Archive for 1980's hard rock albums

SAMMY HAGAR “Three Lock Box” – 1982 Album Is: Stone’s METAL Pick Of The Day!

Posted in classic rock, classic rock albums, Hard Rock, hard rock albums, hard rock news, Music, rock music, rock music news with tags , , , , , , , on July 25, 2013 by Metal Odyssey

Sammy Hagar - Three Lock Box - promo cover pic - Large!

SAMMY HAGAR – The Red Rocker. Rock ‘N Roll Legend. Sammy Hagar. Back in the day, any smart dude knew enough to have a Sammy Hagar cassette or two in the car; especially Three Lock Box. Why is that Stone? Well… chicks really dug Sammy Hagar, back then, of course! Ah, those were the  days. Oops… daze. Come to think of it, these same gals today (must) seem to think Sammy Hagar is still a Rockin’ cool dude. My wife (basically) melts apart at the seams whenever Sammy is on television or his Rock ‘N Roll is cranking! I don’t mind. It’s Sammy Hagar, the dude epitomizes Rock ‘N Roll cool. Metal be thy name.

I can remember this album being released, like it was yesterday. An old high school buddy of mine bought Three Lock Box on vinyl right away. We listened to this album quite a bit too. I was a sophomore in high school back in ’82, the year of this album’s release. I eventually snagged Three Lock Box on cassette and I actually still own it! It’s in a water-proof container somewhere in my basement. My prehistoric cassette collection has survived over the decades; regardless of natural disasters and downsizing!

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Admittedly, I still get psyched-out-of-my-Metal-mind from the tracks: Three Lock Box, Your Love Is Driving Me Crazy and Remember The Heroes. All three of those songs were HUGE radio hits, back when FM meant something. Since his early days with Montrose, through his Van Hagar glory years and up to the present day, there consistently has been an it-factor that Sammy Hagar has  glowing from his Rock ‘N Roll persona, voice and guitar. Whatever that “it” is, none of us can walk into Walmart to buy it… that’s for certain!

My Best Metal Buddy, Scott Coverdale, had suggested to me a long while ago to pick Three Lock Box as Stone’s METAL Pick Of The Day. When Scott came up with this idea, I felt it was a no-brainer! I just don’t know what took me so long to write about it! Nevertheless, I have written about Sammy Hagar’s Three Lock Box and it is forever secured as Stone’s METAL Pick Of The Day! Amen and… Whoa.

Sammy Hagar - Sammys Beach Bar Rum - promo pic - 2013 - #1

Sammy Hagar (pictured above) today! Sammy is posing with his Sammy’s Beach Bar Rum Red Head. This cool rum of Sammy’s debuted on June 8th, 2013, at The Palazzo in Las Vegas. Whoa.

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Three Lock Box – Track Listing:

Three Lock Box

Remote Love

Remember The Heroes

Your Love Is Driving Me Crazy

In The Room

Rise Of The Animal

I Wouldn’t Change A Thing

Growing Up

Never Give Up

I Don’t Need Love

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For more info on SAMMY HAGAR, click on the links below!

Facebook: Sammy Hagar (The Red Rocker)

http://www.redrocker.com/

Stone - Motorhead Tee  pic:small

LONG LIVE THE RED ROCKER, SAMMY HAGAR. 

Stone.

Ted Nugent – “Tied Up In Love” From 1984 Revisited!

Posted in classic rock, Guitar, guitar legends, Hard Rock, Heavy Metal, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , , on April 23, 2011 by Metal Odyssey

TED NUGENT – Back in 1984, the 8th studio album from guitar and Rock legend Ted Nugent was released on Atlantic Records. This album was Penetrator and it ROCKS, regardless of what any snotty, red carpet, plastic faced, poser ridden, “professional” and overpaid Rock critics may have written about it over the decades. Ted Nugent had the vocal talent of Brian Howe on Penetrator. I’ve always enjoyed the vocals of Brian Howe, his solo material and (career) albums with Bad Company is always an excellent listen for me.

I bought Penetrator on vinyl back in ’84 at a department store called Bradlees. I no longer have that slab of vinyl… it’s a shame. One of my favorite songs from Penetrator is Tied Up In Love. This Ted Nugent album saw the inclusion of keyboards. Tied Up In Love gets a tempo boost from the keyboards. The elevation of sound these keys give this song never fails to psyche-me-out. Ted Nugent also adds many kickin’ guitar licks to Tied Up In Love. A true hard and heavy song classic from an album that I’ve never forgotten about. Metal be thy name.

Getting back to the keyboards, which are so prevalent in this melodically accessible Ted Nugent piece of history, is my maybe being a tad bias about keyboards in the first place. I’ve always revered the Classic Rock backbone sound of the B3 organ, only that takes us off topic by a few strands of corn hair. My love affair for the keyboards in Hard Rock and Heavy Metal is rather unshakable. The too numerous to count European Power Metal bands that I scream for in Metal glee, is true Metal measurement, to my everlasting infatuation towards the mighty sound that the keyboards bring to the Rock ‘N’ Roll party.

Here’s hoping you dig Ted Nugent’s Tied Up In Love as much as I do!

Track Listing For Penetrator:

Tied Up In Love

(Where Do You) Draw The Line

Knockin’ At Your Door

Don’t You Want My Love

Go Down Fighting

Thunder Thighs

No Man’s Land

Blame It On The Night

Lean Mean R&R Machine

Take Me Home

* For more info on TED NUGENT, just click on the link below:

TED NUGENT

TED NUGENT SHOULD BE INDUCTED INTO THE ROCK AND ROLL HALL OF FAME. DAMMIT.

LONG LIVE TED NUGENT.

Stone.

