Archive for the 1990's hard rock music Category

RUSH – “WORKING MEN” ROCKS LIVE WITH VINTAGE CUTS

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock vocalists, 1970's classic rock music, 1970's hard rock, 1970's progressive rock bands, 1970's Rock, 1970's rock bands, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1980's hard rock songs, 1980's progressive rock bands, 1990's hard rock music, 1990's rock music, 1990's hard rock bands, 1990's progressive rock bands, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, current rock bands, hard rock bands, hard rock music, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, Music, progressive hard rock albums, progressive hard rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 26, 2010 by Metal Odyssey

RUSH is a band that lures me into their progressive Hard Rock world, like an insect flying into a backyard bug lamp. The main difference between me and an insect, (besides my being a human being), is that once I get zapped by the electrifying sound of Rush, I don’t turn crispy and bite the dust. Rush could very well release an album every year and I would buy it. This ultra iconic band’s albums brings back memories and makes new memories for me, on a consistent basis. Metal truth be told, the older I get, the more I have taken a stronger liking to the music of Rush. (I cannot figure this out, therefore, I won’t try to). Rush has released a total of nine live albums over their brilliant career, (counting Working Men), with All The World’s A Stage from 1976 starting this chain. Working Men will never go down as being the greatest live Rush album ever… yet it will not be considered sub standard either. This legendary band can’t compete with themselves, each live album they release, is a signature of where they are as elite musicians. What Rush does best, is give their fans consistency over the decades, while not sacrificing integrity in their musical product. Working Men exemplifies this integrity, with songs that are the most popular from their extensive album catalog.

Geddy Lee, (lead vocals, bass guitar & keyboards), Alex Lifeson, (guitar & vocals) and Neil Peart on drums, possess the uncanny abilities to keep their songs relevant and vibrant. It’s refreshing reality to know that Rush continues onward, entering their fourth decade of creating Progressive Hard Rock, in which they laboriously and consistently helped catapult into a beyond legitimate genre.

All 12 songs are taken from previously released live DVD’s, with the exception of One Little Victory, which is stated as previously unreleased. I come to the conclusion, that this “particular” live version of One Little Victory has never been released, it has appeared on Rush In Rio Live. The studio version of One Little Victory is the opening track for the 2002 Rush album – Vapor Trails. (A tad confusing as to the exactness of the previously unreleased meaning).

Working Men does meld the classics of Rush past, embarking on decades of gems… this live album opens with Limelight, (1981’s Moving Pictures) and Far Cry, (2007’s Snakes & Arrows), is track number six. Having Far Cry in the mix, is a standing true reminder, that Rush is ever the creative trio in recent years. The Snakes & Arrows studio album is an exemplary offering of modern day, Rush Progressive Hard Rock. To acknowledge such a recent Rush song like Far Cry, amidst this vintage lineup of live tracks, was the right move. How can any fan of Rush or such songs as Limelight, Tom Sawyer, Freewill, Working Man or Closer To The Heart resist such a classic compilation of live and Progressive Hard Rock excellence? I can’t resist, no matter how many live go rounds Rush gives these songs.

* The live DVD’s from which these Rush songs were taken from, to compile Working Men: Rush In Rio (2003), R30 (2005) and Snakes & Arrows Live (2008).

The Spirit of Radio, 2112, Dreamline, Subdivisions, and YYZ are the remaining tracks heard on Working Men.

Rush – Working Men was released on November 17, 2009, on Anthem/Atlantic Records.

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THE WHO – “GREATEST HITS” IS MY ANNIVERSARY GIFT!

Posted in 1960's classic rock music, 1960's classic rock bands, 1960's rock & roll british invasion, 1960's rock music, 1970's classic rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock bands, 1970's rock music, 1980's classic rock bands, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock bands, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock bands, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, current rock bands, family, feel good stories, hard rock bands, hard rock music, life, life stories, living, metal odyssey, Music, real life experiences, Rock, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock music history with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2010 by Metal Odyssey

My wife and I will celebrate our 15 year Wedding Anniversary on February 11th. Wow, how time has flown by! Tonight, while strolling about at K-Mart, my wife informed me my anniversary gift from her is The Who – Greatest Hits. (Not too shabby, in my Metal opinion). Heck, I’m the guy, I never expect an anniversary gift to begin with… I always make sure my wife gets a gift for certain, still, this feels like a bonus to me!

