Archive for scary album covers

AIDEN “RAIN IN HELL” EP – FEATURES MISFITS AND BILLY IDOL COVERS

Posted in alternative rock bands, alternative rock music, gothic metal bands, gothic metal music, hard rock albums, hard rock bands, hard rock music, horror punk, metal music, metal odyssey, Music, punk rock music, rock & roll, rock and roll, rock music with tags , , , , , , , , , , , , , , on April 24, 2010 by Metal Odyssey

AIDEN – released the EP, Rain In Hell on October 31, 2006, on Victory Records. Rain In Hell is a CD/DVD, with 6 songs on the CD. I have always taken a liking to Aiden, they exhibit a menagerie of genres with their music… in essence, Aiden is a Heavy Alternative Rock Band, in my Metal opinion. When Rain In Hell was released, I was thrilled to see they covered a classic Misfits song – Die Die My Darling. Of course the original Misfits version of Die Die My Darling can never be topped, still Aiden does a respectable job at covering this song. The all encompassing Punk and raw sound, with attitude, is captured by Aiden, giving credibility to the reason they covered Die Die My Darling in the first place.

Aiden can take a Metal bow for their cover of White Wedding, the incredibly famous Post Punk meets New Wave song, written and recorded by the legendary Billy Idol. White Wedding first appeared on Billy Idol’s 1982 debut and self titled album. Aiden does not try to reinvent the Rock ‘N’ Roll wheel with their cover version of White Wedding, the tempo is stepped up a bit with Aiden’s trademark angst, otherwise it’s an alternate listen that won me over the very first time it invaded my ears.

I have to give Aiden credit for tackling both a Misfits and Billy Idol song to cover. To point at both of these cover songs as feature tracks on Rain In Hell is not a falsehood. WiL Francis on lead vocals comes across with Punk Rock legitimacy on the cover songs, making them all the more a credible listen.

There are four other songs on this Rain In Hell EP that are Aiden originals. A Candlelight (Intro) is a melancholy and flat out spooky song that runs as an instrumental for the first half of the song, with thunder and lightning atmospherics added in, a chilling theme it is… then WiL Francis steps in with Gothic illuminated vocals, with the lyrical theme about lighting candles and showing the world were all lined up to die, backed up with a Horror Punk chorus chant. Hey, this Aiden CD isn’t called Rain In Hell for nothing!

Silent Eyes is an acoustic song that visits the world of extreme depression and complete despair. If you are not familiar with this song, it is not one that you want to play loud, on your first date… you will probably scare away any potential long lasting or even short lasting relationship! Aw, heck, what am I saying? I’m the dude that adores Death Metal and Black Metal… this song lyrically is no stranger to my extreme listening ears. At the end of the Metal day, I like the acoustic guitar paired up with WiL Francis’s emotion filled and alternative laced vocals.

We Sleep Forever exemplifies the melodic side of Aiden, while being hard around the edges. The breakdown midway only seems to accentuate this songs lyrical theme of what I interpret as suicide… whether it’s emotional or physical. Aiden touches on the human side of emotion and despair, of a more extreme and delicate topic with We Sleep Forever.

The bonus DVD proves to be just that, with the following footage:

These songs were filmed live at House Of Blues in Chicago, IL, during the Never Sleep Again Tour in December of 2006: Knife Blood Nightmare, The Last Sunrise, Die Romantic, I Set My Friends On Fire, World By Storm.

Three music video’s included are: Knife Blood Nightmare, The Last Sunrise and Die Romantic. Four live video’s included are: The Last Sunrise, Die Romantic, Unbreakable and I Set My Friends On Fire.

Aiden, as they appeared on Rain In Hell:

WiL Francis – lead vocals, piano

Angel Ibarra – lead guitar, backing vocals

Nick Wiggins – bass, backing vocals

Jake Davison – drums & percussion

Jake Wambold – rhythm guitar, backing vocals

Stone.