URIAH HEEP “HEAD FIRST” – 1983 HARD ROCKIN’ ALBUM FLASHBACK

Posted in classic rock, classic rock bands, classic rock music, Hard Rock, hard rock albums, hard rock bands, hard rock music, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock 'n' roll, rock guitarists, rock music with tags , , , , , , , , , , , , , , , , , , , on July 5, 2010 by Metal Odyssey

URIAH HEEP – Back in 1983, Uriah Heep released their 15th studio album – Head First. Granted, this was not the original Classic Rock lineup of Uriah Heep. The sound and style of Uriah Heep had changed considerably as the ’70’s came to a close and the colorful ’80’s came reeling in. With the 1982 Uriah Heep album – Abominog ushering in a new lead vocalist in Peter Goalby, Head First would be the second of three albums that this vocalist would be fronting. (Equator from 1985 would be the third and last Uriah Heep album featuring Peter Goalby as lead vocalist). For comparison purposes, the class of Rock/Hard Rock vocalists that best fits alongside Peter Goalby are: Lou Gramm, (Foreigner), Kelly Hansen, (Foreigner/Hurricane) and Brian Howe, (Bad Company/Ted Nugent), to name just a few.

I consider Head First, to be a Hard Rock swirling with early ’80’s commercial Heavy Metal album. Head First is AOR for certain and is not lacking with melodic Rockin’ songs. This is not a blockbuster of a heavy album by any means. Instead, Head First is an album of songs that gives off some cool vibes… vibes that I still find appealing after all these years. My favorite song on this album is hands-down: The Other Side Of Midnight. When I first heard this song played on FM back in ’83, I was hooked. This song is very much a psyche-you-out listen, with it’s up-tempo and melodic Hard Rock sound.

In 1983, I was a junior trying to survive in High School and working part-time as a grocery store bagger and shopping cart gopher. The supermarket I worked at was named Finest… only there was nothing very fine about it. One cool aspect about working for this dingy and depressing supermarket was it’s next door neighbor store… Bradlees. This department store had a semi-impressive records & tapes department, so I used to spend most of my $20 – $30 paycheck there on music. I bought this Head First album there… only I don’t have it on vinyl anymore. (itunes cured my hankering for this album though).

Stay On Top and Sweet Talk are two other extremely melodic and accessible songs that probably made it to the FM airwaves way back then. I just can’t say for certain. Stay On Top is “kinda like” an anthem represented on Head First. This song has a bit of toughness about it… early ’80’s Heavy Rock toughness that is. Sweet Talk is dominated by the keyboards played by John Sinclair. It’s the keys that really makes Sweet Talk elevate with it’s pumped-up tempo and mood. During his musical career, John Sinclair was also the keyboardist for The Babys and Ozzy Osbourne.

Bob Daisley plays bass on Head First and is most famous for his Rock ‘N’ Roll stints with Rainbow and Ozzy Osbourne. Longtime Uriah Heep drummer Lee Kerslake was on board for Head First. Lee Kerslake was also the drummer for Ozzy Osbourne’s 1980 debut album – Blizzard Of Ozz and  1981’s Diary Of A Madman.

Lonely Nights is the Bryan Adams cover song that Uriah Heep plays a bit heavier than the original. Not by much though. Lonely Nights is from the Bryan Adams 1981 sophomore release titled – You Want It You Got It. Both the Bryan Adams and Uriah Heep version of this song just screams with that early ’80’s Rock sound, feel and… may I add vibe? No, no, no… I HATE the word “dated”. It makes ME feel… um, uh… old. Regardless of my rhetorical nonsense here, Lonely Nights is undisputedly a very emotional and  inspirational song, in my Metal opinion.

If there has ever been that #1 constant with Uriah Heep, since day one, it is lead guitarist Mick Box. A founding/original member of Uriah Heep, Mick Box seems to have quietly become a Rock legend in his own much deserving right. Ever since the 1970 Uriah Heep debut album – Very ‘eavy… Very ‘umble, Mick Box has been on lead guitar. Fast forward to 2008 and Uriah Heep have released their 21st studio album – Wake The Sleeper. Uriah Heep is still Rockin’ the lights out live in 2010 from what I have read and been told… a Rock historic band that I would love to see live sometime soon. Then, I could boast that I have seen Mick Box play guitar… in real time.

Classic Rock, 1980’s mainstream Heavy Metal & Hard Rock, Melodic Rock, Progressive Rock and AOR fans should take a keen liking to Head First from Uriah Heep. This is a band that stretches across quite a few Rock genres, both past and present.

* For more info on Uriah Heep, just click on the link below:

URIAH HEEP – THE OFFICIAL WEBSITE

URIAH HEEP – MySpace Music Page

Uriah Heep, as they appeared on the Head First studio album:

Peter Goalby – lead vocals

Mick Box – guitar

John Sinclair – keyboards & backing vocals

Bob Daisley – bass

Lee Kerslake – drums, percussion

Original Track Listing For Uriah Heep – Head First:

The Other Side Of Midnight

Stay On Top

Lonely Nights

Sweet Talk

Love Is Blind

Roll-Overture

Red Lights

Rollin’ The Rock

Straight Through The Heart

Weekend Warriors

LONG LIVE URIAH HEEP!

40 years of Uriah Heep Rock ‘N’ Roll is something to celebrate.

Stone.

GARY MOORE “AFTER THE WAR” – A HARD ROCKIN’ & HEAVY HITTING GEM FROM 1989

Posted in hard rock albums, hard rock music, hard rock songs, Heavy Metal, heavy metal albums, heavy metal bands, heavy metal history, heavy metal music, metal odyssey, Music, rock 'n' roll, rock and roll, rock guitarists, rock music with tags , , , , , , , , , , , , , , , on June 6, 2010 by Metal Odyssey

GARY MOORE – With twenty studio albums and five live albums to his legendary music credit, Gary Moore has played it all. From Rock to Hard Rock and Heavy Metal to Blues, Gary Moore’s name is synonymous with guitar icon. One of my favorite Gary Moore albums is After The War, which was released back on January 25, 1989 on Virgin Records. After The War is a Hard Rock album and can be easily considered Heavy Metal, due to Gary Moore’s guitar style that he so effortlessly displays. I have always been enamored by Gary Moore’s guitar and his vocals, both are showcased in a grand way on After The War.