What’s very exciting about getting this CD from my wife is the pure fact: I have never owned The Who on CD my entire life!! You read that correctly… never did I upgrade The Who to CD, after all these years. Go figure. Of course, I have owned some, (not all), of The Who titles on vinyl and cassette… still have them floating around somewhere. It’s an invigorating feeling to have this Greatest Hits by The Who now… 19 songs and all! What sweetens the deal about this CD is that it was on sale for $9.99! Yes, maybe I have given off hints now and again that I am frugal… it’s from growing up in New England for most of my life… in extremely expensive Connecticut. Believe me, if you live or ever lived in Connecticut, you know what I mean. Living there, man, you have to know how to cut corners and clip coupons… or go broke trying.

Back to The Who… my wife and I, along with my best Metal buddy Scott Coverdale, saw The Who back in the mid ’90’s… seeing them was a thrill beyond belief for me. Drivin N Cryin was the opening band too. I’m thankful I was able to witness John Entwistle live, on bass as well. This legendary show was at the Meadows Music Theater in Hartford, Connecticut.

The Who is a band that I can never, ever, grow tired of. Honestly, The Who just strikes that certain chord within my psyche… and I’m not concerned about figuring it out either. Seeing Roger Daltrey and Pete Townshend Rockin’ out during the Super Bowl XLIV half-time special… was something special. I could only hope and pray, that I am in that kind of shape when I hit that age! Sure, Roger Daltrey may not sound like he did in 1980… yet c’mon… he belted it out for the world to know that The Who is still around and damn proud! Pete Townshend also reminded us all, that he too… can still kick some Rock and Roll ass.

My favorite song ever, from The Who, is: Eminence Front. I’m not going to attempt any explanation here, other than this is THE song. You know how it is… there’s always that one particular song from a band that resonates with your mind and soul… Eminence Front is just that song by The Who. I’m thankful for my beautiful wife of 15 years and counting… nothing beats the memories, life experiences and love we have both shared with each other. (We actually have been together since 1988, married in 1995). I’m also thankful I have the memory of seeing The Who, live, with my wife and best friend. Money can’t buy love and memories… but $9.99 can buy me the coolest wedding anniversary gift – The Who, Greatest Hits.

The Who – Greatest Hits was released on December 21, 2009.

LONG LIVE THE WHO!

Reflecting on the good memories of life and staying positive and true to yourself… is what it’s all about. Music is the stimulus of good life memories for me… the Rock Music of The Who is no exception.

ARCADE – REVISITING STEPHEN PEARCY’S “OTHER BAND” AND 1993 DEBUT ALBUM

Posted in 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's heavy metal guitarists, 1990's hair metal bands, 1990's hard rock albums, Album Review, collecting metal music, cool album covers, glam metal, glam metal music, Hair Metal, hair metal albums, hair metal bands, hair metal music, hard rock music, hard to find heavy metal albums, hard to find rock cd's, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1993, heavy metal bands, heavy metal history, heavy metal music 1993, metal odyssey, Music, old school heavy metal, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 18, 2010 by Metal Odyssey

In recent days, the 1993 debut and self titled album from Arcade found it’s way into my ears. (Thank you Best Metal Buddy Scott). Epic Records released this Arcade debut. You all should be quite familiar with Arcade’s front man Stephen Pearcy… lead singer for RATT and very much a prominent, memorable and flamboyant Hair Metal figure from the 1980’s. Fred Coury, the drummer for still another iconic 1980’s Hair Metal juggernaut – Cinderella, found that one of his Heavy Metal path’s led to Arcade as well. Hair Metal and Glam Metal aside, Arcade was just damn good Heavy Metal – period. In my Metal opinion, if Arcade was to have been assembled around 1985, (instead of the gray lined early ’90’s), they would have had their likenesses adorning highway billboards – all over North America. O.k., that might be of a Metal stretch, nonetheless, Arcade would easily have been bigger and more widely received during an earlier era. Revisiting Heavy Metal Bands from the past that are no longer together, makes for the credibility of just where Heavy Metal is today… these are the bands and musicians that kept the Metal flame burning during a ’90’s decade of Heavy Metal uncertainty. I was never uncertain about my beloved Heavy Metal during the ’90’s… and by the sounds of it, neither was Stephen Pearcy and Arcade.

