Archive for 1990’s heavy metal music

WHITE ZOMBIE “Make Them Die Slowly” – Reflecting On A 1989 CD I Can’t Part With

Posted in alternative metal music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal music, metal odyssey, Music, rock and roll, rock music, rock music news with tags , , , , , , , , , , , , , , , on October 3, 2010 by Metal Odyssey

WHITE ZOMBIE – Released back in good ‘ol 1989, Make Them Die Slowly was the second full-length album from White Zombie, (the first full-length being Soul Crusher, released in 1987). The late ’80’s was an ultra-terrific time for Heavy Metal, only the “wave of glory” of commercial acceptance and attention was starting to drift swiftly towards the Grunge movement, by 1990. White Zombie came upon the scene in ’87 with their brand of Noise Rock, eventually indulging into various music styles, while still keeping the heaviness intact. Industrial, Groove, Funk and Heavy Metal were Metal styles that White Zombie incorporated together all so well. Many articles and Rock historians also refer White Zombie to the Post-Thrash genre as well.

I can openly admit, that this Make Them Die Slowly CD has been in my possession since it’s 1989 release and I cannot part with it. The first reason for this is I really, really, dig this White Zombie album and band. Even in it’s unpolished grandeur, this is White Zombie breaking down some serious status quo. This band was where it all began for Rob Zombie! The second reason is, it is out of print. My original 1989 CD version of Make Them Die Slowly is selling for $169.88 (U.S. funds) as a “used” copy on Amazon.com… and there is currently only “one” for sale there! Whoa, baby, whoa.

There is a 1993 reissue version of Make Them Die Slowly for sale on Amazon.com, selling for $99.99 as “new” and $16.99 as “used”, all in U.S. funds. That is a dramatic drop in the selling price, when comparing the “used” version from 1989 to that of the 1993 reissue. In all Metal honesty, I was not aware of the “actual” value of my CD discussed here, not until today. I always knew it was an original pressing from 1989 and the value would be a bit high… only this is far out amazing to me! In hindsight, I wish I had purchased a dozen copies or more of Make Them Die Slowly back in ’89!

My cousin Randy is to blame for my buying this White Zombie CD back in ’89. He used to manage a combination collectibles and record store that was very, very cool. I would go there just about every day for a number of years, from the mid ’80’s right up to the mid ’90’s. I would cash my paycheck at this store… leaving with enough money to buy beer and gas. The rest of my hard earned loot would go into buying CD’s, tapes, vinyl, sports cards and comics. Those were the days… I know. I no longer buy sports cards or comics, just in case you were wondering.

Randy would always have his finger on “the pulse” of Rock ‘N’ Roll and Heavy Metal. If there was a new and cool band to check out… Randy knew about ’em. There was that one visit to his store, where he had Make Them Die Slowly on display… and Randy wasn’t talking me out of buying it. Thanks Randy! Man, this cool cousin of mine had landed me some fine picture discs of Metallica, Iron Maiden and Motorhead too. Many bands he steered into the direction of my ears… Fight is one that stands out, back in ’93. When Rob Halford left Judas Priest, whoa… that was a big deal back then. Randy is still alive and doing just fine… just in case you are wondering.

When I first listened to Make Them Die Slowly, I realized rather quickly that White Zombie was not the stereotypical ’80’s Arena Rock or Heavy Metal Band. Rather, White Zombie was a band totally different from what I was used to hearing… this band wasn’t Thrash, Traditional Metal, NWOBHM or straight up Hard Rock. This White Zombie band caught me off guard and I initially liked what I was listening to. Sure, this band was “different”, only they were not lean on the heavy side of the Metal aisle and the vocals of Rob Zombie sounded too fiendishly bizarre for me to pass over.

Back in ’89, I felt like I stumbled on some “underground” band that not many people knew about. I never gave it a second thought, as to White Zombie becoming anything special anyhow. Listening to what I liked was the main priority then, as it is now. This White Zombie album was never going to be exalted as a masterpiece, no way. The production across the board is raw and steely on Make Them Die Slowly, arguably an album of demos… not anywhere near the overall sound and production that their 1992 studio album La Sexorcisto: Devil Music, Vol. 1 would radiate. (That album is a multi-million unit seller and still makes my prehistoric stereo speakers smoke).