Anytime I listen to After The War, it is like turning the key on the ignition and letting these songs take me for a terrific Hard Rockin’ ride. Never does Gary Moore ever lose me while he plays guitar. He is just one of those elite musicians that can make his guitar sing with emotion. In my Metal opinion, Gary Moore has that unique, unintended ability to have me listen more to his guitar playing than his vocals. That is not an insult, it is a significant reality that occurs to my ears and Gary Moore can sing with the best of them.

* As I continue on reviewing After The War, please bear in mind it is the cassette release from 1989 that I am referring to. This is the only version I have owned all of these years. Any regular visitor to Metal Odyssey knows of my never fading fondness for the cassette. I’ve taken care of my cassettes over the years and they have taken care of me. Metal be thy name.

The song opener After The War, is melodic filled, with strong vocals, backing vocals and guitar licks aplenty from Gary Moore. Keyboards play an important atmospheric role throughout this song and entire album, courtesy of Andy Richards and Don Airey. Speak For Yourself is a Heavy Metal song that is standout. Gary Moore makes it all the more Heavy with a mid-song solo that scorches. A fast tempo and loaded with attitude from Gary Moore’s vocals, Speak For Yourself just has that extra crunch I like to hear.

Livin’ On Dreams is yet another standout song, and there are quite a few like this on After The War. Very harmonious backing vocals that compliment Gary Moore’s more spirited vocals are what makes Livin’ On Dreams come across as inspiring. A melodic, Hard Rock listen that is an Old School treat, due to it’s sing-a-long vibe. The Messiah Will Come Again is an instrumental that proves why Gary Moore plays from his heart and Rock ‘N’ Roll soul. The tonal emotion that spills over from his guitar playing, has me staring into space in sheer Metal wonderment, each and every time I listen to this song over the years. With Gary Moore’s touch and feel for the Blues, The Messiah Will Come Again needs to be heard by any and every guitar aficionado the world over.

The accompaniment of musicians that surround Gary Moore on After The War is top tier talent. Step in, Ozzy Osbourne please. On Led Clones, Ozzy is the lead vocalist and he sounds vintage and great. Led Clones is saturated with keyboards, written in such a manner where these keyboards are an audible necessity. The programming of strings and utilizing them in Led Clones really accentuates this song’s subjectivity. This song is about the many bands back in the 1980’s that tried to “copycat” the sound and brilliance of the legendary Led Zeppelin.

Running From The Storm is an excellent song, with it’s pent up heaviness and deliriously melodic sound. It’s as if each musician assembled here brought their A game to this song. Gary Moore just embellishes Running From The Storm with his trademark leads and a potent solo for good measure. Ready For Love is the commercial/mainstream Hard Rocker that makes me feel F’n damn good from head to F’n toe. If Gary Moore’s vocals and guitar doesn’t grab you on this flavorful song, then something is dreadfully wrong. The rhythm section is tight and grooves, keeping the  tempo consistently upbeat and steady. Ready For Love is very relevant to what 2010 Hard Rock and mainstream Heavy Metal is about. What am I saying… this entire After The War album is extremely relevant to the now.

* Check out the music video below – Ready For Love, from 1989! Crank it up LOUD!!

The Musicians On After The War:

Gary Moore – lead vocals & guitar

Andy Richards – keyboards/Fairlight Programming

Don Airey – keyboards

Simon Phillips – drums

Charlie Morgan – drums

Steve Piggot – sequencer bass

Laurence Cottle – Wal Bass

Andrew Eldritch, Chris Thompson, Sam Brown, Miriam Stockley – backing vocals

* Ozzy Osbourne contributes backing vocals on Speak For Yourself.

* Metal Odyssey note: the track listing below is for the cassette release from 1989.

Track Listing For After The War:

Side One:

After The War

Speak For Yourself

Livin’ On Dreams

Led Clones

The Messiah Will Come Again

Side Two:

Running From The Storm

This Thing Called Love

Ready For Love

Blood Of Emeralds

Dunluce

LONG LIVE GARY MOORE & HIS ROCK ‘N’ ROLL!

Stone.

METAL ODYSSEY’S GOOD TIMES ALBUM PICK: DAVID LEE ROTH – “EAT ‘EM AND SMILE”

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's rock albums, 1980's classic rock, 1980's hard rock bands, 1980's heavy metal bands, classic rock music, hard rock albums, hard rock bands, hard rock music, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , on April 1, 2010 by Metal Odyssey

DAVID LEE ROTH – as front man for the unreal legendary Van Halen, this is the man who revolutionized stage presence. Flamboyant is his middle name. As a solo artist, David Lee Roth mixed things up a bit… from Heavy Metal and Hard Rock to a Frank Sinatra cover song in That’s Life. Let’s face it, in the world of Heavy Music, it doesn’t get any more diversified than that. I pick the 1986 solo album from David Lee Roth – Eat ‘Em And Smile as one of the best damned good times album I have ever listened to. Seriously. This album is chock full of songs, that makes me not give a crap about what bills are due or the world economy. Eat ‘Em And Smile, I swear, was created by David Lee Roth to celebrate partying and having fun. Back in 1986… I did both to the upmost limit, with absolutely no regrets. Eat ‘Em And Smile was an album that added to my fun Summer of ’86, reminding me of once again – good times!

