Archive for the rock album review Category

THANK GOD “Ice/Age” – Experimental & Punk = Mainstream Avenue Is Closed Dammit!

Posted in experimental music, extreme music, hard rock music, hardcore punk rock music, metal odyssey, Music, punk rock bands, punk rock music, rock album review, rock music, rock music news with tags , , , , , , , on October 26, 2010 by Metal Odyssey

THANK GOD – With origins from Atlanta, Columbia and Charleston, South Carolina, Thank God is best described as a Punk, Experimental, Hardcore and Jam Band. With all of these descriptive genres going on, yes, Thank God does make a whole bunch of noise. Notable noise at that. One first listen through of Thanks God’s new album, Ice/Age and I realize that this band is a free styling and “who gives a crap what the rest of the world thinks” band. That’s what Experimental, combined with Punk and Hardcore is supposed to do to a band in the first place. Listening to Ice/Age tells me Thank God looks upon the words “status quo” as being toxic. With songs such as Shit and Wow to flood the senses into a bewildering blast of Hardcore Punk from Thank God, these two songs are worth slamming your body around to, at any hour… of any day… of the whole damn week. Still, Thank God can tone things down at times, with One Half being a semi-melodic introduction into where ever you may want to go, within your mind or by space travel. You can be your own damn navigator! The guitar notes and overall tempo of One Half gives off that feeling of… ready, set, now F’n go! (Which makes all the sense in the world… One Half precedes Set/Go). Set/Go elevates it’s tempo to berserk levels, with breakdowns galore. There are hints of Doom and Stoner guitar riffs that seem to sneak into Set/Go, adding another element that Thank God has thrown into this eclectic album of songs.

Hopefully, Thank God will not seek out any “polish” on the production end of the scale on their future albums. The blue-collar and garage-tinged atmosphere on Ice/Age, coupled with the youthful, “who gives a shit” attitude is just fine with me. The only instrument I would like to see Thank God not experiment with too often in the future with is the sax. I love the sax, however, Thank God incorporating this fine instrument into Ice/Age just doesn’t resonate any vibe of cool for me. Uncle Stone doesn’t likey. The sax, as played on this album, comes across as macabre to my ears, so maybe it has a vibe… o.k.? I just want Thank God to take the sax and put it away for now or put it on ebay. Then again, this is an experimental band I’ve been talkin’ about isn’t it? Regardless, the sax that was played on this album probably cried alone at night, knowing how it sounded and was treated.

Sax aside, Ice/Age is like a sign post that reads: Open minds may enter… others piss off. I like Thank God and their brand of noise. Vocally and musically, Thank God have their identity crisis in check. Thank God plays fast and delivers plenty of heavy moments to make me feel like my ears belong in their music. It’s bands like this, that push the elemental fusion of Heavy Rock genres into their own direction and walk away grinning… knowing they have freely expressed their language of music upon anyone who listens. I’m listening to Thank God and hopefully many others will too, just get off the mainstream bus that’s taking you to status quo la la land… dammit.

* Released back in July of 2010, on indie label Exotic Fever Records, Ice/Age is the debut full length from Thank God.

* THANK GOD are: Troy, Hank, Adam, Matt and Kevin – (Sorry, I don’t know which name goes with each dude in above photo of Thank God). Gee Metal whiz, I said I was sorry.

* For more info on THANK GOD, click on the link below!

THANK GOD – myspace music

GO GET ‘EM THANK GOD.

Um, don’t get the sax in trouble anymore.

Stone.


