Archive for the essential heavy metal songs Category

JUDAS PRIEST – “A TOUCH OF EVIL LIVE” 2009 ALBUM IS LIVE AND LEGENDARY PRIEST

Posted in 1970's heavy metal bands, 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, cool album covers, creepy album covers, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal bands from england, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, live heavy metal albums, metal music, metal music albums, metal odyssey, Music, new wave of british heavy metal bands, old school heavy metal bands, old school metal bands, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2009 by Metal Odyssey

Judas Priest is one Metal Band that I cannot ignore, especially when they release a new album. These Metal Gods can release a studio, greatest hits and as in this case, a live album and I will eagerly buy it. A Touch Of Evil Live is live with all the glorification of Judas Priest’s heavy history… and why shouldn’t this legendary Metal Band be glorified? The guitar duo of Glenn Tipton and K.K. Downing is dominant on each and every song, with the Metal God himself, (Rob Halford), showcasing his vocal exuberance. Ian Hill on bass guitar and Scott Travis on drums are in Metal sync together, they add all the more Metal fuel to these live Judas Priests songs. As I listen to A Touch Of Evil Live, understanding that this is live recordings from 2005 and 2008 fills me with total Metal wonderment, that this band has not grown old, only grown better. In my Metal opinion, Judas Priest sounds as heavy, fast, hard and vicious as they did in the early 1980’s. I would lay it on the Metal table and be truthful, if A Touch Of Evil Live sounded like a bunch of half enthused, Metal musicians, going through the motions. Judas Priest IS Metal, captured live with all the power and mystique that I have appreciated from them, these past three decades.

The song list on A Touch Of Evil Live is a very strong representation of vintage Metal, showing just how many great songs are in the Judas Priest catalog, dating back to 1977. This live album may not have the household hits from Judas Priest, instead, it encapsulates the deep album cuts that made Judas Priest legend. Dissident Aggressor, from the 1977 album Sin After Sin, is brought forth to live sensation three decades after it’s initial release. Beyond The Realms Of Death is re-energized live, giving a nod to the unreal great 1978 album – Stained Class. Eat Me Alive comes across live, with the same Metal nastiness that The Priest originally set out to convey, from their 1984 album Defenders Of The Faith. Painkiller, A Touch Of Evil and Between The Hammer & The Anvil are three potent Metal songs from the now classic Judas Priest album from 1990 – Painkiller.

Judas Rising and Hellrider are the first two songs on A Touch Of Evil Live, both songs cementing the Metal foundation to follow that is patented and hell bent Judas Priest. These two opening songs, have me appreciating the reunion album Angel Of Retribution from 2005… all the more. Riding On The Wind is a great choice to represent the Screaming For Vengeance album from 1982. Riding On The Wind deserves all the Metal acknowledgment it can derive, being a deeper track from such a monumental Judas Priest album. Prophecy and Death are the two songs taken from the newest Judas Priest studio album released in June 2008, the concept album – Nostradamus.

* My favorite song on A Touch Of Evil Live is… A Touch Of Evil. The thunderous Metal charge, that this song pounds away with, gets me 100%, certified psyched out. Trudging with flares of being an anthem, A Touch Of Evil IS as bona fide a Judas Priest song you can ever ask for.

I have always been a fan of live albums, especially when they are not tweaked apart to death, this live album from Judas Priest is not tweaked over, in my Metal opinion. A Touch Of Evil Live has all the hard and heavy that I have come to expect from Judas Priest, they give these songs that extra Metal power – live. Hey, this is not the greatest Judas Priest album ever, nor is it the greatest live Metal album ever made either. What A Touch Of Evil Live does demonstrate, is that Judas Priest has kicked some Metal butt the past five years, reestablishing themselves as one of the Metal elder statesmen that do and should command Metal respect. Since 2005, one thing has been Metal certain… The Priest Is Back! A Touch Of Evil Live is a very good, live Metal album from an ultra great and Metal historic band… Judas Priest.

