Archive for the new heavy metal album Category

ARMORED SAINT – NEW ALBUM “LA RAZA” RELEASING IN MARCH 2010!

Posted in 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, classic heavy metal, current heavy metal bands, current heavy metal music, heavy metal bands, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 2010, heavy metal vocalists, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, old school heavy metal bands, old school metal bands, rock music, traditional heavy metal music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , on December 9, 2009 by Metal Odyssey

The following news about the upcoming Armored Saint album, La Raza, was taken from the Metal Blade Records newsletter, dated December 4, 2009. In this newsletter, as told by Joey Vera, bass guitarist for Armored Saint:

Album Title – La Raza

Release Date – March 2010 – (no actual Tuesday date was mentioned)

Record Label – Metal Blade Records

Production Status – all the songs have been recorded and mixed * mastering, photo shoots, CD artwork and the running order of the songs are currently being finished up.

According to Joey Vera, this new Armored Saint album – La Raza, is “full on cardiovascular failure stuff” and is “Old School baby”!

* Heavy Metal credit where it is due: I first caught wind of a new Armored Saint album being finished and it’s release being on the horizon, over at The Metal Files – look for the post titled: DC4 and Warrior – 11/7/09 – Whisky A-Go-Go. It’s a really cool and credible read with an insiders view.

I’m really looking forward to this new Armored Saint album in March. After all these years I admire the Old School Heavy Metal bands that are still around and playing/making valid music. Armored Saint paid their Metal dues, now it’s time for this band to remind everyone what they are all about… 100% traditional/Old School Heavy Metal. 2010 is looking to be another unreal great year for Heavy Metal Music… thanks to Armored Saint’s return!

Armored Saint:

John Bush – Vocals

Joey Vera – Bass

Jeff Duncan – Guitars

Gonzo Sandoval – Drums

Phil Sandoval – Guitars

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W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Metal Odyssey

Chuck Berry "St. Louis to Liverpool" small album picW.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

W.A.S.P. “CRAZY” FROM “BABYLON” ALBUM IS WOVEN WITH HEAVY METAL MATURITY

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1990's heavy metal bands, 1990's metal bands, Album Review, classic heavy metal, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal albums 2009, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, independent record labels, Metal, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 11, 2009 by Metal Odyssey

W.A.S.P. Babylon small album picThank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.

As I mentioned in my previous post, I will be writing a series of reviews on the new W.A.S.P. studio album, Babylon. Concentrating on individual songs, musical elements and lyrics from Babylon makes for a more enlightening Metal experience for me, hopefully visitors to Metal Odyssey will agree. When an album of Heavy Metal has such a powerful impact on me, as does Babylon, a generalized review is about as fulfilling as a stale beer sitting in the hot sun. Could I have predicted Babylon would have impacted me in such a fantastic way? Of course not, yet the surprise is more expected than unexpected.

W.A.S.P. "The Last Command" small album pic #1Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.

The vocals of Blackie Lawless during Crazy extends maturity, not a voice that needs a stretcher… Blackie Lawless is not fooling anyone or pulling any high tech tricks. Doug Blair on lead guitar sounds like a rising star that Ozzy Osbourne would have plucked out of the bushel to call his own, decades ago. Instead, Blackie Lawless has a guitarist that doesn’t just play… emotion is emanated from the guitar of Doug Blair. Listening to the guitar solo on Crazy reminds me as to why I love Heavy Metal in the first place. Crazy is as commercially viable as any song from the storied Heavy Metal history of W.A.S.P., (only it has never been about accessibility with this band)… thank God for that. This is absolutely not an accusation that Blackie Lawless has set out to make a hit single, rather it is a Heavy Metal song that is so melodically driven that it is awe inspiring.

Lyrics, as with music itself, is art. One persons interpretation of a songs lyrics will differ far and wide against another’s. My interpretation of the lyrics for Crazy is – don’t fall in love with anyone or anything that cannot love you back. The symbolic person or thing that won’t accept love in Crazy sends a deep message of steering clear from personal hurt. Human emotion is a very volatile subject and Blackie Lawless has penned some intriguing lyrics with this song. You cannot draw love from drugs, alcohol or hate. These are things that will make anyone look crazy for loving. Inanimate objects are never going to love anyone. A tremendous Heavy Metal song is Crazy, this is the one song I have listened to the most from Babylon thus far… isn’t that crazy?