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STYX “PARADISE THEATRE” – 1981 ROCK ALBUM IS A FOREVER FAVORITE OF MINE

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's rock bands, 1980's classic rock bands, 1980's classic rock guitarists, 1980's classic rock vocalists, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock albums, 1980's classic rock music, 1980's classic rock songs, 1980's hard rock bands, 1980's rock bands, Album Review, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock music 1981, classic rock songs, classic rock vocalists, cool album covers, feel good stories, guitar legends, hard rock music, metal odyssey, Music, old school hard rock, rock & roll, rock album review, rock and roll, rock guitarists, rock keyboard musicians, rock music, rock music lyrics, rock vocalists, shopping for rock music, vintage rock albums, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 18, 2009 by Metal Odyssey

Styx, a Rock/Hard Rock band that didn’t just grow on me in my early teens… instead, I fell over backwards upon my very first listen to their song Come Sail Away from The Grand Illusion album, (released in 1977). Jumping across the Pieces Of Eight (1978) and Cornerstone (1979) albums from Styx, (which both are unreal great albums for me as well), there is Paradise Theatre, (A&M Records), from 1981. Call it music imbedding at age fifteen, this Styx album just reminds me of so many good things about my life as an early teen. Memories, especially the good ones, are priceless. When music, Rock Music, can rekindle cool and fun times through memories… man, I’m not going to stop listening to such respective albums or songs – ever. Paradise Theatre doesn’t remind me of winning the lottery, getting an expensive car, falling in love, achieving straight A’s on my report card, (yeah right), nor does it send me back to a Hawaiian vacation. Nope. What Paradise Theatre does remind me of, is easier times, hanging out, the Christmas Holiday, snow days off from school and having no clue of who or what I wanted to be in life. Honestly, this Paradise Theatre album really reminds me of those things, the smaller things in life that matter too.

I’m certain I can sit here and compile a master list of Rock, Hard Rock and Heavy Metal albums, that meet the same memory criteria as this Styx Paradise Theatre album bestows for me. Recently, I finally purchased Paradise Theatre on CD, for the first time in my life! It was priced at $7, brand new. There were several, if not dozens of moments where I had this CD in my hands to buy… only putting it back down, because I get so damned conscientious about spending too much money on non essential items for myself. (I have to learn to relax, $7 is chump change compared to what is spent on Wall Street bailouts).

I cannot pinpoint the reason as to why Paradise Theatre reminds me of the previously mentioned. All I know is, come Christmas, these songs from this album just “pop” into my head. Watch out if it snows, it seems like I can actually envision the album cover in my mind as well, all the while I watch a snowfall. I do remember listening to the songs from Paradise Theatre during the Winter of 1981, it seems like yesterday. Funny, how I purchased this CD during the Winter of 2009, all of the variables were in place… some snow was on the ground, Christmas is approaching and I threw danger to the wind by spending an extra $7 on myself. (I guess you can call me a real thrill seeker, on the spending part of it all).

Every song on Paradise Theatre is a winner, that includes the songs that never made it to FM radio too. Quality, substance and an acute attention to lyrics are what makes these songs on Paradise Theatre so unbelievable for me. This album Rocks. There, I got that out of my system, that phrase needed to be stated and has become rather nerdy and extremely cliche too. Back in 1981, I never would understand what the term Classic Rock meant. In 1981, the only music that was really classic was Classical Music. Styx, through their albums of the 1970’s and 1980’s have given true meaning and understanding to the term/genre… Classic Rock.

I have always been a huge fan of Tommy Shaw, following his solo career along with his stints in Damn Yankees and Shaw/Blades. Dennis DeYoung on vocals gives this Styx band and album their trademark Rock essence, a sound that is so much stand alone. Dennis DeYoung’s voice is a trademark musical instrument of Styx. Of course, the aforementioned are all my opinions and interpretations, which I am steadfast about.

Dennis DeYoung sings it so right, on the song The Best Of Times, with these lines:

Our memories of yesterday

Will last a lifetime

We’ll take the best, forget the rest

And someday we’ll find

These are the best of times

Track Listing For Paradise Theatre:

Side One:

A.D. 1928

Rockin’ The Paradise

Too Much Time On My Hands

Nothing Ever Goes As Planned

The Best Of Times

Side Two:

Lonely People

She Cares

Snowblind

Half-Penny; Two Penny

A.D. 1958

State Street Sadie

Styx, as they appeared on Paradise Theatre:

Dennis DeYoung – keyboards & vocals

Tommy Shaw – guitars & vocals

Chuck Panozzo – bass guitar

John Panozzo – drums & percussion

James Young – guitars & vocals


FOREIGNER – DEBUT ALBUM FROM 1977 STILL PULLS ME IN

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock vocalists, 1970's hard rock bands, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's hard rock albums, 1980's rock music, 1980's hard rock, Album Review, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock music 1977, classic rock songs, cool album covers, essential classic rock albums, essential classic rock songs, everyday social experiences, family, family pets, hard rock music, life, life stories, metal odyssey, Music, real life experiences, Rock, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock vocalists, vintage hard rock albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 17, 2009 by Metal Odyssey

Foreigner "Foreigner" small album picThe debut album by Foreigner, (self titled, released on March 8, 1977), was one of my first vinyl record albums that I ever owned. I actually bought the first Foreigner album shortly after receiving their Double Vision album as a birthday gift, back in 1979. (The Double Vision album was released on June 20, 1978). So it is safe to say, that the debut Foreigner album was playing on my turntable sometime in the Spring of 1979. Being an eighth grader in 1979, my exposure to Heavy Metal Music was at it’s most infant state, KISS was the only Heavy Metal Band I owned on album at this time. I always bring up my past history, as to the year of purchase of a said album and what bands I was into at the given time, so to make clarity to the evolvement of my becoming a Metalhead. It was a progression of listening to different Rock genres for me, since I was a kid. This Foreigner album is as integral a piece to that progression, as any other Rock album I ever listened to. Just as the Double Vision album, Foreigner’s debut album had me wanting more and that was a good symptom to have. There definitely was some psychological imbedding that happened to me with Foreigner at a young age, whenever I listen to their albums, (especially the first four), I feel like everything is alright.

What prompted me to blog about this Foreigner debut album is hearing the song Feels Like The First Time on the radio this past Sunday. My family and I just had to endure visiting a sad animal shelter that morning, (we are currently looking to adopt a cat), and all four of us were in quite the funk. I decided to bring my wife to a store that has 70% off of all their Christmas decor, what bargains were truly found – no kidding here. This stop to purchase Christmas decor was just the elixir of happy that my wife and daughters needed after a somber morning of seeing so many poor and sickly cats. My elixir of happy was hearing Foreigner on the store’s radio. As I have stated, Foreigner puts me on the – everything is alright trip. I actually felt my face give off a smile and get all flushed while I heard this Foreigner song. On the drive home from this store, I wished there was a Foreigner CD in the car… trust me, there has been many times.

This experience is just a fine example of how a band and their album can pull me right in… and take me back, while making my mood alright again. That is the magic of Rock and Roll, these are the benchmarks of an album and/or song that cannot be critiqued by lazy Rolling Stone Magazine writers who have not a clue. The personal memories and feelings that are stored within oneself, due to the impact from a Rock Band of any genre, their albums, an individual song or a concert experience from such band… money cannot buy, man. Listening to Foreigner’s debut again, reminds me as to why the Classic Rock genre exists. This album is a Rock Classic. Foreigner is in my Metal Odyssey Rock and Roll Hall of Fame. Too bad that big, pompous building in Cleveland, Ohio, doesn’t get it.

I grin each time I stare at the front cover image of the band, on the Foreigner debut front cover. The first impression is – these are gentlemen. Hard Rock gentlemen, that is. The maturity that this front cover image evokes, also mirrors the maturity of the music heard from this Foreigner album. It wasn’t about boobs and beer, rebellion or political commentary, it was about quality Rock and Hard Rock songs. From the lyrics to each songs structure, Foreigner presented to the world a sophisticated, yet Hard edged sound, that could be radio friendly and street cool at the same time. Two of my favorite songs from Foreigner are not even considered to be hits at all. Headknocker and Starrider are two songs from this album that are individualistic and represent the two sides of Foreigner’s Rock style. Headknocker being the Hard Rock cranker and Starrider introducing Foreigner’s adoration for a more melodic, Rock ballad. I really like Starrider for it’s almost cosmic musical ambiance, the keyboards and chorus are what sets this song apart, for me. This is just me, yet it would be a kick to hear W.A.S.P. or Judas Priest cover Headknocker.