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MY FAVORITE HEAVY METAL ALBUM COVER IS…

Posted in 1980's heavy metal bands, 1980's heavy metal music, heavy metal album covers, heavy metal music, heavy metal records, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , on March 25, 2010 by Metal Odyssey

My favorite Heavy Metal album cover, (of my entire Metalhead life), is… IRON MAIDEN’S debut from 1980 – IRON MAIDEN.Why? It’s Heavy Metal art, in all of it’s glorious Metal infancy. This was 1980 for Metal sakes, well before the multi-thousands of “other” Heavy Metal album covers came forth. Artist Derek Riggs made Eddie into this haunting and nightmarish creature of all things horrible. This mascot called Eddie symbolized an enormous turning point, in the way Heavy Metal was to be portrayed visually, for decades to come. The Metal of Iron Maiden on their debut album coincides with the album artwork with precision… melancholy and haunting are both. It’s probably best summed up this way… the Eddie artwork of Derek Riggs and the Metal of Iron Maiden, on this initial album, was always for me, a match made in Metal heaven.

Don’t get me wrong, the ensuing Iron Maiden album covers of Killers, The Number of the Beast, Piece of Mind and Live After Death are ultra legendary. I choose the debut Iron Maiden album cover for it is just thatthe first appearance of not just a mascot and symbol of Iron Maiden, arguably Eddie was then and still is now, a mascot and symbol for all of Heavy Metal as well. Back in 1980, who would have predicted the rise and Metal proliferation of Iron Maiden? With Eddie being a prominent and symbolic fixture of the band spanning four decades now? It all had to start somewhere, commercially, for Iron Maiden. It started with their influential debut 1980 album and this cover, with Eddie as the macabre centerpiece, with those demonic eyes, standing underneath a moonlit creepy sky, amongst eerie street lamps.

Back in 1980, (when my Mom forbid me to have this album for its “bad news” cover), I would still seek it out at the Caldor Department Store… and stare at it in sheer bewilderment, (when my Mom wasn’t looking). The shock and awe this cover instilled in me back then, still gets my shock and awe meter ticking now. Sometime around 1985, my Mom was much more schooled on Heavy Metal… she bought me the Iron Maiden debut album one day, on a whim!

It’s funny how times have changed over the years and decades. Back in 1980, I’m certain there were a ton load of nervous parents out there, who fixed their eyes upon this Iron Maiden debut album… only to be handing down parental mandates to their sons and daughters, stating that this was the second coming of the anti-christ. It’s weird now, looking back on 1980, as a much more “innocent” time. As a parent of ten-year old twin daughters in 2010, there are many times I want to “shield” them from seeing and/or hearing what I deem inappropriate. They are only ten years old after all!

I witness for myself, the over sexed and gory album covers of today, with the infinite number of television, print and movie media’s sexual and violence laced appeal. I guess, after all this time, I can sympathize with my Mom’s feelings back then, in 1980. Regardless, I am anti-censorship when it comes to artistic freedom, our freedom of speech and to assemble as well!!

Picking out one’s favorite Heavy Metal album cover of all time can be difficult, I found this to be quite easy. Sure, Judas Priest and KISS, (just to name a credible twosome), had some incredible album covers in the 1970’s… before this Iron Maiden album was released, yet the visual impact, that this Iron Maiden cover had on me since I was straight out of eighth grade has never wavered. Oh… and every song on this Iron Maiden album, made just as equal an impact on me too. What is your favorite Heavy Metal album cover?

LONG LIVE IRON MAIDEN!

LONG LIVE EDDIE!

LONG LIVE DEREK RIGGS!

* My favorite song on this Iron Maiden debut album is – Remember Tomorrow. This song seems to drift along in such a dreamscape and melancholy way. A true chameleon of a song, if there ever was one… the mellowness and somber mood, changes over to heaviness… and then repeats itself all over again.

I could go on and on about this Iron Maiden album cover… the pleasure I derive from looking at this artwork is worth its weight in Metal gold.

Stone.

DEATH METAL 101: OBITUARY – “LEFT TO DIE” EP

Posted in 1980's death metal bands, 1980's death metal music, 1980's metal music, 1990's death metal bands, 1990's death metal music, current death meal bands, Death Metal, death metal albums 2008, death metal albums 2009, death metal guitarists, death metal history, death metal legends, death metal music, death metal music ep's, death metal music videos, death metal vocalists, extreme metal bands, extreme metal music, extreme music, heavy metal history, heavy metal music, metal music, metal odyssey, Music with tags , , , , , , , , , , , , , , , , , , , , , on March 15, 2010 by Metal Odyssey

OBITUARY – released their Left To Die EP on September 16, 2008, on Candlelight USA/Gibtown Records. This EP contains four songs and one bonus CD ROM video of  Evil Ways. Check out this Evil Ways video below… it’s unreal great, Obituary just lets it groove with their Death Metal brand, along with this video’s underground ambiance and feel.

