CHARLIE BENANTE – Hey all you Anthrax fans. Charlie Benante wants you to check out his new website http://www.charliebenante.com/Home/. Also, check out his facebook fan page https://www.facebook.com/CharlieBenanteFanPage.
LONG LIVE CHARLIE BENANTE.
LONG LIVE ANTHRAX.
Stone.
Slayer. Just the name alone makes it known that this is serious, real serious… Metal. Slayer’s songs have and always will resonate the pissed off, evil and vendetta seeking side of the human spirit, the lyrics of their songs do not lie about that. The years pass by and Slayer is still the reigning dark side – Thrash Metal champions of the world, (in my Metal opinion). As a matter of Metal fact, I don’t recall a single moment in my Metal appreciating life, when Slayer has not been considered by me to be the baddest mother fu**ers to ever play Metal. Now, onward with the 1991 Slayer Thrash Metal, live slatanic classic… Decade Of Aggression:
Decade Of Aggression is a double CD, (double cassette or vinyl album too, if you want to get picky). The original release date for Decade Of Aggression was October 22, 1991, on Def American Recordings. Back around 1992, I was fortunate enough to discover this double CD in a very thick, black metal slipcase. (No kidding, it is real metal!). This metal slipcase encases both CD’s and the 24 page liner notes booklet. Man, is this metal slipcase heavy stuff… I have not actually weighed it, still, it feels like I am holding at least 5 or 6 pounds of metal! Sometime back in ’92, I saw this unique Slayer Decade Of Aggression package, behind the front counter at a Record Town store… in very expensive Connecticut. My eyes never lost sight of this Slayer prize that day, I made a Metal beeline to the cashier and stated I was buying this Slayer gem. I cannot recall for certain, the actual price I paid for this metal packaged version of Decade Of Aggression… it was in the neighborhood of around $50 U.S. and worth every cent. This limited edition package of Slayer Decade Of Aggression had a run of only 10,000 copies. My copy of Decade Of Aggression came with a certificate of authenticity, gold foil embossed, stating it is numbered: 005815 of 10,000.
* Note: Skeletons Of Society and At Dawn They Sleep are two songs found only on this metal slipcase version of Decade Of Aggression.
In the center front of this metal slipcase, is this classic Slayer logo – metal etched on a center block:
(This Slayer logo looks entirely silver on the front metal casing, due to it being metal etched.)
Here is what this incredible metal slipcase package of Decade Of Aggression, that I own, looks like:
The metal slipcase is unreal great stuff… whoever thought of marketing this back then is a Metal genius. The interior CD slipcases are of a heavy black paper stock. Note that the front cover of the liner notes depicts the original Decade Of Aggression album cover. I have seen the import version, some online merchants have it available for purchase today, it has the original album cover. (I own the original double cassette too, I have kept it in Metal mint condition all of these years. Here is another view of what the original album/cassette/CD cover looks like for Decade Of Aggression:
Now here is what the front album/CD cover of Decade Of Aggression looks like now, if you were to go to a retail record store today and buy it:
Now, as for the live Thrash Metal of Slayer heard within Decade Of Aggression… it’s F’n Slayer man. There is nothing more to break down other than it’s fast, brutal, aggressive and… live Slayer greatness. You’ll be blown away by Dave Lombardo and his double bass drumming assault, guitarists Kerry King and Jeff Hanneman dueling with leads and riffs that will sting your face like freezer burn and Tom Araya combining both the bass guitar and vocals into a frenzied slatanic blitz. Slayer is one of the very few bands I cannot get fancy about, when it comes to doing a review… what you should know is that Slayer sounds Thrash prolific on Decade Of Aggression. You will hear a band that executes and succeeds at maintaining the highest level of Thrash Metal energy, throughout this entire double CD of songs. These following two lines are actually printed, on the back cover of the liner notes:
Unlike most other live recordings, this is Slayer completely “live”. No overdubbing exists on this recording.