In the midst of all the styles of Heavy Music that White Zombie seemed to tap into, there is always that “sliver” of Punk that I seem to catch onto with their music. Acid Flesh may have it’s non-stop groove and sparse funkiness about it, still it walks a fine line with the Punk flirtation. The same can be said for Power Hungry, only the guitar licks are crunchy enough to make any Punk comparison an extremely mild one. “Demonspeed” carries such a raw atmosphere of sound, it isn’t far fetched to think it’s a live recording during the first half minute it plays. If there is one constant to be heard on this album, it’s that this White Zombie band played with a fiery enthusiasm that my ears cannot dismiss away. “Demonspeed” is one Heavy mutha’ of a song and is my favorite on this album.

Revenge is fueled with enough kick ass, thunder-stomp Metal that it is dizzying. The repeated riff that gives Revenge it’s Metal bite, is extremely close to that of Tony Iommi’s signature riff from Zero The Hero, heard on the 1983 Black Sabbath album – Born Again. Godslayer plays at 7:14 long and is the “epic” on this album. Rob Zombie’s vocals on Godslayer gives way to the notion that maybe he was a fan of Glenn Danzig. I never picked up on the vocal similarities between Rob Zombie and Glenn Danzig, while listening to Godslayer so many years ago. This is the only song where I feel any vocal similarities between these two Metal heavyweights exists. I’m certain though, that it is all coincidental anyways. Maybe.

The overall Heavy Groove and styles that Make Them Die Slowly breathes was another solid building block towards the Metal that Rob Zombie was to eventually release as a solo superstar. Truthfully, listening to this White Zombie album is like listening to the Rob Zombie blueprint and dancing skeletons to his future. To usher in the ’90’s with a band as heavily diverse as White Zombie, probably means more to me now than it did then. I never cared to figure out really, the “fad” sound of any decade. White Zombie was no fad… this was as legit of a Heavy Band as any genre could grasp.

As I look back on the doorstep to the ’90’s, White Zombie was the band that snuck in through the front door and made themselves very comfortable in the hearts, minds and ears of more than just this Metalhead. This is “one of those” Metal albums that I appreciate more in 2010 than I probably did back in ’89. Maybe my growing appreciation lies in the fact, that White Zombie made me realize that it was cool to diversify the Metal menu, having me look upon them now, over two decades later, as Metal innovators.

WHITE ZOMBIE as they appeared on Make Them Die Slowly:

* Note: In doing my Metal research, I have read that John Ricci did not play guitar on Make Them Die Slowly. However, John Ricci is in the group photo found in the liner notes of this CD, with his name appearing below him. I have come across, through Metal research, that John Ricci left White Zombie the day Make Them Die Slowly was completed… due to having Carpal Tunnel Syndrome. I am going with that he played guitar on this album… unless a credible source “close” to the recording of this album can tell me otherwise.

Rob Zombie – vocals

John Ricci – guitar

Ivan DePrume – drums

Sean Yseult – bass guitar

Track Listing For Make Them Die Slowly:

DEMONSPEED

DISASTER BLASTER

MURDERWORLD

REVENGE

ACID FLESH

POWER HUNGRY

GODSLAYER

* More Metal research about Make Them Die Slowly, revealed the following: that “some” CD’s were released with the printing on the liner notes “spine” being incorrect. The “incorrect” spelling or error is: Let Them Die Slowly appears on the spine. “Let” and not “Make” is the error. My CD version has this error on the liner notes spine… take a look at the pic below to see for yourself:

As you can also see from the above pic, Rob Zombie is one damn cool illustrator!

* Make Them Die Slowly was produced by Bill Laswell

* Make Them Die Slowly was originally released in 1989, on Caroline.

* As stated in the liner notes: All Lyrics – Rob Zombie, All Music – White Zombie and All Illustrations – Rob Zombie.

* The liner notes show “one” Special Thanks, it goes to… Rock & Punk Legend… Iggy Pop.

