Archive for death metal album review

SIX FEET UNDER – “GRAVEYARD CLASSICS III” A DEATH METAL ALBUM OF COVER SONGS!

Posted in 1990's death metal bands, 1990's death metal music, 2010 heavy metal albums, cool album covers, cover songs, creepy album covers, current death meal bands, current death metal albums, current death metal music, Death Metal, death metal albums 2010, death metal cover songs, death metal guitarists, death metal history, death metal legends, death metal music, death metal music 2010, death metal vocalists, extreme metal music, extreme music, heavy metal albums, heavy metal history, heavy metal music, Metal, metal music, metal odyssey, Music, old school death metal music, scary album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 12, 2010 by Metal Odyssey

I really get into Death Metal and have my core favorite, Death Metal bands. Six Feet Under is one of my core Death Metal bands of mine. When I listen to Death Metal, it’s like I’m getting back to my Metal basics… there’s no fooling around with this genre, just extreme vocals and groove infested, thunder splitting – Metal. Chris Barnes, with his ultra legendary, Death Metal growling vocals, is at his finest on Graveyard Classics III. This album marks the third installment of the Graveyard Classics series of cover song albums from Six Feet Under. Six Feet Under not only groove along at an impressively addicting pace, this album is damn F’n fun too. Yes, it is fun to hear Chris Barnes belt out his original and extreme vocals to ten amazingly historical Heavy Metal, Hard Rock, Black Metal and Punk Rock songs.

One of the many reasons to admire Six Feet Under and their Graveyard Classics series, is their allegiance and recognition to so many historical and great bands from Rock Music’s past. It’s all about roots with these cover songs… and Six Feet Under covers them with Death Metal brilliance. My two favorite cover songs on Graveyard Classics III are: Destroyer by Twisted Sister and Not Fragile by Bachman Turner Overdrive. Six Feet Under plays Destroyer like they are going to take over the world… and implement a Death Metal master plan. Not Fragile showcases the guitar mastery of Steve Swanson, he really steals the Death Metal show on this song.

As I listen to Chris Barnes sing these two songs, I cannot help but not recognize that he is a fan of these bands he covers so well. Influence is a powerful word and bands like Slayer literally explode with it for so many musicians… Six Feet Under attests to this by covering At Dawn They Sleep. Six Feet Under may never be able to capture the Thrash Metal fire and intensity that only Slayer can deliver with At Dawn They Sleep, still, hearing such a fantastic Death Metal version of this classic is a thrill for me. The Frayed Ends Of Sanity is such a monumental choice for Six Feet Under to undertake as well, Metallica being the iconic Thrash Metal Band they are only drives home the reverence Chris Barnes upholds for Metal history. Oh, yeah, Six Feet Under plays this Metallica classic quite deadly well too.

What would a 2010 Death Metal cover song album, from Six Feet Under, be without an Anvil song? Metal On Metal only solidifies the fact that Anvil is as important a band to the history of Metal as any. Chris Barnes may not ever take over the vocal helm for Anvil’s Lips, regardless, he employs his very own grunt and growl trademark to a fabulous cover version. Just when you think Graveyard Classics III has all the historic Metal firepower to cover, A Dangerous Meeting by the unreal legendary Mercyful Fate is on this album too. A tough song to sing no matter who you are… Chris Barnes takes this song on and laces it with Death Metal vocal glorification. Psychotherapy by the Ramones and Snap Your Fingers Snap Your Neck by Prong are the fun moments for me on this album… two songs that probably no one ever would consider Death Metal material years ago. On Fire by Van Halen and Pounding Metal by (the blue collar) Thrash Metal vets Exciter, round out the ten Death Metal cover songs on Graveyard Classics III.

To say that Terry Butler on bass and Greg Gall on drums are very good is a Death Metal understatement… they are both excellent… the proof is in the songs. Six Feet Under has established their Death Metal legacy years ago, they are now just compounding this legacy, with an album of deliriously deadly cover songs called Graveyard Classics III. This is one damn fine listen – in Death Groove.

* Graveyard Classics III was released on January 19, 2010, on Metal Blade Records.

* Album Cover Art By: Dusty Peterson – Unreal great stuff… now thats Metal. Death Metal.


