 2010 by Metal Odyssey

IRON MAIDEN – Just the album cover art with Eddie descending upon the devil is Metal excellence. Derek Riggs was the real deal in creating Iron Maiden album covers… no one else comes even close in my Metal opinion. Getting past the album cover art from The Number Of The Beast and diving into the songs is like a parallel journey of the Metal senses. This is an album, where the cover art represents the songs heard within to brilliant perfection. Invaders, The Number Of The Beast, Run To The Hills, Hallowed Be Thy Name and Children Of The Damned are songs that I can listen to and instantly have this album cover art imbedded in my minds eye. Every song on this ultra-incredible Iron Maiden album does this to me for argument sakes.

This album cover art for The Number Of The Beast has never lost it’s awestruck affect on me, nor have the songs. I toil away, within my own thoughts, as to which album is the “greatest” Heavy Metal album ever… almost on a daily basis. I chose the Black Sabbath classic, Sabbath Bloody Sabbath from 1973, some years ago and have stuck to it since, as being the “greatest” Heavy Metal album ever. Of course this is a “personal” choice of mine and it may change one day… so is the life of being a devout Metalhead, I guess. What gets at me though, is every time I listen to The Number Of The Beast, I feel as this album can very well be considered “the greatest” Heavy Metal album ever. Metal be thy name.

I have always looked upon the first six Iron Maiden albums as being my personal favorites. Convict me of being “Old School”… only I’m not crying in any damned beer about it. God forbid If I remember which albums are the true “classics” of the Heavy Metal genre. To embrace Iron Maiden’s The Final Frontier as the way it “should be” and totally disregard the true essence of this legendary band’s Metal identity of style and sound would make me a phony fan. The Number Of The Beast is an unforgettable Heavy Metal album for me, due to it’s dark themes and 100% dark sound, feel and vibe. The Final Frontier is a new album from Iron Maiden, while The Number Of The Beast is a pulsating highlight of this bands career.

The Number Of The Beast would be the last studio album that has Clive Burr sitting behind the drums. Yes, Iron Maiden did have another drummer… and he was pretty damn good too. Clive Burr was the drummer on the first two Iron Maiden albums as well: Iron Maiden and Killers. This album is also the first that showcases the uncannily soaring vocals of Bruce Dickinson. I look upon The Number Of The Beast as one of the keys that unlocked the door to Metal for me, introducing me to a darker side of Metal when it came to lyrics, as well as the New Wave Of British Heavy Metal – (NWOBHM).

The Number Of The Beast was released back in March of 1982, while Screaming For Vengeance by Judas Priest was released in July of the same year. Suffice to say, I realized quickly that these British Heavy Metal Bands were very serious about their Metal back then… and still are. The mood that The Number Of The Beast radiates is untouchable by any other band, a mood so unique that it seems to zero in on my sub-conscious and touches off a feeling of eerie psyche-outness.

Hallowed Be Thy Name is my favorite song on this album, very haunting and desolate are the lyrics. Waiting for your time to die by hanging is as depressingly creepy as you can get with lyrics, only Iron Maiden makes this song seem almost inspiring through it’s melodic Metal… thanks to Dave Murray and Adrian Smith on guitars. Steve Harris on bass even makes the rhythmic melody escalate on this classic Metal song.

On these earlier Iron Maiden albums, especially The Number Of The Beast, the sound coming from Steve Harris’s bass is unlike anything I had ever heard before, almost like Steve Harris was a lead guitarist playing bass. Steve Harris brought to my attention as a young lad, that the bass guitar was just as magical as the guitar to my Metal sponges otherwise known as ears. The atmosphere that Steve Harris created with his bass along with Dave and Adrian’s duo guitars throughout the songs on The Number Of The Beast is what gives this album and band their Metal trademark, in my Metal opinion.

Even as a young lad, I never interpreted Iron Maiden to be a Satanic band due to this or any album they created before it. I was into Creature Feature on Saturday mornings and I never thought of Boris Karloff, Béla Lugosi or Lon Chaney Sr. or Jr. to be Satanists either. I’ve always left the Satanic finger pointing to the self-righteous Phd’s and scholars, that try to tell the human race how to live. Metal be thy name.

Any band of any Rock genre can tweak or change their entire approach, in how they want to sound or write music. The one constant that can never change is which album or albums that any respective band created that are considered to be measuring sticks of a particular Metal era… and looked upon as classics. The Number Of The Beast is one such classic, from an era when Heavy Metal was not just being molded into form, Heavy Metal was breathing a new found life into a generation of fans that are undisputedly loyal to this very moment. I’m one of them… and The Number Of The Beast shall continue to breathe it’s tantalizing, Old School and macabre teetering spell on me till the end of days.

This is one Iron Maiden album I still have the vinyl copy of… still in unreal great condition too. I without question, upgraded this classic to CD years ago as well. No, I don’t have a cassette version, yet if I find one I’d probably buy it, just to play in my good ‘ol Ford Taurus. The Number Of The Beast has become, over the decades, not just a required album to own if you are a Metalhead… this Iron Maiden album could easily be described as an absolute and necessary appendage to thine Metal senses. This is my Metal opinion, so let it be Metal written, so let it be Metal done.

* For more info on IRON MAIDEN, just click this link: IRON MAIDEN

IRON MAIDEN as they appeared on The Number Of The Beast:

Bruce Dickinson – lead vocals

Steve Harris – bass

Dave Murray – guitar

Adrian Smith – guitar

Clive Burr – drums

Original 1982 Track Listing For The Number Of The Beast:

Invaders

Children Of The Damned

The Prisoner

22 Acacia Avenue

The Number Of The Beast

Run To The Hills

Gangland

Hallowed Be Thy Name

* On May 9, 2009, I posted why I feel Black Sabbath – Sabbath Bloody Sabbath is the “Greatest Heavy Metal Album of All Time”. Just click the large header below to read it… if you like.

The greatest Heavy Metal album of all time is…

* On December 6, 2009, I posted about my antique store find… the picture disc of IRON MAIDEN – Run To The Hills. The B side is the song – Total Eclipse, which did not appear on The Number Of The Beast in 1982. Total Eclipse later appeared on the 1995 CD reissue of The Number Of The Beast. You can read more about this fantastic picture disc I found, with photos of it, by clicking the oversized header below:

IRON MAIDEN “RUN TO THE HILLS” PICTURE DISC – AN ANTIQUE STORE FIND!

LONG LIVE IRON MAIDEN.

Stone.

2 Comments »

ALICE COOPER – Is Finally “Nominated” To The Rock And Roll Hall Of Fame… Now What?

Posted in Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , , on September 29, 2010 by Metal Odyssey

ALICE COOPER – Oh, thank you, thank you, thank you, Rock And Roll Hall Of Fame for “acknowledging” that Alice Cooper exists! Wow… that must really had been a strenuous and heated debate for all of you “corporate” board of directors over there to make. So, what are all of us Alice Cooper fans supposed to do now? Are we supposed to be excited? Are we all supposed to fall for your phony “corporate” game over there at The Rock And Roll Hall Of Shame? This is the same “institution” that nominated the uncannily iconic KISS last year and then decided not to induct them. DOLTS! Now… KISS isn’t even nominated this year!? WTF? Alas, the whole KISS debacle is for another post… another day.

Rock ‘N’ Roll History 101 to the “corporate” Rock Music scholars over at The Rock And Roll Hall Of Shame: Alice Cooper was known as a “band”. That’s right, Alice Cooper (The Band). From 1969 to 1973, Alice Cooper (The Band) released 7 studio albums. Alice Cooper then went solo, with the release of Welcome To My Nightmare in 1975. Alice Cooper (solo) has released a total of 18 studio albums from 1975 to 2008.

SO… WHICH IS IT… ALICE COOPER (THE BAND) OR ALICE COOPER (SOLO) THAT IS NOMINATED? GET IT STRAIGHT ROCK AND ROLL HALL OF SHAME. GET WITH IT. IT SHOULD BE BOTH THAT ARE NOMINATED, YOU POP-MAINSTREAM DUNCES. DOLTS!

I have been a lifelong fan of Alice Cooper (The Band) and Alice Cooper (Solo). No, I am not seventeen years old either, there are those days I wish I was though. I am old enough to know that the selection process for the nominees and inductees into this Rock And Roll Hall Of Shame is politically motivated by a clique of decision makers who thinks ABBA carries more “musical excellence” than the likes of: RUSH, Cheap Trick, KISS, T. Rex and The Moody Blues. (LOL). There are many more to add to this legendary list, however, my Metal point has been made clear.

At the end of the day, true fans of Alice Cooper (The Band & Solo), will never tire of their loyalty. A true fan cherishes the music their favorite bands and musicians create, regardless of what some millionaire CEO and his “out of touch” board of directors may say, in some overpriced building in Cleveland, Ohio.

A Rock ‘N’ Roll icon such as Alice Cooper does not need to be reassured of his status and acceptance by induction into any damn hall of fame. Sure, it is an honor to be inducted… only it should be a bigger honor to know your fans revere your music and accept you for who you are, regardless. Alice Cooper is BIGGER than The Rock And Roll Hall Of Fame… and that “establishment” knows it.

I say this time and again… that I revere many of the bands and musicians that have been inducted into this building. The slimy political posturing, that affects the nomination and induction process is what ruins what would have been a very grand idea from the very beginning… to have a credible Rock And Roll Hall Of Fame for fans to gravitate to. Sadly, that “type” of Hall Of Fame just doesn’t exist for this Rock ‘N’ Roll fan.

* Here is the “original” band lineup for Alice Cooper (The Band)… maybe someone can pass this information along to the Rock Music “scholars” that oversee who gets inducted into that building in Cleveland.

Alice Cooper – vocalist

Glen Buxton – guitarist

Michael Bruce – guitarist, keyboardist

Dennis Dunaway – bass guitarist

Neal Smith – drummer

LONG LIVE ALICE COOPER!

