Back in April of 1989, W.A.S.P. released The Headless Children, this proved to be THE album that really made me a lifetime fan of Blackie Lawless and his band. My best Metal buddy Scott, he is to blame for getting me into this album to begin with, I thank him for that. Sometime in 1989, (I can’t remember the exact month for Metal sakes), I bought the 12″ vinyl single of The Real Me from a back stabbing and obnoxious record dealer in very expensive Connecticut. The price back in ’89 for this W.A.S.P. record was $9.98. I could not resist the purchase, it was the only copy in that decrepit record store, it’s W.A.S.P. and the collectible side of my Metal brain always wins out in the end… especially when an item doesn’t cost a ton of dough. As a bonus, this 12″ single is enclosed inside a very, very, large W.A.S.P. poster, (see pics below). Back in ’89, I was still living at home, (with my parents), so my living space was a very small bedroom with walls already adorned with Metal posters… posters I just could not take down due to my loyalty and allegiance to so many bands. I am now glad I never hung this poster years ago, it’s basically in mint condition still.
The Real Me is a cover song from The Who, written by Pete Townshend… undisputed Rock legends. This song is found on The Headless Children album:
Here is what The Real Me 12″ single – record poster/jacket looks like when folded up flat:
The B – Side (or) Side Two Songs On The Real Me Single Are:
Lake Of Fools and War Cry
Lake Of Fools and War Cry are later found on the 1998 reissued CD version of The Headless Children.
The Real Me 12″ single was put out on Capitol Records. 1989 Sanctuary Productions Inc. is also printed on the back of this poster/cover.
Made In England is found on this same back poster/cover, (it appears to be rubber stamped). So, needless to say… this 12″ single of The Real Me is an import.
Please excuse the quality of my images below. Besides, being perfect is NOT Metal.
Here is the front side of this W.A.S.P. – The Real Me poster/record jacket:
The caricatures of Blackie Lawless, (guitar, vocals), Johnny Rod, (bass), Chris Holmes, (lead guitar) and Frankie Banali, (drums) are fun stuff. It’s Old School Heavy Metal. I probably won’t attempt to hang this poster up today… it’s just too vintage to ruin now. (Unless I find a poster frame large enough to hold it). Besides my picture disc of The Headless Children, this is the only other cool W.A.S.P. record I have, that is considered a limited vinyl collectible. I know I say this often, still, I’m just thankful for the stuff I did get ahold of and kept after all these years. Maybe I’ll find another W.A.S.P. vinyl collectible down the road, on one of my Metal hunts.
Here is the backside of this W.A.S.P. – The Real Me poster/record jacket:
The photo’s of W.A.S.P. on this poster are really cool and nostalgic to me. 1989 was a moment in Heavy Metal time that will never be forgotten by Metal Odyssey… I’m sure I speak for throngs of Metalheads worldwide.
I found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer 
It’s always great to vent. Vent I did in my last post – where I needed over 1,100 words to express my disappointment in not being able to purchase the new KISS CD – Sonic Boom at my local Super Walmart on October 6, 2009, (the release date for it). Just as I hoped for and predicted, at 4:00 p.m. EST, I entered the Trexlertown, Pennsylvania, Super Walmart and took hold of my very own copy of Sonic Boom. (Phew). I can now say I bought this new KISS CD on it’s release date… yes, it means something to me. I have my core Heavy Metal and Hard Rock Bands that I have followed for decades, when they release a new album I try my very best to buy it on the release day. Metal case closed. I went to this Super Walmart twice during the morning of October 6, (the release date), my last visit was at 9;30 a.m. EST, as I left empty handed. I will say this much… the packaging for this Sonic Boom CD is INCREDIBLE! Once I get to crank up Sonic Boom for a couple of listens, I will post my Metal jubilation. Here are some quick tidbits about my Sonic Boom shopping experience at Super Walmart, plus other related notes:
Way to go Super Walmart. With all of the hoopla leading up to the new KISS album in well over a decade, throw in an “Only at Walmart” exclusive for this KISS album, then… do NOT HAVE Sonic Boom out on the shelves for sale at 8:00 a.m. EST, on it’s release date of October 6, 2009!! I went to the Super Walmart located in Trexlertown, Pennsylvania, first thing at 8:00 a.m. EST this morning… with my twin daughters who were very excited about getting the new KISS CD with their daddy. The disappointment was even greater for them, for they love KISS and wanted to hear a few new songs before they went to school. To make matters even more somber, Sonic Boom was playing extremely loud in the CD/electronics department at this Super Walmart too… obviously a Super Walmart employee had a copy of it – forget about the customers!! I thought for certain, my daughters as well, that by hearing the new KISS being played, that there would have been the great KISS KORNER awaiting us – no such luck. Why advertise a release date and then not honor it? Why advertise a KISS KORNER and then not have one? Oh, Super Walmart with their trillions of dollars in profits could care in the least.
