Archive for the 1990's thrash metal albums Category

SHADOWS FALL – “RETRIBUTION” album is a Thrash Metal lightning strike!

Posted in 1990's thrash metal albums, 1990's thrash metal music, Album Review, cool album covers, current extreme metal albums, current extreme metal music, current heavy metal albums, current metal albums, current thrash metal, current thrash metal albums, current thrash metal music, essential heavy metal albums, essential metal music albums, essential thrash metal albums, extreme metal music, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands this decade, heavy metal music, heavy metal music 2009, heavy metal vocalists, Metal, metal music, metal music today, metal odyssey, Metal Reviews, Music, new heavy metal album, new thrash metal albums, rock music, Thrash Metal, thrash metal 2009, thrash metal album review, thrash metal albums 2009, thrash metal music, thrash metal music reviews, thrash metal today with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 16, 2009 by Metal Odyssey

Shadows Fall "Retribution" small picHighly recommended to all Metal fans all over the globe! That is just how unreal good Retribution from Shadows Fall is… that I start off by just bluntly recommending this new album. Seriously, Retribution is one solid chunk of Thrash Metal Music for me. On this new release, (released September 15, 2009), Shadows Fall sounds as if they are not holding back the hard and heavy for no one. I am not taking the easy way out by saying all ten songs are damn incredible. The all encompassing barrage of Metal fury, that highlights each turn and corner on Retribution, is like a Metal power rush to my brain that I do not want to end. In my Metal opinion, it very much seems as if Shadows Fall took a long and hard listen to the once in a millennium, Metal masterpiece from Slipknot called All Hope Is Gone… and decided they too wanted to raise their own Metal bar. The All Hope Is Gone influence I hear on Retribution, is deserving of a raucous Metal applause for Shadows Fall, for if this influence is to be true… Shadows Fall surely knows real Metal when they hear it. The unrelenting surge of Metal power both musically and vocally, (both lead and backing/gang vocals), found within Retribution, are the best ways I can describe my All Hope Is Gone comparison. 

Brian Fair on lead vocals has never sounded this unreal great before, based on what my ears hear on Retribution. Brian Fair shows his harmonious side as a crooner and just as suddenly can deliver the bad ass vocals I have always expected… and he does so with the determination and tenacity of a seasoned Metal pro. If it was ever possible for Jason Bittner to elevate his already incredible Metal talents on drums, well, he did it here on Retribution… whoa. Jonathan Donais on lead guitar, takes full Metal command with creative leads that are above impressive. One recent professionally paid Metal Music critic wrote in the November 2009 issue of Revolver Magazine: “arguably the most mainstream-friendly album the group has made” – (?), uh, I beg to differ. First, I would never equate the word mainstream to Shadows Fall… never, ever, from 1998’s Somber Eyes to the Sky to 2007’s Threads of Life. Now, with Retribution, for this album to even be remotely considered mainstream friendly, well, that is like saying a Pit Viper hanging from a tree limb above your head is friendly too. Nickelback is mainstream friendly, with absolutely no disrespect of course, to them. This is just another perfect Metal example, that there are some Metal Music critics out there that never bother to listen to the album(s) they are being paid to review. Frustrating, to say the least.

My two choice picks on Retribution are: King Of Nothing and Embrace Annihilation. These are the two songs that just embody the core Thrash Metal essence of Retribution, in my Metal opinion. Shadows Fall has made me feel Metal secure, with their creating Retribution, this is an album that encapsulates all things powerful about Thrash Metal. Metal truth be told, I will be recommending this album to anyone who listens for the rest of my Metal life. Musical integrity and the respect for quality song writing are characteristics every band should uphold, Shadows Fall upheld them on Retribution ten fold. Shadows Fall will always have their Metalcore roots, with Retribution, they have imprinted themselves into the Thrash Metal genre like an unstoppable lightning strike.

Shadows Fall are:

Brian Fair on lead vocals

Jonathan Donais on lead guitar/vocals

Matthew Bachand on guitar/vocals

Paul Romanko on bass 

Jason Bittner on drums

Retribution was produced by Zeuss and released on Ferret Music and Independent Label Group.

Shadows Fall "Retribution" large pic

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“Frankenstein” – The Edgar Winter Group Rock Classic, an Over Kill Thrash Metal cover song

Posted in 1970's classic rock albums, 1970's classic rock bands, 1970's classic rock songs, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's Rock, 1970's rock music, 1980's thrash metal music, 1980's metal music, 1990's heavy metal albums, 1990's heavy metal bands, 1990's thrash metal albums, 1990's thrash metal bands, 1990's thrash metal songs, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock albums, classic rock bands, classic rock cover songs, classic rock instrumentals, classic rock music, classic rock music 1972, classic rock songs, cool album covers, essential classic rock albums, essential thrash metal albums, hard rock songs, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal cover songs, Metal, metal music, metal odyssey, Music, old school hard rock, old school thrash metal music, Over Kill, Rock, rock music, Thrash Metal, thrash metal albums 1991, thrash metal cover songs, thrash metal music, thrash metal music 1991, thrash metal music instrumental songs, thrash metal music reviews, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Metal Odyssey

The Edgar Winter Group "They Only Come Out At Night" small picIf I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.

Now, step in… Over Kill. “Horrorscope” was released on September 3, 1991 and on this album, Over Kill includes the cover version of “Frankenstein”. The running time of this Over Kill  cover version comes in at 3:29, compared to The Edgar Winter Group’s original version of 4:44. Despite the shortened length of time, Over Kill demonstrated a monstrous Thrash Metal approach to honoring such a legendary Rock instrumental classic. Yes, I bought this Over Kill album within the first week of it’s release back in 1991, (I still have it on cassette too). When I first listened to Over Kill’s Thrash Metal burn on “Frankenstein”, I was stunned, all I felt was the immediate power force of guitar, bass and drums all coming together like a Metal typhoon. The only word that I honestly can remember saying aloud, listening for the first time to Over Kill’s cover version was… whoa. I also dropped plenty of complimentary f-bombs alongside the adjectives of great, incredible and insane. I still do, when talking about this Over Kill cover of “Frankenstein”. I will not lie, I look upon Over Kill, past and present, as if they were and still are the Thrash Metal kings of the entire universe. That type of Metal bias has no persuasion whatsoever, when I tell the entire planet that this cover by Over Kill is one for the Metal record books. As for the “Horrorscope” album itself… Thrash Metal of profound intensity.

I will succumb by stating, I honestly without a Metal doubt, cannot choose one version of “Frankenstein” over the other. This is a wicked example of how an original Rock Classic can be so legendary and inspiring, yet the cover version with all of it’s grand Thrash Metal bite and might, results in my saying it is a Metal tie. September is just around the corner… October shall be upon us very soon… “Frankenstein” will be played very loud by me very many times starting now… my home stereo speakers are going to get a Metal workout like they never experienced before.

Over Kill "Horrorscope" album large pic

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