Stone.

12 Comments »

PANTERA – “THE WILL TO SURVIVE” DEMO IS A HIDDEN METAL TREASURE

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , on September 20, 2010 by Metal Odyssey

PANTERA – On September 14, 2010, Rhino Records released the 3-CD Deluxe Edition of Cowboys From Hell. PANTERA rules. Originally released back on July 17, 1990, on Atco Records, this was the album that catapulted PANTERA as a relentless and blazingly bad-ass live band. Metal be thy name, that is the truth. 2010 ushered in the 20th Anniversay of Cowboys From Hell, whoa… seems like yesterday to me when this unreal great album came out. Cowboys From Hell marked the fifth studio album from PANTERA… the first four being on their own label called Metal Magic. PANTERA rules.

It’s an endless Metal debate, as to which PANTERA album is the very best. I like to go with Cowboys From Hell, Vulgar Display Of Power and Far Beyond Driven as my personal top three. Hell, it’s very difficult for me to pin one PANTERA album against another. PANTERA rules. As I see it, PANTERA was the pit bull in the backyard, that was set loose to protect and spread the cause of Metal in the decade of the ’90’s… and they did just that and then some. Metal be thy name.

There is one demo, that was never released before, on disc 3 (the demo disc) which is The Will To Survive. Whoa, do I like this song a Metal ton. Phil Anselmo sounds like Rob Halford… or can I say has some heavy duty Rob Halford influence in his vocals, on this demo. After listening to this song a couple dozen more times… I will even make a Metal stretch by saying, that I hear a bit of Geoff Tate in the vocals of Phil Anselmo too. The Will To Survive of course was written and had it’s parts recorded well before there was a Vulgar Display Of Power, even before Cowboys From Hell.

I’m calling The Will To Survive demo a hidden Metal treasure. Why? For one, it’s not a song I would have expected to hear on this deluxe edition of Cowboys From Hell. Sure, the thought crossed my mind of maybe hearing something from the Metal Magic era of PANTERA… only this song surpasses what I initially thought it would sound like, both in it’s Traditional Metal style and sound. Trust me… the late and ultra legendary Dimebag sounds fabulous on guitar too, giving The Will To Survive a Speed Metal/Power Metal vibe that really leaves me whining for more.

If there were more hidden Metal treasures like The Will To Survive still on tape somewhere… locked away… I pray that Vinnie Paul, Rex Brown and Phil Anselmo would turn ’em loose on us fans someday, with one entire CD of PANTERA songs that have NEVER been heard before in any form. PANTERA rules.

Why do I keep stating “PANTERA rules” throughout this post you may query? There really is nuthin’ to question here… PANTERA F’N RULES. Always did… always will. Call me a PANTERA fan boy? Hell, I’m not alone there and I’m in good company, thank you very much. Plus, I’m damn proud to be one. Yes, I strongly urge any and all fans of Metal and of course, PANTERA, to get a copy of this Cowboys From Hell – 20th Anniversary Deluxe Edition.

* Recently, I interviewed Phil Anselmo for my very good Metal Buddies over at HARD ROCK HIDEOUT. You can check out this HARD ROCK HIDEOUT exclusive by clicking the large link below or by clicking any HARD ROCK HIDEOUT link you see here.

PHIL ANSELMO – THE HARD ROCK HIDEOUT INTERVIEW!l

*An abbreviated breakdown of the 3 disc Cowboys From Hell – 2oth Anniversary Deluxe Edition:

* Disc 1 is the Cowboys From Hell studio album remastered. Disc 2 contains 12 live songs. Disc 3 has 11 demos from the Cowboys From Hell sessions, which includes The Will To Survive.

LONG LIVE THE METAL OF PANTERA!

REST IN PEACE, DIMEBAG.

Stone.


2 Comments »

JIMI HENDRIX – HIS MUSIC FOREVER LIVES ON

Posted in guitar legends, Hard Rock, hard rock albums, hard rock bands, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock guitarists, rock music, rock music history, rock music news with tags , , , , , , , , , , , , , , on September 18, 2010 by Metal Odyssey

JIMI HENDRIX – Back on September 18, 1970, Jimi Hendrix passed away in London, England, at age 27. Forty years ago, the loss of Jimi Hendrix was just getting underway. Getting into the exact details of where Jimi Hendrix died and how he died is not my purpose here. I am solely reflecting on my introduction to his music as a young teen and how his music continues to entertain me to this very day. Check that… the music of Jimi Henrix continues to bring me joy to this very day.

Back when I was in high school in the early 1980’s, (1980-85), Jimi Hendrix was a huge favorite amongst the crowd of kids I hung with who listened to Heavy Metal. (Yes, I did “extra time” in high school… big deal). Even the kids who listened to straight up Rock and Hard Rock listened to Jimi Hendrix too. It seemed as if no one dared to say they didn’t dig Hendrix back then… he was too cool and bigger than life, regardless if he had passed away a decade earlier. There was this mystique, an almost reverent aura about the songs that Jimi Hendrix sang and played guitar on back in those days. I still get that sense of mystique, a brilliant vibe of reverence when I listen to Jimi Hendrix now… in 2010.

Why the reverence? The mystique? Well, in my Metal opinion, who else can be looked upon as the leading pioneer of electric Heavy Metal guitar? The riffs. Oh, those riffs. Seriously, who else back in 1967 was playing that style of “heavy guitar”? On a consistent level? Yes, you can go back through Rock ‘N’ Roll history with a magnifying glass and find those guitarists who “flirted” with some “heavy” riffs before and during the Jimi Hendrix era. I’m only being real about the impact that Jimi Hendrix had on Rock Music history. His guitar and vocals were so unique to the time that it’s a mesmerizing thought to behold.

It is difficult to pinpoint which was the first Jimi Hendrix song I ever heard, although I will venture to guess it was Foxy Lady. The three FM radio stations I listened to, while in high school, were WCCC and WHCN out of Hartford, the third being WPLR out of New Haven, Connecticut. Those three FM stations played Jimi Hendrix like it was going out of style the Beatles, The Who, RUSH and Led Zeppelin were also played so continuously, that I found no reason to buy all of their albums right away. It’s quite possible to admit, that I listened to Jimi Hendrix each day of my high school life due to those FM radio stations. Truthfully.

Of course, I borrowed and listened to Are You Experienced, Axis: Bold As Love and Electric Ladyland from my friends before I owned them. Swapping albums was the norm back then… not too many of us had the cash to run out and buy every album we wanted. Those are and always will be the “big 3” Jimi Hendrix albums for me. Sure, there have been many other studio albums released after his death, only these are the three albums that defined Jimi Hendrix and made me one of his countless fans.

To stop and reflect for a second, on just how many times I have listened to Jimi Hendrix over the years is mind numbing. Then, to realize that I have never grown tired of the music that Jimi Hendrix created is a double shot of mind numb. Yes, this is all my personal opinion and the way I truly feel. Jimi Hendrix was a pioneering guitar player who paved the way for Heavy Metal to be where it is today. I sometimes wonder what Jimi Hendrix would think of Metal Music in 2010? What would Jimi Hendrix have to say, during those “building block” years of Heavy Metal during the 1970’s and 1980’s? Man, it would be very cool to know.

There could never be another set of album releases such as the first 3 from the Jimi Hendrix Experience. To have three albums in a row, with such amazingly memorable songs is unparalleled. Purple Haze, Crosstown Traffic and All Along The Watchtower… really, what more can be said for the originality and pure heaviness of their time? Timeless is a powerful word… Jimi Hendrix epitomizes this word each and every time I listen to his music.

Rest In Peace, Jimi Hendrix.

Thank you for your timeless music.

Stone.

5 Comments »

OLD SCHOOL METAL 101: SHOK PARIS – “THE HEAT AND THE FIRE” SONG FROM 1989!

Posted in hard rock albums, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , , , on September 15, 2010 by Metal Odyssey

SHOK PARIS – Digging into some Old School Metal and uncovering my Shok Paris album from 1989 – Concrete Killers, had me realizing how damn decent and cool this band really was. The Heat And The Fire song has all the melodic late 80’s Metal swagger happening, from the strong vocals of Vic Hix to the heated guitar leads and solo from Ken Erb. 1989… essentially 22 years ago and Shok Paris Rocked with “Concrete Killers”. This album still Rocks my ears to this very day, Metal be thy name.

* For more info & band history on Shok Paris, just click on the link below:

SHOK PARIS/Fan Club myspace music

* Concrete Killers was released on I.R.S.

LONG LIVE THE HEAVY ROCK ‘N’ ROLL OF SHOK PARIS!

Stone.

1 Comment »

ACCEPT “BLOOD OF THE NATIONS” – A METAL TRIUMPH AND RETURN TO METAL GLORY FOR ACCEPT!!

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal music, metal odyssey, Music, music reviews, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , , , on September 14, 2010 by Metal Odyssey

ACCEPT – I received in the U.S. mail on Monday… ACCEPT – Blood Of The Nations (deluxe digipak) from Best Metal Buddy – Scott Coverdale. There are many Metal albums that have kicked my ass over the years… and then then came Blood Of The Nations. This new ACCEPT album hasn’t just kicked my ass today… it’s as if I opened up a box of unlimited Metal whoop ass and now I don’t know how to contain it or fight it off. I guess I’ll have to take my Metal whoopin’ as a man each and every time I listen to any or all of Blood Of The Nations. Understand please, what I’m about to say in describing my first listen through of this unreal/new ACCEPT album, here it goes… F’n Metal be thy F’n name.