Having one of my favorite guitarists of all time with Steve Vai on this album only made it more sweeter for me. Add the Metal fact that Billy Sheehan is on bass and this album seethes with ultra credibility. Gregg Bissonette on drums proved to be a solid choice for this band and album as well. I did get the opportunity to see David Lee Roth live, at the Hartford Civic Center for theis Eat ‘Em And Smile tour. A truly amazing show it was. I went with my late sister and her boyfriend at the time, we had a blast! My sister’s boyfriend’s name was Charlie… he was one cool corporate dude that could drink and have a good time. Our concert tickets stated: limited view. Yeah, limited view my butt… these seats were on the side of the stage, about 15 rows up! Those are great seats according to my Metal standards! We saw everything just fine from those seats, especially with David Lee Roth giving our section equal attention.

I just missed out in catching the sunglasses that David Lee Roth threw up into our section. Gee Metal whiz, if I wasn’t so loaded that night, I would have been able to catch them. Metal memories. I also took quite a spill, falling down a great many of the concrete stairs inside the Hartford Civic Center that night. As I got myself up and shook it off, I was greeted by hundreds of cheering fans… cheering for my fall that is. I took a bow and proceeded on my Metal way, with just a few bumps and buises.

My favorite songs on Eat ‘Em And Smile are: Yankee Rose, Goin’ Crazy!, Shy Boy and Tobacco Road. Granted, I do enjoy the entire album. Any and every time I listen to Eat ‘Em And Smile, it seems like I have to smile. This is the effect that David Lee Roth and his band put on me. I always enjoyed the music video for Yankee Rose too… funny, entertaining and it flat out ROCKS. If you have never given this album a listen, take a chance on having a (gulp) fun and good time. In the event you never have seen the music video for Yankee Rose, well, you can now by clicking on that cool box below.

DAVID LEE ROTH  – YANKEE ROSE

Track Listing For Eat ‘Em And Smile:

Yankee Rose

Shy Boy

I’m Easy

Ladies’ Nite In Buffalo?

Goin’ Crazy!

Tobacco Road

Elephant Gun

Big Trouble

Bump And Grind

That’s Life

* Eat ‘Em And Smile was released on July 7, 1986, on Warner Bros. Records.

* That’s Life was originally sung by Frank Sinatra and written by Dean Kay and Kelly Gordon.

LONG LIVE DAVID LEE ROTH!

Stone.

JOURNEY “DEPARTURE” ALBUM FROM 1980 – A CLASSIC ROCK FLASHBACK

Posted in 1970's classic rock music, 1970's rock bands, 1980's classic rock bands, 1980's hard rock albums, 1980's rock music, 1980's classic rock albums, 1980's classic rock music, 1980's hard rock bands, album covers, classic rock, classic rock albums, classic rock music, hard rock albums, hard rock bands, metal odyssey, Music, rock & roll, rock and roll, rock music, rock music history with tags , , , , , , , , , , , , , , , , , , , , , on March 31, 2010 by Metal Odyssey

JOURNEY –  released their sixth studio album, Departure, on March 23, 1980, on Columbia Records. This was my very first Journey album that I ever bought, sometime around 1980. Between this Journey album and QueenThe Game, I was becoming quite a Rock Music fanatic at the age of fourteen. Departure falls into the first dozen or so albums that I ever owned. As with Queen’s The Game album, this Journey album is an exquisite blend of Rock and Hard Rock songs. The FM radio favorite back in the day was Any Way You Want It, this song was the motivation for my buying this album to begin with. A genuine Hard Rock song, Any Way You Want It flowed through my veins like psyche-out serum. Aw, heck, it still does to this very day.

Walks Like A Lady is the mellow Rock song that FM radio caught onto as well, it’s chorus coupled with the simplicity and innocence in it’s lyrics, gives this song it’s appeal, almost spotlighting it amongst the other songs on Departure. Where Were You is one of my favorite Journey songs… ever. If a song can Rock me at age fourteen, then Rock me the same way three decades later… then it ‘s an impact song that did it’s deed in imbedding itself into my Rock and Roll psyche. Where Were You, as with Any Way You Want It, just brings back memories of my discovering what Rock and Hard Rock Music was really all about. Back in 1980, I found myself gravitating towards much more up-tempo and harder edged songs. Departure became another tile, on the Hard Rock ground floor that I was setting foot upon.

I’m Cryin’ for all intents and purposes, is Steve Perry at his very finest, unleashing his never to be duplicated vocals, with a spill-over of believable emotion. Line Of Fire has the saturated sound of Classic Rock boogie, pulsating with every imaginable vibration of 1970’s Hard Rock as well. Neal Schon’s guitar actually sounds like a backup singer on Line Of Fire, his signature tone is that expressive… to my ears. When I listen to Good Morning Girl in 2010, I can safely point to this song as the direction as to where Journey would go musically, on future albums. Steve Perry’s vocals being the focal point in a soft ballad, is a key part of the puzzle to Journey’s mainstream success and popularity explosion of the 1980’s. Good Morning Girl was the hint of more incredible things to come, from this legendary band and lead vocalist… only I did not have a clue of Journey’s future back in 1980.

Whenever I can reach into my music collection and pull out an album that resonates the roots of Rock and Hard Rock of my young adult life, it surely is an impeccable album for me indeed. Rock and Roll is more than an aging slab of vinyl or a hardened plastic disc referred to as a CD. Rock and Roll encompasses dozens upon dozens of genres, while these same genres are represented by bands that are iconic as well as lesser known. What comes out of all this are the emotions, vibrations and memories that the music instills in one. Journey – Departure is an album I look upon as an integral reason as to why I decided to take a Hard Rock trek in my early teens. Journey, as with many other Hard Rock bands of the late 1970’s and early 1980’s, aided in my transition to Heavy Metal… and I never considered for one second of abandoning Journey or any other influential band from my youth… Metal be thy name.