Long, Long Way From Home is without doubt, Lou Gramm singing at his very finest. Man, his vocals alone, makes this song resonate with powerful emotion. Cold As Ice will always be the hit staple from this Foreigner album… rightfully so. I would not argue that it is as important a Rock single as any from the 1970’s. Regardless of decades passing by, this Foreigner debut album is, yes, timeless. It may sound cliche, still those Rock and Hard Rock albums from days gone by, like this very album, need to be revisited and remembered for their Rock and Roll historical importance and sheer quality.

Foreigner "Foreigner" large album pic

Michael Schenker Group – “Never Trust A Stranger” A Rock Ballad From 1981 I Revere

Posted in 1980's classic rock bands, 1980's classic rock guitarists, 1980's classic rock vocalists, 1980's hard rock albums, 1980's rock albums, 1980's rock music, 1980's rock musicians, 1980's hard rock bands, 1980's hard rock songs, 1980's heavy metal bands, Album Review, classic hard rock ballads, classic hard rock music, classic heavy metal, classic rock albums, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, feel good stories, guitar legends, hard rock music, hard rock vocalists, heavy metal guitarists, heavy metal music, heavy metal on vinyl, melodic hard rock songs, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock album review, rock and roll, rock guitarists, rock music, rock vocalists, vintage hard rock albums, vintage hard rock bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2009 by Metal Odyssey

MetalOdysseyI can remember the moment like it was yesterday. The moment in time of buying my first Michael Schenker Group album, at Caldor department store, back in 1982. It was the second studio album from Michael Schenker Group, it is often referred to as MSG ll, yet no where on my original album that I bought does it have the marking of “ll” on it. I guess the mystery of “ll” shall stay in my Metal mystery files for now. You can see, as proof, on the image below this post, that the front cover does not have “ll” on it. This image depicts the original album cover, the copy that I still own to this day. I have kept this Michael Schenker Group album in pristine condition for 28 years, this is an album that I extremely admire and highly recommend. The eight songs on this album are best described as Hard Rock, I find it difficult to label this album as straight forward Heavy Metal. There is one exception, Attack of the Mad Axeman is the one song from this album that I would label as an early 1980’s Heavy Metal song, in my Metal opinion.

Over the years, I acquired a cassette tape version of this album too, never upgrading to CD. Don’t ask why, I just never came up with the necessary loot to upgrade everything I ever owned on album and/or cassette, on a consistent basis. Factor in that I have to stay current and buy new CD’s of my favorite bands and deep pockets I do not have! Over this past Halloween weekend I was perusing the archive of songs that can be purchased on itunes and one Michael Schenker Group song caught my eye… Never Trust A Stranger. I bought this amazing Rock ballad from this second Michael Schenker Group album, without a micro second of hesitation. Goodbye 99 cents… hello MSG Rock Ballad I have revered for the better part of my entire Metal life.

You may ask: dude, why didn’t you just throw danger to the Metal wind and buy the entire Michael Schenker Group album from itunes if you don’t have it on CD? The answer is simple… I am holding out to buy this CD at retail or used, (eventually), due to my being old school and wanting the darn liner notes. (I can be a stubborn old Metalhead). Owning a digital copy of Never Trust A Stranger was a necessity that I needed to make good on for myself – finally. I always blab that I am not the biggest ballad fan the world has ever known, this will always hold true. However, there are those ballads, that just carry me off into those la la land moments of self gratifying, mental journeys of glee. On Never Trust A Stranger, the vocal harmony of Gary Barden is incredible stuff for me, with Michael Schenker playing some of the most emotionally inspired guitar licks you could ever imagine. The lyrics of this song are semi-sappy, still in 2009 they do that resonating thing to my mind and I have been a sucker for this song, since being a sophomore in high school in 1982. Gee Metal whiz.