The Complete Track Listing For Decade Of Aggression:
Disc One
(Recorded live at Lakeland Coliseum, Lakeland, Florida, 7/13/91):
Hell Awaits
The Antichrist
War Ensemble
South Of Heaven
Raining Blood
Altar Of Sacrifice
Jesus Saves
Dead Skin Mask
Seasons In The Abyss
Mandatory Suicide
Angel Of Death
Disc Two
(Recorded Live at Wembley Arena, London, England, 10/14/90):
Hallowed Point
Blood Red
(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):
Die By The Sword
Black Magic
Captor Of Sin
Born Of Fire
Skeletons Of Society *(only on this metal slipcase version)
(Recorded live at Wembley Arena, London, England, 10/14/90):
At Dawn They Sleep *(only on this metal slipcase version)
Postmortem
(Recorded live at Orange Pavillion, San Bernadino, California, 3/8/91):
Spirit In Black
Expendable Youth
Chemical Warfare
____________________________________________
Stone.
Metal Odyssey wants to give out a LOUD Happy Metal Birthday to legendary Rock drummer – Aynsley Dunbar! Aynsley Dunbar turns a solid and cool 64 years of age on January 10th, (born January 10, 1946). Aynsley Dunbar’s association to Heavy Metal is with Whitesnake, UFO and Sammy Hagar, (to name a few), being the drummer on one or some of their respective albums. Being the drummer for Frank Zappa in the early 1970’s is a music milestone in itself. Aynsley was also a member of Journey, being the drummer for their first four studio albums, released from 1975 to 1978. Let’s be real however, Aynsley Dunbar is a fabulous Rock drummer… period. Regardless of Rock genres Aynsley Dunbar has played, at the end of the Metal day it’s all about talent and musical integrity… and he has proved it for decades. A complete list of Rock musicians and bands, that Aynsley has performed with over the decades, would be a who’s who in Rock History for certain. In celebration of Aynsley Dunbar’s birthday and legendary Rock career, I have compiled a very abbreviated list, (in no particular order), of just some of the great Rock, Hard Rock and Heavy Metal albums that he played drums on and bands he was a member of. By no means is this a definitive list of albums that Aynsley Dunbar has appeared on, just a Rock solid salute to his achievements in Rock History.
Thanks for all of the great Rock Music you have created and been a part of Aynsley Dunbar.
Visit the Official Web Site of Aynsley Dunbar by clicking here: Aynsley Dunbar – Legendary Rock Drummer – Official Site
Whitesnake – Whitesnake, (1987)
UFO – Convenant, (2000)
UFO – Sharks, (2002)
Journey – Journey, (1975)
Journey – Look Into The Future, (1976)
Journey – Next, (1977)
Journey – Infinity, (1978)
David Bowie – Diamond Dogs, (1974)
Frank Zappa – Apostrophe (‘), 1974
Jefferson Starship – Winds Of Change, (1982)
Ian Hunter – All American Alien Boy, (1976)
Mick Ronson – Slaughter On 10th Avenue, (1974)
As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.
Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).
Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.
When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.
Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.
Metal Odyssey hereby bellows, with Heavy Metal enthusiasm, a Happy Metal Birthday to Matt Sorum! 49 years on planet Earth has Matt Sorum been, arriving on November 19, 1960. Matt Sorum is the drummer for Velvet Revolver and former drummer for Guns N’ Roses and The Cult. (These are the most famous bands that Matt Sorum has been drummer for). A Heavy Metal milestone for Matt Sorum happened this Fall of 2009, where he filled in as the drummer for the ultra legendary Motorhead. (Mikkey Dee of Motorhead took a leave of absence to be on a reality television show, some sort of survivor type show).
Man, if there ever was a sharp dressed man, Matt Sorum has the knack for looking sharp. ZZ Top must have wrote Sharp Dressed Man with Matt Sorum in mind. Matt Sorum has his own clothing line too, if I had the extra loot I would be buying his stuff and strutting the look. Oh well, I guess the $12 jeans from Walmart will suffice me for now. Matt Sorum teamed up with renowned fashion designer Max Noce and launched the Sorum Noce Clothing Line this past March of 2009.
