Archive for the 1990's southern rock music Category

THE OUTLAWS – THIS LEGENDARY BAND CURES MY SOUTHERN ROCK FIX

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock vocalists, 1970's southern rock albums, 1970's southern rock music, 1970's classic rock music, 1970's rock music, 1970's southern rock bands, 1970's southern rock songs, 1980's classic rock bands, 1980's classic rock vocalists, 1980's southern rock music, 1980's classic rock music, 1980's classic rock songs, 1980's southern rock, 1990's southern rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, essential southern rock albums, metal odyssey, Music, old school southern rock music, rock music, southern rock, southern rock albums, southern rock music, southern rock music legends, southern rock songs, vintage southern rock albums, vintage southern rock bands with tags , , , , , , , , , , , , , , , , , , , , , , , on December 3, 2009 by Metal Odyssey

There are many moments I dive right into the Southern Rock genre. My wide array of favorite bands crosses over many Rock genres and I am all the better for it. (Metal will always be #1 for me, that will never change). The blue collar, American made and guitar enriched sound of Southern Rock, both past and present, just sticks to me like molasses. I honestly can’t go very long, without nurturing the country boy side of me, with this ever important branch of American Rock and Roll. Aw heck, Southern Rock serves my city boy side just as well too. The Outlaws have been my recent listening choice to cure my Southern Rock fix. A classic of a band indeed are The Outlaws. Great songs and down to earth lyrics has this band written. The Outlaws may not be as heavy as Molly Hatchet or as popular as Lynyrd Skynyrd, still they managed to differentiate themselves amongst their peers by staying true to their own style. The Outlaws have their respectful place in Southern Rock history… Rock history too, for that matter.

The Outlaws, through their own songs, have never pretended to be anything but Southern Rock. I have always admired any band that never compromises their own genuine sound, The Outlaws are one of these bands. Does all this sound like I am overextending praise towards The Outlaws? In my opinion, no. Sure, all of the accolades you read here are from my personal standpoint, yet I would gamble to guess I am not alone in my viewpoint. I really enjoy the Southern Rock that The Outlaws have created, this goes all the way back to my teen years of the 1980’s. Green Grass & High Tides, (from the 1975 debut album Outlaws), the almost ten minute Southern Rock epic, just sends me into a care free mood where things seem to feel alright. This is a song that encompasses the true energy, passion and sound of mid 1970’s Southern Rock. I have always liked this song so much, it is like listening to a three minute song for me.

All of the most memorable and legendary songs from The Outlaws are from 1975 to 1980. Counting the Ghost Riders album from 1980, The Outlaws released three studio albums during the 1980’s, while releasing Diablo Canyon in 1994. The main constant and founding member of The Outlaws, Hughie Thomasson on lead vocals and guitar, is a musician I have and always will appreciate tremendously. He penned Green Grass & High Tides, while co-writing There Goes Another Love Song, two of perhaps the most recognizable Southern Rock songs of the 1970’s, both from such an important debut album. Hurry Sundown, (from the 1977 album Hurry Sundown) and (Ghost) Riders In The Sky, (from the 1980 album Ghost Riders) are two more unreal favorites of mine from The Outlaws.

I bought The Outlaws Super Hits recently, a greatest hits that spans their albums 1975 thru 1980. To have ten solid songs from The Outlaws, on one disc, is a recipe for Classic Southern Rock to the highest degree. This CD set me back just 5 dollars… fifty cents a song. Not to sound cliche here… that is priceless, especially when these songs from The Outlaws make me feel so darn good.

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LYNYRD SKYNYRD – “GOD & GUNS” IS ALREADY A SOUTHERN ROCK CLASSIC

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's southern rock music, 1970's classic rock music, 1970's rock music, 1980's classic rock bands, 1980's southern rock music, 1980's classic rock, 1980's classic rock music, 1980's rock bands, 1980's southern rock, 1990's classic rock music, 1990's southern rock music, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, current rock albums 2009, essential rock albums, essential southern rock albums, hard rock albums 2009, hard rock music, Music, old school southern rock music, rock & roll, rock album review, rock album reviews, rock and roll, rock and roll hall of fame inductees, rock music, southern hard rock, southern hard rock albums, southern rock, southern rock albums, southern rock music, southern rock music legends with tags , , , , , , , , , , , , , , , , , , , , , , , on October 2, 2009 by Metal Odyssey

Lynyrd Skynyrd "God & Guns" small album picLynyrd Skynyrd are Southern Rock Legends and Rock and Roll Hall of Famers. What more does Lynyrd Skynyrd have to prove? What keeps the motivation meter running with this band? In my Metal opinion, it is a combination of many things… the Skynyrd Nation and the fact that this band has never lost touch with their roots are two quick examples. Southern Music roots… family roots… old school values, these three attributes come out Southern Rockin’ loud and clear on God & Guns, (released on RoadRunner Records, September 29, 2009). My interpretation of the lyrics found on God & Guns, leads me to believe that Lynyrd Skynyrd are not about to change their beliefs, (both political and social), for no man. Lynyrd Skynyrd has never and is not about to sway or teeter on the fence with their lyrics and music, a quality that I tremendously admire of this legendary band. As the decades have passed and the Lynyrd Skynyrd lineup has unquestionably changed, none of what I have previously touched upon with this band has wavered… and the quality of the musicianship inevitably carries forward this Southern Rock icon to 2009. With God & Guns, a new Southern Rock Classic has instantly been born and I would not have expected any less from Lynyrd Skynyrd. Each of the twelve songs on this new album bestow the trademark Southern Rock shades of Lynyrd Skynyrd’s past, while combining a thrust of relevant Hard Rock vigor, making for an unforgettable listen the first time around. Johnny Van Zant sounds great on vocals and founding member and guitarist Gary Rossington, along with the entire band should be proud of this album.