Journey, as they appeared on Departure:

Steve Perry – lead vocals

Neal Schon – guitar & backing vocals

Ross Valory – bass & backing vocals

Gregg Rolie – keyboards, harmonica & backing vocals

Steve Smith – drums & percussion

* Gregg Rolie is the lead vocalist on Someday Soon.

* Neal Schon is the lead vocalist on People And Places.

* Check out the Official Journey website: JOURNEY

Track Listing for Departure:

Any Way You Want It

Walks Like A Lady

Someday Soon

People And Places

Precious Time

Where Were You

I’m Cryin’

Line Of Fire

Departure

Good Morning Girl

Stay Awhile

Homemade Love

* Bonus Tracks From 2006 Reissue:

Natural Thing

Little Girl

Stone.

BONHAM – “THE DISREGARD OF TIMEKEEPING” FROM 1989 REVISITED!

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's hard rock bands, Hard Rock, hard rock albums, hard rock bands, hard rock drummers, hard rock music, hard rock songs, hard rock vocalists, heavy metal albums, heavy metal bands, heavy metal music, metal odyssey, Music, rock & roll, rock and roll, rock music with tags , , , , , , , , , , , , , , , , , on March 29, 2010 by Metal Odyssey

BONHAM – It was sometime in 1989, I was a student in College and the debut album from Bonham was released, The Disregard Of Timekeeping. I first heard of this album courtesy of some FM radio station that played the single – Wait For You. (Note: The 2:09 intro – The Disregard Of Timekeeping is a track in and of itself, yet it belongs attached as a necessary segue to Wait For You). Upon hearing both this psyched up intro and Wait For You, I knew I extremely needed to buy this Bonham album. I picked up The Disregard Of Timekeeping as a CD in ’89 and have never grown tired of it since.

I never listened to the overpaid and supposed professional Rock Music critics who took cranky shots at Bonham and this album. Man, have I grown tired of hearing the same old criticisms about Bonham… one being that they were a Led Zeppelin rip off band and secondly, that drummer Jason Bonham could never be like his legendary father, the late John Bonham from the ultra iconic Led Zeppelin. Many of the criticisms I have read over the years about Bonham were/are not only unnecessary, they are just plain cruel. I knew back then, as I know now, that I will listen to what moves me and makes my Metal & Hard Rock soul happy. Metal be thy name.

WARNING: The following paragraph may be deemed too sentimental for some hardcore Metal and Hard Rock fans. Regardless, music is also about emotion and it can affect your life and invoke great Metal memories.

Going back to Wait For You, this song was THE song for my girlfriend and I, back when I was at College. It was OUR song! That girlfriend, well, she is now my unreal great wife. We still listen to this song together and make some flirty glances at each other while it Rocks on. (Sorry for the sappiness, sometimes it happens here on Metal Odyssey).

Playing To Win is another Hard Rockin’, Heavy Hittin’ and riveting song that plays out at 6:55, not long enough in my Metal opinion. I simply cannot find one trace of Led Zeppelin copycat in this song… that must really piss off those old and constipated professional Rock music critics. Guilty is as steadfast and hard drivin’ of a Hard Rock song as they come. Very melodic, very memorable and uh, very great is this song. Cross Me And See plays out better than many of the Hard Rock songs that are currently supposed to be “great” in 2010… and this is a deep album cut. Look out… I can almost hear those pissed off professional Rock critics, from days gone by, screaming with their dentures falling out after that last sentence!

Bonham jumped on board that 1980’s Hard & Heavy train and took my ears and memories along for the ride. Again, any Led Zeppelin comparisons are just a waste of time for me. How many young bands are out there today, that sound like Motley Crue or Nickelback? There are hordes aplenty! Comparisons and influences can never be avoided, when it comes to any Rock & Roll discussion.

I will forever listen to this Bonham album and be a better Metalhead for it. Um, HardRockHead for it. This is as legitimate a Hard Rock album, as it is a commercial Heavy Metal album, in my Metal opinion. Jason Bonham can take a Metal bow for having created this band when he did. As the ol’ Metal saying goes… let the music do the talking. The Disregard Of Timekeeping does just that, only it roars with a genuine Hard Rock and mainstream Heavy Metal sound that evokes positive emotion… for me.

Back on March 16, 2008, Daniel MacMaster, the lead vocalist for Bonham passed away, at age 39. When I first heard of this sad news then, I thought to myself… too damned young, a tragic loss. The passing of Daniel MacMaster leaves a void to the world of Hard Rock and Heavy Metal. Daniel MacMaster’s voice can forever be enjoyed by fans of the past, present and future, through the music he has left us all. I know I am one of those fans.

BONHAM, as they appeared on The Disregard Of Timekeeping:

Daniel MacMaster – lead vocals

Jason Bonham – drums, percussion

Ian Hatton – lead & rhythm guitars

John Smithson – bass, keyboards, violin

LONG LIVE THE MUSIC OF BONHAM!

Rest In Peace, Daniel MacMaster.

Stone.

TRIUMPH – “SPELLBOUND” SONG FROM 1984 STILL PACKS THE POWER!

Posted in 1970's classic rock bands, 1970's hard rock bands, 1970's classic rock music, 1970's hard rock, 1970's rock bands, 1970's rock music, 1980's classic rock bands, 1980's hard rock albums, 1980's hard rock vocalists, 1980's heavy metal albums, 1980's hard rock bands, 1980's hard rock songs, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's rock bands, 1984 heavy metal music, 1990's hard rock bands, classic rock, classic rock bands, classic rock music, cool album covers, guitar legends, hard rock bands, hard rock music, hard rock songs, heavy metal albums, heavy metal albums 1984, heavy metal bands, heavy metal bands from canada, heavy metal history, heavy metal legends, heavy metal music, heavy metal videos, metal odyssey, Music, progressive hard rock albums, progressive hard rock music, progressive rock music, rock music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2010 by Metal Odyssey

Triumph released the album – Thunder Seven, on November 10, 1984. I thoroughly enjoyed Thunder Seven back in those days… still do. A fabulous album of songs, melodic and memorable, all the while exhibiting the heavy style of Triumph. The reality of my never getting this album on CD has set in, I really need to upgrade! I still own the cassette, it plays and it’s worth it’s weight in Metal gold to me. There are those songs that stick with me through life. Spellbound from Thunder Seven is exactly one of those songs. The first time I ever heard this song, I actually felt spellbound… and I’m not trying to sound cute stating that either. In my Metal opinion, the all-out power and intensity that Spellbound delivers is nothing short of amazing. Spellbound and the entire Thunder Seven album just reminds me of the days when I grew up, in the south end of my old home town… in extremely expensive Connecticut. My neighborhood buddies and me, we really played the heck out of this cassette I still own, it’s a Metal miracle that I still have it!