As for Matt Sorum on drums, what can I say? This guy is real good. C’mon, the three bands he has been drummer for are no slouches within the world of Heavy Metal. To have been the drummer for those three bands of their status, man, that basically says it all. Plus, once Velvet Revolver makes a return, (with a new lead singer of course), Matt Sorum will be manning the skins and continuing his Hard Rock/Heavy Metal legacy. As I read a quote from Lemmy Kilmister, (vocalist & bass guitarist of Motorhead), recently, he referred to Matt Sorum as a professional. ‘Nuff said.
Masterplan released the MK ll album back on February 23, 2007. I have never regretted with catching onto Masterplan. Half the fun of being into Heavy Metal, is knowing there are so many bands from so many genres to sink your ears into… ah, the world of Metal is a good thing. For those not familiar, Masterplan is a Power Metal Band, 100% through and through with no gimmicks. Melodic Metal and Symphonic Metal are two other labels that are just as fitting for Masterplan, the three genres I attribute to this band are adequately interlocking. Masterplan is led by former Helloween guitarist, Roland Grapow, he takes on the roles of guitarist, composer and producer. I gravitate very often to the Power Metal genre, finding this form of Metal Music to be inspiring and ultra credible. I find the Power Metal songs from Masterplan MK ll to be like a Metal soundtrack for my mind… uplifting and scenic thoughts appear for me, reflective thoughts too. Getting revved up is not difficult while listening to Masterplan either, there are plenty of psyche out moments in their songs. Masterplan goes full throttle with their Power Metal, there never seems to be a dull moment, for me.
MK ll has been a CD of choice for me, going back to last weekend. Every so often, I need to expand my Metal horizons and listen to another genre that isn’t extremely fast, hard and heavy. Masterplan are a heavy band in their own Melodic Power Metal right, only it is the symphonic side of this band that really keeps me grounded… and I like that. Diversity in the Heavy Metal universe is what makes this music so worthwhile. The longer I stop to look, listen and read, the better acquainted I get with the vastness of the Heavy Metal family tree. Discovering Masterplan on the Heavy Metal family tree is like finding and picking that almost perfect pear, you just know it’s good and juicy.
As for the songs on MK ll, there are no loafers to be found. This album has a cool, consistent flow about it, making MK ll one of those albums I can listen to from start to finish, no leap frogging is necessary! My two favorite songs on MK ll are: I’m Gonna Win and Watching The World. These two songs are #6 and #7, respectively on the track list. Both of these songs project this majestic high that just wraps around my senses and psyches me out. Mike DiMeo is everything you could expect from a Power Metal vocalist, he surely can hit the high notes and harmonizes effortlessly throughout MK ll. Mike Terrana on drums is darn great to listen to, there are moments when his playing is the focal point. Jan S. Eckert keeps the rhythm solid with Terrana, a very tight unit. The keyboards are a major musical ingredient with this Power Metal outfit, Axel Mackenrott makes his presence known by providing the atmospheric and symphonic environment within the songs. I look forward to a brand new Masterplan album in 2010, Roland Grapow has some Power Metal momentum going for him, with Masterplan.
The momentum of Masterplan will be getting even stronger, now that news has been broken, of Jorn Lande returning as lead vocalist. (You can read the official news of Jorn Lande returning by going on the official Masterplan website at http://www.master-plan.net). I will always appreciate the vocals that Mike DiMeo brought to Masterplan, honestly, he is very good, in my Metal opinion. Jorn Lande is a premier Heavy Metal vocalist period. Jorn’s solo career and vocal contribution to Avantasia, coupled with his past Masterplan albums is proof positive he is at the top of the Power Metal pyramid. Welcome back to Masterplan Jorn!
Badlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands, (on Atlantic Records), back in 1989. I purchased this Badlands cassette at Strawberries Records & Tapes, located right around the corner from Central Connecticut State University on New Britain Avenue. I was a student at CCSU back in 1989, very much broke to the Metal wind. Therefore, my Heavy Music purchases were not abundant, I chose quality over quantity. With so little funds to buy music as a college student back then, being choosy was a necessity. Badlands with their classic and ultra talented lineup of musicians became a necessity for me. From the very first listen through of this album, (in my case cassette), to say that Badlands left an earthshaking mark on me is the understatement of the decade. The Heavy Metal onslaught of cool and psyched out vibrations, that this Badlands album gave me back in 1989, has once again reintroduced me to that same experience this past weekend.