Still Unbroken opens up God & Guns, it is heavy and hard, a statement that the rest of this album to follow is going to be one hell of a cool ride. Skynyrd Nation is a song overflowing with Southern Rock/Lynyrd Skynyrd pride. I am just waiting for the right moment to crank up this song to the max, with my car window down. Skynyrd Nation is the ultimate Southern Rock anthem for this band, a powerful song. Simple Life is a cry out for the way things used to be as only Lynyrd Skynyrd can convey. Here is where the old school values of life comes into play… eating dinner with your kids, not having to lock up the doors to your house, going fishing and helping out a stranger. This song may sound like preaching to some, however, the lyrics make total sense to me. Unwrite That Song is the ballad on God & Guns that provides a moment to chill, kick back and revel at the change in Southern Rock shift… this song acts as the anchor between the song list, giving me one more reason to call this album a new classic. Floyd is the song that provides the creepy moment on God & Guns. This song tells a story about a man named Floyd who mysteriously disappears after two law dogs got in his way – Southern Rock spookiness in the vein of Molly Hatchet’s classic song The Creeper.

My favorite song on God & Guns is That Ain’t My America. A patriotic song, with strong conservative views, Lynyrd Skynyrd doesn’t just add their two cents here… they reminded me once again, as to how proud I am to be an American. That Ain’t My America makes many points through it’s lyrics, yet it is done with respect and class… the Southern Rock way. Storm and Gifted Hands conclude God & Guns on a high inspirational note and there ain’t nothing wrong with that for me. The lyrics of these last two songs prove that positive lyrics incorporated with the Southern Rock sound of Lynyrd Skynyrd, can easily elevate me to the highest of cool moods. The guitar jamming in Gifted Hands could carry on for hours and I would still listen with gleeful, Southern Rock hungry ears. Aw, damn, I can easily listen to this new Lynyrd Skynyrd classic God & Guns for hours on end… and still want more.

Some extra info on this God & Guns CD:

Within the liner notes of this CD, is a cool concert photo of the late Billy Powell and Ean Evans, shown together. Lynyrd Skynyrd dedicated this new album to both of these gentlemen, along with their respective families. Complete lyrics to every song are in the liner notes. Also found within the liner notes, under the title of Additional Musicians, Rob Zombie and guitarist John 5 are credited. The liner notes do not express which songs they appear on. My Metal ears are astute to so many musicians and their style of play, (this time I am stumped), I cannot pinpoint where Rob Zombie and John 5 do appear… maybe someone out there knows for sure which songs they appear on and can drop the details in a reply.

Lynyrd Skynyrd "God & Guns" large album pic #2

Toy Caldwell and Andy’s Tavern – reflecting on a great night of Southern Rock

Posted in 1970's classic rock songs, 1970's southern rock music, 1970's Rock, 1980's rock albums, 1980's southern rock music, 1990's southern rock music, classic rock, classic rock music, classic southern rock, live rock music, live southern rock music, rock music, southern rock music, southern rock music legends with tags , , , , , , , , , , , , , , , , , , , on July 8, 2009 by Metal Odyssey

main-150-1For some reason or another, tonight I had the image of Toy Caldwell in my mind, playing guitar and singing his heart out with Heard It In A Love Song”“. I just could not seem to shake loose this image or song from my mind, therefore I decided to write about it here. I was very fortunate enough to see Toy Caldwell, live onstage, standing merely feet away from me. Toy Caldwell was touring at the time as a solo act… it did not matter, for Toy Caldwell was The Marshall Tucker Band, in my opinion. The year was 1993, the venue was Andy’s Tavern, Toy Caldwell was jamming out song after song, just months, (if that), before his untimely passing away. Toy Caldwell was vintage that evening, his voice and guitar playing at that moment were bigger than life. I remember staring up at this large man, thinking to myself, this guy is a Southern Rock Legend and he is here… at Andy’s Tavern in good old Terryville, Connecticut.

Man, what a great time everyone had at this show, all of us sandwiched together, with beer soaked work boots and the smell of all things foul in the air. That is what made Andy’s Tavern so darn cool, it was a place where you could catch a famous national/world renowned band in an intimate, blue collar setting, without a sliver of anything upscale. This was a place where you checked in your troubles at the door, walked in, drank beer and had a good time. That’s it. For Toy Caldwell to travel to Terryville, Connecticut and jam out for an evening with a bunch of local fans at such a small venue like Andy’s Tavern, well, that sums up what type of person he was. Forget about stardom getting to Toy Caldwell’s head, he had Southern Rock in his soul to share with everyone that evening. Toy Caldwell is that vocalist, that guitarist and song writer, that you talk about and say… they just don’t make them like that anymore.

What made that evening extra special was the fact, (based on my recollection and interpretation), that Toy Caldwell gave off every hint that he wanted to be there that night and was enjoying himself as much as the fans were. Toy Caldwell’s voice and guitar exemplified just how comfortable he was with all of us at Andy’s Tavern that night. As I look back on it now, Toy was truly in his own backyard at Andy’s Tavern. My wife to be was with me that evening, I had won tickets to this show from a local radio station. We both look back on that great night of Southern Rock, courtesy of Toy Caldwell and his band, our memories only grow more fonder.

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