A Touch Of Evil Live Was Released On July 14, 2009

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MOTORHEAD – “THE ONE TO SING THE BLUES” WAS MY 1991 RECORD CONVENTION FIND

Posted in 1970's heavy metal bands, 1980's heavy metal bands, 1990's heavy metal bands, 1990's heavy metal songs, 1990's heavy metal music, classic hard rock music, classic heavy metal, collecting heavy metal albums, collecting music, collecting rock music, essential heavy metal songs, everyday experiences, feel good stories, hard rock music, Heavy Metal, heavy metal 45 rpm records, heavy metal bands, heavy metal memorabilia, heavy metal music, heavy metal music 1991, heavy metal on vinyl, heavy metal record finds, heavy metal records, metal music, metal odyssey, Music, old school heavy metal, personal stories, rare heavy metal albums, rare vinyl record imports, record conventions, rock & roll, rock and roll, rock music, shopping for rock music, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 26, 2009 by Metal Odyssey

Back in the early Spring of 1991, my girlfriend, (now my wife), and I ventured down to the New Haven Coliseum in New Haven, Connecticut… to frolic through a record convention. Record conventions are the best. I am guilty of not going to enough of these glorious events in my lifetime. Regardless, this record convention was chock full of vinyl, CD’s and all things Rock memorabilia that I could ever wish for. Oh yeah, there was Heavy Metal aplenty at this record convention back then… tons of it. The only parameter I needed to follow at this show was to narrow down my search, (I was not loaded with cash back then and I’m still not). Motorhead was at the top of my search list, going to this record convention. There was quite the choice of Motorhead vinyl, cassettes and CD’s to buy there… I settled on the 7″ vinyl, (45 rpm), The One To Sing The Blues. Even though I can’t remember what I actually paid for this Motorhead record, compared to purchasing a 12″ album import at the time, it was a good deal. Seven dollars keeps coming back to me, as to the purchase price though.

We left that record convention that day with just a couple of purchases. The other purchase I will save for a future post, (it was a cool piece of vinyl as well). I still own this Motorhead 45 rpm, rediscovering it recently as it was hidden away in my collection. Am I psyched that I still have it after 19 years? You betcha. I would safely guess this Motorhead record is kinda rare. The backside cover to this record sleeve has the header – Motorhead On Tour, it lists the U.K. concert dates for February 1991. There are 14 concert dates listed. Also on this backside record sleeve cover, are the complete lyrics to The One To Sing The Blues. Sure, I look back and wish I gobbled up every Motorhead vinyl treasure there was at that record convention, nonetheless, I am content with what I do have. This little record has it’s rightful place in my record collection, it being a Motorhead collectible and finding it with my wife, (then girlfriend), makes for a great memento.

Here is additional info on this Motorhead 45 rpm, The One To Sing The Blues:

Side A: The One To Sing The Blues

Side B: Dead Man’s Hand

* This record being bought in the U.S., is an import… with a Made In The U.K. sticker on the front sleeve of my copy I own.

* The One To Sing The Blues later appears on the Motorhead 1991 album – 1916. The backside record sleeve states this song as: Taken from the forthcoming LP/MC/CD “1916”

* The record label(s) as designated on the backside of the record sleeve and record: WTG Records and Epic

Motorhead, as they appeared on The One To Sing The Blues and Dead Man’s Hand:

Lemmy Kilmister – bass and lead vocals

Wurzel – guitar

Phil Campbell – guitar

Philthy Animal Taylor – drums

W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Metal Odyssey

Chuck Berry "St. Louis to Liverpool" small album picW.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

W.A.S.P. COVERS THE DEEP PURPLE CLASSIC “BURN” WITH HEAVY METAL PRIDE ON BABYLON ALBUM!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock music, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal bands, Album Review, classic rock cover songs, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, spooky metal album covers, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 10, 2009 by Metal Odyssey

Blackie Lawless Image #1W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.