My best buddy – a.k.a. – best Metal buddy – a.k.a. – Scott, well, he remembered just how much Badlands and their debut album resonated with me back in the day, therefore Scott landed me a CD copy of Badlands. Scott was my roommate at CCSU, my best man at my wedding and if anyone knows my Metal tastes and background… it is him. Thank you Scott, for this Metal gift of Badlands this past Saturday. Getting Badlands on CD in the mail was like experiencing Christmas Day on this cold, dank and rainy day in October. F’n unbelievable surprise.
It is an unreal great feeling to have this Badlands CD finally in my collection. I have never let go of my Badlands cassette since 1989… and I never will. To the best of my Metal research, this Badlands CD is extremely hard to find at retail. Out of print perhaps? Badlands is definitely one of my favorite Heavy Metal albums that I have ever listened to. I only wish this band was able to stay together forever, yet lead vocalist Ray Gillen was called to heaven a little early, on December 1, 1993 at the age of 34. The unreal great guitarist – Jake E. Lee and Ray Gillan on vocals may be the two main musical focal points of Badlands, yet Eric Singer on drums and Greg Chaisson on bass make for an ear bending and jaw dropping rhythm section – stuff of legend. Anyone that knows and enjoys Old School Heavy Metal can certainly identify with Badlands, this band is from that mold. Jake E. Lee proved with Badlands that there was definitely a Heavy Metal life for him away from Ozzy Osbourne.
The eleven songs on Badlands encompass the melodic driven side of Heavy Metal enormously, with the late Ray Gillen’s unique vocals surpassing many of his peers of that time, when it came to harmony and range. I include the late Ray Gillen in with Tony Martin, Jeff Scott Soto, Gary Barden, Jorn Lande and Joe Lynn Turner when it comes to lead vocals status in Old School Heavy Metal. He belongs with this select group of singers. (I definitely left out some names here, yet I think my point is made). If not for his passing away at age 34, I am convinced Ray Gillen would have been a top tier Heavy Metal and/or Hard Rock vocalist to this very day. With so many new vocalists coming out of the woodwork in all of the Metal genres since the 1990’s, too many of them sound like each other or have little regard for originality. This is why I can never tire from the late Ray Gillen’s vocal talent.
My favorite song on Badlands is Dreams In The Dark, I played it six times over, very loud the other night and it served me right. Yes, I acted very silly jumping around in my basement like a psyched out kid, while this song and the rest of Badlands cranked. As the ultra great Blackie Lawless would say… I don’t need no doctor. All I need is to delve back into the Metal world of Old School Heavy Metal, (on a very consistent basis), turn on some Badlands and let the bull crap of the world around me, wallow in it’s own decrepit stank. I don’t look back upon Badlands as a supergroup, instead I look upon them as a fabulously talented Heavy Metal band that was too short lived. Long live the legacy of Badlands – their Heavy Metal still reigns supreme for me.
Track List For Badlands:
High Wire
Dreams in the Dark
Jade’s Song
Winter’s Call
Dancing on the Edge
Streets Cry Freedom
Hard Driver
Rumblin’ Train
Devil’s Stomp
Seasons
Ball & Chain – (this song is not on the vinyl record version of Badlands)
Exodus… a Thrash Metal originator. Exodus… Old School Thrash Metal. Exodus… Bonded By Blood, was the first album released by this very important Thrash Metal Band, (back in 1985). Why I feel Exodus is a very important Thrash Metal Band is due to their being one of the first Metal Bands to introduce this genre to the world. Back in 1985, there were not the hundreds of thousands of Thrash Metal Bands there are now… you can thank Exodus for influencing countless musicians and bands alike for embarking on their careers in Metal… Thrash Metal. Just seek out and read some interviews of past and current Thrash Metal musicians, you discover after awhile, that Exodus and especially their initial album Bonded By Blood is ultra revered. Yes, I am an Exodus fan, since 1985 until this very day. Lineup changes within Exodus has not made me wince one Metal bit. Guitarist Gary Holt and drummer Tom Hunting have held the Thrash Metal fort for Exodus over the past three decades, serving Exodus and their fans well… extremely well. (Note: Paul Bostaph has stepped in on drums for Exodus, he is an unreal great Metal drummer at large).