Back in 1980, sometime towards the Fall season, The Charlie Daniels Band released the studio album Full Moon
The lyrics tell the story of Lucius Clay, a greedy old man who would love and care for money more than people. Lucius Clay stored all of his money in mason jars, burying the jars all around his yard. On Summer nights, if the moon was right, Lucius Clay would dig these money filled – mason jars out of the ground. He would empty the jars of money on the floor of his shack and run his greedy fingers through it. Three young men named “the Cable boys” were trouble, they knew of Lucius Clay and all of his money. One night the oldest Cable brother decided he and his two brothers would go down to the Wooley Swamp and get the Lucius Clay money. Well, these brothers did find Lucius Clay, as he was digging up mason jars of money under a full moon. They beat Lucius Clay and threw his body into the swamp, watching as he was sucked down. As these Cable boys tried to run away with the jars of money, they realized they were being dragged down in quicksand themselves. As the Cable boys sunk to their death, they could hear the old man, (Lucius Clay), laugh. As Charlie Daniels relates the spoken word at the end of The Legend of Wooley Swamp – It’s been fifty years ago and you can go by there now. There’s a place in the yard in the back of Lucius Clay’s shack where the ground is forever wet. On summer nights, when the moon is right, down by the dark footpath, you can hear three young men screaming and you can hear one old man laugh.
I have found another Punk Rock Band to jump up and down about and raise my fist in the air to. The Heartaches and their Lunacy & devastation CD, (released in 2003). I needed some music on Sunday to get me out of the funk I was in, The Heartaches was the remedy… a Punk Rock remedy at that. While Rancid and The Casualties have landed on much larger record labels, The Heartaches are on one bona fide underground label at that, are you ready for this one? Here is the record label – “I Used To Fuck People Like You In Prison” Records. Now that is a Punk label if there ever was one. I take it, from the record label logo of the red devil that is on the liner notes of this CD, that the abbreviation for this record label is – People Like You. From what the liner notes state, this record label is out of Germany. People Like You Records has a really cool website, Punk Rock and Horror Punk are their forte. Their website is packed with their current signed bands and info. My whole life, I have always been intrigued and keenly interested in any underground band that I come across while shopping around for music. The Heartaches are an underground Punk Rock Band for sure, their style of Punk is a blend of Old School meets modern day social angst. Now, that does not sound so unique for a Punk Rock band, yet those are the two main characters in The Heartaches style of Punk. The Heartaches brand of Old School Rockabilly has been recharged with slick speed and extremely contagious riffs that meld within the frenetic stomp of their rhythm section.
The Heartaches deliver 13 genuine Punk Rock songs on Lunacy & devastation, each song carries it’s own Punk weight, no one song sounds like the other. My favorite song on this CD is Safe and Sound, it just has a cool groove happening from the opening note. If a Punk Rock song can be harmonious, Safe and Sound proves it. A continuous pissed off theme does not let up throughout these songs lyrics, a Punk Rock staple that can work as long as the music itself has legs to stand on. In my Metal opinion, the songs on Lunacy & devastation have legs… Punk strong at that. Lead vocalist Leroy has everything I look for from a Punk Rock front man. Leroy’s vocals exude extreme Punk credibility, as do each member of The Heartaches, from what my ears tell me. Sammy on vocals and guitar, does not impede with his backup duties with Leroy, this guy adds greatly to the total Punk essence of The Heartaches. After my third listen through with this CD, I shake my head and wonder why The Heartaches were never signed to a major label, (I’m not talking Atlantic Records here), a label like SideOneDummy? Yeah, I think The Heartaches sound that cool. Heartattack Radio is the last song on Lunacy & devastation, the Punk fervor of the vocals alongside the rhythmic enthusiasm of The Heartaches makes it a Punk exclamation point of an ending.
