Archive for classic heavy metal albums

MANOWAR – “Battle Hyms” 1982 album is required Heavy Metal Music

Posted in 1980's heavy metal albums, 1980's power metal music, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1982, heavy metal bands this decade, heavy metal guitarists, heavy metal music, heavy metal music 1982, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, metal odyssey, Metal Reviews, Music, old school heavy metal, Power Metal, power metal music, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2009 by Metal Odyssey

14727432Manowar plays Heavy Metal, their name screams Heavy Metal and they are Heavy Metal with a hundred exclamation points. “Battle Hymns” (released in 1982), was the first album from this prolific and what I consider historic Heavy Metal band. Why historic? Well, the last time I checked, Manowar held the Guinness Book of World Records title for having the loudest live performance. (I always disliked the word performance, especially when it relates to Heavy Metal). Besides being extremely loud, Manowar presented upon the world of Heavy Metal a gloriously lean, mean and heavy album with “Battle Hymns.” All eight songs on this album are laced with forcefully driven guitar leads, riffs and all things sacred to Heavy Metal. The first two song titles say it all – “Death Tone” and “Metal Daze”. What I like most about this album is that there is absolutely not one second of waste to be heard… from start to finish this is muscular, Old School, 500% – Heavy Metal. Of course, this Metal adulation I have for Manowar and “Battle Hymns” is all my Metal opinion, however, this is an album that needs to be heard by todays younger generation of Heavy Metal fans.

Manowar never complicated anything with their brand of Heavy Metal, no smoke and mirrors to be found. What can be so difficult about embracing heavy, loud and melodic music? In my Metal opinion, the Heavy Metal of Manowar is just as essential as any of the basic food groups. I could thrive just fine, on the Metal of Manowar, if it was to be the only music left on earth. “Death Tone” opens this initial album as if it is unleashing Manowar onto the universe, with their sole purpose to spread the word of Heavy Metal on every living being in existence. “Metal Daze” is my favorite song from “Battle Hymns”, it is the musical personification of Heavy Metal. What would a Manowar album be like without a battle song? It would be like having a peanut butter and jelly sandwich without the bread. “Battle Hymn” takes care of the need for listening to a Manowar call to battle… Heavy Metal style. “Dark Avenger” is another standout song on an album of standout songs, plus the narration found in the midst of this powerful and heavy music, by the late Orson Welles, adds to the mythical ambiance. 

I find the lead vocals of Eric Adams to be very reminiscent of early and legendary Judas Priest vocalist , Rob Halford. Ross The Boss without any doubt in my mind, exhibits some of the finest Heavy Metal guitar licks I have ever heard… a guitarist that commands and justifiably earns my Heavy Metal respect. “Fast Taker” is a song that sounds better each time I listen to it, even if it has been a zillion listens. “Shell Shock” is a Heavy Metal song that I always wanted to crank up extremely loud in my car, with the windows down, while at a crowded intersection of uptight people. (Maybe that wish will come through for me one of these days). “Manowar” is a Heavy Metal call to conquer, this song is not just named after the band, it signifies their tenacity and perseverance as a leader of the Heavy Metal genre. No matter how loud I play this album, there is the thought that this Heavy Metal has been played louder… rightfully so. If Heavy Metal 101 really did exist, as a college course, I would feel confident that “Battle Hymns” would be a required listen and study as to just how Heavy Metal was molded, American style, courtesy of the great Manowar.

Manowar, as they appeared on their first album, “Battle Hymns” from 1982: Eric Adams on lead vocals, Ross “The Boss” Friedman on guitars & keyboards, Joey DeMaio on four & eight string bass & bass pedals and Donnie Hamzik on drums & percussion.

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Y&T – “In Rock We Trust” is ’80’s Heavy Metal I trust

Posted in 1980's heavy metal albums, 1980's heavy metal hits, 1980's popular rock bands, 1980's heavy metal bands, 1980's heavy metal music, 1980's heavy metal songs, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock albums, classic rock music, cool album covers, essential heavy metal albums, essential metal music albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal albums 1984, heavy metal guitarists, heavy metal music, heavy metal music 1984, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, vintage heavy metal albums, vintage heavy metal bands with tags , , , , , , , , , , , , , , , , , , , , on August 18, 2009 by Metal Odyssey

7723902I received in the mail today, a package from my best buddy, Scott. In this package was a CD, “In Rock We Trust” by Y&T. Now, this is the kind of mail that I like receiving… not bills or junk mail, just pure 1980’s vintage Heavy Metal. Talk about a solid Metal reminder of how power grooved this Y&T band was back in the ’80’s. This album was released way back in 1984, (the year I was supposed to graduate High School). I opted for an extra half year of High School back then, yet that is Metal history now. I listened to “In Rock We Trust” in it’s Metal entirety, just minutes after it was unleashed from the bubble mailer that brought it to my Metal safe haven. Every song on this album is a Heavy Metal winner, for me. From the Heavy Metal chorus to the riffs and leads and everything else heavy in between, makes this album ripple with thunderous Metal might. I just have recently been listening to the Y&T album “Contagious”, take my Metal word on this… “In Rock We Trust” out heavies “Contagious”. I have never been a strong advocate for comparisons within a Metal band’s music catalog, I feel each album that is created is unique. There are those times, where exceptions are made on Metal Odyssey. Seriously, if anyone out there is considering to buy some Heavy Metal from the ’80’s, this album I undoubtedly recommend.