What this debut album from Arcade shows me, is that Stephen Pearcy acknowledged within himself, that he had all the Metal ingredients and creativity to be a star outside of RATT. And certainly, I would hope the majority of us Metalheads know that RATT was no fluke, their heavy legacy still reigns to this very day. For Stephen Pearcy to be the lead vocalist for two bands of this quality and caliber is not an everyday accomplishment. Essentially, the same can be Metal said for Fred Coury respecively, on drums. Guitarists Donny Syracuse and Frankie Wilsex add credence to Arcade’s own Heavy Metal identity. The only reminder of RATT within the sound of Arcade is Stephen Pearcy’s vocals and he CANNOT be faulted for that.

It sounds very clear to me, that Stephen Pearcy and his Heavy Metal posse called Arcade, knew all along, just how to create and write a ballad. Cry No More, Mother Blues and So Good… So Bad… are extremely tolerable ballads to listen to. I can actually listen to these three ballads repeatedly! (Now, listening to any ballad repeatedly is a rarity in my Metal world). Arcade actually found that semi sappy to sappy lyrics don’t need to be coupled with excessively sappy music, that brings you to the brink of an emotional meltdown. I will admit, Cry No More has an acoustic guitar intro that carries on a very reminiscent tone and mood from Cinderella’s classic Power Ballad – Nobody’s Fool. Mother Blues is an unplugged/acoustic listen in Rock goodness, it really is. Sons And Daughters is the lone instrumental on Arcade. An acoustic instrumental that lends itself as the perfect segue to Mother Blues.

Arcade is one of those albums where it is obviously nonsensical to breakdown each song as a review. Those who have listened and liked this album may understand my point. Outside of the three ballads and one instrumental previously mentioned, the other eight songs are undisputed Rockers. If you are looking to revisit these songs or give them a first time listen, understand that the hard and heavy from Arcade doesn’t give me a moments break… and I like that! I try to steer away from pinpointing what exact genre Arcade belongs to… at the end of the Metal day does it really matter? Arcade is Hard Rock colliding with Heavy Metal, whatever one’s interpretation that differs from mine is a matter of personal Metal labeling.

From the onset, Dancin’ With The Angels is fair warning that Stephen Pearcy and Arcade are NOT about re-treading RATT. Messed Up World is my favorite song from Arcade. The lyrics of Messed Up World could not resonate any more loud and true for me. Relevance? This song is exploding at the Metal seams with it. Messed Up World could have easily been written for today’s nightly news features.

Arcade… they came, they saw, they Metal conquered.

ARCADE, as they appeared on their 1993 debut album:

Stephen Pearcy – lead vocalist

Donny Syracuse – guitarist

Frankie Wilsex – guitarist

Michael Andrews – bass guitarist

Fred Coury – drummer

The Track Listing For Arcade:

Dancin’ With The Angels

Nothin’ To Lose

Calm Before The Storm

Cry No More

Screamin’ S.O.S.

Never Goin’ Home

Messed Up World – *(Metal Odyssey Note: My favorite song, man, it’s a good one)

All Shook Up

So Good… So Bad…

Livin’ Dangerously

Sons And Daughters

Mother Blues

* Metal Odyssey’s Metal research has found there is an additional song on the Japanese version of ArcadeReckless. No, I have never heard this song… yet.

* To the best of Metal Odyssey’s Metal knowledge, Arcade’s debut album – Arcade is out of print. Used copies are circulating for sale all around the world wide web. (I’ve seen used copies on Amazon Music).