Two of the songs on Left To Die are also on the full length studio album – Darkest Day, which was released June 30, 2009, on Candlelight USA/Gibtown Records. These two songs are: Forces Realign and Left To Die. Slowly We Rot is a 2008 re-recording of the title track from their legendary debut album from 1989 – Slowly We Rot.

The cover song Dethroned Emperor, is a fantastic tribute to the iconic and extreme Celtic Frost, a song in which Celtic Frost released back in 1984 on their debut album – Morbid Tales. This song is noted as an additional song, on the USA release version of Morbid Tales. Obituary brings to the forefront, a beyond fabulous song from Celtic Frost’s early beginning… it’s Metal history.

Left To Die is without Metal question, a MUST for any Obituary and/or Death Metal fan. You are getting the Evil Ways video, the cover version of Dethroned Emperor and a 2008 re-recording of Slowly We Rot, plus two tracks from the Darkest Day release. There is credible Death Metal bang for your buck with this Left To Die EP. This is Obituary material that is patented Death Grooves from these legendary originators of Death Metal. Deathly doom and Metal gloom never sounded so unreal great.

Obituary, as they appeared on the Left To Die EP and Darkest Day album:

John Tardy – vocals

Donald Tardy – drums

Trevor Peres – guitar

Ralph Santolla – guitar

Frank Watkins – bass

* If you feel like it, you can check out and read my review for the Obituary album – Darkest Day. I posted it on September 9, 2009. Just click on the link below:

OBITUARY – “Darkest Day” brings the darkest and heaviest Death Metal

I hope you enjoy this song and video – Evil Ways by Obituary as much as I do… if that’s the Metal case, then turn the volume all the way up on this MUTHA!!!

LONG LIVE OBITUARY!

Stone.

DEATH ANGEL – “Sonic German Beatdown/Live In Germany” Rages With Raw Thrash Metal!

Posted in 1980's thrash metal bands, 1980's heavy metal bands, 1980's thrash metal, current heavy metal music, current thrash metal bands, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal bands 2010, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2009, live thrash metal music, metal music, metal music albums, metal odyssey, Music, rock music, Thrash Metal, thrash metal album review, thrash metal albums, thrash metal albums 2009, thrash metal bands, thrash metal bands 2010, thrash metal concerts, thrash metal legends, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , on March 14, 2010 by Metal Odyssey

DEATH ANGEL – released Sonic German Beatdown – Live In Germany on July 28, 2009, on Nuclear Blast Records. This marks the first “official” live Death Angel album, due to the input and certification from the band. One other live Death Angel album does exist, it it titled – Fall From Grace, released back in 1990 on Enigma Records. From what I have read in print over the years: due to no input from the band, coupled with Death Angel changing labels and no trademark logo of Death Angel on the album artwork, Fall From Grace doesn’t get recognized as “official”. The tiny sticker on this CD’s outer plastic packaging even states: “The first official live release from Bay Area’s masters of Thrash!”

This live concert was recorded on the 26th of May, 2007, at Rock Hard Festival in Gelsenkirchen, Germany. The intro has some dude introducing Death Angel to the Thrash rabid fans… I don’t understand German, the only words I do make out from this introduction is “Bay Area” and “F’n Death Angel”. A pretty cool introduction nonetheless, I can hear the fans just getting ultra psyched for a night of Thrash Metal anarchy. Nothing in the world beats hearing some old school, live, Thrash Metal… especially from a band that, in their own right, helped define this sound. Sonic German Beatdown is raw, this recording never went to a studio to become a polished and shiny perfect product. RAW IS THE LAW!!

I always like the live albums that keep the live rhetoric intact, between the lead vocalist and the fans. That’s what F’n live Metal is all about… the excitement that a lead vocalist can incite amongst the masses, just by asking the fans – “are you ready motherfu**ers!” and stating “you guys are F’n beautiful man” is Metal proof Mark Osegueda doesn’t disappoint with his comments to the throng of Death Angel fans, on this live album.