Last night, I watched my beloved New York Yankees lose to the Angels… ugh. A great game, yet I was anticipating the Yankees to close things out and head to the World Series to beat down the Phillies. Not feeling the cheeriest, I headed down to the basement… to my Metal oasis. Once I began staring at my CD racks, I decided I needed a lift-me-up, some Metal to clear my senses and put me back in the game of life. Exodus Bonded By Blood caught my eye… this CD was just aching to get heard – once again. I put this CD on, sat back and let the Thrash Metal of Exodus infiltrate my senses. Well, it was only halfway into the first song – Bonded By Blood, that I then got off of my butt and began to stalk around my basement like the fiendish Metalhead that I have been my entire life. I raised and pumped my fists into the air, played air guitar and bass, then did some pummeling air drums like there was no freaking tomorrow. Yes, life is not good, it is great when I can turn to Metal… turn to vintage Exodus, to whip my mood into the positive realm where it belongs.
Listening to the late and unreal great – Paul Baloff on lead vocals is as inspiring to me as all damn hell. His vocals were not your stereotypical Thrash Metal type… he resonated with the influence of early Rob Halford of Judas Priest… in my Metal opinion, still exuding his very own style that to this day is untouched. I reached for my CD jewel case of Bonded By Blood, (my copy is the reissue by Combat Records, it also has the alternate cover that is shown at the left and bottom of this post). The original front cover artwork is damn more cool than the alternate version, just look at it at the top of this post for proof. On the back cover of Bonded By Blood, it has a group photo of Exodus… Paul Baloff is shown wearing a Pipers Pit sleeveless t-shirt. Rowdy Roddy Piper… Paul Baloff… man, that is as fitting a shirt as any for him to wear back then. I used to be the f’n biggest Rowdy Roddy Piper fan around, imitating his wrestling moves and voice too… silly and cool memories, all courtesy of one photo of Exodus.
This Bonded By Blood album kicked my butt last night, just as it did back in the day. Having the private freedom to go bonkers to the Old School Thrash Metal of Exodus last night exhilarated me into feeling tired enough to finally go to sleep. Exodus was a friend to me last night, their music strikes that Metal chord with me. No Love and Deliver Us To Evil are my two extra favorite tracks on Bonded By Blood… holy crap, does the psyche out meter catch on fire for me when these songs are cranked up. I can’t use the word recommend to prospective fans when discussing Bonded By Blood, instead the words I will use are: get this album if you have not already – otherwise you are missing out on a Thrash Metal achievement that catapulted Thrash Metal into what it is today.
Exodus as they appeared on their first album Bonded By Blood:
Gary Holt on guitar
Rick Hunolt on guitar
Paul Baloff on lead vocals
Tom Hunting on drums
Rob McKillop on bass
Track Listing for Bonded By Blood:
Bonded By Blood
Exodus
And Then There Were None
A Lesson In Violence
Metal Commando
Piranha
No Love
Deliver Us To Evil
Strike Up The Beast
* Two bonus tracks are found on the Combat Records reissue that I own… they are both live recordings of: And Then There Were None and A Lesson In Violence. Steve Souza is the lead vocalist on these live tracks… yeah, I think Steve Souza is really cool too… convict me of being an Exodus fan boy already, that is just the damn way it is. I am a Metal fan that has been around the Metal block a few times, paid my Metal fan dues and could give a rats rotting and infected butt if anyone out there considers me a fan boy of any band.
* Exodus under the leadership of Gary Holt, covered the entire Bonded By Blood album, with the current Exodus lineup and released it on October 28, 2008. Yeah, I own that version too and I have nothing but Metal praise for Rob Dukes, the guy is the real deal for Exodus. Again, see my fan boy explanation above in regards to my being enthralled by Exodus’s Rob Dukes. I am quite Metal certain, that I am not alone in my reverence for this band… both past and present. Exodus does not need any stinking Guitar Hero game named after them or useless strolls down any damed red carpet to be considered unreal great by me. I have spoken my Metal mind and it feels really, really, good.
Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.
I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.
