Archive for the heavy metal bands from england Category

THE LONDON QUIREBOYS – “A BIT OF WHAT YOU FANCY” FROM 1990 IS A HARD ROCK BLAST!

Posted in 1980's hair metal music, 1980's hard rock, 1980's heavy metal music, 1990's heavy metal bands, 1990's rock bands, 1990's rock music, 1990's hair metal bands, 1990's hard rock albums, 1990's hard rock bands, 1990's heavy metal music, 1990's rock albums, Album Review, cool album covers, hair metal albums, hair metal bands, hair metal music, hard rock album review, hard rock bands, hard rock music, hard rock songs, hard rock vocalists, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1990, heavy metal bands, heavy metal bands from england, heavy metal history, heavy metal music, heavy metal music 1990, metal odyssey, Music, old school hair metal bands, old school hard rock, old school heavy metal, old school heavy metal bands, rock and roll, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2010 by Metal Odyssey

The London Quireboys – A Bit Of What You Fancy is a reason why I’m psyched I never unloaded my cassettes from years… um, decades past. I slapped this cassette into my home stereo today and I am just as enthused by the Hard Rock blast from The London Quireboys… as I was back in 1990. The London Quireboys put the Hard Rock pedal to the Metal on A Bit Of What You Fancy, no smoke and mirrors to be heard… just great, heavy, Rock and Roll! When I initially bought this cassette back in 1990, I did so only having heard their biggest hit from this album on the FM dial… 7 o’clock. This is a song that my wife, (girlfriend at that time) and I played over and over… and over again back in ’90! Is 7 o’ clock a party song? You bet your Metal life it is! Take a long drive to this entire album and leave your cares behind? Go for it! A Bit Of What You Fancy is like that hidden Hard Rock gem from 1990… only it is not hidden in my Heavy Music collection, no way! A Bit Of What You Fancy carries into my ears all the good times spirit that Rock and Roll is all about – with The London Quireboys delivering it in unabashed Hard Rock style. I should warn those of you, that have never listened to this album before… it is ADDICTIVE!

With my warning aside, I cannot tell people what to buy or listen to… only this time it is different. The London Quireboys debut album is certainly a MUST for fans of Old School Hair Metal, Hard Rock or just damn good Rock and Roll period. I imagine seeing The London Quireboys at a beer soaked, small club… while they play this album in it’s entirety, amidst a crowd of psyched out and Rockin’ fans going nuts all over the place. That’s right. The song – long time comin’ is as heavy and steady of a Hard Rock song that you will ever give to your ears. Am I going off too much on praising this album? Nope, it’s that great. Anytime an album can make me feel so damn good, is an album that shall be praised up and down, inside and out… for the world to read.

The London Quireboys put together an album that utilizes string arrangements, some brass and a keyboard player. Not quite the straight ahead approach of Hair Metal for 1990, was A Bit Of What You Fancy. A standout is take me home, this is absolutely a great song to end this album… so memorable, so much energy, a Hard Rockin’ exclamation point multiplied by 100. The London Quireboys took Hair Metal from the late ’80’s and added some, (a lot), of their very own Hard Rock character to the basic standards. Their style can be blatantly described as a combination of The Black Crowes and Cinderella, fused together with the admirable energy and enthusiasm of a band that obviously enjoyed creating these songs.

Spike on vocals, lends thick credibility to the hardness that this album radiates. Spike’s ultra raspy and gritty vocals makes the songs sound blue collar, an unintended characteristic that just seems to elevate this album and band. Guy Bailey and Guy Griffin on guitars just play man, there are no “steal the show” solos to drown out the total band feel. Chris Johnstone on keyboards, gives this album of songs the Classic Hard Rock texture and feel that I cannot ignore. Nigel Mogg on bass and Ian Wallace on drums provide all the tight and contagiously rhythmic grooves that hold these outstanding songs together. Thank you again, London England, for sowing yet another fabulous Rock and Roll band like The London Quireboys.

The Track Listing For The London Quireboys – A Bit Of What You Fancy:

7 o’clock

man on the loose

whippin’ boy’

sex party

sweet mary ann

i don’t love you anymore

hey you

misled

long time comin’

roses & rings

there she goes again

take me home

A Bit Of What You Fancy was originally released on Capitol Records.

A 20th Anniversary Edition of A Bit Of What You Fancy was released in 2009 on the Jerkin Crocus record label. There are 8 demo’s as bonus tracks found on this 20th Anniversary Edition. (I aim to get myself a copy of it down the Metal road… that’s for sure).