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KATAKLYSM – “TAKING THE WORLD BY STORM” PICTURE DISC & “PREVAIL” ALBUM = DEATH METAL DOMINATION

Posted in 1990's death metal bands, 1990's death metal music, Album Review, canadian death metal bands, collecting metal music, cool album covers, creepy album covers, current death meal bands, Death Metal, death metal albums 2008, death metal music, death metal music 2008, death metal picture discs, death metal vocalists, extreme metal bands, extreme metal music, extreme metal music albums, heavy metal album covers, heavy metal albums, heavy metal bands, heavy metal music, heavy metal picture discs, melodic death metal albums, melodic death metal bands, melodic death metal music, metal music, metal odyssey, Music, rock music, scary album covers, thrash metal music with tags , , , , , , , , , , , , , , , , , , , , , , , , , on January 4, 2010 by Metal Odyssey

Back in the Summer of 2008, I came across a 7 ” picture disc from Kataklysm: Taking The World By Storm. This picture disc was released on May 30, 2008 on Nuclear Blast (Records). I bought this sweet picture disc off of the Century Media Records web site – CM Distro. (Damn, I just used the word sweet on Metal Odyssey). Kataklysm hails from Montreal, Quebec, Canada. It’s great to see Death Metal staking it’s claim up in the Great White North, I’d rather see an export like Kataklysm come out of Canada, rather than an Alberta Clipper snow storm. (I can’t stand those Alberta Clippers… they always seem to dump a few inches or more of snow during rush hour traffic). Back to this unreal picture disc… the two songs on it are from Kataklysm’s tenth studio album – Prevail, released in North America on May 27, 2008, they are:

Taking The World By Storm

Breathe To Dominate

I really like Kataklysm… this band epitomizes perseverance and being true to Metal. Kataklysm is as hard and heavy as any in the Death Metal world, with their melodic tone making for an even greater listening experience, Metal time and again. Kataklysm really created a furious and Metal blinding album of songs with Prevail, Taking The World By Storm and Breathe To Dominate are two enormously justified Death Metal songs to appear on this picture disc. Adding this Kataklysm picture disc to my collection, only makes it all the more Metal potent. Take a Metal gander at this amazing 7″ picture disc below, I have shown you both front and back:

It’s always a great Metal treat, when the album artwork is brutal and hellishly unreal… fitting right in with the Death Metal theme. (Did I use the word treat back there?). The back cover shows Kataklysm, in all of their Metal glory, from left to right: Stephane Barbe (bass), Max Duhamel (drums), Maurizio Iacono (vocals) and Jean-Francois Dagenais (guitars).

The two songs on this picture disc, as well as every song on the Prevail album, are immensely dominant in all of it’s Death Metal extremity. Kataklysm comes at you from all Metal angles… there really is no room to escape, all you can do is listen to their songs on this picture disc and their Prevail album and be set Death Metal straight. Kataklysm plays extremely tight and solid, with a flurry of Thrash Metal thrown around for good Metal measure. The riffs are abundant and very memorable, you can’t possibly listen to these Kataklysm songs without walking away with several riffs and leads – buzzing in your head. Even if you are not a fan of Death Metal, (I could never fathom not being a fan of Death Metal), this Prevail album from Kataklysm will certainly leave a long lasting dent in your skeptic attitude. Maurizio Iacono is without Metal question… one of the most underrated vocalists in not just Death Metal, in all of Metal. (That is my Metal opinion and I am sticking to it).

Here is the track listing for the Prevail album:

Prevail

Taking The World By Storm

The Chains Of Power

As Death Lingers

Blood In Heaven

To The Throne Of Sorrow

Breathe To Dominate

Tear Down The Kingdom

The Vultures Are Watching

The Last Effort (Renaissance ll)

Entombed – “Wolverine Blues” 1993 Album Sets Me Metal Straight

Posted in 1990's death metal albums, 1990's death metal bands, 1990's death metal music, 1990's death metal songs, 1990's heavy metal bands, Album Review, classic metal, collecting rock music, cool album covers, creepy album covers, death metal guitarists, death metal music, death metal music 1993, death metal vocalists, death n' roll, essential death metal albums, extreme metal bands, extreme metal music, extreme metal music albums, extreme music, heavy metal albums, heavy metal music, melodic death metal albums, melodic death metal bands, melodic death metal music, Metal, metal music, metal odyssey, Music, old school death metal music, spooky album covers, spooky metal album covers, thrash metal music, vintage death metal albums, vintage death metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2009 by Metal Odyssey