WANNA SEE MY MOTORHEAD BOOK? IT’S REAL COOL…

Posted in 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal bands, 1980's hard rock, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1981 heavy metal music, 1990's hard rock music, 1990's heavy metal bands, 1990's metal bands, 1990's hard rock bands, 1990's heavy metal music, book reviews, classic heavy metal, classic rock, classic rock music, collecting rock music, current heavy metal bands, family, feel good stories, Hard Rock, hard rock music, Heavy Metal, heavy metal bands, heavy metal book reviews, heavy metal history, heavy metal memorabilia, heavy metal music, life, life stories, metal music, metal odyssey, Music, old school heavy metal, rock & roll, rock and roll, rock music, rock music books with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 12, 2010 by Metal Odyssey

The year was 1987 and I was yes, a Motorhead fan. (I still am a Motorhead fan, of course). As Christmas approached in 1987, my late mother had asked me what I would want for (potential) gifts. Well, most certainly they were Heavy Metal related gifts… vinyl albums, CD’s, posters and one very special book in particular. I was raised where you never received every gift on your list… so the bigger the list did not mean the more the gifts. So, with that thought in mind, I really crossed my fingers and hoped that this really cool book would be checked off of the request list that I gave to my mother. That really cool book was titled… MOTORHEAD. Oh yeah, Motorhead. Just the cover alone had me grinning from ear to ear, with Lemmy Kilmister, Philthy Animal Taylor and Fast Eddie Clarke in all of their Rock n’ Roll and goofy splendor. (See the really cool front cover pic of this book below, to see what I mean by that statement). To make a long Metal story short… my mother did buy me that Motorhead book for Christmas after all! I will never forget the smile on her face, as she saw the excitement in mine, upon my first opening that book up on Christmas day in ’87. The sentimental link this book has to my late mother, plus it being a book that’s just about Motorhead… well, it’s priceless to me, both the memory and this book combined.

This dandy Motorhead book was published by Babylon Books in 1981. (Whoa, I used the word… dandy, on Metal Odyssey). One odd thing about this book is that the pages are not numbered. I did count the pages myself, it was pretty easy to do too, yup, there are 64 pages total, (not counting the front and back covers). Throughout this Motorhead book, there are dozens of vintage black & white photos of Lemmy, Eddie and Phil, as well as oddball photos ranging from groupies to fanzine photos and illustrations. The Metal note to remember here is that this book documents Motorhead up until 1981, it is so easy to thumb through these pages expecting to see Brian Robertson, Wurzel, Phil Campbell or Mikkey Dee. This is as vintage as it gets with Motorhead history!

From Lemmy Kilmister’s very beginnings in Rock Music with The Sam Gopal Dream and later Hawkwind, this book lends itself to being a Motorhead 101 mini text book. A well documented history on just how Motorhead came together, through anecdotes and personal accounts makes for a fun and Metal educational read every time. A historical timeline of radio interviews and television appearances up to 1981 are also documented. What would this book be without a Motorhead discography? Albums, singles and bootlegs are covered! Biographies of Lemmy, Eddie and Phil are also included. Want to know the complete 1981 United States tour schedule that Motorhead had? The 1981 tour schedule is nailed down too! I could probably, with incredible Metal ease, blab away for paragraphs on end about the details found in this Motorhead book… unfortunately, I just can’t do that. Take my Metal word for it though… if you are a fan of Motorhead or of any Rock genre at all, this book is worth seeking and owning, both for it’s Rock History and nostalgia.

MOTORHEAD – Front Cover

Please excuse the quality of the photos here, sometimes Metal is Old School and these photos exemplify that. Actually, the ambiance that these photos represent, is just how this Motorhead book feels to hold and read. As a quick closing to the earlier story, about my receiving this great Motorhead book as a Christmas gift from my late mother back in ’87: Whenever my buddies, relatives or just about anyone that would come over to our house back in the late ’80’s, they would usually be confronted by my asking them… wanna see my Motorhead book? It’s real cool…

MOTORHEAD – Back Cover

I truly thank my unreal, great mom for this fabulous Motorhead book. It has served me right.