Steven Stills lends his backing vocals on Never Trust A Stranger. Yes, that Steven Stills… from Crosby, Stills and Nash, (and sometimes Young). Once again, don’t ask: dude, how did Michael Schenker get Steven Stills to do backing vocals on Never Trust A Stranger? Hey, I simply do not have the answer. (I think years ago I did know the answer… yet it got erased from all the Thrash and Death Metal stuff I have listened to for decades). If anyone does have any info in regards to Steven Stills being on this song, feel free to comment about it please. So, in a Metal nutshell, Never Trust A Stranger is my second most favorite (Rock) ballad ever. I posted in the past that Home Sweet Home by Motley Crue is my favorite Heavy Metal ballad ever, I can’t go back on my word on that one.

Well, here is the original album cover of Michael Schenker Group, (notice there is NO “ll” anywhere on the cover). I was so enthralled by the guitar play of Michael Schenker and everything else about this album back in high school in 1982, that I made a silk screen copy of the album cover. Metalheads galore had mini posters and t-shirts with MSG and his flying V guitar on it, courtesy of me and my graphic arts class. I recruited lots of MSG fans back then, hopefully this blabbing will recruit more today.

Michael Schenker Group 2nd album - large pic

HAPPY METAL BIRTHDAY ANTHONY KIEDIS! PLUS “ONE HOT MINUTE” REVISITED

Posted in 1980's classic rock bands, 1980's rock music, 1980's rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, alternative rock bands, alternative rock music, alternative rock music albums, classic rock music, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, hard rock music, hard rock vocalists, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock celebrity birthdays, rock guitarists, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2009 by Metal Odyssey

Red Hot Chili Peppers logoMetal Odyssey extends a loud Happy Metal Birthday to Anthony Kiedis! Anthony was born on November 1, 1962 and he turns 47 today. Anthony co-founded and is the lead singer for The Red Hot Chili Peppers. My favorite Red Hot Chili Peppers album is one hot minute, (released on September 12, 1995 on Warner Bros). My three favorite songs from one hot minute are Warped, Aeroplane and My Friends. It is surprising to even me, that I really like the song My Friends such a great deal, due to it being a mid paced Rock ballad. Still, this song seemed to capture my attention back upon it’s release, it still does when I listen to it. The presence of Dave Navarro on guitar makes one hot minute a more heavier sounding version of The Red Hot Chili Peppers, in my Metal opinion. This is an album that I have to honestly say, bridged the gap between Grunge gradually losing it’s stranglehold on popularity and Heavy Metal making a comeback in the public eye. (That is my Metal opinion, I cannot help myself).

One hot minute made total sense to me upon it’s release back in 1995, it still does. The songs carry out a continuous Rock vibe while not adhering to one specific trend of the day. A very polished album, (produced by Rick Rubin), one hot minute is exemplary of what the mainstream was embracing as acceptable heavy, whenever it came anywhere near Hard Rock or (gasp), Heavy Metal. With a toned down Metallica on the loose in the mid 1990’s, The Red Hot Chili Peppers were not toning it down with one hot minute… based on their style of Rock. Their sixth studio album and a multi-platinum seller, one hot minute obviously had some hot chart success. (With that said, I have never been one to judge an album based on chart positions). I have always appreciated this band, what is there not to like about the musicianship of Flea on bass and Chad Smith on drums as well? A Rock rhythm section solidified.

Getting back to Anthony Kiedis… I have and always will be greatly entertained by his vocals. Anthony also has written some clever lyrics that many times touched on his own inner battles with addictions. The diverse style of Anthony’s vocals make him a Rock singer that is without question, truly one of a kind. From Funk to Heavy Metal and everything in-between, The Red Hot Chili Peppers have touched on it all, with Anthony Kiedis cementing his dynamic vocal stamp on each song in their extensive catalog. From my perception, listening to Anthony Kiedis sing using so many styles, leads me to believe he has an admirable respect for all genres of music. The alternative and artistic overlays of The Red Hot Chili Peppers brand of Rock cannot be discounted… neither can the vocals of Anthony Kiedis ever be denied.