The Kinks – another legendary Rock and Roll Band, (and Hard Rock Band too), that I have never forgotten about… no Metal way. I first caught on to this great band upon their Low Budget album being released – back on September 7, 1979. The Kinks were huge back in the day… I specifically remember the late 1970’s into the 1980’s version of The Kinks. This band had one hell of a work ethic – always touring. There used to be a horde of kids wearing The Kinks concert shirts to High School back in the early ’80’s… as a Metalhead back then, I thought that was cool, due to my fondness for this band. I never was lucky enough to catch The Kinks in concert… back in the early 80’s would have been the choice time too. That is alright, I can always Rock out to The Kinks by listening to their songs whenever I want, like I have been doing since 1979. The Kinks were rightfully inducted into The Rock and Roll Hall of Fame back in 1990. I could not endorse a band like The Kinks any louder to the younger generation of Rock/Classic Rock fans… they really put out some incredible music spanning four decades.
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
Foghat Live was released in the Summer of 1977. I did not own this album in 1977, instead I got my ears tuned into this Hard Rock Classic right when I was entering High School, just a few short years ago in 1980. Yeah, yeah, yeah… I bought this Classic Hard Rock gem on 8-track as well in 1980. I played it until all you could eventually hear was – hiiiisssssss. This Foghat Live album introduced to me back then, an unreal good sound of live and powerful Hard Rock Music. Being fourteen years old at the time, I was not yet the concert goer, no adult in my young life was into Rock concerts, plus I obviously was not old enough to drive a set of wheels just yet. Therefore, Foghat Live was the Hard Rock concert that entertained me for hours and nights on end. As a young teen, this album was my Hard Rock concert, it took me right there… I imagined seeing Foghat live, center stage in a middle row, on the floor. I will forever look back upon Foghat Live as an album that enriched my Hard Rock soul… an album that was a stepping stone or prelude, if you will, to the incredible world of Metal Music. This album helped soften me up and navigate me towards even heavier music. Hearing the Hard Rock – live power of Foghat made me hunger for more, to hear more heavier bands that were out there. Fast forward to 2009 and I still reach out for some classic Foghat – Hard Rock boogie… it will never grow old on me.
I first stumbled across Hallowmas – The Road To Hallow’s Eve on the Century Media Records online store – CM Distro.com. The CD cover artwork took my Metal breath away, I am a huge Metal sucker for the scary and horrific album covers… this goes back decades for me. You cannot always judge a book, uh, album by it’s cover. In the case of my purchasing The Road To Hallow’s Eve based on the artwork and song titles, well, I proclaim a Horror Punk victory! This album is on Coffin Records, a recognized label notorious for underground talent. Hallowmas released this album back in 2005, I bought it about one year ago, during one of my Halloween spirited moods. Cutting to the Metal chase here, this is one dandy of a Horror Punk Band, a terrorizing thrill a second is The Road To Hallow’s Eve. It’s all good… Horror Punk style. I have numerous times, since buying this CD, have tried to read and/or find out more about this cool Hallowmas band… all in vain however. The only trail I find on the world wide web about them are the basics I found in the liner notes of this very album. Hallowmas is without question an underground Horror Punk band. I sincerely hope they resurface and continue their Horror Punk path… The Road To Hallow’s Eve makes for an intense foundation for them to build upon.
Ace Frehley has waited a long time to create and produce a new album, Anomaly is so incredibly worth the wait. I finally bought Anomaly today, (September 23, ’09, yeah, I am a week late from it’s release date), what an album of 12 songs. An unreal good album, a can’t miss for any fan of any Rock genre. I cannot stop listening to this new Ace Frehley album, oh darn. Anomaly for me, is one of those albums that I get contagious about and addicted to… oh darn. Before buying this album, I had not a clue as to what any of the songs sounded like. Man, what an incredible surprise to hear these songs for the first time… this album leans more towards Ace Frehley’s 1978 KISS solo album – not towards the sound of his Frehley’s Comet band from the late 1980’s. The Metal kicker is this… Anomaly rocks harder and heavier than the Ace Frehley 1978 KISS solo album, my ears cannot tell a lie. Where Anomaly gives a nod to 1978 is this: Old School Hard Rock and Heavy Metal. With that being said, Anomaly definitely embodies the grooves and heaviness of today’s Heavy Metal sound, while veering away from any resemblance of late 1980’s commercial heavy sound that was so popular in it’s day.
