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W.A.S.P. – “THE REAL ME” 12″ SINGLE FROM 1989 REVISITED!

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal guitarists, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, collecting heavy metal albums, collecting music, cool album covers, guitar legends, hard to find records, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1989, heavy metal cover songs, heavy metal guitarists, heavy metal history, heavy metal memorabilia, heavy metal music, heavy metal music 1989, heavy metal on vinyl, heavy metal records, heavy metal vocalists, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rare heavy metal records, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 14, 2010 by Metal Odyssey

Back in April of 1989, W.A.S.P. released The Headless Children, this proved to be THE album that really made me a lifetime fan of Blackie Lawless and his band. My best Metal buddy Scott, he is to blame for getting me into this album to begin with, I thank him for that. Sometime in 1989, (I can’t remember the exact month for Metal sakes), I bought the 12″ vinyl single of The Real Me from a back stabbing and obnoxious record dealer in very expensive Connecticut. The price back in ’89 for this W.A.S.P. record was $9.98. I could not resist the purchase, it was the only copy in that decrepit record store, it’s W.A.S.P. and the collectible side of my Metal brain always wins out in the end… especially when an item doesn’t cost a ton of dough. As a bonus, this 12″ single is enclosed inside a very, very, large W.A.S.P. poster, (see pics below). Back in ’89, I was still living at home, (with my parents), so my living space was a very small bedroom with walls already adorned with Metal posters… posters I just could not take down due to my loyalty and allegiance to so many bands. I am now glad I never hung this poster years ago, it’s basically in mint condition still.

The Real Me is a cover song from The Who, written by Pete Townshend… undisputed Rock legends. This song is found on The Headless Children album:

Here is what The Real Me 12″ single – record poster/jacket looks like when folded up flat:

The B – Side (or) Side Two Songs On The Real Me Single Are:

Lake Of Fools and War Cry

Lake Of Fools and War Cry are later found on the 1998 reissued CD version of The Headless Children.

The Real Me 12″ single was put out on Capitol Records. 1989 Sanctuary Productions Inc. is also printed on the back of this poster/cover.

Made In England is found on this same back poster/cover, (it appears to be rubber stamped). So, needless to say… this 12″ single of The Real Me is an import.

Please excuse the quality of my images below. Besides, being perfect is NOT Metal.

Here is the front side of this W.A.S.P. – The Real Me poster/record jacket:

The caricatures of Blackie Lawless, (guitar, vocals), Johnny Rod, (bass), Chris Holmes, (lead guitar) and Frankie Banali, (drums) are fun stuff. It’s Old School Heavy Metal. I probably won’t attempt to hang this poster up today… it’s just too vintage to ruin now. (Unless I find a poster frame large enough to hold it). Besides my picture disc of The Headless Children, this is the only other cool W.A.S.P. record I have, that is considered a limited vinyl collectible. I know I say this often, still, I’m just thankful for the stuff I did get ahold of and kept after all these years. Maybe I’ll find another W.A.S.P. vinyl collectible down the road, on one of my Metal hunts.

Here is the backside of this W.A.S.P. – The Real Me poster/record jacket:

The photo’s of W.A.S.P. on this poster are really cool and nostalgic to me. 1989 was a moment in Heavy Metal time that will never be forgotten by Metal Odyssey… I’m sure I speak for throngs of Metalheads worldwide.

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W.A.S.P. COVERS CHUCK BERRY CLASSIC – “PROMISED LAND” ON “BABYLON” ALBUM

Posted in 1960's rock and roll albums, 1960's vintage rock albums, 1960's rock & roll, 1960's rock music, 1980's heavy metal bands, 1990's heavy metal bands, collecting rock music, cool album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, current heavy metal songs, essential heavy metal albums, essential heavy metal songs, essential rock and roll albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal cover songs, heavy metal music, heavy metal music 2009, heavy metal songs 2009, heavy metal vocalists, independent metal music record labels, metal music, Metal Reviews, Music, new heavy metal album, old school heavy metal, rock & roll, rock & roll hall of fame inductees, rock and roll, rock music, scary album covers, vintage rock and roll songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Metal Odyssey