Voracious Souls and Mistress Of Pain are just two songs that empty out all of their live Thrash potency into my ears… making me plead – please give me more Death Angel!! There’s not one sub-par moment to be heard on Sonic German Beatdown… this is Death Angel we are talking about here and it’s live. 3rd Floor is as punishing and unreal great as any song Death Angel has written, the live version only drives home the ferociousness of this song all the more. Thrown To The Wolves is yet another example, out of this amazing set of 14 live songs, that fortifies and enriches the Thrash Metal meal that I eat up with my ears, on Sonic German Beatdown.

The vocals of Mark Osegueda are right on, his pronounced style of singing Thrash Metal is undeniably great for me. Rob Cavestany and Ted Aguilar on guitars are intense as they trade licks with speed and fury, with numerous and fiery solo’s throughout this live set that simply tear up this Rock Hard Festival. The overall sound quality on this live album is fabulous, top notch without any embellishments. This Death Angel lineup certainly has left their live mark on Germany, (from what my ears tell me), a live album of Thrash Metal I behold and recommend with certainty.

DEATH ANGEL – As They Appear On Sonic German Beatdown – Live In Germany:

Mark Osegueda – Vocals

Rob Cavestany – Guitars

Ted Aguilar – Guitars

Dennis Pepa – Bass

Andy Galeon – Drums

Track Listing For Sonic German Beatdown – Live In Germany:

Intro

Seemingly Endless Time

Voracious Souls

Mistress Of Pain

EX-TC

3rd Floor

Thrown To The Wolves

Steps Of Freedom

Thicker Than Blood

The Devil Incarnate

Disturbing The Peace

Stagnant

The Ultra Violence (Introducing: Carnival Justice)

Bored

Kill As One

Check out DEATH ANGEL’S official website by clicking here: DEATH ANGEL – Official Website

Check out DEATH ANGEL’S MySpace Music Page by clicking here: DEATH ANGEL – MySpace Music Page

Stone.

RED FANG – 2009 “RED FANG” DEBUT ALBUM IS STONER METAL COOL

Posted in cool album covers, doom metal music, hard rock bands, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal music, heavy metal music 2009, heavy metal songs, metal music, metal music albums, metal odyssey, Music, rock music, scary album covers, stoner metal bands, stoner metal music with tags , , , , , , , , , , , , , , , , , , , , , , on March 6, 2010 by Metal Odyssey

RED FANG – released their debut, self titled and full length studio album on March 31, 2009. Red Fang plays meat & potato’s Heavy Metal… they are for all Metal intents and purposes – Stoner Metal. It’s been essentially a year since this Red Fang album was released, amidst the ever growing and popular Stone Metal crowd of bands. Where Red Fang takes a different approach is in the grooves… instead of just laying down the heavy riffs and thunder thump rhythm, these songs really groove along very effectively. A solid example is Bird On Fire, if this song can’t make you move then something is terribly wrong. Red Fang is a giant riff party, with all the retro heaviness to go along with it.

On Good To Die, the guitar leads jump out at me with the celebration of old school vibes. The tempo changes on this song gel together very well, a standout song that harkens back to the day when Hard Rock was transforming into Heavy Metal. Humans Remain Human Remains begins with a simple riff, this opens the door to the molasses thick rhythm section that embodies all the brooding beats I come to expect from quality Stoner Metal. The vocals never get lost in the background, nor do they ever fade off during any verses. What is admirable about the vocals on Red Fang is the lack of shouting or incoherentness. Red Fang seems to take the vocals just as seriously as the heavy music… both definitely compliment each other.

When I first heard the opening track, Prehistoric Dog, the realization set in that Red Fang is serious about their Metal craft. Prehistoric Dog is one of the finest Metal songs I have heard, that would be considered recent. Sharks and Wings Of Fang are two songs that are really standout, with their fired up tempos and borderline punkness it’s a reminder as to what the Bon Scott era AC/DC had accomplished so damn well. Yes, the heavy is woven within the songs on Red Fang, still it is the attitude that gives these same songs the hard smack and personality, that comes across as original.