Killing Time and Follow Your Heart are two other standout songs from Thunder Seven. I really like Killing Time, just as much as Spellbound. Thunder Seven is just a solid chunk of vintage Hard and Heavy Rock from Triumph… wow. The old cliche goes: they just don’t make albums like this anymore. Granted, there have been a ton of albums throughout time I or anyone can say that about… it’s just Metal fitting to use that cliche for Thunder Seven. Am I on a Thunder Seven high? You bet… since 1984 too.

My best Metal buddie Scott Coverdale and I, we had many a conversation about this song and album years back and still to this day… the great Rock and Roll Hall of Fame debate not withstanding either. Triumph would be in The Rock and Roll Hall of Fame if I ran it’s duh? operation. Then again, my list for bands belonging in that building in Cleveland, Ohio, is rather long… and Metal rightfully so. I no longer think this… I know this… the world needs a legitimate Hard Rock & Heavy Metal Hall of Fame. Triumph would be embedded in this much needed Hall of Fame, exactly where they belong.

Rik Emmett, (on lead vocals and guitar), is an unreal great musician – in my Metal opinion. Not to take anything away from the rest of the Triumph lineup throughout the years, especially Gil Moore on drums/vocals and Mike Levine on bass & keyboards… unreal great as well, what a legendary band. Triumph – a Canadian Treasure. I hope you like Spellbound as much as I do… enjoy the song below and crank it up LOUD!

LONG LIVE TRIUMPH!

HEAVEN – 1983 HEAVY METAL ALBUM “WHERE ANGELS FEAR TO TREAD” REMEMBERED

Posted in 1980's heavy metal albums, 1980's heavy metal cover songs, 1980's heavy metal bands, 1980's heavy metal music, classic heavy metal albums, collecting heavy metal albums, cool album covers, hard to find heavy metal albums, heavy metal album covers, heavy metal albums, heavy metal albums 1983, heavy metal bands, heavy metal bands from australia, heavy metal cover songs, heavy metal music, heavy metal music 1983, heavy metal on vinyl, metal odyssey, Music, old school heavy metal, old school heavy metal bands, rare heavy metal albums, rock music, spooky album covers, vintage heavy metal albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 19, 2009 by Metal Odyssey

Back in the early 1980’s, I would buy just about any Heavy Metal album that had a cool or scary cover. I also would buy a Heavy Metal album just based on the bands name alone… if it was interesting enough. Usually, I was lucky with my choices, although there were those duds that I picked over the decades, (I won’t lie about that). Buying duds happens to any fan of any music genre, I would surmise. Not listening to an album before buying it was, (and still is), a risky Metal proposition, especially if you never heard the respective band before. Step in… Heaven. This Heavy Metal Band was not a dud.

Heaven, a Heavy Metal Band from Australia, released three studio albums during their brief career, (1982-1985), on a major label being RCA. I used to own one of the three Heaven albums – Where Angels Fear To Tread. I bought this album at a Caldor department store, back in 1983. Caldor had one really fine album/records department for a large retail store. Caldor went belly up years ago, it was a shame to see, especially when it was responsible for my having such an array of Heavy Metal albums back in the ’80’s. I bought this Heaven album without ever hearing a single song from it… the bands name being Heaven, along with the front cover logo and artwork was too good to pass up. Plus, the backside of this album had a very large photo of the band, looking real tough, (Heavy Metal tough). In this photo, lead singer Alan Fryer is shown holding a leash with a black panther attached to it. (That is to the best of my Metal memory when describing this back cover photo, if I am in error in any way, please feel free to comment with a correction).

Back in 1983, this was all I needed to see to make a blind Heavy Metal album purchase. I believe the only Heaven song I ever heard on mainstream radio was on WCCC or WHCN, (on the FM dial in expensive Connecticut), the song was Rock School. Quite honestly, I remember really liking this album, yet it was not the Heavy Metal thunder of a Def Leppard, Krokus, Accept or even Helix from that time period. Nonetheless, Heaven was heavy and good enough for me to even be looking back upon, in 2009. Where Angels Fear To Tread was a Heavy Metal album that fit right in during 1983, still Heaven obviously never caught on with the Metal masses… for reasons that I may never know. Let’s face it, I never bought their first album – Twilight of Mischief/In The Beginning, nor did I buy their third album – Knockin’ On Heavens Door, so my Metal loyalty to Heaven was not up to task back in the early ’80’s. What was I supposed to do? There were literally tons of Heavy Metal Bands coming from all sides back then, from Vintage and Classic Rock bands to the birth of the Thrash, Black and Death Metal genres. Heaven just fell victim to choice, when it came to my album purchasing decisions.

As I look back, I really wish I kept Where Angels Fear To Tread, however, it does not appear to be in print on CD. From scoping out the world wide web, it seems that this album is unofficially in print and is referred to as a bootleg version, with five live bonus tracks included. I would be Metal smitten to land a copy of this Heaven album, especially on vinyl once again. Getting ahold of this CD seems to be doable, regardless of any low quality from it being described as a bootleg.