ACCEPT guitarist and founding member Wolf Hoffmann describes in the liner notes, meeting up with new lead vocalist Mark Tornillo and producer Andy Sneap as “miracles”. As a lifetime fan of ACCEPT, Stone calls holding onto this Blood Of The Nations digipak while these 13 new Metal songs from this legendary band is being absorbed into my ears, at maximum level… a miracle. As a fan, I’ve always embraced the Metal fact that ACCEPT was no more. For nearly fourteen years, the 1996 studio album Predator seemed like it was the last any of us Metalheads would hear from ACCEPT. Well… Metal miracles really do happen and ACCEPT is F’n BACK!

Now, I would not be coming across so damn excited here, if it wasn’t for the powerful surge of premium Metal that ACCEPT has created on Blood Of The Nations. Trust me, if this was average or even slightly good Metal from this new ACCEPT album, I would call it out as such or not bother to write about it at all. Instead, the world needs to know… ACCEPT has returned with a Metal double drop kick to the face, with an amazingly energized and psyche-out filled Metal album. Crap, it seems like all of the “Old School dudes” are kicking everyone’s Metal ass in 2010, doesn’t it?

The vintage ACCEPT sound is all heard here on Blood Of The Nations. The dueling guitars of Wolf Hoffman and long time member Frank Herman brings back to Metal glory the searing and scorching riffs, leads and solos that were such a dynamic trademark of this band. Metal… the ACCEPT way. The formidable chorus that bellows behind the lead vocals of Mark Tornillo on songs – Blood Of The Nations and Shades Of Death are a valiant reminder that ACCEPT has returned with their Metal legacy written on their chests. Metal… the ACCEPT way.

Speed is not a bashful guest on Blood Of The Nations. Locked And Loaded is as easily recognizable as a feisty nod to ’80’s Speed Metal as I could ever wish for. Whoa, this song is fast… and it never relents with it’s raging Metal tempo. Locked And Loaded will easily remind fans of the Metal glorious Restless And Wild album and just how the speed jumped out of those songs back in 1982. Time Machine is pumped-up with plenty of muscular Metal grooves and carries along a heavily melodic pace. The Balls To The Wall era background chanting gives Time Machine a retrospective Metal haze, that is yet another Metal signature of ACCEPT.

So, understand please, with what I’m about to say in regards to my listening to Blood Of The Nations for the fourth time today… F’n Metal be thy F’n name. Realistically, the more I listen to this new ACCEPT, the more I’m realizing that Scott Coverdale just might be right in his calling Blood Of The Nations: Metal Album Of The Year. Wolf Hoffmann and Frank Herman aren’t just on fire with their guitar riffs, leads and solos… they are like crazed human Metal torchs on guitar. One listen to Pandemic and my Metal point is made quite clearly here. Pandemic! Pandemic! Hell yes… Metal… the ACCEPT way.

New World Comin’ rises with an intensified Metal groove that is enriched by the bass thumpin’ of founding member Peter Baltes and the thunder stompin’ of Stefan Schwarzmann on drums. New World Comin’ is the ACCEPT Metal anthem of 2010, bringing the mid ’80’s Arena Metal vibe to a new generation of Metalheads worldwide. Is this my favorite song on Blood Of The Nations? F’N HELL YEAH!!

Look, the reason for my elevated Metal excitement every so often, while doing an album review is due to: A. The respective band is a core/lifetime favorite of mine and B. The Metal contained within is absolutely legitimate and reflects what I feel Metal is supposed to be about… loud, powerful and full of pump-you-up sound, style, energy and feel. Blood Of The Nations is all this for me and then some. Just the prolific way in which Blood Of The Nations opens up with Beat The Bastards is evidence alone as to my prior explanation. Beat The Bastards showcases the melodic yet still fast and heavy character of ACCEPT. Angst filled and still victorious laden, the lyrics of this song are stuff of ACCEPT legend.

The Abyss and Blood Of The Nations guide me into this Metal world of ACCEPT 2010 and I am all the better Metalhead for it. This is Metal that isn’t farting around the beer keg here. The song Blood Of The Nations hails freedom, dreams and ideals… all the important aspects of life that are worth “fighting for”. I, like Scott Coverdale, can’t resist the overall patriotic appeal that this song Blood Of The Nations stands for.

Kill The Pain is a strong Metal… ballad. You read that correctly, ACCEPT has created a killer of a ballad, with 0% plastic sappiness, just stark reality of missing someone that is dearly lost. The guitar solo which ends Kill The Pain resonates with the emotion of this songs lyrics. Kill The Pain brings that moment during this ACCEPT album where I can come down from my Metal psyche-out high. All the while I can still enjoy an incredibly arranged song that showcases Mark Tornillo’s vocal diversity.

The overall Metal sensory experience can truly be better described by listening to these songs on Blood Of The Nations for yourself. Just when I think the Metal exhilaration running through my veins will subside… another song begins on this album that maintains the psyche-out level to a maximum level. ACCEPT has been resurrected and their Metal is dominating on Blood Of The Nations. ACCEPT has returned and ACCEPT has fortified my Metal soul once again.

Teutonic Terror has Mark Tornillo singing his lungs out. Mark comes across on this song as if it’s his personal favorite. Is it? I don’t know for sure. This is the ACCEPT lead vocalist now and I’m digging every syllable Mark Tornillo belts out. Do I miss the ultra Metal legend Udo Dirkschneider? Of course I do, I would be sadly mistaken if I didn’t. With the way life constantly intertwines and develops new paths to navigate, people move on and take their own journey. UDO has taken his solo Metal journey and I have and forever shall support him. I can only admire and applaud the loyalty to the cause of Metal that Udo Dirkschneider has exhibited throughout his historically fantastic Metal career.

This isn’t an album that needs to “sit with me” in order to figure out it’s Metal domination factor.

As with so many bands that are still touring and/or recording today, ACCEPT is a Metal franchise. Their name is branded in the Metal hearts, souls and minds of countless Metalheads the world over. Regardless of having a new lead vocalist, if you are going to maintain consistency, having founding and long-time members of a band only adds to the credibility and legitimacy of the music. If a band is going to have a new lead vocalist, he/she better be good and symbolize the true identity and sound of that bands career. Mark Tornillo is damn good. Wolf Hoffmann, Peter Baltes and their band ACCEPT have returned in a most amazingly formidable way, maintaining the Metal sound and style that solidifies this band as… legendary.

ACCEPT:

Mark Tornillo – vocals

Wolf Hoffmann – guitar

Peter Baltes – bass

Frank Herman – guitar

Stefan Schwarzmann – drums

All music & lyrics by: Baltes, Hoffmann and Tornillo*

* Rolling Thunder – music & lyrics by Frank & Tornillo

Track Listing For Blood Of The Nations:

Beat The Bastards

Teutonic Terror

The Abyss

Blood Of The Nations

Shades Of Death

Locked And Loaded

Time Machine – (bonus track)

Kill The Pain

Rolling Thunder

Pandemic

New World Comin’

No Shelter

Bucket Full Of Hate

LONG LIVE ACCEPT!

Stone.

7 Comments »

JUDAS PRIEST “METAL GODS” & PRIMAL FEAR COVER OF “METAL GODS” = UNREAL METAL GREATNESS!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, heavy metal songs, metal odyssey, Music, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , , , , , on September 11, 2010 by Metal Odyssey

JUDAS PRIEST & PRIMAL FEAR – What do Judas Priest and Primal Fear have in Metal common, besides both being Metal Bands? METAL GODS. As I and so many countless others will attest, “nothing beats an original”… only Primal Fear covers the Judas Priest original – Metal Gods like they were put on this Earth to do so. Originally heard on the 1980 studio album from Judas Priest – British Steel, Metal Gods has been a lifetime favorite Metal song for me.

Hell, this British Steel album is downright Metal sacred and easily one of the greatest Metal albums ever created. I remember the first time I heard Metal Gods off of this British Steel album… whoa… whoa again. The British Steel album in and of itself is a thoroughbred classic Metal album for the ages… and Metal Gods catapults this reasoning of mine fifty fold.

I can recall, with Metal ease, listening to this one track on British Steel, that is Metal Gods, continuously. I would pick up the turntable needle and drop it back down at the beginning of this incredible song, each time it ended. Metal be thy name. It is the obvious and sheer muscularity of Metal, that this Judas Priest original of Metal Gods bestowed upon thine ears, which made me stand at attention in Metal awe so many years ago. This Judas Priest original still has that same Metal affect on me… and I don’t see it waning anytime soon.

The repeated opening riff throughout Metal Gods is like my very own psyche-out Metal stimulant that makes me feel really, really, good. I vividly remember looking up at my Judas Priest poster, which hung on my bedroom wall when I was a teen, while any Judas Priest album was being cranked up by me. When Metal Gods was played at maximum volume, I would then proceed to play air guitar and bang thine head like an out of control Metal lovin’ maniac. Um, I guess I still do that when I listen to this song… so let it be Metal written, so let it be Metal done. (Only I don’t have a Judas Priest poster on my bedroom wall today… my Metal supporting wife won’t allow it and I do understand).

Being a futuristic look into the unravelling of mankind’s involvement into the “dabbling” and experimenting with the science of robotics, Metal Gods is a song about robotic creatures/machines known as… Metal Gods. These Metal Gods taking control of their surroundings and the very same people who created them, while mankind falls victim to their evil control, is the theme that this song gets across quite clearly. Not too far fetched in my Metal opinion. Who knows how advanced our technology will take us all eventually? Herculean robotic machines may very well be the norm some day in our future… and they could eventually get pissed off at us.

Yes, Rob Halford is the Metal God and I will never dispute that title he carries with Metal honor and pride. However, Ralf Scheepers is no cheap imitation of Rob Halford. Ralf can flat-out sing Metal. Ralf Scheepers… maybe a strong candidate for being the Power Metal God? Listening to the Primal Fear cover version of Metal Gods for the first time was like the second coming of when I first heard this prolifically immense song, so many years ago. Primal Fear could have “covered” Metal Gods or they could have covered it with F’n Metal Might. My Metal senses tell me… Primal Fear covered this Judas Priest classic with F’n Metal Might.