In a perfect Heavy Metal world, Blackie Lawless would be my choice for President and Chief Commanding Officer. For now, I can live with Blackie Lawless being the living Heavy Metal legend he is. I now hereby declare, that it is very difficult to hide my appreciation for the Heavy Metal of W.A.S.P., I am damn proud of it too. I have been listening to and enjoying the Heavy Metal of  W.A.S.P. for too many years now, to give a hoot about what anyone thinks of my admitting my adoration for Blackie Lawless and his band. Hey, it is light years better than admitting to being a follower of an uptight dude, named Keith Olberman, who whines all night on MSNBC.

Get ready – for this will be the first in a series of rave Metal reviews I will be doing regarding this W.A.S.P. Babylon album. It is that unreal great. Oh well, I have to listen to the boss at Metal Odyssey and he says I have to do it this way… that boss is me. Isolating songs from a great Heavy Metal album like Babylon and writing about them, is more of a deserving tribute to a Metal accomplishment by Blackie Lawless and W.A.S.P., in my Metal opinion. The only song I will comment on, in this first edition of W.A.S.P. Babylon reviews, is the cover song Burn. This 1974 Classic Hard Rock song from the ultra incredible Deep Purple, is now also an unbelievable Heavy Metal classic, courtesy of Blackie Lawless and his band. I listened to this W.A.S.P. cover of Burn at least six times repeatedly… it blew my Metal mind. Blackie Lawless on vocals is Metal mesmerizing, I can hear the love and passion he truly has for this song… very loud and very clear. W.A.S.P. signs, seals and delivers Burn in powerful Heavy Metal style, nothing formal, no black tie required.

Deep Purple "Burn" small album picI will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s  vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.

W.A.S.P. "Babylon" large album pic #2

BADLANDS – 1989 Heavy Metal Debut Album Still Reigns Supreme

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's hard rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's hard rock bands, Album Review, classic hard rock music, classic heavy metal, classic heavy metal albums, classic rock, collecting heavy metal albums, cool album covers, essential hard rock albums, essential heavy metal albums, essential heavy metal songs, guitar legends, hard rock music, hard rock vocalists, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1989, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 1989, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, rock guitarists, rock music, rock vocalists, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2009 by Metal Odyssey

BADLANDS "Badlands" large album picBadlands was a Heavy Metal band that I caught onto the instant they released their debut/self titled album – Badlands, (on Atlantic Records), back in 1989. I purchased this Badlands cassette at Strawberries Records & Tapes, located right around the corner from Central Connecticut State University on New Britain Avenue. I was a student at CCSU back in 1989, very much broke to the Metal wind. Therefore, my Heavy Music purchases were not abundant, I chose quality over quantity. With so little funds to buy music as a college student back then, being choosy was a necessity. Badlands with their classic and ultra talented lineup of musicians became a necessity for me. From the very first listen through of this album, (in my case cassette), to say that Badlands left an earthshaking mark on me is the understatement of the decade. The Heavy Metal onslaught of cool and psyched out vibrations, that this Badlands album gave me back in 1989, has once again reintroduced me to that same experience this past weekend.

My best buddy – a.k.a. – best Metal buddy – a.k.a. – Scott, well, he remembered just how much Badlands and their debut album resonated with me back in the day, therefore Scott landed me a CD copy of Badlands. Scott was my roommate at CCSU, my best man at my wedding and if anyone knows my Metal tastes and background… it is him. Thank you Scott, for this Metal gift of Badlands this past Saturday. Getting Badlands on CD in the mail was like experiencing Christmas Day on this cold, dank and rainy day in October. F’n unbelievable surprise.