JUDAS PRIEST – “A TOUCH OF EVIL LIVE” 2009 ALBUM IS LIVE AND LEGENDARY PRIEST

Posted in 1970's heavy metal bands, 1970's heavy metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's metal bands, 1980's metal music, 1990's heavy metal bands, 1990's heavy metal music, Album Review, cool album covers, creepy album covers, essential heavy metal albums, essential heavy metal songs, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal bands, heavy metal bands from england, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal vocalists, live heavy metal albums, metal music, metal music albums, metal odyssey, Music, new wave of british heavy metal bands, old school heavy metal bands, old school metal bands, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2009 by Metal Odyssey

Judas Priest is one Metal Band that I cannot ignore, especially when they release a new album. These Metal Gods can release a studio, greatest hits and as in this case, a live album and I will eagerly buy it. A Touch Of Evil Live is live with all the glorification of Judas Priest’s heavy history… and why shouldn’t this legendary Metal Band be glorified? The guitar duo of Glenn Tipton and K.K. Downing is dominant on each and every song, with the Metal God himself, (Rob Halford), showcasing his vocal exuberance. Ian Hill on bass guitar and Scott Travis on drums are in Metal sync together, they add all the more Metal fuel to these live Judas Priests songs. As I listen to A Touch Of Evil Live, understanding that this is live recordings from 2005 and 2008 fills me with total Metal wonderment, that this band has not grown old, only grown better. In my Metal opinion, Judas Priest sounds as heavy, fast, hard and vicious as they did in the early 1980’s. I would lay it on the Metal table and be truthful, if A Touch Of Evil Live sounded like a bunch of half enthused, Metal musicians, going through the motions. Judas Priest IS Metal, captured live with all the power and mystique that I have appreciated from them, these past three decades.

The song list on A Touch Of Evil Live is a very strong representation of vintage Metal, showing just how many great songs are in the Judas Priest catalog, dating back to 1977. This live album may not have the household hits from Judas Priest, instead, it encapsulates the deep album cuts that made Judas Priest legend. Dissident Aggressor, from the 1977 album Sin After Sin, is brought forth to live sensation three decades after it’s initial release. Beyond The Realms Of Death is re-energized live, giving a nod to the unreal great 1978 album – Stained Class. Eat Me Alive comes across live, with the same Metal nastiness that The Priest originally set out to convey, from their 1984 album Defenders Of The Faith. Painkiller, A Touch Of Evil and Between The Hammer & The Anvil are three potent Metal songs from the now classic Judas Priest album from 1990 – Painkiller.

Judas Rising and Hellrider are the first two songs on A Touch Of Evil Live, both songs cementing the Metal foundation to follow that is patented and hell bent Judas Priest. These two opening songs, have me appreciating the reunion album Angel Of Retribution from 2005… all the more. Riding On The Wind is a great choice to represent the Screaming For Vengeance album from 1982. Riding On The Wind deserves all the Metal acknowledgment it can derive, being a deeper track from such a monumental Judas Priest album. Prophecy and Death are the two songs taken from the newest Judas Priest studio album released in June 2008, the concept album – Nostradamus.

* My favorite song on A Touch Of Evil Live is… A Touch Of Evil. The thunderous Metal charge, that this song pounds away with, gets me 100%, certified psyched out. Trudging with flares of being an anthem, A Touch Of Evil IS as bona fide a Judas Priest song you can ever ask for.

I have always been a fan of live albums, especially when they are not tweaked apart to death, this live album from Judas Priest is not tweaked over, in my Metal opinion. A Touch Of Evil Live has all the hard and heavy that I have come to expect from Judas Priest, they give these songs that extra Metal power – live. Hey, this is not the greatest Judas Priest album ever, nor is it the greatest live Metal album ever made either. What A Touch Of Evil Live does demonstrate, is that Judas Priest has kicked some Metal butt the past five years, reestablishing themselves as one of the Metal elder statesmen that do and should command Metal respect. Since 2005, one thing has been Metal certain… The Priest Is Back! A Touch Of Evil Live is a very good, live Metal album from an ultra great and Metal historic band… Judas Priest.