This might sound a tad strange when I state that my favorite song from Where Angels Fear To Tread is the cover song Love Child. Yup, that famous Love Child song originally done by The Supremes. Metal truth be told, Heaven made this song heavy and it Rocked for me back in good ol’ 1983. Aw heck, this entire Heaven album would sound good again for my ears, 26 years after it’s release. It would be interesting to see, with the current Heavy Metal revival ongoing, if Heaven was to resurface in some shape or form. As the old Metal saying goes… you can’t hold onto everything in life, this Heaven album on vinyl is a great example of that, for me anyways.

A quick Metal note: There was another band named Heaven… this particular band goes back to the early 1970’s. From everything I have researched, this Heaven band does not have any association to the Heaven Heavy Metal Band of the early ’80’s. I have never listened to this band, they are categorized as a Rock band and have an album titled: Brass Rock 1, released back in 1971 on Esoteric Records. (See pic of album cover on the left of this paragraph). I found this other Heaven band and Brass Rock 1 album on http://www.fye.com, yup, it was out of stock. This same Brass Rock 1 album is in stock on http://www.bestbuy.com, however, Best Buy categorizes this 1971 Heaven band as “Metal”… go figure. This other Heaven band’s Brass Rock 1 CD is priced at $20.99, U.S. dollars, a bit too pricey for me to take a gamble on. Plus neither f.y.e. or Best Buy offer music samples for this other Heaven Band’s CD, Brass Rock 1.

Here is the front cover for Where Angels Fear To Tread, by the early 1980’s Heavy Metal Band – Heaven. This cover does scream early ’80’s Heavy Metal with it’s color and artwork, the Heaven logo I feel was well done. This cover is nothing too fancy, nor is it uncool, in my Metal opinion.


BLUE OYSTER CULT – “Fire Of Unknown Origin”, 1981 album is a Rock Classic

Posted in 1980's classic rock bands, 1980's hard rock albums, 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock bands, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock bands, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal music, heavy metal vocalists, metal odyssey, Music, old school hard rock, old school heavy metal, Rock, rock music, rock music vocals, rock vocalists, vintage hard rock albums, vintage heavy metal albums, vintage heavy metal bands, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , on August 27, 2009 by Metal Odyssey

Blue Oyster Cult "Fire of Unknown Origin" small picBlue Oyster Cult released “Fire Of Unknown Origin” in 1981, which was perfect timing for me. I already had Kiss, Foreigner, Cheap Trick, Queen, Ozzy Osbourne, AC/DC and Bad Company in my system back then, being wowed by Blue Oyster Cult was my ears next step in branching out into the Heavy Music world. Back in 1981, there was the choice of buying music on 8 track, I bought “Fire Of Unknown Origin” on this medium – thank you very much. (I no longer have this 8 track from yesteryear, the 8 track player is a memory as well). This album is just another example of what melded my Metal and Hard Rock Music tastes at a young age, (I was fifteen years old in 1981). Another stepping stone album, if you will, towards the lifetime of Metal and Hard Rock Music adoration that I behold. In my Metal opinion, this BOC album is an early 1980’s Heavy Metal meets Hard Rock album, that has consistently lured me back for many a listen over the years.

I always appreciated the lead vocals of Eric Bloom. The mellowness that carpets his vocals is a signature sound of BOC. The biggest hit from “Fire Of Unknown Origin” was “Burnin’ For You”, where the vocals of Eric Bloom and the semi-heaviness of the music really compliment one another. This song was a mainstream FM radio favorite for years, one of my favorite Hard Rock songs ever. “Joan Crawford”, “Heavy Metal: The Black and Silver” and “Fire Of Unknown Origin” are three other songs from this album that I could never get enough of. I have always liked this entire album, “Fire Of Unknown Origin” comes highly recommended from me to younger and new fans of BOC and/or Classic Rock. This is one of those times where I honestly state, this is just a great album of Hard Rock and heavy songs, a true classic.

Blue Oyster Cult "Fire of Unknown Origin" large pic

JOE SATRIANI “Surfing With The Alien” – My music of choice for today and many days to come

Posted in 1980's classic rock guitarists, 1980's hard rock albums, 1980's heavy metal albums, 1980's instrumental rock albums, 1980's rock albums, 1980's rock music, 1980's classic rock, 1980's classic rock music, Album Review, classic hard rock, classic hard rock music, classic rock, classic rock albums, classic rock music, classic rock songs, cool album covers, essential classic rock albums, essential hard rock albums, essential heavy metal albums, essential rock albums, Guitar, Hard Rock, hard rock album review, hard rock guitarists, hard rock songs, heavy metal album covers, heavy metal albums, heavy metal guitarists, heavy metal music, heavy metal solo albums, heavy metal solo artists, instrumental guitar rock albums, Music, old school hard rock, old school heavy metal, Rock, rock guitarists, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2009 by Metal Odyssey

main-150I listened to Joe Satriani “Surfing With The Alien” all day today… in the car, in the house and back in the car once again. (Released in 1987, I own both the vinyl LP and CD). I have those days, where I choose that one CD and listen to it the entire day. Joe Satriani is without question, one of my favorite guitarists that ever lived. Pinning down who my favorite guitarist is of all time is too impossible of a task – there are just way too many guitarists across the entire Rock and Heavy Music spectrum that I revere. It’s not that I do not want to get controversial about naming an all time favorite guitarist, I named what I feel is the greatest Metal album of all time, in a previous post – (Black Sabbath, “Sabbath Bloody Sabbath”). There are just so many unique styles of playing out there, in the world of guitarists, I tend to draw from a cornucopia of these styles and enjoy what I hear from a vast array of players. Joe Satriani really nails it down, with pin point accuracy, on this album. Combining speed and clarity, while slowing things down at all the right moments, makes for a harmonious and melodic guitar instrumental experience, is the best quick summary for Joe Satriani on “Surfing With The Alien”. The daunting question of: Is Joe Satriani a Rock, Hard Rock or Heavy Metal guitarist? – can only be answered by stating Joe Satriani can play it all and play it with greatness. The catalog of albums that Joe Satriani has created over the years proves just that, the proof is in his music.