The Red Hot Chili Peppers "one hot minute" large album pic

DOMMIN – “E.P.” Has Me Hooked

Posted in Album Review, alternative rock bands, alternative rock music, alternative rock music albums, collecting rock music, cool album covers, creepy album covers, current alternative rock music, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current heavy metal music, current rock albums 2009, diverse metal music, essential hard rock albums, essential rock albums, gothic hard rock bands, gothic hard rock music, gothic metal bands, gothic metal music, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal album covers, heavy metal music, heavy metal music 2009, heavy metal vocalists, horror metal, melodic hard rock songs, melodic rock bands, melodic rock songs, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock music vocals, rock vocalists, scary album covers, shopping for music, spooky album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 19, 2009 by Metal Odyssey

Dommin - Group Photo banner 2009

I picked up the Dommin E.P. at Hot Topic today and man, this band has me hooked. This Dommin E.P. has been available as a Hot Topic exclusive since July 7, 2009. This band caught my attention over the last few months as I scoured the web looking for new and cool albums to potentially buy. Buying this E.P. was a necessity for me, I have already listened to some of Dommin’s songs already and really liked what I heard. Plus this E.P. will make for a cool prelude to my finally picking up the new album from Dommin – Love Is Gone. The price I paid for E.P. is unreal great – $1.99. Uh, again, that’s $1.99! My copy I bought was the last one, (or only one), left in this specific Hot Topic store… that tells me E.P. sold quite well since July 7th. The price and obvious popularity is not too shabby for a brand new CD with four outstanding songs. E.P. contains a track that is not found on the Love Is Gone album – Awake. I have always been open minded to all Rock, Hard Rock and Metal genres, listening to a bountiful mix of bands over the decades has been my Metal way. With that said, this is how I describe the music of Dommin, in my Metal opinion:

Dommin - "Eyes" Banner - 2009

The vocals of Kristofer Dommin are extremely confident and powerful. His vocals alone are what draws me into the music, I am not ashamed to say that they are riveting… for me. When I listen to Kristofer Dommin sing, my ears detect some Glenn Danzig meets David Bowie – really. This is not to say that his vocals are unoriginal, not in the least. Kristofer Dommin’s vocals are very different from what I have been listening to in recent memory. I will confidently state, it is hard to pigeonhole Dommin into one specific music genre. Gothic, Heavy Alternative, Rock, Hard Rock, Melodic Goth or Modern Heavy Metal genres are all represented quite amazingly well with the music of Dommin. If that causes a stir, so be it… this band has been a tough Metal cookie for me to pinpoint with accuracy as to their specific placement in genre. Yet this is what makes Dommin so damn cool from the start, does it really matter anyways which genre a band adheres to? Take it from me, (if you want to), that Dommin belongs in the Heavy Music world with their dark, hard and artistic style of music. Heavy Music this outrageously melodic and hard gets me listening. Dommin takes Rock simplicity from decades past and elevates it into their very own Heavy and dark stratosphere of interpretation, exposing it for all to hear in 2009.

DOMMIN is:

Kristofer Dommin on vocals & guitar

Billy James on bass

Konstantine on keyboards

Cameron Morris on drums

** Track Listing For E.P. is:

My Heart, Your Hands

Dark Holiday

Without End

Awake – (only available on E.P., not included on Love Is Gone album)

DOMMIN is on a record label that in my Metal opinion, knows something about Rock and Roll… ROADRUNNER Records.

