STEELHEART – released Tangled In Reins on July 10, 1992 on MCA Records. Cutting to the Metal chase here, holy crap, is this a profoundly great Heavy Metal album of 10 songs! In makes absolutely no sense to beat around the Metal bush, when describing my true feelings towards this Steelheart album. Yes, Steelheart back in ’92 can very well be labeled as a Hair Metal band, with Tangled In Reins being called a Hair Metal album. The inner and outer cores of this album cries out just one universal sound and feel for me… Heavy Metal and it is a gem. The all-encompassing power and memorable songs I hear on Tangled In Reins is pretty darn close to Metal sanctity.
A Metal truth is that I never owned or listened to this Steelheart album until recently. (The early ’90’s were very lean years for my wallet). My best Metal buddy Scott Coverdale landed me this CD… along with his enthusiastic Metal accolades of it as well. Thanks Scott, this CD is quite an indulgence. It just seems like the first half of the ’90’s had some real deal Heavy Metal albums released back then, coming across the ones I missed out on years later is better late than Metal never. Metal buddy Scott and I both conclude… Steelheart’s first two albums are just victims to their time period of release. From 1990 onward through that entire decade, Heavy Metal had an upward battle to fight for any mainstream or positive critical attention. As I always say, Heavy Metal never went away back in the ’90’s, it only silently grew stronger.
In my most humble Metal opinion, Steelheart knew how power ballads were to be written and played for Heavy Metal. Not to come across as redundant, yet I am the ever fickle – ballad critic. Two ballads exist on Tangled In Reins: All Your Love and Mama Don’t You Cry. I don’t hesitate a micro second to put down Heavy Metal power ballads, from any band… ever. These two Steelheart ballads are creme’ de la creme’ of how I want them to sound and come across. Both ballads burst at the emotional seams, still they are loaded with hard-edged and melodic grooves. Miljenko Matijevic has an uncanny, God-given ability to hit the high notes and does not whine away in stereotypical ballad fashion.
Tangled In Reins kicks off with Loaded Mutha and this mutha Rocks with all the delectable, good times heaviness I could ask for. Chris Risola on lead guitar, serves up the licks that makes this song just jump out and come to life. Love ‘Em And I’m Gone lends itself to that carefree, single and party time lifestyle, which has been so well documented in Heavy Metal songs over the decades. This song may not be relevant to me lyrically at my point in life now… still I don’t care, it Rocks! Long live fun Heavy Metal songs! Electric Love Child has a catchy Heavy Metal title and the song itself is even more so. Listening to Electric Love Child makes me appreciate Steelheart as one of the finest and most underrated Heavy Metal bands from the early ’90’s. Steelheart has all their Metal cylinders in sync on not just this song… on the entire album as well.
In Metal summation, Steelheart exercises their potent and muscular Metal abilities and skills at a very high level on Tangled In Reins. This Steelheart lineup played like an extremely tight and content unit on this album, giving every indication from the song lyrics to the lively and free spirit feel of the musicianship. Tangled In Reins is just a must listen from the early ’90’s, an album to revisit on a continuous basis. A powerful Heavy Metal album, to simply state: Heavy Metal never sounded so damn good… Tangled In Reins has reined me in for keeps!
I believe Miljenko Matijevic is an extremely gifted vocalist, knowing he still has his Steelheart band out and running around the globe is a testament to the quality and integrity of the music he represents. Plus, one of these days I’m gonna get my hands on some of that Steelheart coffee! Check out for yourself, the latest news on all things Steelheart, (and the coffee too), by clicking on the link below:
STEELHEART, as they appeared on Tangled In Reins from 1992:
Miljenko Matijevic – lead vocals & piano
Chris Risola – lead guitar
Frank Di Costanzo – rhythm guitar
James Ward – bass guitar
John Fowler – drums
* Jeff Scott Soto – appears on backing vocals
LONG LIVE MILJENKO MATIJEVIC AND STEELHEART!
Ah, the weekend is here. Time to clean up the house, tidy the garage, finish some yard work and maybe wash and vacuum the car. Watch some College and/or NFL Football this weekend too. What are some music listening suggestions I may have for the weekend? Thank you for asking. Heavy Metal and/or all the other Metal Music genres that exist is first and foremost. Oh, may I also suggest some Punk Rock as well? Thank you for allowing me to do so. What was that? Did someone just ask me to name specifically which bands and/or albums to delve into this weekend? Gee, I feel rather honored to be suggesting to the entire world , a tidy list of great heavy bands and/or albums to choose from… uh, here it is:
I found IOMMI With Glenn Hughes – the 1996 Dep Sessions on the Century Media Records online store CM Distro.com. This CD set me back 3 bucks plus shipping. (I bought a few CD’s so the total shipping cost of 5 bucks was reasonable to me). This CD was in the clearance section at CM Distro.com, proving to be a cool Metal find for me. Tony Iommi is the lead guitarist for the ultra legendary/Rock and Roll Hall of Fame inductee – Black Sabbath. Glenn Hughes has had a stellar career of his own, most notably being a vocalist and bass guitarist for Deep Purple on their Burn and Stormbringer 
Crowbar was my Metal band of choice today. Sludge Metal with a healthy slice of Doom Metal at it’s very best is Crowbar. I gave another listen to Sonic Excess In It’s Purest Form and have walked away with the same Metal satisfaction as always – ultra Sludge Metal satisfaction that is. The slow trudging and heavy duty guitar riffs combined with the slow paced rhythm section, makes me scream in Metal glee that Crowbar has taken Old School Heavy Metal to a more dark and doom ridden place. The lyrics heard in the songs on Sonic Excess In It’s Purest Form are gloomy, mournful and visits the realms of self suffering, doubt and infliction. Well, that is what Doom Metal delves into, topics too touchy for the faint at heart mainstream. These lyrics explore what it must feel like when one is truly suffering from extreme mental anguish. Now, if you are to look past the psychologically driven lyrics, the Metal Music is an ear crushing experience and/or escape that seems to come at me from all sides. Crowbar plays their Sludge Metal like it surrounds me, repeatedly encircling my space like a slow marching invasion of Metal giants from a far away and spooky place. Cool.