No one has to take my Metal word for it, that both the Metal Gods original and the Primal Fear cover verson are unreal Metal greatness. All you have to do is seek out these Metal songs for yourself and give ’em a Metal try. You can give me a Metal thank you later… after you realize Metal Gods is probably one of the greatest Metal songs ever written. For lifetime/veteran Metalheads out there… hopefully you understand my Metal reasoning and agree with my Metal thoughts on… Metal Gods. I have a funny feeling that many of you fellow Metalheads do understand.

Primal Fear – Metal Is Forever/The Very Best Of Primal Fear was released back on April 3, 2007, on Nuclear Blast. This is a double CD, with CD 1 containing 16 greatest hits and CD 2 containing 9 Metal Classics. The cover of Metal Gods is heard on Metal Classics. This double CD showcases just how fabulous this German Power Metal Band known as… Primal Fear was, is and forever shall be.

* For more info on Judas Priest, click here: JUDAS PRIEST

* For more info on Primal Fear, click here: PRIMAL FEAR – Official Website

LONG LIVE JUDAS PRIEST AND PRIMAL FEAR!

Stone.

5 Comments »

RUDOLF SCHENKER – HAPPY BIRTHDAY FROM METAL ODYSSEY!

Posted in classic rock music, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock and roll, rock guitarists, rock music, rock music news with tags , , , , , , , , , , , , , , , on August 30, 2010 by Metal Odyssey

RUDOLF SCHENKER – Born on August 31, 1948, Rudolf Schenker turns a Rockin’ cool… 62! Tuesday, August 31, 2010, is Rudolf Schenker day at Metal Odyssey! Happy Birthday Rudolf! Metal Odyssey wishes you all the very best in your Metal endeavors on your birthday! May all the peace, love and good health be with you always!

Words cannot express, just how much your music with the Scorpions has meant to me, during my whole life.

* Pictured in above Scorpions photo, left to right: Pawel Maciwoda, Klaus Meine, Matthias Jabs, James Kottak and the birthday dude… Rudolf Schenker!

* On June 27, 2010, I posted about my Rockin’ experience seeing the Scorpions live at the 2010 M3 Rock Festival. Click on the big ol’ link below to read about it if you like:

SCORPIONS AT M3 ROCK FESTIVAL 2010 – THANK YOU SCORPS!!

LONG LIVE RUDOLF SCHENKER!

LONG LIVE SCORPIONS ROCK ‘N’ ROLL!

Stone.

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GLENN HUGHES – HAPPY BIRTHDAY FROM METAL ODYSSEY!

Posted in celebrity birthdays, classic rock, classic rock bands, classic rock music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music history, rock music news with tags , , , , , , , , , , , , , , , , , on August 21, 2010 by Metal Odyssey

GLENN HUGHES – “The Voice of Rock”. Metal Odyssey extends a loud Happy Birthday to vocal and music legend Glenn Hughes! On August 21, 1952, Glenn Hughes was born. Glenn turns a Rockin’ 58 years old today! Glenn Hughes has been the lead vocalist for both Deep Purple and Black Sabbath during his unreal legendary music career. Those are two bands that paved the road for Hard Rock and Heavy Metal as we all know, listen to and love it today.

In 2010, Glenn is Rockin’ better than ever with his new band – Black Country Communion, which also features Jason Bonham on drums. Glenn Hughes can easily be considered as one of the all-time greatest singers in Rock history… in my Metal opinion, Metal be thy name.

The genres of music that Glenn Hughes has performed, as both a vocalist and musician, coupled with being a songwriter and producer, are many… Rock, Hard Rock, Heavy Metal, Blues, Funk and Soul to name quite a few. To say Glenn Hughes is a diverse vocalist and musician is an understatement. Glenn Hughes belongs in The Rock And Roll Hall Of Fame, his contributions and talent stand alone, as he has stood the test of time.

* For more info on Glenn Hughes, visit his “official website” by clicking the link below:

GLENN HUGHES – Official Website

* For more info on Black Country Communion, just click the cool link below:

Black Country Communion – Official Website

Black Country Communion will be released on September 21, 2010, on J&R Adventures.

* Pictured at the top of this post, is the album cover for: Glenn Hughes – Feel, which was released in 1995 on SPV.

Here are just a few albums, where Glenn Hughes is featured on, that are lifetime favorites of mine:

Black Sabbath – Seventh Star (1986)

Glenn Hughes – lead vocalist

Deep Purple – Burn (1974)

Glenn Hughes – bass & vocals

IOMMI With Glenn Hughes – The 1996 Dep Sessions (2004)

Glenn Hughes – lead vocalist & bass

On October 20, 2009, I reviewed this IOMMI With Glenn Hughes album. You can read all about it by clicking the oversized link below:

TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

LONG LIVE GLENN HUGHES!

Stone.

2 Comments »

VINNIE VINCENT INVASION “ALL SYSTEMS GO” – 1988 ALBUM REVISITED!

Posted in guitar legends, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , on July 24, 2010 by Metal Odyssey

VINNIE VINCENT INVASTION – As years pass, Hard Rock and Heavy Metal CD’s seem to stack up. Many of them unfortunately can get pushed to the side, it is a reality that most of us Metalheads out there share. I only have one set of ears and so many hours in the day, therefore, listening to new releases and older issues can make for quite the Metal balancing act. Step in please… Vinnie Vincent Invasion – All Systems Go. Released in 1988, this was the second and last album from Vinnie Vincent Invasion.

Recently, Best Metal Buddy Scott Coverdale, passed on to me the All Systems Go CD, to feed into my Heavy Metal hungry mind. In Scott’s ever challenging endeavor to consistently research Hard Rock and Heavy Metal history, digging up this album has proved to be quite the Metal deed. This is yet another 1980’s Heavy Metal release that I still have, stashed away on cassette and never upgraded to CD or Mp3… until now, thanks to Coverdale. By the way… Coverdale doesn’t “do” cassettes. Go figure. Maybe I’m just a stubborn Old School corn-dog after all.

Oh, yeah… let’s get into All Systems Go. I’ll readily admit, it has been a very, very, long time since I listened to this Vinnie Vincent Invasion album. That’s just the way it’s turned out. Being the “huge” Mark Slaughter and Slaughter fan I am… shame on my Metal soul. Being the lead vocalist on this album proved to be Mark Slaughter’s career breakout and he sings the daylights out of these songs. Dana Strum plays a thick and mean-ass bass on this album too. Bobby Rock on drums sounds dynamite… as always.

Then there’s Vinnie Vincent on guitar. Really, what can I say? Vinnie Vincent sure can play, that’s damn certain. His signature is all over the songs on All Systems Go and rightfully so, this former KISS guitarist is one of the best axe wielders from that amazing 80’s era of Heavy Metal. Really, that’s how I feel, regardless of how few albums Vinnie Vincent may have appeared on back then. To my ears, Vinnie made the most of what music he created and/or played on with KISS and of course, his own band.

This lineup of Vinnie Vincent Invasion had that 100% “look” of Hair Metal back in ’88, only this album really doesn’t have that stereotypical sound of that genre, in my Metal opinion. I always point directly at the music when defining what “genre” a band fits into. Between Mark Slaughter’s vocals and Vinnie Vincent’s guitar, it’s all pure Heavy Metal to me.

As I listen to All Systems Go now, the thought of what could have been certainly does cross my Metal mind. Needless to say, it’s the albums that do exist from Vinnie Vincent Invasion… that matters most. Besides, I have never been very good with what ifs? anyways. The ever Hard Rockin’ and super melodic Slaughter was eventually born from this Vinnie Vincent Invasion lineup, as fine an offshoot I could ever wish for.

Scott Coverdale likens All Systems Go to unearthing a gem that has been buried away for twenty years. I can’t conveniently argue with him on that analogy. All Systems Go, twenty years later, still is a super inviting album of late ’80’s Heavy Metal, which is undoubtedly loaded with all the melodic fun and arena color of that very loud and proud decade… that I love to revisit time and again.

VINNIE VINCENT INVASION (As they appeared on All Systems Go):

Mark Slaughter – vocals

Vinnie Vincent – guitars & backing vocals

Dana Strum – bass & backing vocals

Bobby Rock – drums

Track Listing For All Systems Go:

Ashes To Ashes

Dirty Rhythm

Love Kills

Naughty Naughty

Burn

Let Freedom Rock

That Time Of Year

Heavy Pettin’

Ecstasy

Deeper and Deeper

Breakout

The Meltdown (Instrumental/Bonus CD Track)

Ya Know I’m Pretty Shot (Instrumental/Bonus CD Track)

Stone.

9 Comments »

MAGIC “A TRIBUTE TO RONNIE JAMES DIO” – DESERVES A LOUD METAL BRAVO!

Posted in classic rock, classic rock music, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal news, metal odyssey, Music, power metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , , on July 22, 2010 by Metal Odyssey

MAGIC/A TRIBUTE TO RONNIE JAMES DIO – This compilation of songs, paying tribute to the late and forever legendary Ronnie James Dio, was released on July 20, 2010, on Magic Circle Music. The executive producer for this album is Joey DeMaio, bass guitarist and founding member of Metal legends… MANOWAR. Joey is also the founder and man-in-charge of Magic Circle Music, starting this record label back in 2005. HolyHell, Feinstein and Jack Starr’s Burning Starr are just a few of the many bands under the Magic Circle Music label and appearing on this tribute album as well.

The assemblage of Metal Bands heard on this Ronnie James Dio Tribute album gives it more added appeal, these are bands that are not vying for position at any Hollywood plastic awards shows, which brings a huge sigh of relief to me. Sincerity in Metal is key, especially when it comes to a tribute album for such a legend as Ronnie James Dio. In other words, you won’t hear any “club mix” or “flavor of the month” band here. It’s all real, especially when “The Kings Of Metal” themselves, are included on this album – MANOWAR. Their presence alone solidifies and justifies all the more reason to buy, listen to and enjoy this Ronnie James Dio Tribute. This album contains cover songs from Ronnie James Dio’s career with Rainbow and Black Sabbath, songs in which Ronnie not only sung his heart out on but cowrote as well.