As I listen to Ace Frehley play guitar throughout Anomaly, all I can say to those who want to listen is this – Ace Frehley is back!! Ace Frehley shall remind the Rock and Roll world with all of it’s genres that yes, he can play guitar very well… and sing too. Ace Frehley’s vocals do not sound like a man who has been out of the recording studio for so many years, instead, it is my Metal opinion that Ace Frehley’s vocals are damn good and cool. Just listening to Anomaly takes me back to the days when quality songs were an important staple to Hard Rock and Heavy Metal bands. A sense of urgency to be real, is what I hear through the entirety of Anomaly, Ace Frehley has fused his very own Hard Rock and Heavy Metal sound with a nod to yesteryear, making Anomaly an album that far extends any relevance factor. From the song writing to the band backing up Ace Frehley here, this is a total album package. Ace Frehley has plenty of cool and damn good solo’s throughout this entire album, one of the many quality points of Anomaly.
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
Twisted Sister – Love Is For Suckers was released on August 13, 1987, on Atlantic Records. Back then, as a Metal fan, I was totally engulfed with Thrash and Speed Metal. To make a Metal confession, I never bought this Twisted Sister album, after owning their first four albums. I was not overly impressed with Come Out And Play, (released in 1985), I guess the first three Twisted Sister albums really spoiled me. So, I took in whatever songs MTV or the FM stations were playing from Love Is For Suckers. Seeing the video for Hot Love and hearing it played on FM radio very frequently, back in 1987-1988 was, I thought, the coolest extent of this album. I always liked Hot Love, this song reminds me of some cool times back in 1987-88… and there isn’t anything wrong with that. Hot Love is upbeat and (gasp), commercially catchy in it’s unique Heavy Metal way. A few years ago, I bought Twisted Sister’s Big Hits and Nasty Cuts: The Best of Twisted Sister, it contains several cool live bonus tracks that enticed me… unreal great songs at that. The Metal kicker here, is that there are no songs from Love is for Suckers on this Best of album… I smell controversy. Therefore, my continuation of never hearing more than Hot Love from Love is for Suckers continued… Fast forward to September 18, 2009… Twisted Sister – Love is for Suckers has for all Metal intents and purposes, made a sucker out of me.
Osaka Popstar and the American Legends of Punk are a band I can’t get enough of. Punk Rock that is cool, fun and of course… Rocks, is Osaka Popstar. I bought this self titled CD a while back at a flea market in Berks County, Pennsylvania… for around thirty three cents. Thirty three cents this Osaka Popstar cost me!!! Plus, as a Metal bonus, this CD was still factory sealed!!! How was this CD only thirty three cents you might wonder? The dealer I came across selling CD’s had a “three for a dollar deal” going down at his booth! Not too shabby and quite the find. So, with Autumn upon us, the insects are getting a tad crazy right now… especially those damn yellow jackets. I cannot stand yellow jackets, they either are buzzing around spoiled picnic food, outdoor garbage pails or looking to sting you. By definition alone, the yellow jacket is a predatory wasp!! I had one of these evil yellow jackets sting me in the right arm two weekends ago – for no reason at all. I was sitting down in my backyard, taking a break from some yard clean-up, sipping on a cold beer, then the burning sting sensation hit me! A yellow jacket chose me for it’s sting of the day. That is why I have decided once and for all, to choose Insects to be the Punk Rock song of the day. This song is just plain good Punk Rock fun. My daughters get the biggest kick out of listening to Insects… I do too. The way in which the bugs outside are acting up right now… Insects could very easily be the Punk Rock song of September!
Masters Of Reality – Sunrise On The Sufferbus was released back in 1992, on Chrysalis Records. I already owned the 1988 debut album, (self titled), from Masters Of Reality when I jumped on this album back in 1992. The best way I can describe this band is Old School Stoner Rock/Hard Rock, in my Metal opinion. This is a grossly underrated Rock album, the musicianship, songs and total grooviness on Sunrise On The Sufferbus makes this a lifetime keeper, for me. My favorite song on this album is J.B. Witchdance, a non stop bass groove with a semi-haunting overall sound, always seems to put me in a cool mood. My second choice pick from Sunrise On The Sufferbus is She Got Me (When She Got Her Dress On) – this song as with the entire album, is unbelievably unique, I just never heard a band sound like Masters Of Reality back then, nor do I now. This album is the closest thing to heavy without being so… I know that sounds crazy, I just cannot explain this music any better than that. O.K., maybe I’ll try this… cool under heavy… now that might work. (If you are wincing at the use of words here, just go with Stoner Rock).
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