HAPPY METAL BIRTHDAY ANTHONY KIEDIS! PLUS “ONE HOT MINUTE” REVISITED

Posted in 1980's classic rock bands, 1980's rock music, 1980's rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's college music, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, Album Review, alternative rock bands, alternative rock music, alternative rock music albums, classic rock music, essential classic rock albums, essential classic rock songs, essential hard rock albums, essential rock albums, hard rock music, hard rock vocalists, metal odyssey, Music, rock & roll, rock album review, rock and roll, rock celebrity birthdays, rock guitarists, rock music, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2009 by Metal Odyssey

Red Hot Chili Peppers logoMetal Odyssey extends a loud Happy Metal Birthday to Anthony Kiedis! Anthony was born on November 1, 1962 and he turns 47 today. Anthony co-founded and is the lead singer for The Red Hot Chili Peppers. My favorite Red Hot Chili Peppers album is one hot minute, (released on September 12, 1995 on Warner Bros). My three favorite songs from one hot minute are Warped, Aeroplane and My Friends. It is surprising to even me, that I really like the song My Friends such a great deal, due to it being a mid paced Rock ballad. Still, this song seemed to capture my attention back upon it’s release, it still does when I listen to it. The presence of Dave Navarro on guitar makes one hot minute a more heavier sounding version of The Red Hot Chili Peppers, in my Metal opinion. This is an album that I have to honestly say, bridged the gap between Grunge gradually losing it’s stranglehold on popularity and Heavy Metal making a comeback in the public eye. (That is my Metal opinion, I cannot help myself).

One hot minute made total sense to me upon it’s release back in 1995, it still does. The songs carry out a continuous Rock vibe while not adhering to one specific trend of the day. A very polished album, (produced by Rick Rubin), one hot minute is exemplary of what the mainstream was embracing as acceptable heavy, whenever it came anywhere near Hard Rock or (gasp), Heavy Metal. With a toned down Metallica on the loose in the mid 1990’s, The Red Hot Chili Peppers were not toning it down with one hot minute… based on their style of Rock. Their sixth studio album and a multi-platinum seller, one hot minute obviously had some hot chart success. (With that said, I have never been one to judge an album based on chart positions). I have always appreciated this band, what is there not to like about the musicianship of Flea on bass and Chad Smith on drums as well? A Rock rhythm section solidified.

Getting back to Anthony Kiedis… I have and always will be greatly entertained by his vocals. Anthony also has written some clever lyrics that many times touched on his own inner battles with addictions. The diverse style of Anthony’s vocals make him a Rock singer that is without question, truly one of a kind. From Funk to Heavy Metal and everything in-between, The Red Hot Chili Peppers have touched on it all, with Anthony Kiedis cementing his dynamic vocal stamp on each song in their extensive catalog. From my perception, listening to Anthony Kiedis sing using so many styles, leads me to believe he has an admirable respect for all genres of music. The alternative and artistic overlays of The Red Hot Chili Peppers brand of Rock cannot be discounted… neither can the vocals of Anthony Kiedis ever be denied.

The Red Hot Chili Peppers "one hot minute" large album pic

MEAT LOAF – Appears In Commercial Endorsing A-1 Steak Sauce!

Posted in 1970's classic rock bands, 1970's classic rock vocalists, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock vocalists, 1980's rock music, 1980's classic rock music, 1980's hard rock bands, 1990's classic rock albums, 1990's classic rock music, 1990's classic rock vocalists, 1990's hard rock music, 1990's rock bands, 1990's rock music, 1990's hard rock albums, 1990's hard rock bands, classic hard rock bands, classic hard rock music, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, classic rock vocalists, cool album covers, essential classic rock songs, food commercials, hard rock music, metal odyssey, Music, old school hard rock, rock & roll, rock and roll, rock and roll commercials, rock and roll news, rock music, rock music in commercials, rock music on television, rock music vocals, rock vocalists with tags , , , , , , , , , , , , , , , , , , , , , , on October 30, 2009 by Metal Odyssey