Ravage, as they appear on The End Of Tomorrow:
Al Ravage on lead vocals
Eli Firicano on lead and rhythm guitars
Nick Izzo on lead and rhythm guitars
G.T.B. on drums
Howie Snow on bass
Track Listing for The End Of Tomorrow:
The Halls Of Madness
Reign Fall
Freedom Fighter
Damn Nation
The Shredder
Into The Shackles
In Shattered Dreams
The Nightmare’s Hold: Part One
Nightcrawler
The Nightmare’s Hold: Part Two
Grapes Of Wrath
The End Of Tomorrow
C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.
The second studio CD packaged inside the new KISS – Sonic Boom is KISS Klassics. I am not holding back on this – Whoa. Whoa does KISS rock harder than ever on these re-recorded KISS “greatest hits” – (oops), Klassics that is. I slapped in the Klassics CD, preparing to hear some subtle differences in these re-recorded songs, instead I opened up my mind and ears to a can of KISS whoop ass! Metal be damned, Tommy Thayer can play his Metal heart out – Black Diamond is unreal heavy and good. After just one listen to Lick It Up and I was re-enrolled into KISS Rock and Roll 101 – all over again. Lick It Up has a ton more KISS attitude now, (sounds unreal, understand it is holy crap good). Harder, heavier, with heaping Metal waves of relevance crashing all around is this KISS Klassics. For many KISS fans, Animalize was an album that, well, was very much a commercial Hair Metal phase for this band. Let KISS introduce you to their re-recorded – 2009 version of Heaven’s On Fire… I really, really, really, like this song a Metal ton now.
In my most honest Metal opinion, Paul Stanley sings like he has been reincarnated into his 1977 body. Gene Simmons vocally sounds like a man who has been reborn himself. Metal be my witness, this KISS Klassics has done to me, what it was probably intended to do by KISS in the first place… realize that this band is age defying and generation fusing and yes, damn great at playing these songs that are decades old. The last thing I want to sound here is as a biased, middle aged KISS fan… hell, if KISS was to have dropped the Metal ball on this one, I would be the first one screaming NO! What once was old is new again, for Metal sakes, KISS is new again! There are subtle differences in guitar leads, solo’s, riffs, yet Tommy Thayer plays each and every song like a Metal pro. Ace Frehley is legend, no question, yet Tommy Thayer has taken these songs from the master and has put his very own KISS signature on them. Eric Singer is just an excellent drummer period. His years with KISS alone, has established his icon status for me.
Back to more of these Klassics… I Was Made For Lovin’ You still holds that melodic extremity to it that some misguided folks confused with – disco. I will fight till the end of Metal time and refute any damn comparison of this song to disco. Hotter Than Hell is just that… this 2009 version has given me a brand new, psyche me out song to crank up LOUD. I Love It Loud is cool, yet this re-recorded version does not beat out the original, thank you very Metal much. Don’t get me wrong now, I will still raise my Metal fist in the air to this 2009 version of I Love It Loud – hell yeah. Christine Sixteen has always been a genius of a KISS song, Gene Simmons gives it a robust Metal boost in this 2009 recording, his vocals this time around has re-energized this Klassic. I always get a Metal kick out of the piano intro to Christine Sixteen. What would a KISS Klassics be without Rock And Roll All Nite? It is here on this Klassics CD, more emboldened by KISS than ever before. Forever is the lone KISS ballad to be found on Klassics… since I belong to the KISS Army, I will listen to this ballad. Forever is a good song, Paul Stanley and KISS bring it back for this Klassics curtain call for that same reason. There are throngs of fans who emotionally relate to this KISS song, heck, that is what ballads do.
In closing Metal summary, if you are a KISS fan, (no matter for how long), you NEED to buy Sonic Boom with this KISS Klassics included. The time to re-enlist into the KISS Army is NOW. If you never have been a fan of KISS, do not buy Sonic Boom with KISS Klassics… hell, the KISS Army is looking for Rock and Roll warriors anyway – so critics can stay away.