There are two songs that are the exception here and are not covers, they are – Far Beyond by Feinstein and Never More by Neoclassical guitarist Dean Cascione. Far Beyond is from the debut album by Feinstein – Third Wish. David “Rock” Feinstein, (original guitarist for Elf and later guitarist/vocalist for the influential Heavy Metal Band – The Rods), can play some lean & mean Metal guitar. He displays his guitar prowess on Far Beyond, making for a fabulous salute to his cousin and former Elf band mate, Ronnie James Dio. Whoa, is this song melodic and John West on vocals is an absolute Metal treat to thine ears.

Dean Cascione showcases his guitar skills in a moving and emotional instrumental that is Never More. If Dean’s guitar could speak, it would be saying… thank you Ronnie, you are so missed. That is exactly how I interpret this guitar instrumental, with having it’s rightful place amongst the other songs on this album. Straight Through The Heart covered by Harlet just flat out Rocks. Todd Michael Hall on vocals is excellent… as he gives this DIO classic it’s just revered due.

MANOWAR cuts loose with the first song, a cover of the revered – Heaven And Hell. MANOWAR unleashes their very own thunder strike of Metal into Heaven And Hell, all the while adhering to this song’s original tempo and mystically dark mood. The bass of Joey DeMaio is heavily prominent in this cover, just as Geezer Butler’s bass is in the original. What a tremendous way to get this Ronnie James Dio Tribute album moving!

HolyHell covers Holy Diver, it’s a live recording done somewhere in Norway. Maria Breon on vocals brings another listening dimension to this ultra classic DIO song. Maria’s eloquent vocal style combined with the Power Metal of HolyHell comes recommended by Stone. I really enjoy listening to this cover and to this band. MetalForce covers The Last In Line. This Power Metal version is a mighty listen with Tristan Visser on guitar leaving quite a Metal impression on me, he takes on the solo with fearless Metal fury. Tarek Maghary on vocals gives The Last In Line the Old School emotion it so deserves.

Now, let’s talk about Jack Starr’s Burning Starr… unreal is the cover version of Catch The Rainbow by this legendary guitarist and his band. Todd Michael Hall on vocals is brilliant. Catch The Rainbow is without question, the most soothing Hard Rock song I have ever listened to… both the Rainbow original and this cover version as well. I’d have to pick this song along with the Heaven And Hell cover from Manowar as the two best songs on this album.

For those who may not know, Jack Starr was the founder and guitarist for the highly influential and renowned 1980’s Power Metal Band from New York – Virgin Steele. After the Virgin Steele era, Jack Starr continued onward with Burning Starr, his solo career, revisiting his love for the blues and having a stake in a few other bands. I could continue on and on with the history of Jack Starr… we’ll just leave that for another post in the future. After Burning Starr’s two decade absence of an album, Defiance was released in 2009 on Magic Circle Music. Defiance marks the fifth studio album release from Jack Starr’s… Burning Starr.

Joey DeMaio and all of these bands mentioned, have delivered quite the Old School and well deserved tribute to the late/great Ronnie James Dio with this compilation album. The historical Heavy Metal linkage associated with this tribute album is a thrill in and of itself! Combine this history with a few younger Metal bands that appear here and Magic – A Tribute To Ronnie James Dio truly bridges the gap between generations of Metal Bands and fans. Even the liner notes seem to glisten with that “days of Metal yesteryear” image. The four pages of photo’s celebrating Ronnie James Dio, within the liner notes, show him as a member of The Electric Elves, Rainbow and Black Sabbath.

I guess my Metal enthusiasm has essentially spilled over on writing about this tribute album to Ronnie James Dio. What I walk away with, after listening to all of the songs on this album and realizing the history behind the music, is that the Heavy Metal genre is very much a diverse and well connected family tree. And this family tree I will continue to climb, love and explore for the rest of my Metal life.

* The very cool & Metal album cover illustration is by – Ken Kelly.

* For more info on the bands involved in this great tribute album to Ronnie James Dio, just click on the helpful links below:

MANOWAR – Official Website

MAGIC CIRCLE MUSIC

FEINSTEIN – Official Website

Jack Starr’s Burning Starr – Official Website

Jack Starr’s Burning Starr – myspace music page

HOLYHELL – Official Website

HOLYHELL – myspace music page

METALFORCE – myspace music page

DEAN CASCIONE – Official Website

Track Listing For MAGIC – A Tribute To Ronnie James Dio:

Heaven And Hell – Manowar

Holy Diver (Live In Norway) – HolyHell

The Last In Line – Metalforce

Long Live Rock ‘n’ Roll – Magic Circle All Star Band

I Speed At Night – Awaken

A Light In The Black – Crosswind

Never More – Dean Cascione

Far Beyond – Feinstein

Straight Through The Heart – Harlet

Catch The Rainbow – Jack Starr’s Burning Starr

* A Metal Roll Call To The Bands Heard On  Magic – A Tribute To Ronnie James Dio:

MANOWAR:

Eric Adams – vocals

Donnie Hamzik – drums

Karl Logan – guitar

Joey DeMaio – bass

HOLYHELL:

Maria Breon – vocals

Joe Stump – guitar

Francisco Palomo – keyboards

Jay Rigney – bass

Rhino – drums

METALFORCE:

Tarek Maghary – vocals

Tristan Visser – guitar

Jan Raddaatz – drums

Magic Circle All Star Band:

Sammy “Shmoulik” Avigal – vocals

Joe Stump – guitar

Jack Starr – guitar

AWAKEN:

Glenn DaGrossa – vocals

Artie Dillon – guitar & vocals

Joe Todaro – guitar

Freddy Villano – bass

Nick D’Alessandro – drums

CROSSWIND:

Kyriakos Vasdokas – vocals & guitar

Leon Tsorbatzoglou – guitar

Vasilis Mitsaris – drums

Guest Musician: Yiannis Papadopoulos – backing vocals

DEAN CASCIONE – guitar

FEINSTEIN:

David “Rock” Feinstein – guitar

John West – vocals

Jeff Howell – bass

Nate Horton – drums

Bob Twining – keyboards

HARLET:

Todd Michael Hall – vocals

Tod Walraven – guitar

Jon Hall – bass

Doug Julian – drums

JACK STARR’S BURNING STARR:

Jack Starr – guitar

Todd Michael Hall – vocals

Ned Michael Meloni – bass

Guest Musician: Rhino – drums

LONG LIVE THE MUSIC OF RONNIE JAMES DIO.

REST IN PEACE, RONNIE JAMES DIO.

Stone.

4 Comments »

GAMMA RAY “TO THE METAL” – A HEAVY METAL ANTHEM, AN INSTANT SONG CLASSIC

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, power metal albums, power metal bands, power metal music, power metal songs, rock music with tags , , , , , , , , , , , , , , , on July 19, 2010 by Metal Odyssey

GAMMA RAY – Have you ever had one of those moments, where you listen to a particular song and it hits you just right? Of course you have. If you say – “no, I don’t know what your trying to convey here”… then your just a turtle neck wearing grump, who feels it’s no longer necessary to use the turn signal on your car. For those of you that know what I mean, about a song hitting your psyche-out meter on the bulls-eye, this quick story is for you.

I was “free styling” with my Heavy Metal & Hard Rock songs today… in technical terminology, I was “shuffling” the song choices that were being played for my eardrums. It was late this afternoon and my itunes library was at the ready. Assorted songs from KROKUS, Slaughter, KOPEK and then… GAMMA RAY. Whoa. The song was… To The Metal. Whoa again. With my computer mouse, I clicked on that mighty “replay” button to hear To The Metal once again. Then again… and again. I could not stop replaying this Heavy Metal Anthem. Gamma Ray was pulling me in and making me feel like I was leading a Heavy Metal charge through some gilt edged, halls of glory.

Yes, make no mistake, the legendary Kai Hansen of Gamma Ray without doubt, sings To The Metal as if he is a fierce Heavy Metal warrior of the land. The beat and melodic flow of this song, coupled with it’s Old School heaviness, is as superior of a Heavy Metal Anthem as I’ve ever heard in my entire Metal lovin’ life. Yes, there have been near countless Heavy Metal Anthems that came before To The Metal… only today, Gamma Ray delivered their Metal anthem goods to my ears, mind and soul.

If there was to be that “one song” to send out into the outer reaches of the Universe, to let alien beings hear as a representation of Old School Heavy Metal from 2010… To The Metal is “that song”. Stone has spoken.

I lost count, after eight plays in a row of To The Metal today. So be it. It felt damn good. For during that Heavy Metal interval, that I experienced today, this was an all natural high. Um, I mean all natural Metal high. That’s my quick story of listening repeatedly to Gamma Ray’s – To The Metal. Oh, if you haven’t heard this song just yet… seek it out… it’s worth giving into and getting psyched out by. Metal be thy name.

* One last Metal thought… you might just want to buy this entire To The Metal album. This might very well be considered an extremely abbreviated album review, nonetheless, here it goes: To The Metal is worth your time and hard earned $$$. Old School Metalheads and Power Metal fans should take quite a liking to this GAMMA RAY album.

* Take a listen for yourself at just how powerful To The Metal sounds:

* For more info on GAMMA RAY, just click on the links below:

www.gammaray.org

GAMMA RAY – MySpace Music Page

GAMMA RAY Are:

Kai Hansen – vocals, guitar

Henjo Richter – guitar, keyboards

Dirk Schlächter – bass

Dan Zimmermann – drums


* GAMMA RAY – To The Metal was released on March 16, 2010, on earMusic.