Entombed "Wolverine Blues" small album picToday I found myself in another one of those funks, where the melancholy feelings just won’t subside. So, earlier tonight, I turned to music, Metal Music, to settle my thoughts, nerves and soul. I chose to listen to Entombed, Wolverine Blues. Released back in 1993, on Earache/Columbia Records, I find it startling that this album is around seventeen years old already. An excellent listening choice I made, Entombed was the Metal elixir and their album Wolverine Blues was the Metal prescription that served me right tonight. Entombed delivers their original style of Death Metal or Death N’ Roll with Wolverine Blues, it is as groove charged as it is sinister. With each listen, I can still hear some Thrash Metal being fused within Entombed’s songs on this album. In a Metal nutshell, Entombed covers some ground with Extreme Metal genres. This is one hell of a heavy and hard album, the righteous Metal remedy for curing my blues – let me tell you. Lyrically, there is no bashfulness to be found when it comes to topics and imagery on Wolverine Blues. The combination of the aggressive lyrics and Death N’ Roll charge makes this album sound like it belongs on top of the Metal heap in 2009.

Is Wolverine Blues the heaviest album I ever listened to? Honestly, no. However, this album is one of the most accessibly heavy albums I have listened to… where these songs are not entirely over the top yet they are light years from being mellow too. One song that is quite the enjoyable, extreme listen is Blood Song, with it’s vampire theme that explodes from it’s lyrics and haunting musical tension. My favorite song is Hollowman, it epitomizes the label – groove infested. The lyrics of Hollowman are intensified with messages of death, it reads like Death Metal poetry… if you will. How can an Extreme Metal loyalist like myself not adhere to songs that are titled Rotten Soil, Demon and Full Of Hell… this is the Metal escape I was looking for today, to be shaken back into shape, (courtesy of Entombed) and returned to my normal routine. Out Of Hand is another standout song for me on Wolverine Blues. L-G Petrov on lead vocals is viscous and brutal on Out Of Hand, his accentuating the lyrics only emboldens this songs message of societal distrust and disruption. L-G Petrov is tremendous vocally throughout Wolverine Blues, an unsung Metal legend who deserves any and all accolades that may come his way.

It is the cohesiveness of Entombed that makes Wolverine Blues sound so impeccably strong, all ten songs stand on their own. As this album comes to it’s close with Out Of Hand, I feel not just reinvigorated, I feel Metal empowered knowing that I can turn to Entombed during a personal funk void for a motivational punch in the arm. For seventeen Metal years this album has existed, it deserves to be heard and prescribed to the younger generation of Metal fans across the globe. I am hereby recommending this great album from Entombed to any fan of Metal that might be looking to get out of their own personal mind fog – let the escapism of Wolverine Blues serve you right like it did me today.

Entombed as they appeared on Wolverine Blues:

Nicke Andersson – drums, guitar

Lars-Goran Petrov (L-G Petrov) – lead vocals

U Cederlund (Uffe Cederlund) – guitar, tambourine

Lars Rosenberg – bass

Alx Hellid (Alex Hellid) – guitar

Wolverine Blues Track Listing:

1. Eyemaster

2. Rotten Soil

3. Wolverine Blues

4. Demon

5. Contempt

6. Full Of Hell

7. Blood Song

8. Hollowman

9. Heavens Die

10. Out Of Hand

Entombed "Wolverine Blues" large album pic

OBITUARY – “Darkest Day” brings the darkest and heaviest Death Metal

Posted in 1980's death metal bands, 1990's death metal bands, 1990's death metal music, Album Review, cool album covers, creepy album covers, current death metal albums, current death metal music, current metal albums, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocalists, death metal vocals, doom metal music, essential death metal albums, Extreme Metal, extreme metal music, extreme music, extreme music today, heavy metal music 2009, melodic death metal music, Metal, metal music, metal music this decade, metal music today, metal odyssey, Metal Reviews, Music, old school death metal music, spooky album covers, vintage death metal bands with tags , , , , , , , , , , , , , , , , , , on September 9, 2009 by Metal Odyssey

Obituary "Darkest Day" album banner 2009

 

 