Here is the White Zombie band photo that is in the liner notes.

From left to right: Ivan DePrume, John Ricci, Sean Yseult and Rob Zombie.

Here is an illustration that is in the liner notes, drawn by Rob Zombie:

The above illustration has the words: “Bite Down Sucker” in top right corner. “Hell” is spelled out on the fist of the monster dude.

LONG LIVE THE ROCK ‘N’ ROLL OF WHITE ZOMBIE!

Stone.

ALICE COOPER “LIVE AT TORONTO” – INDIE LABEL CD FOR DIEHARD FANS ONLY

Posted in classic rock, classic rock albums, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock 'n' roll, rock music with tags , , , , , , , , , , , , , , , , , , on June 3, 2010 by Metal Odyssey

Here is an offbeat Alice Cooper CD I found while moseying around a flea market in Quakertown, Pennsylvania recently – Live At Toronto. The exact year this Toronto concert was recorded is a Metal mystery to me, the info just does not exist within the liner notes… for there are no liner notes with this CD! The back of this CD does show the track listing, the usual record company info and a photo credit. Classic Sound, Inc. is the record company/distributor and the front cover photo of Alice Cooper is dated – 1993. I’ve seen this same CD available at Amazon.com, with sellers listing the starting price as low as 2 cents! (Must be Ebay sellers). As you shall read further, this Alice Cooper – Live At Toronto CD is for diehard fans only… for those fans who absolutely, must have every album/CD title out there, of this ultra Rock legend.

With no real liner notes, it is not definite as to who the musicians are backing up Alice Cooper. I would not want to make any guesses without having credible information regarding who exactly played on stage, with Alice Cooper for this recording. My Metal research has turned up nothing, in regards to this CD, other than the “basic” info that I am mentioning in this post. The overall sound quality of Live At Toronto is not going to blow anyone away… it does not impress me at all. The song selection does not contain Alice Cooper’s standout hits, nor even any standout deep album cuts from the Alice Cooper catalog. Listening to Live At Toronto gives my ears the impression that this was a concert in a smaller venue, not an Arena.

It’s really a shame, this live CD could be quite a vintage and Rock solid listen, if only some qualified sound engineer did some tweaking where necessary. There are many moments throughout, where I swear I’m listening to a 45 rpm being played as a 33 1/3 rpm… no kidding. Classic Rock should never be recorded to sound so old. I’ll say this many times though… this is NOT the great Alice Cooper’s fault. Alice Cooper cannot be held accountable for some indie label messing up with one of his concert recording’s and trying to cash in on his legendary and  Classic Rock.

There is a silent break between each song, so the continuity of the “live” concert experience is non-existent. Alice Cooper is not caught live talking it up to the crowd, nor are there any memorable moments that would make me want to recommend this CD to new fans of Alice Cooper. My best Metal advice is stick to the main titles of Alice Cooper, on the major labels. Sometimes these offbeat and indie labels that release live CD’s are not privy to quality standards in live recordings. My disappointment after listening to Live At Toronto is again, not any fault of Alice Cooper, it is obviously a failure on the part of the people behind mastering this live recording.

Track Listing For Alice Cooper – Live At Toronto:

Ain’t That Just Like A Woman

Painting A Picture

Medley: A.C. Instrumental – I’ve Written Home To Mother

Freak Out Song

Goin’ To The River

Nobody Like Me

Science Fiction

I’ll be keeping my Alice Cooper – Live At Toronto CD… and I will most likely listen to it again. My Metal admiration and liking Alice Cooper for so long, makes me one of those fans who finds it very cool, to seek out, find and keep his albums and CD’s within my collection. Even if the CD is a sub-par, indie-label, live recording. Part of being a Metalhead, is having that “gotta have it” Metal mentality… especially when an album or CD is priced dirt cheap.

LONG LIVE ALICE COOPER!

Stone.

METALMEISTER – A 1996 METAL BLADE RECORDS, COMPILATION OF UNRULY & EXTREMELY HEAVY… METAL!