A Touch Of Evil Live Was Released On July 14, 2009

IRON MAIDEN – “KILLERS” STILL REIGNS AS A KILLER OF A METAL ALBUM

Posted in 1980's heavy metal albums, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal bands, 1980's metal music, 1981 heavy metal music, 1990's heavy metal bands, Album Review, classic heavy metal albums, cool album covers, creepy album covers, current heavy metal bands, essential heavy metal albums, guitar legends, Heavy Metal, heavy metal album covers, heavy metal albums, heavy metal albums 1981, heavy metal bands, heavy metal bands from england, heavy metal drummers, heavy metal guitarists, heavy metal history, heavy metal music, heavy metal vocalists, metal music, metal odyssey, Music, old school heavy metal, progressive metal, rock music, scary album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 12, 2009 by Metal Odyssey

As decades pass and thousands of Heavy Metal albums are released, there will always be those select titles that are still left standing tall. Iron Maiden Killers is one of those select albums that reigns as a killer for me… 28 years after it’s June 1981, U.S. release. Killers epitomizes Old School Heavy Metal, plus Iron Maiden legitimizes the single word – Metal, as it’s very own sub genre. Whenever I think of “Metal” the first band that comes to my mind is Iron Maiden. I sometimes debate myself senseless, asking why isn’t Iron Maiden my favorite Heavy Metal band of all time? Then, I ease my confusion by just knowing that Iron Maiden is and forever will be a “core” band of mine. Killers essentially was faster and harder than many traditional Heavy Metal albums of it’s time… the great part is that Iron Maiden was just beginning to “touch upon” the progressive side of Metal Music, an attribute they became so legendary for.

Back in 1981, the Thrash Metal movement was the welcomed storm on the horizon… Iron Maiden was the baddest and heaviest outside of just a select group of their peers. Motorhead, Black Sabbath, Judas Priest, Scorpions and Accept come to mind, when deciphering which Metal bands were as hard and heavy as Iron Maiden, back in 1981. Still, outside of Motorhead, Iron Maiden was about speed, the songs on Killers are overall – fast. Exceptions do exist, Prodigal Son is a slower paced Iron Maiden song without a doubt. The tempo being dictated by the acoustic guitars only magnifies the slender tempered sound of Prodigal Son. (Going back to the debut Iron Maiden album, Remember Tomorrow signified the flirtation with somberness that this legendary band would revisit in future albums, Prodigal Son carry’s over this assertion).

Backtracking to the intro of Killers, The Ides Of March, I insist that this was the sign of all Metal things to come on this prolific album. The Ides Of March is heavy, it is melancholy, dark and foreboding… in essence, a Metal prelude or warning if you will, that Iron Maiden was not fabricating or pretending. Twilight Zone is the song from Killers, where I feel Paul Di’Anno is at his giant best, vocally. Certainly, it is my personal opinion, as is the case with this entire article. Genghis Khan is the Metal instrumental that catapulted the musical identity of Iron Maiden, the trademark sound of this soon to be – historic Metal band. My eyeballs still pop open wide, to this very day, each time I listen to Genghis Khan.

When it comes down to musicianship, what honestly can be nit picked here? Iron Maiden as a unit on Killers made layering famous and vogue – basically instigating Progressive Metal from it’s dormancy. I cannot and never will find a fault with this legendary Iron Maiden lineup, Paul Di’Anno was the lead singer for this band in 1981 and a damned great one too… Metal case closed. Even back in the mid 1980’s, I never gave a damn about comparing Paul Di’Anno to Bruce Dickinson… what’s the point? Any seasoned Metalhead knew then and should know now, that these two lead singers are worlds apart with technique and range. In my Metal opinion, one is not better than the other, they are both unique and stylistically genuine. Paul Di’Anno gave the songs on Killers a mysterious tone, his vocals created a fog invading sound scape that bordered on macabre.

Murders In The Rue Morgue is my favorite song on Killers. Again, it’s speed, hard and heavy that this song illuminates. Paul Di’Anno never needed to hit the highest note on the planet to make Murders In The Rue Morgue an Iron Maiden classic, instead his fiery swagger is not just heard vocally, it is felt. Dave Murray and Adrian Smith unleashing their duo guitar leads proved that there was another one-two Metal guitar punch out there… alongside Metal guitar legends Glenn Tipton and K.K. Downing of Judas Priest. Clive Burr on drums was not an enigma, he was THE drummer for Iron Maiden during the most important years of their maturation. And then, there is THE bass guitarist for Iron Maiden. To better accentuate my Metal point here, what Babe Ruth will forever be to the history of baseball, what the Mona Lisa will forever be to the history of fine art portraits, Steve Harris will forever be of equal importance to the history of Heavy Metal and Metal Music. Go ahead, listen or re-listen to Iron Maiden Killers… then listen really closely to the bass guitar playing of Steve Harris, hopefully you might just understand what I mean.