It is an unreal great feeling to have this Badlands CD finally in my collection. I have never let go of my Badlands cassette since 1989… and I never will. To the best of my Metal research, this Badlands CD is extremely hard to find at retail. Out of print perhaps? Badlands is definitely one of my favorite Heavy Metal albums that I have ever listened to. I only wish this band was able to stay together forever, yet lead vocalist Ray Gillen was called to heaven a little early, on December 1, 1993 at the age of 34. The unreal great guitarist – Jake E. Lee and Ray Gillan on vocals may be the two main musical focal points of Badlands, yet Eric Singer on drums and Greg Chaisson on bass make for an ear bending and jaw dropping rhythm section – stuff of legend. Anyone that knows and enjoys Old School Heavy Metal can certainly identify with Badlands, this band is from that mold. Jake E. Lee proved with Badlands that there was definitely a Heavy Metal life for him away from Ozzy Osbourne.

The eleven songs on Badlands encompass the melodic driven side of Heavy Metal enormously, with the late Ray Gillen’s unique vocals surpassing many of his peers of that time, when it came to harmony and range. I include the late Ray Gillen in with Tony Martin, Jeff Scott Soto, Gary Barden, Jorn Lande and Joe Lynn Turner when it comes to lead vocals status in Old School Heavy Metal. He belongs with this select group of singers. (I definitely left out some names here, yet I think my point is made). If not for his passing away at age 34, I am convinced Ray Gillen would have been a top tier Heavy Metal and/or Hard Rock vocalist to this very day. With so many new vocalists coming out of the woodwork in all of the Metal genres since the 1990’s, too many of them sound like each other or have little regard for originality. This is why I can never tire from the late Ray Gillen’s vocal talent.

My favorite song on Badlands is Dreams In The Dark, I played it six times over, very loud the other night and it served me right. Yes, I acted very silly jumping around in my basement like a psyched out kid, while this song and the rest of Badlands cranked. As the ultra great Blackie Lawless would say… I don’t need no doctor. All I need is to delve back into the Metal world of Old School Heavy Metal, (on a very consistent basis), turn on some Badlands and let the bull crap of the world around me, wallow in it’s own decrepit stank. I don’t look back upon Badlands as a supergroup, instead I look upon them as a fabulously talented Heavy Metal band that was too short lived. Long live the legacy of Badlands – their Heavy Metal still reigns supreme for me.

Track List For Badlands:

High Wire

Dreams in the Dark

Jade’s Song

Winter’s Call

Dancing on the Edge

Streets Cry Freedom

Hard Driver

Rumblin’ Train

Devil’s Stomp

Seasons

Ball & Chain – (this song is not on the vinyl record version of Badlands)

BADLANDS "Badlands" large album pic

RAVAGE – “The End Of Tomorrow” – A Monster Of A Heavy Metal Album

Posted in Album Review, classic heavy metal, classic heavy metal albums, classic metal, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, cover songs, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, essential heavy metal songs, essential metal music albums, halloween songs, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from boston, heavy metal cover songs, heavy metal drummers, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music albums, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, speed metal, spooky album covers, spooky metal album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2009 by Metal Odyssey

Ravage - Banner group photo  2009

Ravage is a Heavy Metal Band from Boston, (actually Malden), Massachusetts and is hell bent on keeping Classic Metal Music alive, loud and damn proud. Every song on this second album from Ravage, The End Of Tomorrow, (their Metal Blade Records debut, released on August 18, 2009), is writhing with Old School Heavy Metal influence. Ravage does a credible job at flexing their Metal muscles on each song, heavy, hard and speed are irreversible elements that dominate The End Of Tomorrow. No where is the Old School Heavy Metal influence more evident than in the cover of the Judas Priest classic – Nightcrawler. Ravage shows Judas Priest their deserved Metal respect by not ripping Nightcrawler to pieces with any unnecessary fills or excessiveness. A fabulous cover Ravage does with this song, Nightcrawler is a genius choice to add to their track list on this album, based on it’s creepy and dark theme.