My best buddy Scott made my Metal day today… little did I know that this CD was coming my way, I guess I did not realize I needed a vintage fix, of some heavy duty Y&T Heavy Metal, either. Man, these ten songs hit me in all of the right ways today. Like Scott said to me on the phone today… “this Y&T album is just darn good Summer Heavy Metal”. I could not agree with him more… only I will take it one Metal step further, “In Rock We Trust” is one darn good year long Heavy Metal album. I see Scott’s point however, these songs make you feel like you are packing up the car, heading to the beach or one big time keg party… and it is the late ’80’s, where your only worries are having cash for gas, chips and beer. Ahhh, the stuff that vintage Heavy Metal makes you think about… Metal really is worry free music after all. If making a feel good Heavy Metal album back in 1984 was considered a crime, then Y&T is guilty on all Metal charges.

“Lipstick And Leather” and “Don’t Stop Runnin'” are the two hits that made their way on FM radio and MTV back in ’84.  Both songs are heavy rockin’ through and through. I really have taken a liking to the first song – “Rock And Roll’s Gonna Save The World”, it starts off rather slow and steady, yet it gives every indication that this is just the prelude to the pumped up Heavy Metal that engulfs my Metal senses. “Breakout Tonight!” and “She’s A Liar” are two songs that exemplify the signature 1980’s vibe of Heavy Metal. “In Rock We Trust” should come with a sticker of recommendation on the front CD cover… that reads: Play these songs loud – it will serve you right. Y&T with “In Rock We Trust” served me right today. I just cannot fathom as to why I never owned this Y&T album until today… I guess that no longer matters, this Heavy Metal gem is in my Metal possession now. This is just another reason why I can never take Metal Music or my best buddy Scott for granted. 

Y&T as they appeared on “In Rock We Trust”: Dave Meniketti on lead guitar & lead vocals, Phil Kennemore on bass guitar & backing vocals, Joey Alves on rhythm guitar & backing vocals and Leonard Haze on drums & backing vocals.

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My favorite Ozzy Osbourne album is…

Posted in 1980's heavy metal albums, 1980's metal music, Album Review, classic heavy metal albums, classic metal, classic rock, classic rock music, cool album covers, essential heavy metal albums, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal solo albums, heavy metal solo artists, heavy metal solo vocalists, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, old school heavy metal, ozzy, Ozzy Osbourne, rock and roll hall of fame inductees, rock keyboard musicians, rock vocalists, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 18, 2009 by Metal Odyssey

I would like to take this opportunity, to let the entire world know, which Ozzy Osbourne album is my favorite of all time. Oops, it is a tie. “Blizzard Of Ozz”, (1980) and “Diary of a Madman”, (1981). Why, you may query? These first two Ozzy albums to me, represent the real, original, building block, style of Heavy Metal sound, that energized the 1980’s into the powerhouse Metal decade it was. Plus, lest we never forget, the greatness of the late Randy Rhoads on lead guitar, on both of these essential Heavy Metal albums.

It is very important to note that on the reissue version of “Blizzard Of Ozz”, during the re-mastering process, Mike Bordin is now on drums and percussion with Robert Trujillo on bass. The original drummer, on the original album, was Lee Kerslake and on bass was Bob Daisley. They are all fabulous musicians, I am not swayed either way. Don Airey is on keyboards for the original album. The key is that the legendary, late Randy Rhoads is the guitarist! Just to hear Randy play his signature sound on “I Don’t Know”, “Crazy Train” and “Mr. Crowley” still sends chills 28 years after this release. Randy Rhoads and his unique guitar sound and style truly helped shape the evolution of Heavy Metal and it’s many prominent guitarists for decades. This album is not just a turning point for Ozzy, it is a focal point of reference and reverence for so many Heavy Metal musicians and fans alike. A bonus track is added into this reissue, “You Lookin’ At Me Lookin’ At You”. This song is similar in structure to “Rock & Roll Rebel” from Ozzy Osbourne’s “Bark At The Moon”. It is a song that is a welcomed addition to this classic album, any song is – that has Randy Rhoads playing. This album has stood the test of time, it feels strange for me to now say that the lyrics, song structure and arrangements with Randy Rhoads leads and riffs are powerhouse. Yet, with the new generation of Ozzy, Randy Rhoads and Heavy Metal fans, getting the word out after all these years is worth every second if it means passing this Heavy Metal jewel on to new listeners.