IRON MAIDEN “RUN TO THE HILLS” PICTURE DISC – AN ANTIQUE STORE FIND!

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal picture discs, 1980's heavy metal songs, 1980's metal bands, 1990's heavy metal bands, antique shopping finds, cool album covers, creepy album covers, current heavy metal bands, hard to find records, heavy metal album covers, heavy metal albums, heavy metal albums 1982, heavy metal bands, heavy metal bands from england, heavy metal memorabilia, heavy metal music, heavy metal music 1982, heavy metal on vinyl, heavy metal picture discs, heavy metal record finds, heavy metal records, metal odyssey, Music, new wave of british heavy metal bands, old school heavy metal, old school heavy metal bands, rare heavy metal records, rock music, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , on December 6, 2009 by Metal Odyssey

Heavy Metal memorabilia and records can be found in antique stores… and why not? Heavy Metal does go back at least four decades, for sake of argument. I am a collector, of various things… probably too many things! Oh well, you only live once. One of my favorite “things” to collect are Heavy Metal picture discs, records that are adorned with graphics/photos and artwork. These Heavy Metal picture discs bestow the images that are usually tied into the band itself, being the band’s logo and/or mascot and at times the album or song’s theme. The images on these type of picture discs are often times attention grabbing. Heavy Metal picture discs always have been and still are intended to catch your eye, therefore making the respective picture disc into a collectible you display, more than the record you play.

Today, I strolled about an antique store not very far from my home, it just opened for business around the third week of November, 2009. Great place, loaded with great stuff… lot’s of records too, vinyl that is! Yes, based on the number of vinyl record albums I have been coming across lately, on my antique store journey’s, there obviously is a market out there for this vintage form of music media. I am part of that market, you betcha. The adrenaline rush I experienced today, while perusing the hundreds of vinyl albums at this new found antique store, well, it was memorable. There were dozens of Heavy Metal titles in the mix, from the late 1970’s right through the 1980’s. Hard Rock and Southern Rock titles caught my eye too… I stayed in control and only bought what I could afford. Here is one of the two records that I did buy today, (I will save the other record purchase for a future post):

IRON MAIDEN – RUN TO THE HILLS 7″ PICTURE DISC

Please note, that upon my eyes becoming affixed upon this incredible Iron Maiden picture disc, it took approximately one second for me to have it in my grasp. Oh man, the thrill of the Heavy Metal hunt is a sweet and glorious feeling. As I held onto this Iron Maiden picture disc, the thought crossed my mind… Heavy Metal hunting victory is mine! To find such a sensational collectible, especially of a band that I have listened to, collected and followed since the early 1980’s… wow. I felt as if this was my moment, a moment to cherish, while walking towards my wife, with my face filled with Heavy Metal glee. My wonderful wife then made the purchase for me… she wanted to be the one to pay for this joyous find. I thank my wife from the bottom of my Heavy Metal heart for treating me to this Iron Maiden picture disc. Here are the specs on this Iron Maiden picture disc:

Iron Maiden Run To The Hills 7″ picture disc

Price Paid – $10 (U.S.) – this price is just unreal good for me!

Original Year of Release – 1982

Age of Picture Disc – 28 years – yeah, I cannot believe it’s been that long.

Record Label – EMI

# of Songs – 2, Run To The Hills and Total Eclipse

* Run To The Hills is found on the original 1982 and 1995 reissue version of The Number Of The Beast album.

* Total Eclipse being the b-side to this picture disc, was not on the original 1982 album The Number Of The Beast. Total Eclipse was later included in the reissue version of The Number Of The Beast, released in 1995. The 1998 reissue and the 2002 ECD version also include Total Eclipse as well.

Picture Disc Country of Origin – United Kingdom

Check out the front and back artwork of Derek Riggs on this sensational Iron Maiden Run To The Hills 7″ picture disc below. The photo of Iron Maiden shows, from top left to top right, Adrian Smith, guitarist and Steve Harris, bass guitarist. The bottom row, from left to right, Clive Burr, drummer, Bruce Dickinson, vocalist and Dave Murray, guitarist.  Man, I always seem to find the coolest Heavy Metal collectible when I least expect it.

A – SIDE:

B – SIDE:


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