DOMMIN - "E.P." album pic

Charm City Devils “Let’s Rock-N-Roll” – A Charming Hard Rock Album

Posted in Album Review, baltimore hard rock bands, collecting rock music, cool album covers, current hard rock albums, current hard rock bands, current hard rock music, current hard rock songs, current rock albums 2009, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2009, hard rock bands 2009, hard rock drummers, hard rock guitarists, hard rock music, hard rock music 2009, hard rock songs, hard rock vocalists, heavy metal music, independent record labels, melodic rock bands, metal odyssey, Music, new hard rock album, old school hard rock, Rock, rock & roll, rock album review, rock and roll, rock music, rock music reviews, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2009 by Metal Odyssey

Charm City Devils "Let's Rock N Roll" large album picI picked up my copy of Charm City Devils – Let’s Rock-N-Roll this past Summer, it was towards the end of July. On July 10, my mother passed away, she was as splendid, caring, giving and loving as a mother could possibly be for me. I received the news of her passing from my father… over the cell phone. We, (my wife and I with our twin daughters), were on our way to Connecticut by car with my courageous wife driving when this tragic news was conveyed to me by my father. We live in Pennsylvania, a solid three and a half hours away from our parents and relatives. The shock and sadness we all felt in the car at that moment can not be expressed in words here. Why I am telling this story is due to the Charm City Devils song Almost Home. You see, upon my first listen to Almost Home, I felt instant sadness, goose bumps formed all over my body and my thoughts instantly were directed to that awful moment in time – of receiving my fathers phone call about my own mothers passing away. It was only a couple of weeks after losing my mother that I first listened to this song.

I had not listened to Almost Home again until today, October 17, 2009. (I just could not bring myself to listening to this song again right away, I needed time to heal, so to speak). The emotional feeling of sadness still erupts within me when I listened to this song again, however, Almost Home actually has now helped me deal with my very own personal experience. It feels good to get this off of my chest… this is a perfect example of how Hard Rock Music or any music for that matter, can connect with you on such a deeply personal level. If this song is to be a true story, connected to any member of Charm City Devils, then I express my deepest sympathy to that person who experienced that phone call too. The lyrics of Almost Home are just too deep and emotional to be fiction.

Alright, now for the cool and Hard Rockin’ part of this album. I will start with stating that the first three songs come out of the Hard Rock gates with the sincerest of enthusiasm and energy. Very memorable are these songs, sing-a-longs if you will. Let’s Rock-N-Roll (Endless Road), House Fire and 10,000 Miles have all the sound and flavor of a hungry up and coming Hard Rock Band. The youthful energy I hear is a kick to my butt to stay in shape and think and act young! (Within reason of course). Best Of the Worst is a mid-paced ballad that sounds like the hit to me, a very commercial sounding song that won’t hurt this bands career. I am a ballad frowner my whole life, still this song has an almost uplifting sensory feel about it. Money has a Punk Rock vibe happening, especially with the rhythm section and arguably with the vocals as well… very cool song for me.

By me stating that Let’s Rock-N-Roll is a charming album, I am not trying to sound sappy, cute or funny here. I really mean it, this is a damn decent – Rock and Roll meets Hard Rock album here. A viable nod to Old School Hard Rock has been established, with Charm City Devils first album. Based on what I here from this album, Charm City Devils can use that old cliche and say the Hard Rock sky is the limit. There is heaping pounds of Hard Rock potential for Charm City Devils to get even better… and they already are quite the Hard Rock band on the rise. Heck, if Bon Jovi could become a household name writing and playing this kind of music, then why not Charm City Devils? I also like to compare this band to Airbourne, although I hear more diversity in song from Charm City Devils which is admirable. At the end of my Metal day, I concede that Let’s Rock-N-Roll is an album worth catching onto and Charm City Devils is a Hard Rock Band worth keeping an eye on.

* Let’s Rock-N-Roll was released on May 26, 2009, on Tenth Street Entertainment/Eleven Seven Music. * Eleven Seven Music has as it’s label president, the legendary Nikki Sixx.

* Charm City Devils hail from the Charm City itself – Baltimore, Maryland.

Charm City Devils as they appear on Let’s Rock-N-Roll:

John Allen – lead vocalist

Vic Karrera – guitar

Anthony Arambula – bass

Nick Kay – guitar

Jason Heiser – drums

Charm City Devils "Let's Rock n Roll" x-large album pic

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