Posted in black metal music, death metal music, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, heavy metal songs, metal music, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , , , , , on May 6, 2010 by Metal Odyssey

METALMEISTER – Released back on July 23, 1996, on the legendary Metal Blade Records, this compilation of fifteen songs is a molten fireball of Metal Music! Fifteen bands, all signed to the Metal Blade Records label, (as of 1996), are featured on Metalmeister. From Cannibal Corpse and GWAR to Armored Saint, Metal Blade Records never put up any boundaries when it comes to Metal Music… and they still don’t. Metalmeister may be out of print, alas, I have seen numerous new copies for sale at Amazon.com for slightly over $1 U.S.!! That’s one meager buck for a heavy swath of Metal, Metalheads!

The one track on Metalmeister that isn’t heavy at all is Fall-Dark Waters by Decoryah. It’s quite an atmospheric song, reminiscent of The Alan Parsons Project. (!) Believe me, that is my most honest Metal opinion I have of this song. Plus, as a mellow bonus, this song clocks in at 7:16 too. I am not dismissing myself from ever listening to this song ever again, it’s just that it does not “fit in” with this Metalmeister compilation at all. In case you are wondering… Decoryah was a dark/ambient Doom Metal band from Finland, releasing two albums, two EP’s and two demos from 1992 to 1997. My Metal research has found this band broke up in 1997.

Wretched by The Crisis is just that, plus it sounds like the Pop Rock Band… Hanson going all Death Metal on my brain. I really don’t know of any other songs and or albums from The Crisis, this is just my Metal opinion on the one song from them, heard straight from Metalmeister.

Thankfully, the track immediately following this Wretched song is Here In After by Immolation. (Phew), Immolation does a Metal brain good, especially after listening to a Metal? song that leaves me bewildered. The song Here In After is Immolation NOT fooling around… this Death Metal Band always delivers the heaviest of goods to my ears. Metal be thy name.

Meat Sandwich by GWAR is… vintage… GWAR. There is something about these unearthly beings that makes me listen to them, with the upmost Metal curiosity. Meat Sandwich is as entertaining lyrically as it is Metal groovy.

Meat Sandwich can be found on the RAGNAROK album, released back on October 24, 1995, on of course, Metal Blade Records. Here is what the RAGNAROK album cover looks like:

Well, I covered my least liked songs first… then Immolation and GWAR saved the Metal day… now for the really cool Metal… step in Armored Saint. Creepy Feelings is listed on Metalmeister as previously unreleased material and from a 1989 demo tape. This was 1996 when this album was released, thus Creepy Feelings was very much a previously unreleased track of the time. Fast forward to March 7, 2000, when the Armored Saint album – Revelation was released… Creepy Feelings was included on it. This song is a killer… a melodic and hard driving force is Creepy Feelings with John Bush vocally at his finest.

This is what the Revelation album looks like:

I also posted a review for Armored Saint – Revelation back on July 24, 2009. You can read it if you like, by clicking the link below:

Armored Saint – “Revelation” brings forth Heavy Metal intensity

Psychotic Companion by Galactic Cowboys exhibits flashes of Thrash, Funk Metal and Heavy Metal commercial accessibility. One damn decent band was Galactic Cowboys, a cool song to have in this Metalmeister mix of Metal candy.

Blue Suit, Brown Shirt by one of Thrash Metal’s best non-limelight bands – Sacred Reich, is as hot as a blow torch firing straight up from hell. This song lasts 2:27 and it alone is worth the $1 and change you will pay for this Metalmeister CD. Mercyful Fate appears with Into The Unkown and is always worth a half dozen repeat listens… for me. King Diamond… ’nuff said. Into The Unknown is from the 1996 Mercyful Fate album… you guessed it… Into The Unknown.

Here is what the Into The Unknown album cover looks like:

Track Listing For Metalmeister – A Metal Blade Compilation:

Mummified In Barbed Wire Cannibal Corpse

Psychotic Companion Galactic Cowboys

Blue Suit, Brown ShirtSacred Reich

Into The UnknownMercyful Fate

Meat SandwichGWAR

The Enemy Inside Six Feet Under

She Said Skrew

Scorched EarthWardog

Here In After Immolation

Wretched Crisis

Before Today, Beyond TomorrowDesultory

The CurseAncient

Kill Yourself For BusinessUnited

Fall-Dark WatersDecoryah

Creepy FeelingsArmored Saint

* I received this Metalmeister CD as part of a “Christmas present stash” from Best Metal buddy Scott Coverdale… thanks buddy! This CD has proven to be the Metal gift that keeps on giving.