MetalOdysseyMeat Loaf, Rock Music legend. Meat Loaf, lead vocalist on Ted Nugent’s 1976 Free For All album. Meat Loaf, a guest investigator on Ghost Hunters. Meat Loaf playing the role of Eddie in the cult film classic – The Rocky Horror Picture Show. Oh, heck, I could make quite the list of Meat Loaf career achievements here. I have not even touched on awards, records sold or concert receipts. Meat Loaf has been a lifetime favorite Rock/Hard Rock vocalist for me. I get all happy to see Meat Loaf in the limelight, no matter what the platform may be. I have said it before, Meat Loaf just seems like a down to earth guy that has continuously risen above the star status of plasticity.

I have never been a fan of using vintage Rock songs for commercial purposes. Attaching a legendary song of any Rock or Metal Music genre, to a product for the sole purpose of marketing and selling such product, just takes away from the original Rock spirit of the song. That is my Metal opinion. Step in A-1 Steak Sauce, um, please. You see, I witnessed the other night, while watching whatever on television… Meat Loaf in an A-1 Steak Sauce commercial. Yes I did. Meat Loaf… steak sauce. (I think this commercial appeared during the Yankees vs. Angels game 6 playoff game on Fox). All I know is this commercial came on late, therefore my Metal memory has a few cobwebs. Meat Loaf looked fine, just as he looked on a recent episode of Ghost Hunters. In this A-1 Steak Sauce commercial, he actually looked like a dude you would approach at a family or company picnic… asking him where the cold beer is hidden.

The classic Meat Loaf song – I’d Do Anything For Love (But I Won’t Do That), is heard during this A-1 Steak Sauce commercial. Plus, Meat Loaf is shown singing along to this song, apparently showing his affection towards A-1 Steak Sauce. Meat Loaf is also shown wearing a bath robe and bunny slippers too. Yup. Hey, I’m all for a free enterprise, this is America. I also believe in the semi-fabulous words of wisdom… live and let live. Metal be damned though, I will forever now attach this great Meat Loaf song to a stinking bottle of steak sauce. The marriage of commercial products and my favorite Rock songs have an imbedding power within my Metal mind, this has always been the case my entire life. Once the attachment of a Rock song and it’s commercially related product occurs… that’s it. I cannot shake the connection loose once I hear such song(s) again.

There are many positives to be explored with this Meat Loaf meets A-1 Steak Sauce commercial just the same. Three quick positives come to my Metal mind: One – Meat Loaf is in the public eye, where he rightfully should be. Two – Meat Loaf is working and getting paid. Three – I will now and forever link and associate the A-1 Steak Sauce bottle that sits atop many restaurant tables, to a Rock Music icon whose voice has entertained and inspired me for decades. Reaching for that bottle of A-1 Steak Sauce will never be the same for me again. Long live Meat Loaf.

* I’d Do Anything For Love (But I Won’t Do That) appears on the 1993 Meat Loaf album – Bat Out of Hell ll: Back Into Hell. This fantastic song was written by Jim Steinman.

Meat Loaf "Bat Out Of Hell ll" large album pic

TONY IOMMI & GLENN HUGHES – 1996 DEP SESSIONS ALBUM- OLD SCHOOL HEAVY METAL

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's heavy metal, 1970's heavy metal music, 1970's Rock, 1970's rock music, 1980's classic rock bands, 1980's classic rock guitarists, 1980's heavy metal albums, 1980's classic rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal music, 1986 heavy metal albums, 1986 heavy metal music, 1990's classic rock albums, 1990's classic rock music, 1990's hard rock music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's rock music, 1990's hard rock bands, 1990's heavy metal music, Album Review, Black Sabbath, century media records, classic hard rock, classic hard rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock vocalists, collecting classic rock, collecting heavy metal albums, collecting music, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, hard rock music, hard rock songs, hard rock vocalists, hard to find rock albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal vocalists, Metal, metal odyssey, Music, old school hard rock, old school heavy metal, rock & roll, rock and roll, rock and roll hall of fame inductees, rock music, rock vocalists, tony iommi heavy metal guitarist, vintage hard rock bands, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2009 by Metal Odyssey