W.A.S.P. "Babylon" large album pic #2

W.A.S.P. COVERS THE DEEP PURPLE CLASSIC “BURN” WITH HEAVY METAL PRIDE ON BABYLON ALBUM!

Posted in 1970's classic rock bands, 1970's classic rock songs, 1970's classic rock music, 1980's heavy metal bands, 1980's metal bands, 1990's heavy metal bands, Album Review, classic rock cover songs, cool album covers, creepy album covers, current heavy metal albums, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal cover songs, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, spooky metal album covers, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 10, 2009 by Metal Odyssey

Blackie Lawless Image #1W.A.S.P. has me burning up with an extreme Heavy Metal fever. Their new studio album, Babylon, is the total Old School Heavy Metal package. I am so excited about this new W.A.S.P. album, I need to calm down. Alright, if you have never purchased a W.A.S.P. album in your life and you are into Metal, do the right thing and buy Babylon. Veteran W.A.S.P. fans should understand why I am pumped up about Babylon… it is the quintessential Heavy Metal album for 2009. Am I saying it is the best Heavy Metal album of 2009? I am sure leaning in that direction for certain. Remember, this is Heavy Metal, no strings attached. Blackie Lawless has proven once again he is not about to back down, cow tow or change for anyone. Blackie Lawless has my total Metal support and praise for his convictions, which he so eloquently states within the liner notes of Babylon.

In a perfect Heavy Metal world, Blackie Lawless would be my choice for President and Chief Commanding Officer. For now, I can live with Blackie Lawless being the living Heavy Metal legend he is. I now hereby declare, that it is very difficult to hide my appreciation for the Heavy Metal of W.A.S.P., I am damn proud of it too. I have been listening to and enjoying the Heavy Metal of  W.A.S.P. for too many years now, to give a hoot about what anyone thinks of my admitting my adoration for Blackie Lawless and his band. Hey, it is light years better than admitting to being a follower of an uptight dude, named Keith Olberman, who whines all night on MSNBC.

Get ready – for this will be the first in a series of rave Metal reviews I will be doing regarding this W.A.S.P. Babylon album. It is that unreal great. Oh well, I have to listen to the boss at Metal Odyssey and he says I have to do it this way… that boss is me. Isolating songs from a great Heavy Metal album like Babylon and writing about them, is more of a deserving tribute to a Metal accomplishment by Blackie Lawless and W.A.S.P., in my Metal opinion. The only song I will comment on, in this first edition of W.A.S.P. Babylon reviews, is the cover song Burn. This 1974 Classic Hard Rock song from the ultra incredible Deep Purple, is now also an unbelievable Heavy Metal classic, courtesy of Blackie Lawless and his band. I listened to this W.A.S.P. cover of Burn at least six times repeatedly… it blew my Metal mind. Blackie Lawless on vocals is Metal mesmerizing, I can hear the love and passion he truly has for this song… very loud and very clear. W.A.S.P. signs, seals and delivers Burn in powerful Heavy Metal style, nothing formal, no black tie required.

Deep Purple "Burn" small album picI will always believe, that it is extremely hard to cover a song of this magnitude, without tripping up somewhere along the way. Nothing beats a Hard Rock Classic, especially one from Deep Purple. David Coverdale will forever have the notoriety of originally vocalizing Burn with Deep Purple. David Coverdale’s  vocal signature on the original version of Burn, plus his historical importance to Heavy Metal is immeasurable, in my most honest Metal opinion. Fast forward to 2009 and Burn is resurrected from the archives of Hard Rock history, thanks to W.A.S.P.. Blackie Lawless maintains the signature keyboards of Burn, reestablishing the importance this instrument has within this song. Doug Blair on lead guitar, cements himself as an asset, to the Heavy Metal identity that is W.A.S.P., on this amazing cover song. Burn returns and rises like a flaming phoenix, with Blackie Lawless unleashing this song’s power and exposing it’s grandeur for all Heavy Metal time.