* Metalmeister – A Metal Blade Compilation was produced by Brian Slagel.

LONG LIVE METAL BLADE RECORDS!

Stone.

ROB ZOMBIE – “HELLBILLY DELUXE 2” BLASTS WITH HEAVY METAL, HORROR AND DIRTY FUNKY COOL!

Posted in 1990's heavy metal music, album covers, Album Review, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2010, heavy metal bands, heavy metal bands 2010, heavy metal guitarists, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2010, heavy metal songs, heavy metal vocalists, horror metal, Metal, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2010 by Metal Odyssey

ROB ZOMBIE IS BACK. HELLBILLY DELUXE 2 was released on February 2, 2010 on Roadrunner/Loud & Proud Records. If change was in the air, Rob Zombie has not smelled it. Rob Zombie has not even nibbled on the flavor of the month either. Thank the Metal Gods for the fact Rob Zombie has not undergone any self serving and self righteous soul searching with music. What Rob Zombie has created with Hellbilly Deluxe 2 is not the pre-packaged usualness of Heavy Metal. The funky heavy origins of White Zombie will always be hanging out in Rob Zombie’s albums… and why the hell not? Rob Zombie did have a valid Heavy Metal career before his name alone lit up the Metal marquees. Horror themed lyrics, funky grooves, sensational and at times bizarre sound effects, are once again the norm with Rob Zombie. Thank the Metal Gods for that.

If Rob Zombie were to come out with an album that featured acoustic ballads and songs that promoted saving the environment, I would most likely feel like the end was near for certain. Hey, string arrangements are heard on Hellbilly Deluxe 2, (courtesy of Tyler Bates), on The Man Who Laughs. This is the one song where each band member contributed to the writing of it’s music. The string arrangements are chilling, eerie and horror soundtrack material, what else would you expect? Rob Zombie makes any musical idea that comes to his Metal mind sound very cool, once it becomes a song. The percussion and drumming skills of Tommy Clufetos, creates a nightmarish image of one running away from whatever evil entity is chasing them, in my Metal interpretation. At 9:44, The Man Who Laughs is a Rob Zombie nightmare of an epic… which is a Metal compliment.

Werewolf Women Of The S.S. is about telling the truth behind Hitler’s diabolical plans to create a race of super women. Whoa. Now, that is subject matter that I would never, ever, in a million Metal years come up with myself! This is reason #1,000 as to why no one can touch the horrific and melancholic imagination of Rob Zombie. As a bonus, John 5 plays some shades of surf guitar that makes this song all the more surreal. Burn takes it to the Funk and Roll level, the kind of song you want to jump up and down to, in a dark field under a full moon. All Metal kidding aside, Burn really makes me feel like jumping up and down. Piggy D on bass and Tommy Clufetos on drums makes Burn thunder thump, like an invading band of gargantuan aliens from space, taking over a 1970’s disco.

Sick Bubblegum is Rob Zombie and his band accentuating their trademark heaviness with all of it’s non-stop and invitingly corrosive lyrics. This is Rob Zombie Heavy Metal… thank you Mr. Zombie for creating it. You have to look to the living legend of Horror Rock and Horror Metal himself, Alice Cooper, to get an understanding as to why this style of Heavy Metal is so non-negotiable. If you like, you buy and you listen. Rob Zombie has had no problems with people liking or buying over the years… shock and awe sells.

Throw in a clear fact that Rob Zombie has assembled an incredible band behind him… John 5 makes these songs scream Heavy Metal with his creative licks. Jesus Frankenstein is as hair raising as the title suggests, the haunting intro that has more darkness than a remote underground tunnel, John 5 lending a lead that seems to signal the apocalypse and an intermittent chorus of “All hail Jesus Frankenstein”, makes for the embodiment of Horror Heavy Metal legend.