Track Listing For To The Metal:

Empathy

All You Need To Know

Time To Live

To The Metal

Rise

Mother Angel

Shine Forever

Deadlands

Chasing Shadows

No Need To Cry

LONG LIVE GAMMA RAY!

HAIL TO THE METAL!

Stone.

3 Comments »

IRON MAIDEN – “THE FINAL FRONTIER” ALBUM INFO TO KNOW!

Posted in Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal news, heavy metal videos, metal odyssey, Music, progressive metal music, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on July 15, 2010 by Metal Odyssey

IRON MAIDEN – The fifteenth studio album from the unparalleled legends of Metal will be released on August 17, 2010, on Sony Legacy. The album is called…

IRON MAIDEN – THE FINAL FRONTIER

Check out – The Final Frontier – Directors Cut, which was aired worldwide on July 13, on Iron Maiden’s official website! (See link below)

As a lifelong fan of IRON MAIDEN, I will readily admit my unreal anticipation and excitement for The Final Frontier. Each time I listen to the song, Satellite 15..The Final Frontier, (the new Iron Maiden music video), I realize that Bruce Dickinson’s vocals have never sounded more prolific and the band never more powerful. IRON MAIDEN hasn’t just stood the test of time, they have obliterated any thoughts of not staying on top of the Metal world.

The Metal world as I know and listen to it… would never be this dynamic, proud, supercharged and full-scale if not for IRON MAIDEN. Truth be told… my life as a Metalhead would not have been the same, if not for the catalog of albums created by IRON MAIDEN. I can only state this about a select group of Metal bands… and IRON MAIDEN rises triumphantly from this group. Metal be thy name.

* Visit the IRON MAIDEN official website by clicking here: IRON MAIDEN

* The Final Frontier album cover artwork is created by Melvyn Grant. For more info on this amazing artist, click the link below:

MELVYN GRANT – Universal Artist and Illustrator

IRON MAIDEN ARE:

Bruce Dickinson – lead vocals

Steve Harris – bass

Dave Murray – guitar

Adrian Smith – guitar

Janick Gers – guitar

Nicko McBrain – drums, percussion

Track listing for – THE FINAL FRONTIER:

Satellite 15..The Final Frontier

El Dorado

Mother Of Mercy

Coming Home

The Alchemist

Isle Of Avalon

Starblind

The Talisman

The Man Who Would Be King

When The Wild Wind Blows

LONG LIVE IRON MAIDEN!

Stone.

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METALLICA – “MASTER OF PUPPETS” VS. “THE BLACK ALBUM”

Posted in hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock music, Thrash Metal, thrash metal music with tags , , , , , , , , , , , , , , , , on July 3, 2010 by Metal Odyssey

METALLICA – Just the band name alone explodes with pure Metal. Metallica is synonymous with Metal excellence, regardless of any Load or ReLoad moments in their bands storied history. Back on March 3, 1986, my Metal lovin’ life was transformed into a state of Metallidelirium… Master Of Puppets, the third studio album from Metallica, was released. I was already a proud and boisterous fan of Metallica in 1986, looking upon and listening to their debut Kill ‘Em All and sophomore Ride The Lightning albums as if they were Metal gospels.

Before I carry on any further… Master Of Puppets is my favorite Metallica album that this beyond legendary Metal band ever created.

Metallica was on quite a roll with their first three album releases, a generation of loyal Metallica fans was certainly bred from listening to them. I am one of those fans. The Black Album released in 1991 garnered a gazillion more fans, a whole new generation of them too. I can’t and never will dismiss The Black Album as a Metal goliath in the history of Heavy Metal. Often times, when “The Greatest Metal Albums Of All Time” lists are put together, I will see The Black Album in the top five. Truthfully, it doesn’t quite jive with me for Master Of Puppets is a more true measuring stick of the incredible career/catalog of albums that Metallica has created. Regardless, this is just my Metal opinion.

It just seems to appear this way, that Metallica fans that grew up in the “early” 80’s will lean towards Master Of Puppets, (or even Ride The Lightning), as their ultimate Metallica album. Metallica fans that I speak to, that are at least ten years my junior, will more often than not tell me The Black Album is Metallica’s finest. Am I “off base” here? I don’t think so, especially since I have the gift to gab about Metal with just about every person I bump into at fye, concerts, blogs and everywhere else I venture to in life. The topic of Master Of Puppets vs. The Black Album will “pop-up” more frequently than you can ever imagine.

The Black Album is undisputedly the biggest selling Metallica album of all-time. With that fact stated, The Black Album also spent four consecutive weeks as the #1 album on the Billboard 200 chart. I bought this album on or about it’s release date back in 1991, no mistaken. Enter Sandman was a melodically heavy, side-step of a song for Metallica and extremely addicting to my ears upon the very first listen. The same goes for Sad But True. Overall, the entire album was a sigh of relief for me, just knowing that Metallica did not have a song like One on it. Sorry, but any semblance of a ballad coming from Metallica, never mixed well for this lifetime Metalhead.

Back to Master Of Puppets. Battery. The opening track. Whoa. Whoa again. A scary fast Thrash Metal song. An angry sound with angry vocals. I fell in Metal love. Upon my very first listen to Battery, I felt as if the rest of the Heavy Metal world was now in the “catch-up mode”. Master Of Puppets was to the Thrash and Heavy Metal world back in 1986 what the iphone is to our world of communication today. Very, very, important. A cultural impact. Could not picture the world without this Master Of Puppets album… these were my Metal school of thoughts back in 1986. These same Metal school of thoughts I stand by still, in 2010.

The song Master Of Puppets, one word: excellence. My Metal memories of the Summer of 1986 is overridden with this song being blasted to it’s maximum potential at every single keg party, get-together, function or hang-out that my fellow Metalhead buddies and I engaged in back then. The entire Master Of Puppets album was played this way by me and my Metal peers, for arguments sake. The Master Of Puppets album felt like a victory back in 1986, a righteous fist being raised in the air, all in the name of Thrash Metal and all of it’s Metal genre cousins. A feeling that we Metalheads had finally, indeed, conquered all. In 1986, with the release of Master Of Puppets, we Metalheads along with the strength of Metallica behind us… really did conquer an era of Rock ‘N’ Roll.

Wearing the Master Of Puppets concert t-shirt constantly, was like wearing a badge of Metal honor. As I wore this t-shirt, from 1986 until it finally met it’s final demise from over wear… wherever I may have roamed… people looked at it with either horror and disgust or they wanted to talk about it, as if Metallica were the Metal equivalent to the Beatles. My seeing Metallica twice on their Master Of Puppets tour wasn’t just bragging rights back then… it was as if I had been to see The Holy Grail itself and I had been anointed as a Metal prophet.

Now, it is July 3, 2010. I look upon both the Master Of Puppets and The Black Album with undeniable respect and reverence. It’s no secret that Master Of Puppets is the heaviest and fastest album out of the two, being a full-throttle Thrash Metal album. Yet, that is not why Master Of Puppets is my favorite Metallica album, the real reasoning for me is that Master Of Puppets was and still is the real heart and soul sound and energy of what Metallica was really about in the 1980’s. The other non-secret is that The Black Album is Metallica’s biggest seller. I only hope this is not the sole reason as to why so many professionally paid Rock critics put this album in their “top 5” lists. A biggest selling album does not necessarily equate it to being the best offering musically, from that respective bands catalog of albums.

Any fan can choose any Metallica album to be their favorite, it’s a personal choice and there is no right or wrong answer for fans. However, once major mainstream magazines begin to idolize The Black Album in “Top 5 All – Time” lists without even comparing it to Master Of Puppets, well, that just comes across as journalistic bias and purely following the status quo leader. The professionally paid mainstream Rock media ignoring Master Of Puppets and not including it on any “Top 5 All-Time” lists won’t make it go away.

It’s my thought that The Black Album became much more popular due to it’s semi-commercial accessibility. In reflection, could it have been the strength in popularity of Metallica as “THE” Metal band to beat and/or be measured against be the REAL reason for the strong record sales of The Black Album after all? The Metallica momentum was in full swing way before The Black Album was released and Master Of Puppets was a Metal historic building block and reason for this momentum in the first place.

What are your thoughts? Am I all alone in thinking Master Of Puppets is better than The Black Album?

* If you care to read about my seeing Metallica live, a long time ago, in a Metal world far, far, away, then click on the cool link below:

My greatest Metal memory/experience of my life.

LONG LIVE METALLICA!

Stone.

22 Comments »

SCORPIONS AT M3 ROCK FESTIVAL 2010 – THANK YOU SCORPS!!

Posted in Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal festivals, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock music with tags , , , , , , , , , , , , , , , , , on June 27, 2010 by Metal Odyssey

SCORPIONS – Last Saturday, June 19, 2010, I and Best Metal Buddy Scott Coverdale watched, sang along to and jumped for Metal joy as the ultra legendary Scorpions performed as the headliner, closing out a memorable day of Hard & Heavy Rock ‘N’ Roll, at the 2010 M3 Rock Festival in Columbia Maryland. Never once did I really dwell about the fact, that this is the Scorpions farewell tour. How could I? The Scorpions, for as long as they were on stage that night, made me feel as though the world around me was in unison with the Metal euphoria that I was experiencing. Sound sappy? Not to me… this was the Scorpions and I was finally seeing them, hearing them and experiencing their songs LIVE. O.k., I did dwell a little.

The Zoo and Big City Nights were two songs the Scorpions played at M3 that I shall never forget. Just the thunderous power from Paweł Mąciwoda’s bass and James Kottak’s drums as The Zoo began it’s Heavy Metal stomp, was an exhilarating feeling and sound to envelope my mind and ears! The power, the excitement, the LOUD Heavy Metal that exploded around me from this Scorpions performance is what I was anticipating and wishing for, weeks leading up to this M3 Rock Festival. To say I felt like a teenager again is an understatement. I did. So be it. It’s not a crime to feel so damn good from the music I am hearing, from a band I revere so highly, in an outdoor live setting like M3. Metal be thy name.