Chuck Berry "St. Louis to Liverpool" small album picW.A.S.P. has brought the Chuck Berry 1964 Rock and Roll Classic Promised Land to the Heavy Metal forefront. Promised Land is from the Chuck Berry album from 1964, St. Louis To Liverpool. Appearing on their new studio album Babylon, Promised Land is the last song, closing out a tremendously catchy and hook laden, Old School Heavy Metal album. W.A.S.P.’s Heavy Metal lays down the riffs, leads and solos that resonates power and electrifies this song. The rhythm section of W.A.S.P. sets and maintains the Metal pulse of Promised Land, balancing out a groovy ride. When an early 1960’s Rock and Roll Classic like Promised Land can be covered with the passion and intensity that W.A.S.P. brings, it is the Old School Heavy Metal balance and basics that makes this song come to life. W.A.S.P. makes this song crush with heaviness without sacrificing any early 1960’s Rock guitar sound and energy.

Nothing is overdone with W.A.S.P. covering Promised Land. This is not a cover song that is a filler for this Babylon album. I always feel, that if you are going to cover a Rock and Roll Classic, there better be plenty of emotional integrity with the music and vocals combined. A cover song has to really convey the original song’s essence and fire. Blackie Lawless does live up to my expectations with covering Promised Land vocally, he really sings the lyrics as if he penned them himself. Blackie Lawless sings the lyrics of Promised Land as if he truly was the poor boy, (in this song), traveling across the country to California. To camouflage oneself within a song’s lyrics, to make the song sound so believable as Blackie Lawless does with his vocals, is worth taking a bow. In my Metal opinion, listening to Blackie Lawless sing Promised Land makes me believe that he would have owned an enormous crowd of frenzied Rock and Roll fans back in 1964. This same sentiment goes to the entire W.A.S.P. band here, based on how authentic Promised Land plays out on Babylon. W.A.S.P. would have torn the roof down, (literally), at any given theater that catered to Rock and Roll concerts – back in the early 1960’s.

Anytime a band of any Rock or Heavy Metal genre pays tribute to such an icon such as Chuck Berry, it makes for quite the Rock and Roll history lesson. Younger bands should take notice, saluting a Rock and Roll originator such as Chuck Berry, through a high quality cover song such as W.A.S.P. has done, is of the highest compliment to this Rock and Roll legend. This cover version of Promised Land had me hooked from the opening note, it is the Heavy Metal of W.A.S.P. taking over a soda hop from 1964 and bringing it into 2009.

W.A.S.P. is not the first band in Rock and Roll history to cover Promised Land. This song is too great for it not to have been previously covered. The late and unreal legendary Elvis Presley covered this song, found on his 1975 album Promised Land. Rock icon The Grateful Dead have covered this song, (it was a staple in their live sets), plus other Rock luminaries such as Meat Loaf, James Taylor and Dave Edmunds have covered Promised Land on album too.

W.A.S.P. "Babylon" large album pic #2

W.A.S.P. “CRAZY” FROM “BABYLON” ALBUM IS WOVEN WITH HEAVY METAL MATURITY

Posted in 1980's heavy metal albums, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1990's heavy metal bands, 1990's metal bands, Album Review, classic heavy metal, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal albums, current heavy metal bands, current heavy metal music, essential heavy metal albums, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1985, heavy metal albums 2009, heavy metal bands, heavy metal guitarists, heavy metal music, heavy metal music 2009, heavy metal vocalists, independent record labels, Metal, metal music, metal odyssey, Music, new heavy metal album, old school heavy metal, rock music, scary album covers, spooky album covers, vintage heavy metal albums, vintage heavy metal bands, vintage heavy metal songs with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on November 11, 2009 by Metal Odyssey