Rob Zombie and John 5 are quite the dynamic Metal duo, I can literally hear the spontaneity that these two must bring to the recording studio, in these songs. (Rob Zombie and John 5 wrote each song, with the exception of The Man Who Laughs, as I noted above). This is Rob Zombie, Hellbilly Deluxe 2, with no artificial or superficial parts or extremities. This album is an eleven part Horror Film for my ears, with Heavy Metal that realistically carries it’s own weight with creativeness that Rocks and lyrics that shocks. Rob Zombie has returned once again… and that’s a sigh of Metal relief.

Stone.

* The sub-title of Hellbilly Deluxe 2 reads: Noble Jackals, Penny Dreadfuls And The Systematic Dehumanization Of Cool

* The liner notes of this CD are unreal great, they are vintage Rob Zombie, from the art and photography to the type fonts as well. Plus, these liner notes unfold to a large poster of Rob Zombie too! Perfect for framing and mounting on your dining room wall.

Track Listing For Hellbilly Deluxe 2:

Jesus Frankenstein

Sick Bubblegum

What?

Mars Needs Women

Werewolf Baby!

Virgin Witch

Death And Destiny Inside The Dream Factory

Burn

Cease To Exist

Werewolf Women Of The SS

The Man Who Laughs

METALLICA – MY SILENT AUCTION/THRASH METAL WIN!

Posted in 1980's thrash metal bands, 1980's thrash metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's thrash metal, 1990's heavy metal bands, 1990's thrash metal bands, 1990's metal music, Heavy Metal, heavy metal bands, heavy metal history, heavy metal legends, heavy metal memorabilia, heavy metal music, heavy metal music 1993, metal music, metal odyssey, Music, old school thrash metal bands, old school thrash metal music, rock music, silent auctions, Thrash Metal, thrash metal bands, thrash metal legends, thrash metal memorabilia, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , on February 14, 2010 by Metal Odyssey

Oh how I love to stumble upon Metal memorabilia without trying. That is exactly what happened when I glanced upon this particular Metallica lot at a recent, (monthly), silent auction. How recent? It was this past January of 2010. Where was this silent auction? At an antique mall… where else? What is this Metallica lot? None other than the enormously popular – LIVE SH*T: BINGE & PURGE, which was released back in 1993. This version, (see images below), was up for bid as a sealed-in-plastic package, minus the tour equipment transport box version. This package included three sealed VHS videos, a tour program, a copy of an access pass to the Snakepit portion of the stage and a cardboard stencil of the scary guy image on the packaging. I just couldn’t resist my Metal self… therefore… I placed one solid bid on this Metallica bounty. A bid of $3 meager dollars was already put down on this Metallihistory. I grinned upon seeing the other lone and miniscule bid… $20 bucks I wrote down along with my “official” bidders number, too late to recant now… Metal game on.

Did I bid too low? Did I bid too high? The ever antagonistic, self doubting thoughts, seemed to envelope my mind like a cornerback blitz from the Philadelphia Eagles defense. I never owned this piece of Metallica Thrash Metal before… as astonishing as that may seem. Back in 1993, I was very, very, broke… and broke again. My Metal buying habits came very close to a standstill for a few years, back in the early ’90’s. Metal truth be told, I usually get outbid on these silent auctions… I tend to bid low… or so it seems. Approaching a silent auction or any auction for that matter, needs to be done with an open mind… and NOT an open checkbook!

As the days went by, I checked in on my $20 bid on this Metallica item… I was the highest bidder up until the closing yell of – “bidders, put your pens down!”. I was semi-psyched upon learning that the winner for this Metallica lot was me. Why was I semi-psyched? Heck, I always want stuff cheap… real cheap. Free is even better. Regardless, I picked up this now vintage Metallica lot from the antique mall a few days after the auctions close and was Metal smitten about it too. The tour program is worth the $20 bucks alone, in my Metal opinion. This program is chock full of incredibly cool tour photos of Metallica, with reprinted correspondence/letters that have to do with all things Metallica… it’s Metal history. Metallica history is a good thing to feed the Metal mind with.