Obituary "Darkest Day" small cover picAlright, I am more than thrilled at this new Obituary album, “Darkest Day”, I am enthralled with Metal jubilation. Death Metal jubilation. I am also reminded as to why I am lured into the heaviest, most Metal bludgeoning genre there is… it is Obituary. These guys are not about making nice with the trend setters… forget about it. Obituary is Old School Death Metal lathered with extreme. Understand, however, that Obituary delivers grooves by the Death Metal bushels. From it’s deadly beginning track – “List of Dead” to it’s deadly ending “Left To Die”, I am going out on a Metal limb here by stating… “Darkest Day” is one of 2009’s best Metal albums period. Being one of the true forefathers of the Death Metal genre, Obituary lays their Death Metal cards out on the table here, you either are with them or with them. This is not a Death Metal band that you just want to try out, if you buy an Obituary album, you are either a fan or your about to become one. 

“Outside My Head” is like a Death Metal march to take over the Metal Universe, Donald Tardy on drums is as decidedly relentless as a yellow jacket wasp, stinging it’s prey. “Your Darkest Day” has it’s vintage nod to Doom with riffs that will either scare the hell out of you or make you beg for more… I beg for more, please. Tony Iommi of Black Sabbath should feel so proud, that a Death Metal band of the caliber like Obituary, can incorporate the early Metal years – feel and vibe to their music… without straying away from the Death Metal manuscript of today. Obviously, this is my Metal opinion, what one Metalhead hears within “Darkest Day” can severely differ from another. “See Me Now” is extremely heavy – underscored, my choice pick as favorite track. John Tardy on vocals only enhances the seething heaviness of “See Me Now”. For that matter, John Tardy just flat out enhances this entire album with his vintage and aggressive vocals, this is all about vocal confidence and not being over the top.

By the time I hear “Truth Be Told”, it feels like “Darkest Day” has only lasted five minutes… it is that unreal good. Ordinarily, with an average Death Metal up and coming band, “Truth Be Told” would be their greatest song – with Obituary, every song here can be considered as great. What can be said about Trevor Peres and Ralph Santolla on guitars? They are damn good, no, damn unreal good. Lest not forget Frank Watkins on bass, he keeps the Death Metal rhythm moving at a fiery pace, giving me every reason to suffer from whiplash. Cool. Acknowledgment of Metal greatness is priority number one whenever I discuss the Metal genres with anyone or post on Metal Odyssey. My Metal goal is to get the word out about unreal heavy bands and/or albums… the word on “Darkest Day” is this – real, extreme and forged with Death Metal integrity. “Darkest Day”… Metal ownership of this album is a must, (what am I thinking), it is required. Obituary… Death Metal legends.

Obituary "Darkest Day" large album pic

ARCH ENEMY – “Revolution Begins” EP – has a Queensryche cover song, Death Metal style!

Posted in Album Review, Century Media, century media records, cool album covers, creepy album covers, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current metal albums, Death Metal, death metal 2007, death metal cover songs, death metal guitarists, death metal music, death metal music ep's, death metal vocalists, essential metal music albums, extreme metal music, Heavy Metal, heavy metal album covers, heavy metal guitarists, heavy metal music, heavy metal vocalists, melodic death metal albums, melodic death metal bands, Metal, metal music, metal music ep's, metal music this decade, metal odyssey, Metal Reviews, Music, spooky metal album covers with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 15, 2009 by Metal Odyssey

25021-1Arch Enemy is one of my favorite Death Metal bands. Brutally heavy from every musical angle, yet still melodic, Arch Enemy needs no introduction to die hard Metal and Death Metal fans. For those new fans of Arch Enemy who are still looking to purchase a CD from their Death Metal catalog, a great starting point that will not set you back a ton of loot, is their EP “Revolution Begins”, (released on August 31, 2007). This EP was released in 2007 to promote their studio album “Rise Of The Tyrant”, (released on September 25, 2007). EP’s or CD singles, (as they are sometimes referred as), are a cool opportunity to own a few songs of a Metal band, (a Metal test run for fans, if you will). If you are like me, EP’s are a must to own – especially EP’s of my favorite bands. These EP’s more often than not, include studio and/or live songs that are not found on any regular studio or live album. “Revolution Begins” includes the cover of the Queensryche classic – “Walk In The Shadows”. This cover version from Arch Enemy, thrills me just as high as the original version from the great Queensryche. I am Metal serious about that. I revere the Queensryche original, still I revere this Arch Enemy version too. Arch Enemy gives “Walk In The Shadows” a darker, more creepy sense about it… Death Metal style.