Track Listing For KISS Klassics:
* Deuce
* Detroit Rock City
* Shout It Out Loud
* Hotter Than Hell
* Calling Dr. Love
* Love Gun
* I Was Made For Lovin’ You
* Heaven’s On Fire
* Lick It Up
* I Love It Loud
* Forever
* Christine Sixteen
* Do You Love Me
* Black Diamond
* Rock And Roll All Nite
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
I would have bought this great DVD today, yet my Super Walmart never put it out for sale along with any other newly released CD’s or DVD’s… and that was at 9:30 a.m. EST on October 6th when I left that store today. I did not have time to drive around to other stores for this Anvil DVD today, thanks for nothing Super Walmart. I will make certain to buy the Anvil DVD at f.y.e. now, you better Metal believe it. Ha, Ha, Super Walmart… you lost a sale on that one.
What a perfect segue for the first song I will mention from This Is Thirteen… Big Business. I like this one a Metal ton, a straight on anti-corporate song if there ever was! Anvil’s lyrics are not overdone, they are not out to impress any Rhodes Scholars, ya’ know? Anvil impressed me with Big Business, reminding me that nothing is free and rising fees… oh how true it is. The album opener is This Is Thirteen, with doom laden riffs, my Metal mind wanders over to vintage Tony Iommi and Black Sabbath here. Combined with the slowed down rhythm section here, this song really does take me back to 1982 and I am proud to say that. Bombs Away has Anvil shredding their brand of Thrash, Lips on guitar is not just fundamentally sound, he is Metal be damned… a great guitarist. As a vocalist, Lips never shies away from a bit of diversity, he isn’t fancy yet he is real – I’ll take him over a bushel load of Metal singers I have listened to over the decades. Should’ A Would’ A Could’ A has become my favorite song on This Is Thirteen. Lyrically, this song is right on the Metal money in describing the game of life. Take chances, no regrets, know your enemies, strength to survive and righting a wrong are all covered on Should’ A Would’ A Could’ A, plus it grooves like there is no tomorrow. Game Over, in my Metal opinion, is the heaviest and fastest song on this album… real good. Anvil took out some cool aggression on Game Over, lyrically comparing life to playing a Game Boy game.
Thumb Hang, (the bonus track), has similar, trudging riffs as the opening track This Is Thirteen. Another fine example of a song, that Anvil is not buying into any current trends of Metal anytime soon. Thank God for that. Robb Reiner on drums… what can I say other than he has been damn good his entire career and makes himself heard quite well on this album. Glenn Five makes for more than a Metal compliment on bass guitar, rounding out this trio the outside world is just now embracing as Anvil. In a Metal nutshell, Anvil created fourteen songs that are missing the over produced sheen and gleam of many of today’s Metal albums. There is that blanket of rawness to this album, then again, Anvil was never about being commercially polished anyways. Thank God for that. This is why I always dug the Metal that Anvil has put out over the last three decades. Anvil did not need a billion dollar producer to waltz in the studio and dictate how it’s done… Anvil (and producer Chris Tsangarides) knew what to do all along with This Is Thirteen, one listen through proves it – in my Metal opinion.
I’m on a KISS high right now, thank you very Metal much. Sonic Boom is a tremendous album from the legendary KISS. Anyone who slams KISS and Sonic Boom either has never liked KISS to begin with or they are extremely constipated or they just don’t get it at all. Sonic Boom is rooted with a Classic KISS sound from the 1970’s… I don’t hear any influence from the KISS Asylum or Animalize albums from the roaring ’80’s – nope. This is one hell of a legitimate album of Heavy Metal songs from KISS. Tommy Thayer is unreal good on lead guitar, (I didn’t expect anything less), Gene Simmons sounds great on bass and vocals and Eric Singer is his usual outstanding self on drums. Onward with my favorite song from Sonic Boom – Never Enough. I always liked Paul Stanley’s vocals the best, (my personal preference), plus this song’s lyrics are upbeat as hell. Paul Stanley f***n nails it down on vocals with this song. Never Enough psyches me out of my Metal mind and that serves me right. I listened to this song at least six times before I continued forward through Sonic Boom… holy Metal crap is this song great. The whole Sonic Boom album is great. I am such a happy KISS fan right now, I am farting rose scented happy faces all over the place. Long live KISS Rock and Roll!
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