HUGHES large album picI found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer studio albums from 1974. Glenn Hughes is also on the Deep Purple studio album – Come Taste the Band from 1975, as well as several Deep Purple live albums, the most notable being Deep Purple – Made In Europe, from 1976. Glenn Hughes was a member of Black Sabbath, (hey, it is an official Black Sabbath album – Black Sabbath Featuring Tony Iommi – Seventh Star). This studio album, Seventh Star, was released back in January of 1986 and Glenn Hughes was the lead vocalist only… Dave Spitz played bass on Seventh Star. This background information on Glenn Hughes is to help anyone who may be unfamiliar with his musicianship and/or career. Trust me, it would be a very long post to acknowledge everything Glenn Hughes has done during his illustrious music career dating back to 1968.

I have always revered the vocals of Glenn Hughes, not to mention his bass guitar exploits. When I listen to Glenn Hughes sing, it is the real deal for me… real Hard Rock vocals, real Heavy Metal vocals and yes, even soulful vocals on some of his solo work as well. Tony Iommi in my Metal opinion, is… if not the founding father of Heavy Metal guitar, then one of the very first. The combination of Glenn Hughes on vocals and Tony Iommi on guitar worked just fine for me on the Black Sabbath album, Seventh Star. Certainly, it was not the most famous music achievement for either Tony Iommi or Glenn Hughes, still it remains a standout album for me due to it’s Old School – Heavy Metal resonance and quality of songs.

This 1996 DEP Sessions album seems to rekindle that Old School Heavy Metal and Old School Hard Rock sound from the late 1970’s into the ’80’s. Do not expect a layered and very heavy album here, you will not be listening to Heaven and Hell or Sabbath Bloody Sabbath. Even the Heavy Metal fog storm of Seventh Star is not revisited here by Iommi and Hughes. What I hear, is an appropriate blend of Rock, Hard Rock and Heavy Metal vocals from Glenn Hughes, to correspond with the diverse guitar brilliance of Tony Iommi. The riffs are plentiful, extremely distinguishable that this is Tony Iommi – the Old School, Heavy Metal riff king himself. Iommi does not shy away from writing and playing tremendously melodic leads as well, in a Metal nutshell… Tony Iommi’s guitar is the dominant musical force on this 1996 DEP Sessions album, (of course). Unlike the Black Sabbath albums with Geezer Butler on bass and Bill Ward on drums, the rhythm section on this album honestly does take a back seat… albeit intentional during production or it just may be my aging Metal ears.

My three favorite songs on this 1996 DEP Sessions album are: Gone – which plays out as the heaviest song, the opening riff is vintage Tony Iommi. I‘m Not The Same Man – has reality check lyrics and is driven with melodic hardness at every nook and cranny. Fine – is a Hard Rock ballad that just grabs my attention on a personal level, plus Tony Iommi and Glenn Hughes really deliver a genuine song here. All eight songs are memorable and good quality, both musically and lyrically. I won’t yell out loud that this album is unreal great and the best stuff these two Heavy Music legends have ever done. I will attest that this album has been a damn cool listening experience for me though. 1996 DEP Sessions is definitely worth picking up if you are a fan of Old School Heavy Metal and/or Hard Rock, Deep Purple and Black Sabbath. Glenn Hughes and Tony Iommi fans have to own this album of course, the value is in the overall musicianship and diversity in songs. I will be playing this album regularly in the future, the combination of Glenn Hughes and Tony Iommi is just too cool to ignore.

Track Listing For: IOMMI with Glenn Hughes the 1996 Dep Sessions:

Gone

From Another World

Don’t You Tell Me

Don’t Drag The River

Fine

Time Is The Healer

I’m Not The Same Man

It Falls Through Me

* the 1996 Dep Sessions IOMMI with Glenn Hughes was released on September 28, 2004, on Sanctuary and Mayan Records.

HUGHES large album pic

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