So, after 18 years of not having LIVE SH*T: BINGE & PURGE in my Metal collection, I finally landed it through a silent auction at an antique mall. Metal be damned, if someone told me back in 1993, that I would one day, 18 years later, win this Metallica package at an antique mall’s silent auction… I would have told that person to go suck an expired egg. Rest assured, I am regularly checking out this silent auction… one of these days I will land the big Metal fish… and you will all know about it on Metal Odyssey.

Here is the copy of an access pass to the Snakepit:

Here are the 3 VHS videos that are still sealed. Don’t worry, I am going to watch them… I still own a, (gulp), VCR. The tour program is also shown at the bottom of this pic.

At the end of the Metal day, I’m pleased to have bid the $20 bucks for this Metallica booty. I still would like to get my hands on the tour equipment transport box version too someday… it has the 3 CD’s as a Metal bonus. I’m not complaining though, I feel fortunate that I have the few extra bucks to spend now, compared to my financial situation back in 1993. Plus I’m just enjoying collecting Metal and Metallica.

SCORPIONS – A METAL THANK YOU FOR THE MUSIC AND MEMORIES!

Posted in 1970's heavy metal, 1970's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1990's heavy metal bands, classic rock music, current heavy metal bands, current heavy metal music, hard rock music, heavy metal bands, heavy metal bands 2010, heavy metal birthdays, heavy metal from germany, heavy metal guitarists, heavy metal history, heavy metal legends, heavy metal music, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 26, 2010 by Metal Odyssey

SCORPIONS. Legends of Heavy Metal, Hard Rock and Rock History. Really, what can I truly say about the inevitable retirement of the Scorpions, that has not already been said today, across the world? All I can say, from my very own personal, Metal perspective, is THANK YOU. Thank you Scorpions for the albums of songs, the videos, the tours, the loyalty to the fans and for just knowing that you were THERE for me to listen to as a young teen, all the way through adulthood. With three years left to go before the official Metal curtain falls… I will make every Metal effort to say goodbye at a live show. There is still three more years of Scorpions memories to be had. Plus, with the new studio album Sting In The Tail coming out this March, there has never been a better time than 2010 to celebrate a true Champion of Heavy Metal – SCORPIONS! I actually have duck bumps going up and down my arms as I write this… it’s like I am saying thank you and goodbye to a good buddy. In the grand Metal scheme of things, yes, the Scorpions were always my buddy… one of my core Heavy Metal bands to turn to for inspiration, enjoyment and of course… partying, (when I was a young lad and could stay up all night).

A fan becomes a part of a band, whether or not that band knows it or not. The Heavy Metal community is family and it’s a day like January 25, 2010, when this realization really sets in. Just like when a favorite New York Yankee of mine retires or gets traded, it leaves that notorious lump in my throat. Well, I have that lump in my throat today… only it’s a Metal lump. To commemorate this iconic Heavy Metal Band, I have compiled a list, a Metal roll call if you will, of the musicians of the Scorpions – both past and present. I thank each and everyone of them. I also have blabbed about my Metal adoration for the Scorpions a few times on Metal Odyssey, during my short time in doing this blog gig. Please check out these three posts if you feel like it, just click on the headers below the Scorpions roll call.

Scorpions – Present:

Klaus Meine – vocalist

Rudolf Schenker – guitarist

Matthias Jabs – guitarist

Pawel Maciwoda – bass guitarist

James Kottak – drummer

Scorpions – Past: (In no particular order)

Michael Schenker – guitarist

Ulrich Roth – guitarist

Francis Buchholz – bass guitarist

Herman Rarebell – drummer

Wolfgang Dziony – drummer

Lothar Heimberg – bass guitarist

Jurgen Rosenthal – drummer

Achim Kirschning – keyboardist

Rudy Lenners – drummer

Barry Sparks – bass guitarist

Ralph Rieckermann – bass guitarist

Curt Cress – drummer

Ken Taylor – bass guitarist

Ingo Powitzer – bass guitarist

(And of course, the Berlin Philharmonic Orchestra too)

* Please note, if I happened to overlook any former Scorpions musician from the past, please let me know through a comment and that respective musician shall be added to this list. Any Metal oversight is wholeheartedly unintentional on the part of Metal Odyssey and I apologize now in case this was to happen.