Angela Gossow on lead vocals is nothing short of amazing. Angela is a Metal favorite of mine, she can sing Death Metal just as great as most of her male peers in this genre. In my Metal opinion, Angela Gossow raises “Walk In The Shadows” to an entirely new Metal level… an intensified and dark infested, Death Metal cover version it is. I can’t just listen to this version once, I usually listen to it multiple times and it serves me right. The legendary Michael Amott on lead and rhythm guitar, manifests his Death Metal sound all over the songs found on this EP. Christopher Amott, (the younger brother of Michael Amott), provides the second punch of Death Metal crunch, with his lead and rhythm guitar exploits. If a double dose of brilliant Death Metal guitar is what you are hankering for… the Amott brothers provide it on a Metal platter with Arch Enemy.

Daniel Erlandsson, the mainstay drummer for Arch Enemy, is always a treat for me to listen to, with his bombastic proficiency. Sharlee D’Angelo plays a formidable bass, rounding out the Arch Enemy lineup. The lead single “Revolution Begins”, “Blood On Your Hands” and a live version of “I Am Legend/Out For Blood” round out this EP. This Arch Enemy EP/CD can be found at Century Media Records online – CMdistro.com. For three bucks, it is one of the healthiest doses of Death Metal you can possibly digest for the price.

25021

Job For A Cowboy “Ruination” – Extreme Death Metal album is a high point for 2009

Posted in Album Review, cannibal corpse, cool album covers, current death metal albums, current death metal music, current extreme metal albums, current extreme metal music, current heavy metal albums, current heavy metal music, Death Metal, death metal 2009, death metal guitarists, death metal music, death metal vocals, Extreme Metal, extreme metal music, extreme music, extreme music today, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 2009, heavy metal guitarists, heavy metal music, heavy metal music 2009, Heavy Metal Reviews, heavy metal this decade, heavy metal vocalists, Metal, metal music, metal music today, Metal Reviews, Music, new heavy metal album, scary album covers, spooky album covers, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 9, 2009 by Metal Odyssey

fullsizeI have an appetite for the most Extreme Metal Music out there. Job For A Cowboy is without question, a healthy dose of Extreme Metal. Death Metal is this bands calling card. Playing every musical instrument in their band extremely fast and heavy is an understatement. Blast beats and the infamous cookie monster vocals are lathered all over the songs on “Ruination”, (released on Metal Blade Records, July 7, 2009). So, with all of the expected characteristics of being an Extreme – Death Metal band aside, Job For A Cowboy does prove to me one thing… they are more concerned about global and societal troubles than one might expect. I am not going to admit, I can actually make out the lyrics to these songs, from the vocals of Jonny Davy. Nope, instead, I have the assistance of the sacred liner notes, that come with the complete lyrics for every song on “Ruination”. For me, not understanding the words being pronounced from the Death Metal growls of Jonny Davy comes with the territory of this Metal genre. With this genre of Metal, the lead vocalist is just as equally important as any of the musical instruments being played. It is the anger driven vocals that gives the songs on “Ruination” their intended extreme force and purpose, if you will. Jonny Davy on vocals is equivalent to a wasp nest being disturbed by a broom stick. His vocals will swarm all over your Metal soul, clutching it, beating it into shape and then slapping you in the face with it. Job For A Cowboy delivers a lesson in Extreme – Death Metal whoop ass that has me saying… thank you sir, can I please have more?

jfac_photo_smallJust when I thought that Cannibal Corpse’s “Evisceration Plague” was the lightning strike of an Extreme – Death Metal album of 2009, well, now I have my own personal Metal controversy. Between Cannibal Corpse and Job For A Cowboy, it is a pick ’em as to who punishes and obliterates my Metal senses more in 2009. “March To Global Enslavement” may be a bit much on the side of extreme paranoia, then again, this is Extreme Metal I am listening to here with “Ruination”. “Unfurling A Darkened Gospel” in my Metal interpretation is anti-war and anti-corporate handshakes, thus making for quite the anti theme song, an undisputed Death Metal barrage. It is an invigorating feeling to know that bands like Job For A Cowboy can speak their minds and serve up their opinions without any American government suppression or censorship. When you stop and really think about it, America really is the land of the free. (Thank you Dee Snider for making certain this Metal Music freedom remained for us all). This is what Metal is all about, creating the heaviest and most extreme music while shouting out about things that really irritate you. 