I don’t think I have ever, in my Metal life, sung along to Big City Nights as loud as I did that night at M3. Riveting. My body felt as if I was picked up and given wings to fly, while Big City Nights was being played by the Scorpions. After all these years, of listening to such incredibly classic songs like Blackout, I am finally seeing Klaus Meine on vocals with Rudolf Schenker and Matthias Jabs on guitars… owning the stage. Klaus Meine explained his voice was a tad under the weather, in response to a fan close to the stage wanting him to sing louder. Klaus Meine explained to the thousands of fans that he was – “singing straight from the heart”. Yes, you were Klaus. I and Scott Coverdale were loud and proud lawn creatures for this M3 Rock Festival… and we both heard the great Klaus Meine just fine. Thank you Klaus Meine for giving it all you had that night… I’ll never forget hearing your voice sing live.

I have been ecstatic, blown away and wowed by the new Scorpions album – Sting In The Tail since it’s release day. Hearing the Scorpions play Raised On Rock… live… gave me more ostrich bumps up and down my arms than ever before, in my entire Metal life. If a song is so grand, so personally emotional to me, I can easily be driven to happy tears. Hearing Raised On Rock, played live by the Scorpions that M3 evening, brought me to those happy tears. Sound Sappy? Not to me… this was the Scorpions… F’n live.

Each time a song ended, Klaus Meine would thank the thousands of screaming Scorpions fans. Scott Coverdale still kids me now… and will never, ever, cease to kid me… that I shouted right back – “No, thank you Klaus”!! I could not help myself, I needed to thank Klaus Meine and the Scorpions for all the wonderful moments I spent alone as a teen… listening to their albums and songs for inspiration. Inspiration to get through another grueling day of high school. I was thanking this iconic band for all those wonderful moments, where I partied till dawn with their albums being played… Blackout, Animal Magnetism, In Trance, Savage Amusement and Love At First Sting… just to name more than a few. I was shouting back my “thank you’s” for being a band that my ten year old twin daughters and Rockin’ great wife think are the greatest too.

Seeing, hearing and being a part of the Scorpions live performance at the 2010 M3 Rock Festival was much more about the music, it was about saying goodbye. Saying goodbye to an old, good friend. Saying goodbye to knowing this important and Rock historic band, shall may never get near my neck of the woods again for a concert. Saying goodbye to knowing in three years, it’s over for the Scorpions as a band. Still, in my Metal heart, this night at M3 felt more like a celebration to me. A night to personally celebrate a live performance of the Scorpions and really feel their songs go through me.

I met and talked to a real cool dude this night at M3, he sat in a folding chair next to me on the lawn. A middle aged dude, very friendly and a knowledgeable Scorpions fan. A very loyal Scorpions fan too. You see, this dude checked himself out of a hospital, just before a major operation, with multiple fractures in his hip, just to see his favorite band play live… and bid farewell to them as well. I could see the pain in this dude’s face, yet the Scorpions made him feel no real pain that night… he stood up for the last two songs of their set with some help of his friends… and he sang along with his fists pumping in the air.

When the Scorpions finished their set, with the encore performance of Rock You Like A Hurricane, the celebration was nearing an end and reality began to set in. I fist pumped into the air, sang the lyrics to this ultra memorable song very loudly and felt my body jumping up and down… without my control. This is what Rock ‘N’ Roll is about. This is what the Scorpions are all about. This… is what a band that has meant so much to me, made me feel like that night at M3.

As Scott Coverdale and I made our long trek back to his air conditioned SUV, I felt both exhausted and wired, inspired and very hungry.  Walking amongst the enormous crowd, I heard many fans speak of the Scorpions performance. Sure, there were plenty of fans wanting “their song” to be played that wasn’t. Not hearing “a certain Scorpions song” was never an issue for me that night at M3. This night was NOT the time to squabble about petty stuff like that. No sir. Just knowing I have a lifetime memory of seeing the Scorpions live on their farewell tour, seeing them play their hearts out on stage for us fans… that is what it’s really all about.

THANK YOU SCORPIONS, FOR A MEMORY OF A METAL LIFETIME.

I’ll miss ya’ Scorps.

Stone.

5 Comments »

NELSON – A ROCKIN’ CLASS ACT AT THE 2010 M3 ROCK FESTIVAL

Posted in classic rock, classic rock music, concerts, hair metal music, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock festivals, rock music, rock music news with tags , , , , , , , , , , , , , , , , , , on June 24, 2010 by Metal Odyssey

NELSON – Ricky Nelson was a 1950’s Rock ‘N’ Roll – Pop sensation that reached #1 in 1957 with his debut album aptly titled – Ricky, on Imperial Records. Up until his untimely death in 1985, Ricky Nelson was without doubt, a successful Rock ‘N’ Roll singer and songwriter. I can remember spinning the 45 rpm of Ricky Nelson’s 1972 hit – Garden Party, when I was just a little kid. This 45 rpm was my late Mother’s and she let me listen to it unconditionally. For me, listening to Ricky Nelson, Buddy Holly and The Everly Brothers records as a little kid came long before I knew of KISS or Cheap Trick.

I’m old enough, (trust me), to remember watching and enjoying the re-runs of – The Adventures Of Ozzie And Harriet, after school. This was a light-hearted and innocent comedy series that starred Ricky Nelson, alongside his Mother, Harriet and his Father, Ozzie. Ricky Nelson was just a young boy when this show hit television in 1952, coming to a series end in 1966. Ricky’s older brother, David, also starred in this same television series. Black & white television ruled my house when I was a kid. Seeing re-runs in black & white made no difference to me then, nor does it make a difference to me now.

Whenever Ricky Nelson was on a television variety show performing back in the ’70’s, I would know. My mother would let it be known to all he was on. (The same thing would happen whenever Tom Jones or Jim Morrison and The Doors were on t.v. too). Memories… even if they are about television stars and early ’70’s flashbacks, the cool thing about it is these guys I’ve mentioned were/are about music and Rock Music history. Music always seemed to bring me and my family together while growing up as a kid, it excited us and made us feel happy.

Fast forward to the 2010 M3 Rock Festival… Ricky Nelson, Ozzie and Harriet would be proud. Ricky Nelson’s twin sons and Ozzie and Harriet’s grandsons known as Nelson, performed at the M3 Rock Festival, in Columbia, Maryland, with the upmost Rockin’ class. And I’m not foolin’ around when I say that.

Matthew and Gunnar Nelson can play Rock and Hard Rock with the best of them. Why do I state this? Nelson played alongside bands such as KIX, Winger, Cinderella, Vince Neil and the ultra iconic Scorpions at this M3 Rock Festival. Throw in the Metal fact, that Mark Slaughter, (of Slaughter fame), played guitar onstage, right alongside of Nelson at M3 and I’m not talking smack. Mark Slaughter has joined Nelson on their 20th Anniversary Tour. I have always and forever will be enamored by the vocals and music of Mark Slaughter.

Nelson put on one cool, feel-good, Rock ‘N’ Roll set. Matthew and Gunnar played many of their career’s best songs, making each one as melodically contagious as the other to my ears. Actually, Nelson could have easily played for another two hours and I would have gleefully stood in the thick, sticky and humid air to watch them. (Just as long as their set wouldn’t overlap the Scorpions, of course).

As I stood at M3, watching Nelson perform their set, I realized just how important Rock ‘N’ Roll roots truly are. Nelson is a third generation of musicians from their family. This is quite impressive, when you stop to think of how difficult it is to grasp success and hold onto it in the Rock Music world.

I’ve never claimed to be a wizard at taking live concert photos. Nonetheless, here is a photo I took of Mark Slaughter, while performing onstage (second stage) with Nelson at M3 2010. Mark Slaughter is on the far left with the yellow shirt.

Here is another photo (below) of Mark Slaughter onstage to the far left, alongside Nelson. Matthew and Gunnar Nelson are seen in the center of stage.

When Nelson released their debut album, After The Rain, back in 1990 on Geffen Records, they were an MTV gold mine of musical talent, looks and personality. Twenty years later, Nelson is still Rockin’ out their songs, albeit with much shorter hair. If success in music is measured in the number of albums you sell or how often you walk the plastic red carpet in Hollywood, then so be it to the corporate money hounds. My idea of success is still being able to play your songs, better than ever, twenty years after the fact, with a blue collar touring ethic that Nelson bestows. Throw in the fact that I witnessed a patriotic and genuine band, that were conscientious of our U.S. troops abroad, making a point to dedicate their music to them on stage… at M3. Kudos to you, Nelson.

Nelson welcomed the fans to join them at the merchandise booth, upon completion of their set, extending an invitation to their fans, to shake hands and sign autographs at the merch booth. Kudos to you, Nelson, once again. Oh, yes… I did take advantage of the meet & greet invitation from Nelson. Not only were Matthew and Gunnar gracious about shaking hands and having their photo taken with me, (and with many, many other fans as well), they also happily signed the liner notes to their “Greatest Hits & Rarities” CD I purchased at the merch table. The photo Scott Coverdale took of me and Nelson below proves that Nelson is permanently in the  Metal Odyssey camp.

Nelson looks like they could go another couple of sets here. I think I look a tad worn at this point, needless to say, I kept on Rockin’ and downin’ the cold brews. Metal be thy name. Yup.

I connected the dots by tracing the Nelson Rock ‘N’ Roll family tree at the beginning of this post for good reason. To hopefully let visitors to Metal Odyssey know, in abbreviated form, a musical background of where Matthew and Gunnar Nelson came from. It’s all relevant, the Nelson family television and music history. These two Rock ‘N’ Roll twins are musicians, that have honed their craft at delivering some very cool Rock and Hard Rock albums over the last twenty years. With their dedication to the music they play, as well as their thankfulness to their fans, while honoring our U.S. troops abroad on stage, only makes me say once again…

A ROCKIN’ CLASS ACT IS NELSON.