From the 1972 studio album release of Lonesome Crow to the highly anticipated Sting In The Tail studio album of 2010, with every single studio and live album in between, the Heavy Metal from the Scorpions will live on for future generations to embrace and enjoy.

LONG LIVE SCORPIONS HEAVY METAL!

SCORPIONS – “SAVAGE AMUSEMENT” 1988 ALBUM FLASHBACK

Scorpions “World Wide Live” – 1985 album revisited

Happy Metal Birthday, Klaus Meine – Scorpions vocalist

W.A.S.P. – “THE REAL ME” 12″ SINGLE FROM 1989 REVISITED!

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, collecting heavy metal albums, collecting music, cool album covers, guitar legends, hard to find records, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1989, heavy metal cover songs, heavy metal guitarists, heavy metal history, heavy metal memorabilia, heavy metal music, heavy metal music 1989, heavy metal on vinyl, heavy metal records, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rare heavy metal records, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 14, 2010 by Metal Odyssey

Back in April of 1989, W.A.S.P. released The Headless Children, this proved to be THE album that really made me a lifetime fan of Blackie Lawless and his band. My best Metal buddy Scott, he is to blame for getting me into this album to begin with, I thank him for that. Sometime in 1989, (I can’t remember the exact month for Metal sakes), I bought the 12″ vinyl single of The Real Me from a back stabbing and obnoxious record dealer in very expensive Connecticut. The price back in ’89 for this W.A.S.P. record was $9.98. I could not resist the purchase, it was the only copy in that decrepit record store, it’s W.A.S.P. and the collectible side of my Metal brain always wins out in the end… especially when an item doesn’t cost a ton of dough. As a bonus, this 12″ single is enclosed inside a very, very, large W.A.S.P. poster, (see pics below). Back in ’89, I was still living at home, (with my parents), so my living space was a very small bedroom with walls already adorned with Metal posters… posters I just could not take down due to my loyalty and allegiance to so many bands. I am now glad I never hung this poster years ago, it’s basically in mint condition still.

The Real Me is a cover song from The Who, written by Pete Townshend… undisputed Rock legends. This song is found on The Headless Children album:

Here is what The Real Me 12″ single – record poster/jacket looks like when folded up flat:

The B – Side (or) Side Two Songs On The Real Me Single Are:

Lake Of Fools and War Cry

Lake Of Fools and War Cry are later found on the 1998 reissued CD version of The Headless Children.

The Real Me 12″ single was put out on Capitol Records. 1989 Sanctuary Productions Inc. is also printed on the back of this poster/cover.

Made In England is found on this same back poster/cover, (it appears to be rubber stamped). So, needless to say… this 12″ single of The Real Me is an import.

Please excuse the quality of my images below. Besides, being perfect is NOT Metal.

Here is the front side of this W.A.S.P. – The Real Me poster/record jacket:

The caricatures of Blackie Lawless, (guitar, vocals), Johnny Rod, (bass), Chris Holmes, (lead guitar) and Frankie Banali, (drums) are fun stuff. It’s Old School Heavy Metal. I probably won’t attempt to hang this poster up today… it’s just too vintage to ruin now. (Unless I find a poster frame large enough to hold it). Besides my picture disc of The Headless Children, this is the only other cool W.A.S.P. record I have, that is considered a limited vinyl collectible. I know I say this often, still, I’m just thankful for the stuff I did get ahold of and kept after all these years. Maybe I’ll find another W.A.S.P. vinyl collectible down the road, on one of my Metal hunts.

Here is the backside of this W.A.S.P. – The Real Me poster/record jacket:

The photo’s of W.A.S.P. on this poster are really cool and nostalgic to me. 1989 was a moment in Heavy Metal time that will never be forgotten by Metal Odyssey… I’m sure I speak for throngs of Metalheads worldwide.

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