W.A.S.P. "Babylon" large album pic #2

I SOLD MY LITA FORD “WICKED WONDERLAND” CD!

Posted in 1980's hair metal bands, 1980's heavy metal bands, 1980's heavy metal music, Album Review, annoying music, annoying rock albums, bad heavy metal albums, bad heavy metal purchase, current heavy metal albums, current heavy metal music, everyday social experiences, hair metal music, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal music shopping, Heavy Metal Reviews, heavy metal vocalists, independent record labels, metal odyssey, Music, new heavy metal album, rock guitarists, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , on November 5, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small pic #2Yes! I got rid of it! I actually sold it! The “it” I am referring to is the absolutely annoying new album from Lita FordWicked Wonderland.  I foolishly bought the CD at Walmart for an even $10.00, (factor in the 6% sales tax and it set me back $10.60). The good Metal news is, I sold it today, finally! I brought it to f.y.e. and man, I never expected to get this much loot for it… f.y.e. took Wicked Wonderland off my hands for $6.25!! I’m NOT complaining. An extremely generous price that f.y.e. is, (for some reason), willing to pay for this CD. I was issued store credit towards other Metal purchases at f.y.e., a fine deal to me. Sure, I am out $4.35 at the end of the day, however, getting rid of this CD for any amount of money is a joyous Metal memory for me. I did state in my review, on this album, that I was definitely going to sell it… I actually held onto it for way too long.

I won’t get into the specifics as to why Wicked Wonderland is unentertaining here, (I could not put myself through writing about it a second time). You can read my fully detailed review about Wicked Wonderland on Metal Odyssey still… look for or type in – LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined. (That is the complete title of the review I posted on Metal Odyssey). At the end of the Metal day, all I can say to myself is phew, I rid my collection of some bad music. Bad. Hopefully something like this will never happen again.

MetalOdyssey

U.D.O. – “DOMINATOR” Unleashes Potent Heavy Metal

Posted in 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal, collecting metal music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands from germany, heavy metal music, heavy metal music 2009, heavy metal solo vocalists, heavy metal songs 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2009 by Metal Odyssey

U.D.O. "Dominator" small album picU.D.O. is another justified example as to why I consider Germany the worlds greatest exporter of Metal Music outside of the great United States. U.D.O. does not stray from their Heavy Metal norm on Dominator, (released on October 6, 2009 in the U.S.A., on AFM Records). The first two songs on Dominator are like smash mouth football… Old School and punishing. The lyrics are not meant for NASA academics, they are meant for the Metalheads of the world who take pride in their Heavy Metal Music and bands. The Bogeyman and Dominator are song titles with lyrical content that follow a simple rule of Heavy Metal… thou shall not conform. Vintage Heavy Metal, baby. No political statements or hard to decipher words to be found. I love this stuff. I live for this stuff. Black and White is song three and glorifies the elegance of Heavy Metal guitar, not to forget Heavy Metal chorus as well. Udo Dirkschneider on lead vocals sounds as great as ever, anyone who states otherwise is simply jealous of this ageless Metal icon. Udo Dirkschneider has forever forged his legacy twice in Heavy Metal history, both with U.D.O. and Accept. Heavy Metal lightning does strike twice, Udo Dirkschneider is living proof of that.

Listening to Udo sing on Infected, I imagine him atop a high mountain, looking down upon a land of chaos and condemning all to hell. Udo’s vocals are more than steely and mean streaked, they encompass Heavy Metal theater. Cast me off into damnation for having imaginary thoughts while I listen to Heavy Metal Music, that is how my mind reacts and I’m damn proud. Anyone who says they do not create their own mental imagery to music is either a liar or a cyborg. Doom Ride takes the more consistent approach of Old School Heavy Metal, no real blazing guitar licks or profound moments. Still, Doom Ride gets it’s doom message across and that is Metal enough for me. Stillness of Time is a (gulp), U.D.O. ballad. Well, a fast paced ballad it is. Udo has his unique vocals for sure, he pulls me into Stillness of Time, like a glazed over Old School loyalist that I am. Having a piano included into any U.D.O. song is quite the diverse moment and I admire that. Stillness of Time just might be the best kept secret on Dominator.