“To Detonate And Exterminate” is a horrible reminder of what may come to pass if our nuclear powers ever decide to wage war. Nuclear War is not a cheery topic, it is a Death Metal topic though. Job For A Cowboy paints the morbid picture for us to envision, if stupidity ever engineers the decision for enacting a nuclear war. The Extreme – Death Metal scene is not a society of uneducated dopes. This genre has something to say every once in a while, therefore I do find substance and thought provoking topics of world concern, with the lyrics on “Ruination”. Job For A Cowboy enables me to stay in touch with the younger generation of Extreme Metal, these guys are part of the big picture of Metal Music, a band that is only going to enhance the future of this genre. I cannot ignore the viciousness and total annihilation that is the Metal Music on “Ruination”, this is total Metal brutality from Job For A Cowboy – I could not bestow a higher compliment. 

Some extra info to nourish the Metal mind:

Job For A Cowboy, as they appear on “Ruination”: Jonny Davy on lead vocals, Bobby Thompson on guitar, Al Glassman on guitar, Brent Riggs on bass and Jon “Charn” Rice on drums. “Ruination” comes with a 24 page, full color booklet that is extremely cool. As I mentioned earlier, the lyrics for all 10 songs are in this booklet, with eye popping extended artwork, that fits right into the themes heard on “Ruination”. (As a side note, I purchased this CD on the day of it’s release, July 7, 2009, at Target… for $7.98!on sale! – not a bad retail price for quality Metal these days – smart move Target). I wish all new CD’s were at this price point.

Job For A Cowboy "Ruination" album pic large

DAATH – “The Concealers” is a full blown Metal onslaught!

Posted in Album Review, Century Media, century media records, daath death metal band, Death Metal, death metal guitarists, death metal vocals, Drums, Extreme Metal, Guitar, Heavy Metal, heavy metal guitarists, Metal, Metal Reviews, Thrash Metal, Vocals with tags , , , , , , , , , , , , , , , on April 21, 2009 by Metal Odyssey

9266625I still have my ability to hear, thank goodness, especially after I listened to the new release from the Death Metellars from Atlanta, Georgia, – DAATH. This is my kind of Metal cup of tea – a full blown onslaught of Death Metal, that rages through all eleven new songs like an out of control meteor, ready to strike the desolate and cold planet Mars. The new lead singer for DAATH is Sean Z., one listen to “The Concealers” and I am very convinced that he is up to the task to be a standout Death Metal front man. Sean Z. on vocals just seems to engulf the attitude and strength of the lyrics, belting out with the desire and hunger that the entire Metal world should find captivating.

Overall, this entire new album from DAATH is of course, Death Metal, yet they incorporate an underlying mood of progressiveness, with melancholy echoes and synthetic eerie sounds – creating an atmosphere that is as dark as it is melodious. On “The Unbinding Truth” and “… Of Poisoned Sorrows” both tunes end in an abrupt and distorted manner, with the music skipping – the sounds of crackling, (like an old vinyl record being played), can be heard. (Upon my first listen, I thought I had a defect in my CD). This breakaway from the norm works fine for me, it only adds to the dark tone of what is being conveyed by DAATH.  

Emil Werstler and Eyal Levi on guitars are reaching out to new heights with their skills on this album – they play very heavy and very fast, yet the breakdowns and leads are tastefully done for a Death Metal album. Jeremy Creamer on bass and Kevin Talley on drums pound out the rhythm section with pure force and defiance, that catapults this album into the real-deal realm of Death Metal. My copy of “The Concealers” I purchased directly through Century Media (my favorite record company on planet Earth), it came with an extra copy of the liner notes – authentically autographed by each member of DAATH!! Obviously, I am content with “The Concealers” – this is an album I highly recommend to all Metal and Death Metal fans. DAATH, in my Metal opinion, is a Death Metal force to reckon with and when their tunes are on – I am all ears.

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