W.A.S.P. Babylon small album picThank you Blackie Lawless. Thank you for not going away, taking an extended leave of absence or selling out. There are too many 1980’s Heavy Metal Bands that did just those things, now they are scrambling to make their triumphant comeback or best album ever. Some are doing just that, only Blackie Lawless does not belong to that club. The Heavy Metal membership card that Blackie Lawless holds says two words… for life. Why shouldn’t it say just that? The true fans of Heavy Metal and/or W.A.S.P. are in it for life. While the 1990’s ushered in the Grunge genre and scores of pretentious bands (being mistakenly labeled) Heavy Metal, all the while lining up at Hollywood’s red carpet gala’s for accolades, W.A.S.P. was too busy making real Heavy Metal albums of integrity. The politically correct mainstream press was not a necessity for W.A.S.P.’s survival then, it certainly is not now. There is no return of or part ll theme happening with W.A.S.P., just a band that is a Heavy Metal mainstay, due to the perseverance and creativity of Blackie Lawless. To take a quote from Blackie Lawless, (as stated in the liner notes from Babylon)… If it is not the truth, it will not stand.

As I mentioned in my previous post, I will be writing a series of reviews on the new W.A.S.P. studio album, Babylon. Concentrating on individual songs, musical elements and lyrics from Babylon makes for a more enlightening Metal experience for me, hopefully visitors to Metal Odyssey will agree. When an album of Heavy Metal has such a powerful impact on me, as does Babylon, a generalized review is about as fulfilling as a stale beer sitting in the hot sun. Could I have predicted Babylon would have impacted me in such a fantastic way? Of course not, yet the surprise is more expected than unexpected.

W.A.S.P. "The Last Command" small album pic #1Crazy is the opening song on Babylon. The weight of the world always seems to be put on the opening track of any album. The first song sets the table for the remainder of the album, good or bad, this all important track can either be the demise or exclamation point for the songs that follow. With Crazy, this song kicks and extends it’s Heavy Metal tentacles like a giant sea squid on a caffeine rush. Crazy is the prelude to nine Heavy Metal songs of substance, this song alone foretells that W.A.S.P. connects in 2009. Blackie Lawless borrowed some of his Old School Heavy Metal and fused it with a more mature presentation, both with lyrics and tempo. Sure, Crazy is a fast moving song, only it’s the streamlined sound of it’s speed that makes it so appreciable. The consistency of Heavy Metal muscle is what I have come to expect from W.A.S.P., Crazy illuminates and flexes it from the opening note. My best Metal buddy Scott cued me into the comparison of Crazy to Wild Child, from the 1985 W.A.S.P. classic, The Last Command. (This was well before I owned a copy of Babylon, Scott was a lucky one who nailed Babylon on it’s import release date of October 13th). The opening guitar intro to both Crazy and Wild Child are very similar, still not a mirror image note for note.

The vocals of Blackie Lawless during Crazy extends maturity, not a voice that needs a stretcher… Blackie Lawless is not fooling anyone or pulling any high tech tricks. Doug Blair on lead guitar sounds like a rising star that Ozzy Osbourne would have plucked out of the bushel to call his own, decades ago. Instead, Blackie Lawless has a guitarist that doesn’t just play… emotion is emanated from the guitar of Doug Blair. Listening to the guitar solo on Crazy reminds me as to why I love Heavy Metal in the first place. Crazy is as commercially viable as any song from the storied Heavy Metal history of W.A.S.P., (only it has never been about accessibility with this band)… thank God for that. This is absolutely not an accusation that Blackie Lawless has set out to make a hit single, rather it is a Heavy Metal song that is so melodically driven that it is awe inspiring.

Lyrics, as with music itself, is art. One persons interpretation of a songs lyrics will differ far and wide against another’s. My interpretation of the lyrics for Crazy is – don’t fall in love with anyone or anything that cannot love you back. The symbolic person or thing that won’t accept love in Crazy sends a deep message of steering clear from personal hurt. Human emotion is a very volatile subject and Blackie Lawless has penned some intriguing lyrics with this song. You cannot draw love from drugs, alcohol or hate. These are things that will make anyone look crazy for loving. Inanimate objects are never going to love anyone. A tremendous Heavy Metal song is Crazy, this is the one song I have listened to the most from Babylon thus far… isn’t that crazy?

W.A.S.P. "Babylon" large album pic #2

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