KINGDOM OF SORROW – The triumphant Metal return of Kingdom Of Sorrow commenced on June 8, 2010, with the sophomore release of behind the blackest tears, released on Relapse Records. Better get your Metal game face on and strap yourself in, before you let this new Kingdom Of Sorrow album beat down your eardrums into submission. This album is a listen in the most cement shattering, steel bending and Earth stirring form. Crunching and thunderous invading guitar riffs courtesy of Kirk Windstein, (of Crowbar & Down fame), are an ultimate Metal statement from this Metal legend. Kirk sharing vocals with Jamey Jasta, (of Hatebreed fame) makes for one hell of a bone shattering Metal dynamic duo.
A vast audience of fans and critics call Kingdom Of Sorrow a supergroup and that is justified. I rather look upon Kingdom Of Sorrow as a real Metal group, no jet setting or bragging rants about their red carpet waltz’s… these are two blue collar Metal veterans that aren’t polishing off any plastic Grammy’s that sit atop a grand piano. Jamey Jasta and Kirk Windstein execute their brand of Metal like a crashing meteor, obliterating all the stillness and serene landscape that gets in their way. They serve it up and smack you down with their extreme vocals, combined with heavy as molasses riffs, that explodes Doom meets Stoner and mixed with some good ol’ Sludge in it’s most ferocious form. Listening to behind the blackest tears isn’t comparable to opening up a can of Metal whoop ass, instead it’s like opening up a 5o gallon drum of Metal whoop ass. Metal be thy name.
Enlightened To Extinction greets you with an apocalyptic riff that leads into some melodic heaviness courtesy of a nod to some Metalcore, with Jamey Jasta exhibiting his Metal vocal diversity. God’s Law In The Devil’s Land pulsates with Kingdom Of Sorrow’s Metal fury, giving every reason as to why Jasta and Windstein are so great at sharing lead vocals. This song should be played extremely loud, atop a creepy mountain peek, during a full moon for some unsuspecting innocent village below to get panicked by. As Hardcore as Monuments Of Ash sounds, it’s Metal leanings and fillings are what makes the hair stand up straight on my arms. Whoa, does Monuments Of Ash kick my Metal lovin’ ass.
Behind The Blackest Tears can easily be targeted as my favorite song, it grooves along so incredibly heavy and just gives off some invitingly creepy vibes from every musical angle. From Heroes To Dust is another opportunity where Jamey Jasta lets his vocal diversity be heard. A more somber and turned down vocal delivery only gives From Heroes To Dust it’s proper due. This song is probably the closest thing Kingdom Of Sorrow will ever get to creating a ballad. Salvation Denied is without deliberation, the most Extreme and vocally Hardcore laced song on behind the blackest tears… and a damn good song at that.
No Class, the Motorhead cover song, is done quite impressively by Kingdom Of Sorrow. It’s an intimidating hurdle to cover a true classic like No Class, only Jasta comes impressively close to the legendary Lemmy Kilmister’s unique vocal style. As far as the music and song structure goes, Kingdom Of Sorrow left well enough alone… and that’s a great thing, if it aint broke don’t fix it. Still, hearing this version of No Class on the limited deluxe version of behind the blackest tears is a welcomed Metal treat to my Old School ears.
Soldiers Of Hell, the Running Wild cover song, plays out with an ultra contagious Heavy Metal vibe that is non-stop. The guitar play are an intense high to listen to on Soldiers Of Hell, proving to be a fabulous song choice for Kingdom Of Sorrow to cover. Saluting a real-deal, Old School and pioneering German Heavy Metal Band as Running Wild, along with covering the immortal and ultra important Motorhead, gets a Metal kudos from Metal Odyssey!
I purchased the deluxe edition of behind the blackest tears at my neighborhood fye, at a very decent price of $8.99, (U.S.). The cover pic, at the top of this post, is that of the slipcase cover of this deluxe edition. (The regular cover pic for behind the blackest tears is seen below the band names).
* Metal Odyssey gives behind the blackest tears – 5 out of 5 Metal Fists!
Who am I to find something wrong with this great album? When the Metal is this great, I stand up straight, bang my F’n head, raise the horns to the air and tell it like it F’n is.
* For more info on KINGDOM OF SORROW, just click the links below:
KINGDOM OF SORROW – MySpace Music Page
KINGDOM OF SORROW ARE:
Jamey Jasta – vocals
Kirk Windstein – guitars & vocals
Additional Studio Musicians:
Charlie Bellmore – guitars & bass
Nick Bellmore – drums
Track Listing For behind the blackest tears:
Enlightened To Extinction
God’s Law In The Devil’s Land
Monuments Of Ash
Behind The Blackest Tears
Envision The Divide
From Heroes To Dust
Along The Path To Ruin
With Barely A Breath
The Death We Owe
Sleeping Beast
Torchlight Procession
Salvation Denied
Bonus Tracks On Limited Edition:
No Class (Motorhead Cover Song)
Soldiers Of Hell (Running Wild Cover Song)
* KINGDOM OF SORROW is currently touring with OZZFEST 2010!