I have found that, the more I listen to The End Of Tomorrow, the more I am being convinced that this album was released back around 1985. Alas, that is not such the Metal case… Ravage brings forth to 2009 the Heavy Metal song structures and ambiance of what I have come to expect from vintage Metal Church and early Judas Priest and Armored Saint albums, to name just a few Old Schoolers. After each listen to this album, it is very obvious that the members of Ravage have done their Classic Heavy Metal homework. Knowing and creating all of the heavy nuances of their influences only catapults quality and integrity, on an upmost consistent level throughout The End Of Tomorrow. The Halls Of Madness not only has a vintage Metal title, it also is quite the convincing Heavy Metal instrumental intro that brings back memories of early Helloween and Savatage, for me. There really is not a scapegoat song to point out on The End Of Tomorrow, all twelve songs have their own distinctive Metal bite, an album that I can hit play and let the Heavy Metal assault take it’s natural course. Excuse me for a Metal second as I proclaim The End Of Tomorrow as being a top favorite Heavy Metal album for me in 2009, in my Metal opinion. Ravage can play Heavy Metal… their original brand too… I would not tell a Metal lie.

Ravage "The End Of Tomorrow" tiny picReign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of MetalThe End Of Tomorrow is an unleashed monster of what I am talking about here.

My other favorite songs on this album are: The Grapes Of Wrath, which takes a Heavy Metal swipe at all the idiot talking heads on television, these plastic morons get called out on the Metal carpet by Al Ravage here rather eloquently. Plus, The Grapes Of Wrath is authentically memorable for my Metal mind, I just cannot shake this song out of my senses. The Shredder is another manifestation of early Judas Priest influence, only it takes on it’s own Ravage originality… reminding me of the Judas Priest classic – The Ripper, only The Shredder is absolutely not a knock off or copy cat by any means. The End Of Tomorrow is one powerful way to conclude this album, fittingly the title song… lyrically doom laden, the end result is a reality check on the life we are leading and living now. The End Of Tomorrow has a Power Metal approach that echos of great Heavy Metal triumphs to come in the future for this killer “new” band they call Ravage.

Ravage, as they appear on The End Of Tomorrow:

Al Ravage on lead vocals

Eli Firicano on lead and rhythm guitars

Nick Izzo on lead and rhythm guitars

G.T.B. on drums

Howie Snow on bass

Track Listing for The End Of Tomorrow:

The Halls Of Madness

Reign Fall

Freedom Fighter

Damn Nation

The Shredder

Into The Shackles

In Shattered Dreams

The Nightmare’s Hold: Part One

Nightcrawler

The Nightmare’s Hold: Part Two

Grapes Of Wrath

The End Of Tomorrow

C’mon, is this album cover OLD SCHOOL HEAVY METAL or what? Not only does the Heavy Metal of Ravage stand on it’s own, (they could have issued a plain blue cover and that would not change the quality of Metal songs heard inside one bit), yet man, this is cool throwback artwork happening here. I cry out a huge Metal bravo! – to artist Edward J. Repka for creating a REAL Heavy Metal album cover for Ravage.

Ravage - "The End Of Tomorrow" x-large pic

How I Discovered Motorhead And My Favorite Motorhead Song Ever

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's heavy metal music, 1980's heavy metal albums, 1980's rock music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, 1990's heavy metal bands, 1990's metal bands, 1990's rock music, classic heavy metal, classic heavy metal albums, classic metal, classic rock, classic rock albums, classic rock bands, classic rock music, collecting heavy metal albums, collecting metal music, collecting rock music, cool album covers, current heavy metal bands, essential heavy metal albums, essential heavy metal songs, feel good stories, hard rock music, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal albums 1984, heavy metal memorabilia, heavy metal music, heavy metal music 1984, heavy metal on vinyl, heavy metal vocalists, Metal, metal odyssey, Motorhead, Music, old school heavy metal, rock & roll, rock and roll, rock music, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2009 by Metal Odyssey