* For more info on Nelson, just click this link below:

NELSON KICKS ASS.COM – OFFICIAL WEBSITE!

Without the “Roots of Rock ‘N’ Roll” the M3 Rock Festival would never exist.

Stone.

12 Comments »

SCORPIONS “FACE THE HEAT” – AN UNDERRATED & CLASSIC 1993 ALBUM REVISITED!

Posted in Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , , on June 23, 2010 by Metal Odyssey

SCORPIONS – Back on September 21, 1993, the Scorpions released Face the Heat on Mercury Records. This was studio album #12 from this beyond legendary Heavy Metal Band. On June 19, 2010, Best Metal Buddy, Scott Coverdale slid his Face the Heat CD into his Mercury SUV CD player… as we embarked on our journey to the 2010 M3 Rock Festival in Columbia, Maryland. Scott was not the least bit bashful at playing Face the Heat extremely LOUD on our ride and I was NOT complaining. This is one highly underrated Scorpions album, quite possibly due to it’s being released back in 1993… when Heavy Metal was supposed to be a hurtin’ and dried up genre and scene. (Yeah, right, whatever).

The opening track – Alien Nation, is one absolute powerful and thunderous listening experience of Scorpions Heavy Metal. The rhythm section alone is high octane/psyche-you-out detonation to the maximum level. Alien Nation is easily one of my favorite Scorpions songs ever recorded and I’m sure Scott feels the same way too. If there was to be that one Scorpions song that seemed to set the Metal tone on that ride to M3, it’s certainly Alien Nation. Metal be thy name can this song lift my mood to an unreal high.

Under The Same Sun is another standout song on Face the Heat. This song is a power ballad, one that is inspirational and yes… emotionally uplifting. The basic theme of this intelligent and melodic song is: if we all live under the same sun, then why can’t we all live as one? Yes, a philosophical question does rear it’s mighty ethical head from Under The Same Sun, only it is an almost magical thought to digest.

There is a hidden track at the end of Face the Heat and it does not appear until a few minutes after the CD comes to a close. One must keep the CD on play and not hit the stop button in order to hear this Rockabilly style song from the ever iconic Scorpions. Yes… it’s a Rockabilly song, taken from the mold of the historic and also legendary Queen and their classic song – Crazy Little Thing Called Love. When my ears first became introduced to this hidden track, it was around ten years ago, right around the time my twin daughters were born. I can actually recall that moment I first heard this song… it was as if I discovered a real gold nugget alongside a river bank!   Truth be told, it only took me about seven years to discover this hidden track! I had owned Face the Heat since it’s year of release too, never knowing about the hidden track for so long. Gee Metal whiz.

Face the Heat proved to be a winner of a choice for Scott Coverdale to choose for our ride to the 2010 M3 Rock Festival in Columbia, Maryland. It was great to become reacquainted, once again, with a true classic of a Scorpions album. The overall heightened and Arena Style, Heavy Metal sound on Face the Heat is what makes it so memorable for me. This Scorpions album is not as “modernistic” as some “professional” reviews have alluded to over the many years since it’s release, in my Metal opinion.

If you have never listened to Face the Heat, I urge your doing so, especially if you are a new fan to the Scorpions. I am not endorsing Face the Heat as the greatest Scorpions album of all time, what I am endorsing here is a Scorpions album that should garner the attention and respect it so justifiably deserves. Any fan of Old School, 1980’s or 1990’s Heavy Metal should appreciate what the Scorpions created with Face the Heat – a quality album of melodic Heavy Metal songs. This CD is readily available just about everywhere online… from Best Buy to Amazon.

* Metal Odyssey Notes: This Face The Heat CD I have always owned, is an original American release pressing. Therefore, I do not know if this hidden track is found on any imported version or re-mastered re-release. I do not know the title of this hidden track, it is not found anywhere within the liner notes of Face the Heat, that I own. If anyone out there knows the title of this hidden track, please comment it!

Scorpions as they appeared on Face the Heat:

Klaus Meine – lead vocalist

Matthias Jabs – lead guitar & rhythm guitar

Rudolf Schenker – rhythm guitar, lead guitar & backing vocals

Ralph Rieckermann – bass

Herman Rarebell – drums & percussion

Track Listing for Scorpions – Face the Heat:

Alien Nation

No Pain No Gain

Someone To Touch

Under The Same Sun

Unholy Alliance

Woman

Hate To Be Nice

Taxman Woman

Ship Of Fools

Nightmare Avenue

Lonely Nights

Stone.

9 Comments »

M3 ROCK FESTIVAL 2010 PART I: THE STATE OF HEAVY MUSIC ACCORDING TO STONE

Posted in concerts, hair metal music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal bands, heavy metal concerts, heavy metal festivals, heavy metal history, heavy metal music, heavy metal news, metal odyssey, Music, rock & roll, rock 'n' roll, rock festivals, rock music with tags , , , , , , , , , , , , , , , , , , on June 21, 2010 by Metal Odyssey

M3 ROCK FESTIVAL 2010 – As I was a part of the many thousands of Hard Rock and Heavy Metal fans at this year’s M3 Rock Festival in Columbia, Maryland this past Saturday, I came upon a realization… that Heavy Music is alive and very F’n well in 2010. Fans from teens to Old School Metalheads were in attendance at this Heavy Music event and they were not at all bashful at letting their excitement be seen or heard. The excitement for music that moves them, grooves them and makes them all feel like one gigantic and united family. Music, regardless of genre, should and most often does, ignite and bring out the emotions in all of us. How thrilling and satisfying it was, to witness thousands of Heavy Music fans at the M3 Rock Festival, celebrating together, (very peacefully too I might add), some of the greatest songs and bands that time has not forgotten.

We are a rowdy and straight forward bunch, us Heavy Music fans. Yet our rowdiness comes with jubilant horns raised in the air, a handshake, a high five or a slap on the back to our fellow fan. While I was amongst the massive M3 Rock Festival crowd on June 19th, I shared stories, anecdotes and countless quips with what I thought were strangers. After a couple of days have passed since this memorable day in my Metal life, I’ve come to the realization… that these strangers were never really strangers at all. They were passionate and loyal Heavy Music fans, just like myself. We were all family on June 19th, at the M3 Rock Festival. A proud, loud, loyal and raucous family at that.

We all live during a time of war, economic instability and political mud slinging that engulfs the headline news each and every moment. For one day, thousands of Heavy Music fans along with more than a dozen bands and countless vendors, created a world where politicians could never bullshit with or dare enter without running away with their heads caught between their legs. A world where spending eight dollars on a cold beer brought a smile to my face. A world where thousands of us could escape to, away from the crap that our cable network news shoves down our throats continuously. A world where us Heavy Music fans proved once again to society, we did not come to conquer, burn and pillage a community that accepted us in. God Bless the world of Heavy Music and Columbia, Maryland.

As days, weeks and years shall go by, I’ll never forget this 2010 M3 Rock Festival. I shall never forget the bands I Rocked to, the evil humidity that enveloped the air, the beer that went down like candy water and my fellow Heavy Music fans as well. I was truly in my element at the 2010 M3 Rock Festival and so too were thousands of other fellow fans. The state of Heavy Music has never been more defiant, loud and resilient… the 2010 M3 Rock Festival proved this to me, both bands and fans. We are really one big happy and Heavy Music lovin’ family. Metal be thy name.

I will be writing a series of posts that feature this 2010 M3 Rock Festival in the days and most likely, weeks to come. There are many stories to still tell, from the bands to the vendors that made this day ROCK… for me.

STONE.

4 Comments »

ROCK MUSIC VINYL FLASHBACK: ALICE COOPER – “YOU AND ME” 45 RPM FROM 1977

Posted in classic rock, classic rock music, Hard Rock, hard rock bands, hard rock music, Heavy Metal, heavy metal history, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock and roll, rock music, rock music history with tags , , , , , , , , , , , , , , , on June 20, 2010 by Metal Odyssey

ALICE COOPER –  While on one of my “usual” Rock ‘N’ Roll and Heavy Metal hunts, I found and purchased this vintage Alice Cooper 45 rpm of You And Me, released on Warner Bros. Records back in 1977. The above photo is the 45 rpm sleeve, while the photos below is the 45 rpm, (these are photos of the actual 45 rpm that I bought). The B Side of this 45 rpm is the song – It’s Hot Tonight. Both of these songs are from the Alice Cooper album – Lace And Whiskey, released back in 1977 on Warner Bros. Records. The asking price, for this piece of Alice Cooper vinyl history, set me back a whopping $1 in U.S. funds. Whoa.

This 45 rpm plays very well on my turntable, while the condition of the record sleeve is in very fine condition as well. An ultra worthy addition to my Alice Cooper collection for certain. This is Rock history, Alice Cooper history.

Both songs on this 45 rpm are classics, with You And Me being a mellow and acoustic ballad, while It’s Hot Tonight being the Hard Rock album opener to Lace And Whisky. The photo of Alice Cooper on the record sleeve above, is not the “usual” image of this Rock Horror living legend. I feel that is what makes this record sleeve so classic, that a more laid back Alice Cooper is shown. The song You And Me coupled with this photo of Alice Cooper, only proves there has always been more to this Rock Music icon than just full blown Hard Rock and Horror… in my Metal opinion.

* The producer for this Alice Cooper 45 rpm and the Lace And Whiskey album was the legendary Bob Ezrin.

* Alice Cooper performed You And Me on a 1978 episode of The Muppet Show.

Here is the A Side – You And Me:

Here is the B Side – It’s Hot Tonight:

Here is what the album cover looks like for Lace And Whisky:

LONG LIVE ALICE COOPER!

Stone.

7 Comments »

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