* For more OZZFEST 2010 info, just click the cool link below:
LONG LIVE KINGDOM OF SORROW!
Stone.
Yes! I got rid of it! I actually sold it! The “it” I am referring to is the absolutely annoying new album from Lita Ford – Wicked Wonderland. I foolishly bought the CD at Walmart for an even $10.00, (factor in the 6% sales tax and it set me back $10.60). The good Metal news is, I sold it today, finally! I brought it to f.y.e. and man, I never expected to get this much loot for it… f.y.e. took Wicked Wonderland off my hands for $6.25!! I’m NOT complaining. An extremely generous price that f.y.e. is, (for some reason), willing to pay for this CD. I was issued store credit towards other Metal purchases at f.y.e., a fine deal to me. Sure, I am out $4.35 at the end of the day, however, getting rid of this CD for any amount of money is a joyous Metal memory for me. I did state in my review, on this album, that I was definitely going to sell it… I actually held onto it for way too long.
Ah, Lita Ford. Reflecting on the 1980’s would not be quite the same without her being in the Heavy Metal world. Lita Ford proved back in those glorious ’80’s that she was more than just eye candy, she really did shred on the guitar for her albums. Plus, Lita Ford’s vocals always had the harmonic, Heavy Metal diva flare happening. Lita Ford even did a very sappy duet with Ozzy Osbourne, Close My Eyes Forever, that I honestly could never stomach back in 1989 and my opinion has not wavered since. Well, it is 2009 and Lita Ford is back, uh, yeah. Wicked Wonderland is her new album, the title really sums it all up quite well. The lyrics throughout this entire album are wicked indeed… with nuances, imagery and flat out references to sex and lust galore. I want to taste your goddess flesh and I penetrate you are two lines taken from the song Indulge… pretty hot stuff if you are a young dude that can’t buy a date for Saturday night. Lita Ford should have known that the majority of her audience buying Wicked Wonderland are the Old School Heavy Metal crowd and we are no longer eighteen and pissed off at our parents anymore.
Reign Fall lyrically expresses the ghastly imagery of what happens to those who cannot think for themselves, wasting away at the mercy of ones very own doing. Reign Fall, as well as every song on The End Of Tomorrow, is a throwback Metal feast of melodic speed crashing into riffs that are beyond run of the mill. Al Ravage reminds me thoroughly of a young Rob Halford, (Judas Priest), intertwined with a young Paul Dianno, (of early Iron Maiden). Hey, I am by no means putting Al Ravage in this heroic class of Heavy Metal vocalists… (not yet anyways), what I am pointing out is Al Ravage can sing Heavy Metal with marked influences and originality combined. Ravage knows they are Old School, using this phrase so much doing a review may sound very redundant, yet for any veteran fan of Heavy Metal from yesteryear, you know just how juicy it can get when a new album excretes all things good about the glory days of Metal… The End Of Tomorrow is an unleashed monster of what I am talking about here.
SKELETONWITCH released their second full studio album with Prosthetic Records, Breathing the Fire, on October 13, 2009. I could not resist the Metal temptation and need of picking up this new CD on my visit to f.y.e. today. As I stood there staring at the hellish and downright evil artwork on the front cover of Breathing the Fire, it dawned on me… the Metal wait is over for this new Skeletonwitch. Yeah, very often enough I want my Metal pretty damned fast and extreme in every musical facet. All twelve songs on this album are extremely worthy, I can’t point out any skip overs whatsoever. Skeletonwitch does not fall short of Extreme Metal – every song on Breathing the Fire is blended with the very best of several Metal genres.
ANVIL. Blue collar Heavy Metal personified. No pretentious attitude or pompousness with this band, just a working man’s ethic and never say die mantra that has led them up to 2009, with VH1 Classic Records picking up and reissuing their self funded album This Is Thirteen. (Good Metal move there, VH1 Classic Records). Unless you have been living underneath the remnants of a crashed UFO for the last six months, Anvil is back. Well, they never really went away for any real measurable length of time. Unlike a throng of prima donna Heavy Metal Bands out there who have taken the sabbatical and returned, expecting rose petals to be thrown everywhere they walk, Anvil is just doing what they always have done… play damn good Heavy Metal Music for anyone who will listen. I am listening, I listened to Anvil in the early ’80’s, their Metal has never left my collection since. Hell, I still have Anvil’s first three – Hard N’ Heavy, Metal On Metal and Forged In Fire on cassette – I could never bring myself to part with them. Anvil has stayed true to themselves and cool Metal things come to those Metal bands who wait. Without getting too deep into this bands history… the best way for anyone unfamiliar with Anvil is to watch or buy their newly released DVD – ANVIL – The Story of ANVIL.