When I listened to “Surfing With The Alien” today, I never stopped to think about what these songs would be like if lyrics were to be put into the mix. (I am thinking it now, though). That is what a great guitar instrumental album will do for me, the focal point is the guitar brilliance of Joe Satriani, no vocals are necessary. The guitar play of Joe Satriani is what speaks, in essence, that is what it should do. I have always equated a great guitar player, as a musician who can make me hear and feel the emotion that erupts from the notes and chords they play. At 1:46, “Hill Of The Skull” may be one of the shortest songs on this album, yet this is the one that overflows the most emotional feeling – for me. Surfing With The Alien” is hands down, the most popular and fastest song from this album, a quick fix for getting back on my feet and body slamming any negative thoughts in my brain. If I had to describe this album in just two words, they would be: groove saturated. “Always With Me, Always With You” and “Echo” are not just crossover songs to lure the easy listening crowd into the outskirts of Heavy Music, these are songs that encapsulate the upbeat harmony and instinctive music writing genius of Joe Satriani.

My favorite song on “Surfing With The Alien” is Ice 9″. Oh man, do I really like this song. By process of elimination, there is going to be the one song out of the ten found here, that sends it straight through me.“Satch Boogie” is a song that reels me in as well, it shows just how dynamic Joe Satriani had become as a player, on just his second album release. Listening to just this CD today really did make my day that much better. It is not that often that I will listen to only one CD for an entire day… this has definitely been an exercise in Metal constraint for me. To not slap in some Death Metal, Black Metal or straight up Heavy Metal within today’s routine, only justifies how much I really enjoy this album and Joe Satriani’s guitar. Tomorrow I will go back to my daily mix of Metal listening, still I guarantee that I will crank up “Ice 9” once again.

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Rainbow – “Bent Out Of Shape” 1983 album revisited

Posted in 1980's hard rock albums, 1980's heavy metal albums, 1980's hard rock, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, Album Review, classic hard rock, classic hard rock music, classic heavy metal albums, classic rock, classic rock albums, classic rock music, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock songs, hard rock vocalists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, Music, old school heavy metal, rock music, rock vocalists, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , on July 23, 2009 by Metal Odyssey

Rainbow "Bent Out Of Shape" small picRainbow was and still is one of the Hard Rock/Heavy Metal bands that I look upon with Metal reverence. The song writing, lyrics, musicianship, melodies, well, I could go on forever about why I have liked this band so much. Guitarist Ritchie Blackmore, in my Metal opinion, is a guitar legend, both with Deep Purple and Rainbow. Ritchie Blackmore collaborated with lead vocalist Joe Lynn Turner on a few releases, back in the 1980’s. “Bent Out Of Shape” is one of those albums they created, writing nine out of the ten songs together. “Bent Out Of Shape” can be taken as a commercial Hard Rock statement, only It is difficult for me to define this album as such. My standards for commercial Rock or Hard Rock/Heavy Metal definitely differ from other peoples standards. I need to hear consistent sappy ballads and/or radio – bubble gum – friendly songs before my stamp of commercialism is placed on an album. In other words, I feel “Bent Out Of Shape” is one mighty, melodic, Hard Rock album. Honestly, I have no problem with labeling “Bent Out Of Shape” as a Heavy Metal album. This album was released in 1983, the heaviness of Rainbow for back then, easily gave this band the label of Heavy Metal.

“Snowman” is the lone song that was not co-written by Joe Lynn Turner. This song is an instrumental, written by Ritchie Blackmore and Howard Blake. This song has a yearning feeling to it, an almost dream like atmosphere as well, I have always gravitated to it over the years. “Street Of Dreams” was the hit song from this album, plenty of FM radio play it used to receive as well. This song is very melodic, the keyboards play an integral musical role on this track. “Desperate Heart” is quite similar in style, to that of “Street Of Dreams”… both with melody and tempo. “Drinking With The Devil” is my pick for the heaviest song on this album, it has some cool edginess to it, with Joe Lynn Turner adding some tough attitude vocally. “Can’t Let You Go” is another notable song, tailor made for Joe Lynn Turner’s vocals. This song as with “Desperate Heart” and “Street Of Dreams” seems to fit the soul searching theme that I interpret from the lyrics. 

Overall, “Bent Out Of Shape” carries on the signature sound of Rainbow, with rich and vibrant keyboards courtesy of David Rosenthal and of course, the guitar play of Ritchie Blackmore. Joe Lynn Turner has the velvet vocals of Hard Rock/Heavy Metal, he continues to release some quality solo albums to this day. If I had to pick which version of Rainbow that I like best, of course I would choose the Ronnie James Dio fronted Rainbow. With that opinion aside, the Joe Lynn Turner era of Rainbow was and still is quite cool for me. I never can resist buying any music that Joe Lynn Turner has his vocals on, there is no doubt in my mind, that he has had an impressive career. For my taste, “Bent Out Of Shape” has not lost any of its Heavy Rock luster, as years pass. If anything, I still appreciate the quality of all of these songs on this album. In my Metal opinion, this Rainbow album is light years better than a good percentage of new Hard Rock music you hear on the radio or internet today.

Rainbow, as they appeared on “Bent Out Of Shape”: Ritchie Blackmore on guitars, Joe Lynn Turner on vocals, Roger Glover on bass and percussion, David Rosenthal on keyboards and Chuck Burgi on drums. “Bent Out Of Shape” was produced by Roger Glover.

Rainbow "Bent Out Of Shape" large pic

Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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