Fans of High On Fire, The Sword, Saviours and early era (1970’s) Heavy Metal should grin and raise their fist to the air upon listening to Red Fang. The Metal word needs to get out about Red Fang… and this album needs to be played loud for your cranky neighbors to hear. Upon listening to the remainder of Red Fang, I realized this is a Heavy Stoner Band that won’t be flying under the Metal radar for too much longer.

RED FANG IS:

Maurice Bryan Giles – guitar/vocals

David Sullivan – guitar/vocals

John Sherman – drums

Aaron Beam – bass/vocals

Track Listing For RED FANG:

Prehistoric Dog

Reverse Thunder

Night Destroyer

Humans Remain Human Remains

Good To Die

Bird On Fire

Wings Of Fang

Sharks

Whales And Leeches

Witness

* Red Fang was released on Sargent House – (an Indie label)

* Red Fang formed in 2005 and hail from the cool U.S. city of Portland, Oregon.

* Red Fang did self-release an EP, in 2007 – Red Fang Tour EP 2, 5 songs are on it, four of which appear on their full length. Suicide is the only song from this EP, that does not show up on the debut full length album. The songs on the Red Fang EP are: Prehistoric Dog, Reverse Thunder, Night Destroyer, Suicide, Humans Remain Human Remains.

It was this RED FANG album cover that caught my Metal attention at first. I gave it a very brief listen at my neighborhood fye, liked what I heard immediately and the rest is Metal history.

Stone.


ROB ZOMBIE – “HELLBILLY DELUXE 2” BLASTS WITH HEAVY METAL, HORROR AND DIRTY FUNKY COOL!

Posted in 1990's heavy metal music, album covers, Album Review, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2010, heavy metal bands, heavy metal bands 2010, heavy metal guitarists, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 2010, heavy metal songs, heavy metal vocalists, horror metal, Metal, metal odyssey, Music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2010 by Metal Odyssey

ROB ZOMBIE IS BACK. HELLBILLY DELUXE 2 was released on February 2, 2010 on Roadrunner/Loud & Proud Records. If change was in the air, Rob Zombie has not smelled it. Rob Zombie has not even nibbled on the flavor of the month either. Thank the Metal Gods for the fact Rob Zombie has not undergone any self serving and self righteous soul searching with music. What Rob Zombie has created with Hellbilly Deluxe 2 is not the pre-packaged usualness of Heavy Metal. The funky heavy origins of White Zombie will always be hanging out in Rob Zombie’s albums… and why the hell not? Rob Zombie did have a valid Heavy Metal career before his name alone lit up the Metal marquees. Horror themed lyrics, funky grooves, sensational and at times bizarre sound effects, are once again the norm with Rob Zombie. Thank the Metal Gods for that.

If Rob Zombie were to come out with an album that featured acoustic ballads and songs that promoted saving the environment, I would most likely feel like the end was near for certain. Hey, string arrangements are heard on Hellbilly Deluxe 2, (courtesy of Tyler Bates), on The Man Who Laughs. This is the one song where each band member contributed to the writing of it’s music. The string arrangements are chilling, eerie and horror soundtrack material, what else would you expect? Rob Zombie makes any musical idea that comes to his Metal mind sound very cool, once it becomes a song. The percussion and drumming skills of Tommy Clufetos, creates a nightmarish image of one running away from whatever evil entity is chasing them, in my Metal interpretation. At 9:44, The Man Who Laughs is a Rob Zombie nightmare of an epic… which is a Metal compliment.

Werewolf Women Of The S.S. is about telling the truth behind Hitler’s diabolical plans to create a race of super women. Whoa. Now, that is subject matter that I would never, ever, in a million Metal years come up with myself! This is reason #1,000 as to why no one can touch the horrific and melancholic imagination of Rob Zombie. As a bonus, John 5 plays some shades of surf guitar that makes this song all the more surreal. Burn takes it to the Funk and Roll level, the kind of song you want to jump up and down to, in a dark field under a full moon. All Metal kidding aside, Burn really makes me feel like jumping up and down. Piggy D on bass and Tommy Clufetos on drums makes Burn thunder thump, like an invading band of gargantuan aliens from space, taking over a 1970’s disco.

Sick Bubblegum is Rob Zombie and his band accentuating their trademark heaviness with all of it’s non-stop and invitingly corrosive lyrics. This is Rob Zombie Heavy Metal… thank you Mr. Zombie for creating it. You have to look to the living legend of Horror Rock and Horror Metal himself, Alice Cooper, to get an understanding as to why this style of Heavy Metal is so non-negotiable. If you like, you buy and you listen. Rob Zombie has had no problems with people liking or buying over the years… shock and awe sells.