Motorhead "No Remorse" small album picMotorhead is and always will be a core favorite Heavy Metal Band of mine, (a top 3 band without a doubt). I was first introduced to this prolific band back around 1983, a friend of mine in high school gave me an 8-track of a live Motorhead bootleg. (This dudes name was Rich, I am glad we had crossed paths back then). The sound was enormously awful, (the actual 8-track didn’t help), the lead vocals were beyond raspy and unclear and the Heavy Metal Music being played was raw, uncommercial and unlike anything I had ever heard before in my young life. I loved it. I was beyond thrilled at listening to this Motorhead 8-track. I was enamored by every unpolished intricacy that my rookie Metalhead ears heard. Here is this band, on a beat up 8-track, recorded as a live bootleg somewhere far away in the world, that only a dozen or so dudes in my high school even knew about at that time in 1983. All  that was written on the blank white sticker on this 8-track was a barely legible – Motorhead Live. I’ll never forget that… an Old School Metal memory at it’s most innocent. I was awe struck by the unnatural vocals of Lemmy Kilmister and his bass was over powering to boot. Gimme some more Motorhead is what I said.

I wound up buying the Iron Fist album by Motorhead first, (on vinyl of course). This Iron Fist album was released on April 17, 1982, I bought it sometime in 1983… owning a real Motorhead album became a dire Metal necessity then, I needed to get the Metal ball rolling in starting my Motorhead collection. Not having too much money as a teenager, I did not make another Motorhead album purchase until the double album No Remorse was released – which was September 15, 1984. (I can’t recall if I actually bought No Remorse on it’s release date, who would care now? I do remember that I bought it right away though!). Buying No Remorse heightened my awareness, attitude and respect for Metal Music in 1984 – I now had a legitimate greatest hits of Motorhead in my possession. My favorite Motorhead song ever, is on No Remorse, it actually was a brand new song added to this greatest hits track list at the time. Killed By Death. An unreal and damn incredible Metal song for me then… still is now in 2009.

Motorhead "No Remorse" small album picWhen I listen to Killed By Death today, it is like I am hearing it for the very first time again. I cannot figure that out, why bother? All I know is what this song does for me, it gets me extremely pumped up and motivated beyond Metal belief. The Heavy Metal and Roll vibe and groove that Killed By Death bestows is unlike any Motorhead song pre-1984. I was so fascinated back in 1984, while holding the double album jacket, staring at the front cover artwork of Snaggletooth, a.k.a. War-Pig and having my ears being ignited by Motorhead Metal. It felt like my little teenage world was made into a more tolerable place to exist in, with the Heavy Metal of Motorhead being at the ready for me to escape in. I could never forget just how much this No Remorse album of greatest hits means to me still, especially the song Killed By Death. Yes, I still have this No Remorse album, this double album is like Metal gold to me. I have kept it in pristine condition since September of 1984, this album is one of the fortunate ones that never was traded, sold, lost or given away by me.

I bought No Remorse at the no longer existing – Strawberries Records & Tapes. I even begged, bribed and pestered the Strawberries manager for months, to give me the Motorhead No Remorse promotional poster that hung on the store wall. (Back then, large record stores had class, they would actually give away any and all promotional posters for free, that is correct… for free). This Strawberries manager turned out to be a Metal hero for me… upon one of my extremely many trips there, he saw me enter the store and informed me the No Remorse promo poster was mine. That’s one cool memory – simple, innocent and Metal. This Motorhead No Remorse promo poster was hung up on my college dorm wall at Central Connecticut State University and survived. (I don’t know how it survived either). This same poster now adorns my basement wall… surrounded by many, many other Metal posters. However, this Motorhead No Remorse promo poster will forever remain as the Metal epicenter of my Rocked out basement, while the No Remorse album will remain as an integral reason as to why I revere Motorhead and Metal Music in the first place.

*My original copy of this Motorhead No Remorse – double album, depicts the same artwork on the front cover, however, the graphics Motorhead No Remorse are in deep red type.

Motorhead "No Remorse" large album pic

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