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
King Diamond, the legendary Metal front man for Mercyful Fate and Horror Metal/Heavy Metal icon. King Diamond and his band have left more than a mark on Heavy Metal history, a chunk of Heavy Metal history is King Diamond. On October 13, 2009, the infamous Metal Blade Records will reissue two King Diamond Classics… The Graveyard and The Spider’s Lullabye. Very cool. Just in time for Halloween… very cool again. Both albums have been re-mastered by King Diamond guitarist Andy LaRocque. The Spider’s Lullabye was originally released in 1995, with The Graveyard originally released in 1996. Bonus live bootleg footage will be available for download, for those who purchase either of these two reissues. The bonus footage for download will be these three King Diamond songs: The Spider’s Lullabye, Trick Or Treat and Up From The Grave. Reissue’s are always great, especially when they include new songs and/or videos – downloading the bonus content for these albums is fine with me, especially when King Diamond is looking at giving the fans the highest quality in sound and video. Man, I better start saving up some spare change or my Christmas want list is going to be very long with all of the new Metal CD’s that are coming out next month! Metal rules. King Diamond is a big reason why. King Diamond is delivering a Happy Halloween to his fans and all fans of Metal on October 13, 2009.
If I had to choose one of my favorite Rock instrumental songs of all time, there is no doubt “Frankenstein” comes to mind. The Edgar Winter Group released “They Only Come Out At Night” in November of 1972, this is the album you will find this original song on. Written by Edgar Winter, how ahead of it’s time was this song? Realistically, this now Classic Rock masterpiece of an instrumental song was as diversified as it was heavy. The multi talented musicianship of Edgar Winter is standout on “Frankenstein”, with the keyboards creating enough spookiness to validate the song’s title. The saxophone, in my Metal opinion, has always had a macabre sounding affect on me, only adding to the overall eerie coolness that “Frankenstein” erupts. I fell Metal head over heels for this song decades ago… I still slap this song on very frequently, especially around Halloween. Seriously, this song just goes perfect when Autumn arrives… once October hits, I have plenty of scary and heavy songs to bust out and revel in their dark side glory, “Frankenstein” leads the pack. No Halloween season can ever get by me, without listening to this song on a consistent basis. The Edgar Winter Group released a mammoth of a Rock album with “They Only Come Out At Night”, “Frankenstein” just made this release immensely complete, with it’s inclusion.
Skid Row released their debut album, “Skid Row” on Atlantic Records, on January 24, 1989. The timing for this Heavy Metal band proved to be a successful one, for this “Skid Row” album sold in excess of five million copies, (going five times platinum in the U.S.A.). The time line of Skid Row becoming so popular, with their first two albums proves to be quite an accomplishment, (their sophomore album “Slave To The Grind”, (released in 1991), sold two million copies and hit #1 on the album charts in the U.S.A.). 1989 was the beginning of the Grunge Music era, with Nirvana and Soundgarden already in the marketplace. Pearl Jam and Stone Temple Pilots later garnered massive commercial media attention and a strong following of fans in 1991. Regardless of the changing landscape in the Heavy Music culture, Skid Row made a major mark in Heavy Metal history between 1989 – 1991, with their first two albums. It is a tremendous Heavy Metal achievement for Skid Row to sell seven million albums after their first two releases in the United States. Fast forward to 2009, I still will listen to the debut Skid Row album and continue to revel in it’s variety of Heavy Metal songs.
Hey, I have always been eager to get into new Heavy Metal bands, it’s been this way for decades now. 1992 was no different than any other year, as far as searching out the latest and/or newest Heavy Metal Bands and albums. When I first heard Jackyl back in 1992, well, it was the song “The Lumberjack”… with a chainsaw being used for a solo. A chainsaw used as a dominant musical instrument… in a Heavy Metal song, now that is cool, that is Metal. Aw heck, I am going to be blunt and admit… this chainsaw ripping through “The Lumberjack” song gave me goose bumps back in 1992. Now, does this chainsaw and “The Lumberjack” song have the same goose bump affect on me today? Honestly, not as many goose bumps generate when I listen to this song in 2009, still I like the song just as much as ever. Maybe it is due to the fact, that I know the chainsaw is coming, after listening to this song so many times over the years. Make no mistake, “The Lumberjack” song still pumps me up and makes me wish I had an old, decrepit, decaying barn to tear down while I listen to this song. 
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