Throw in a clear fact that Rob Zombie has assembled an incredible band behind him… John 5 makes these songs scream Heavy Metal with his creative licks. Jesus Frankenstein is as hair raising as the title suggests, the haunting intro that has more darkness than a remote underground tunnel, John 5 lending a lead that seems to signal the apocalypse and an intermittent chorus of “All hail Jesus Frankenstein”, makes for the embodiment of Horror Heavy Metal legend.

Rob Zombie and John 5 are quite the dynamic Metal duo, I can literally hear the spontaneity that these two must bring to the recording studio, in these songs. (Rob Zombie and John 5 wrote each song, with the exception of The Man Who Laughs, as I noted above). This is Rob Zombie, Hellbilly Deluxe 2, with no artificial or superficial parts or extremities. This album is an eleven part Horror Film for my ears, with Heavy Metal that realistically carries it’s own weight with creativeness that Rocks and lyrics that shocks. Rob Zombie has returned once again… and that’s a sigh of Metal relief.

Stone.

* The sub-title of Hellbilly Deluxe 2 reads: Noble Jackals, Penny Dreadfuls And The Systematic Dehumanization Of Cool

* The liner notes of this CD are unreal great, they are vintage Rob Zombie, from the art and photography to the type fonts as well. Plus, these liner notes unfold to a large poster of Rob Zombie too! Perfect for framing and mounting on your dining room wall.

Track Listing For Hellbilly Deluxe 2:

Jesus Frankenstein

Sick Bubblegum

What?

Mars Needs Women

Werewolf Baby!

Virgin Witch

Death And Destiny Inside The Dream Factory

Burn

Cease To Exist

Werewolf Women Of The SS

The Man Who Laughs

MERCYFUL FATE – “MELISSA” FOREVER REIGNS A METAL CLASSIC!

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1980's thrash metal, 1983 heavy metal music, black metal music, cool album covers, creepy album covers, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal bands, heavy metal history, heavy metal legends, heavy metal music, heavy metal music 1983, heavy metal songs 1983, heavy metal videos, heavy metal vocalists, Metal, metal music, metal music albums, metal odyssey, Music, old school heavy metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on February 24, 2010 by Metal Odyssey

Mercyful Fate released their first full length studio album, Melissa, back in October of 1983. I remember back then, a high school buddy of mine named rich, he had this album in his clutches as soon as it was released. Rich eventually asked me if I wanted to borrow this album and give it a thorough listen. Listen I did. Metal truth be told, this album spooked the hell out of me back then. Heck, it was 1983, how many bands were out there that sounded like Mercyful Fate with Kind Diamond’s vocals? I remember staring at this album cover, wondering to myself… I’ve been introduced to a band that is heavier than Judas Priest. In 1983, getting my Metal taste buds wet with Judas Priest and Black Sabbath was a big deal… Mercyful Fate just shook my Metal senses loose.

Quite honestly, I cannot recall which album I listened to first back in the day… Metallica’s Kill ‘Em All or Melissa. It doesn’t really matter. The Metal fact is clear, these albums changed the way I and countless others listened to Heavy Metal Music back then… period.

I appreciated Rich lending me Melissa back in 1983, he was a real deal Metalhead and a good dude. Fast forward to today, I have Melissa on CD, it is a staple in my collection, a true Metal Classic. Each time I listen to this album, I am blown away realizing Melissa is from 1983 and it still reigns with all the Metal fury it bestowed from it’s initial release. This was just the beginning for King Diamond… so much Metal history and total quality surrounds Melissa. I never hesitate to consider Melissa as one of the greatest Metal albums ever. If you never heard Mercyful Fate – Melissa before, don’t despair… it’s never too late to appreciate this album and song. Give Melissa a listen below and crank it LOUD!

Mercyful Fate, as they appeared on Melissa:

King Diamond – vocals

Hank Shermann – guitar

Michael Denner – guitar

Timi Hansen – bass guitar

Kim Ruzz – drums

LONG LIVE MERCYFUL FATE AND KING DIAMOND!

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