At the end of the day, I thank my lucky Metal stars that Krokus has existed – and still exists as a Heavy Metal Band. I have listened to Krokus since the early ’80’s, with Headhunter
Phew, now that this Krokus introduction is out of my Metal system, I can get excited now about telling the world about their 2003 album – Rock The Block 
Slaughter – Stick It To Ya 
I have owned for some time, the CD – The Best Of by Slaughter, the ten songs on this disc are great, only Fly To The Angels and Spend My Life are missing from the song selection. Not cool. So, I promised myself to add the real Slaughter albums to my CD collection over time, starting with Stick It To Ya. About one week ago, I found the used copy of Stick It To Ya at my local f.y.e., the astounding Metal price of $4.49 is all it took for me to claim this CD as my own. Man, I cannot get enough of this album… every single song too. Going back to 1990 for just a 
The Heavy Metal genre and all of it’s mind bending sub genres can be quite the vast musical Universe to explore. There are countless bands that make these Heavy Music genres quake and explode with excitement at every turn. For me to say I have listened to every band out there would be an outright Metal lie… I have stated this before. Come forward please, Loudness and their 1986 album Shadows of War. Whoa. Whoa again. Why on Metal Earth, did it take me 23 years to finally listen to Loudness and Shadows of War? (See previous explanation within this paragraph for the Metal answer). Man, the outright powerful, Heavy Metal thunder of Loudness, is overwhelmingly great on Shadows of War. This album is the Japanese version with a different album/CD cover of it’s twin – American release Lightning Strikes. The only differences between Shadows of War and Lightning Strikes are: the order of the track listing, slight differences in the vocal melodies and Ashes In The Sky (from Lightning Strikes) and Shadows of War (from Shadows of War) are the same song. Buying one version over the other is basically an identical listen of Loudness Heavy Metal here. In this Metal situation, recommending either version is the way to go.
Yes Virginia, there is a Metal Santa Claus and his name is my best buddy Scott. You see, Scott gets quite giddy about sending CD’s of Metal through the mail to me… especially CD’s of Metal Bands that I have never delved into with unrestrained Metal abandon. Loudness Shadows of War came in the mail last week, courtesy of my buddy. This album is so damn cool, the songs on Shadows of War is yet another reminder to me, that 1986 was an incredible year, from an amazing decade for Heavy Metal album releases. Loudness could have easily named this album – psyche you out of your Heavy Metal mind – for all nine songs encompass a continuous and momentous listen in electrifying Heavy Metal power. Believe me, the last thing I want to come across as doing here is being rah, rah, rah, about Loudness and this album. I could never be more Metal serious by stating… Loudness and their 1986 album, Shadows of War, is one fine Heavy Metal blast from the past.
This is the Shadows of War cover! (Japanese version)
Ace Frehley has waited a long time to create and produce a new album, Anomaly is so incredibly worth the wait. I finally bought Anomaly today, (September 23, ’09, yeah, I am a week late from it’s release date), what an album of 12 songs. An unreal good album, a can’t miss for any fan of any Rock genre. I cannot stop listening to this new Ace Frehley album, oh darn. Anomaly for me, is one of those albums that I get contagious about and addicted to… oh darn. Before buying this album, I had not a clue as to what any of the songs sounded like. Man, what an incredible surprise to hear these songs for the first time… this album leans more towards Ace Frehley’s 1978 KISS solo album – not towards the sound of his Frehley’s Comet band from the late 1980’s. The Metal kicker is this… Anomaly rocks harder and heavier than the Ace Frehley 1978 KISS solo album, my ears cannot tell a lie. Where Anomaly gives a nod to 1978 is this: Old School Hard Rock and Heavy Metal. With that being said, Anomaly definitely embodies the grooves and heaviness of today’s Heavy Metal sound, while veering away from any resemblance of late 1980’s commercial heavy sound that was so popular in it’s day.
As I listen to Ace Frehley play guitar throughout Anomaly, all I can say to those who want to listen is this – Ace Frehley is back!! Ace Frehley shall remind the Rock and Roll world with all of it’s genres that yes, he can play guitar very well… and sing too. Ace Frehley’s vocals do not sound like a man who has been out of the recording studio for so many years, instead, it is my Metal opinion that Ace Frehley’s vocals are damn good and cool. Just listening to Anomaly takes me back to the days when quality songs were an important staple to Hard Rock and Heavy Metal bands. A sense of urgency to be real, is what I hear through the entirety of Anomaly, Ace Frehley has fused his very own Hard Rock and Heavy Metal sound with a nod to yesteryear, making Anomaly an album that far extends any relevance factor. From the song writing to the band backing up Ace Frehley here, this is a total album package. Ace Frehley has plenty of cool and damn good solo’s throughout this entire album, one of the many quality points of Anomaly.
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