Devil’s Rendezvous has me itching to get up off my butt and… do some wacky dance. You know, the kind of dance that drunk people do at weddings. Or, the kind of spastic dance that you can only do in the privacy of your own home… with the blinds shut. Quite the Metal surprise is Devil’s Rendezvous, U.D.O. put some fun into this Dominator album. Crap, did I just use the “F” word? This is starting to become a semi-habit of mine… I must be be too happy or something. Speed Demon is the fastest song on Dominator. No, no, no, it is not because the word speed is in the song title. Speed Demon really does crank up the Metal meter a few bars and it kicks. To sum up my Metal feelings on this U.D.O. Dominator album, it rightfully cements all things great about Heavy Metal… Old School Heavy Metal that is. Dominator is a standout Heavy Metal album for 2009, no Metal questions asked. I thank my best Metal buddy Scott for steering me to Dominator… a Metal referral that is incredibly appreciated.

U.D.O. "Dominator" large album pic

LITA FORD – “Wicked Wonderland” Is Naughty And Bad Combined

Posted in 1980's hair metal bands, 1980's heavy metal ballads, 1980's heavy metal bands, 1980's heavy metal music, 1989 heavy metal music, Album Review, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, guitar legends, hair metal music, hard rock music, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2009 by Metal Odyssey

Lita Ford "Wicked Wonderland" small album picAh, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.

In the very recent issue of Revolver Magazine, (December 2009), Lita Ford states that “There’s no law that says just because you grow up, you have to stop being naughty”. Oh, it gets better… “The album is pretty much based on our home life”. Lita, Lita, oh, Lita Ford. I will interject here by saying – and this is my quote here – there is a Metal law that says just because you grow up, YOU HAVE TO STOP making annoying music. Plus, it is NOT a turn on for me, to know what goes on in your bedroom. Ew. Now, this is coming from a middle aged Metalhead who is extremely open minded to all Metal Music that has ever existed, plus I kinda like to keep the intimacy that occurs in my home, with my wife, a secret. That is the REAL turn on for me. Sure, there will be a crowd out there that wants to know what Lita Ford does in her, um, spare time, I am not one of them.

To actually listen to all fifteen songs on Wicked Wonderland was like listening to a once glorified Heavy Metal star just pushing out tunes because she’s famous and she can. It appears that Lita Ford’s husband Jim Gillette lends his background vocals throughout Wicked Wonderland. Man, this guy sounds not just creepy, he is a major league part of the ANNOYING FACTOR that this album illuminates. Ugh. I guess Jim Gillette used to be the lead vocalist for some band called… Nitro. Nitro? Does not ring a Metal bell for me. Let me put this in perspective here… Bed is the worst song I have ever listened to in my life. Wicked Wonderland is without question, the worst “Heavy Metal” album that I have bought since, well, since ever. “Tie me to the bed”… these lyrics alongside some of the most bothersome guitar you will ever listen to, throw in the constant ANNOYING keyboards and you have the epitome of BAD.

Is there at least one song on Wicked Wonderland that is at least… tolerable? Uh, let’s see… maybe Scream 4 Me is a bit groovy. Metal truth be told, if Lita Ford created more songs like Scream 4 Me on this album, it would have been a more credible project in the end. It is extremely rare for me to put any album or band through the Metal wringer on Metal Odyssey. Really, it has to be a monumental bad listening experience in Heavy Metal for me to bark this fierce. After listening to Wicked Wonderland twice, I felt an obligation to the Metal world to give my fair warning regarding this Lita Ford album, uh, disaster. In the end, Wicked Wonderland makes for a decent comedy album, the ending song is Push. Uh, yeah, there is sexual innuendo stacked up to the ceiling on Push. Weeeeeeeeeee! I’m selling my Wicked Sensation CD first thing Thursday morning to the used CD dealer, (I hope he buys it). Sometimes immaturity is best expressed through song, yet to combine it with lack of integrity as Lita Ford did with Wicked Wonderland is simply astonishing.

To my best Metal buddy Scott… I should have heeded your warning about this album, Metal lesson learned.

Lita Ford "Wicked Wonderland" large album pic

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