I know that I do reflect a couple of decades back, (quite often), in my posts… the reason is simple, this incredible Heavy Metal music was created and released decades ago! That is my point of relevance for me, so much of the Heavy Metal that I was into in the late 70’s onward, I still listen to this very day and is now considered classic and vintage. I can remember having the coolest algebra teacher back in High School, Mr. Z. was his name. Mr. Z. allowed his students to bring into class – albums to play on his stereo. How cool is that? It is not too often, with any generation, to reflect on any Algebra teacher from High School as being cool. Well, one of my buddies back then, brought into our class one day, the “Diary Of A Madman” album. This was really the first time I gave this Ozzy gem a thorough listen. I was ecstatic, thrilled beyond Metal belief upon hearing these tunes on this album. (Mr. Z. seemed to dig this Ozzy album too, I can still remember seeing his face showing the appreciation, while the Metal blared). Needless to say, my grades in Mr. Z.’s Algebra class were very respectable, due in part to the cool nonconventional way of teaching, using Heavy Metal as an inspiring teaching tool. Mr. Z. rocked back then, I hope he is still as cool today, wherever he may be.

With tracks such as “Over The Mountain”, “Believer”, “Little Dolls”, “You Can’t Kill Rock and Roll”, “Flying High Again” and “S.A.T.O.”, the odds of ever hearing such amazing Heavy Metal songs this potent and on one album again, are pretty slim. Back in 1982, after listening to this Ozzy album, I was set Metal straight – for a lifetime.

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Fastway – revisiting one cool, Heavy Metal debut album

Posted in 1980's heavy metal albums, 1980's rock music, 1980's hard rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, hard rock guitarists, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Motorhead, Music, old school heavy metal, Rock, rock music, vintage hard rock albums, vintage heavy metal albums, vintage rock albums with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 26, 2009 by Metal Odyssey

main-150In 1983, Fastway was the apple of my Metal eye. Today, well, Fastway is an old school Heavy Metal favorite of mine still, with their debut album aptly titled “Fastway”, being what I consider their best material. Man, when I heard the news that “Fast” Eddie Clarke was leaving Motorhead, I was floored like any loyal fan, back in the day. Then, the word broke, that “Fast” Eddie Clarke was forming a new Heavy Metal band called Fastway… my Metal anticipation was climbing by the second. Knowing that Pete Way (formerly of UFO) was to play bass alongside “Fast” Eddie Clarke only made this lineup more potent by the second. (I later found out that Pete Way never did get to actually play bass on the Fastway debut album).

Let’s go back in time now, to a wonderful department store named Caldor. You see, where I grew up, back in the 1980’s, Caldor was the biggest Hard Rock and Heavy Metal album supplier in my town. (It was the greatest place for a Metalhead teenager to go to for tunes, living in expensive nowhere Connecticut). I used to fantasize about Caldor while I was serving time in Parochial School and later High School. My thoughts strayed right into that glorious Caldor, envisioning the very long record aisles, lined with Yes, Iron Maiden, Bad Company, Ted Nugent, Black Sabbath… and then one day, in 1983, I remembered that the new Fastway album was to be released. Oh, the surefire Metal joy I would experience if that Fastway album was to be at Caldor! Minutes after I was released from being imprisoned in that High School, I was there… at Caldor. Fastway was also there. You betcha. With my Metal heart beating quickly, I reached for this precious new vinyl pressing, had it in my hands…  what is this? Located on the back of this Fastway debut album was a strange looking little mini record, it was not a 45 rpm, (it was the size of a 45 rpm and had a tiny album hole in the center), nor was it anything that I really saw before. It was supposed to be with this album, for it was the single for the song “Far Far From Home” – this song never made it on the actual album itself, therefore, the record company added it on as a separate single bonus! Man, at this moment, this teenage Metalhead was on Metal cloud nine.

Alright, as for the actual Metal found on this Fastway debut album, it rocked me straight into Heavy Metal bliss for an entire Summer – and Fall and Winter too. The tunes were so catchy, guitar driven and groove laden (courtesy of “Fast” Eddie Clarke), that it was one difficult album for me to put down for a lengthy period of time. “Say What You Will” was the most notoriously recognizable track off of this album. The opening guitar lead by “Fast” Eddie Clarke repeats throughout the entire song, instead of being repetitious, it was (and still is) Metal delicious. The vocals of the underrated Dave King were reminiscent of Robert Plant upon my initial listen to this album. However, back in the ’80’s it seemed to be the trend to point the finger at too many Hard Rock and Metal vocalists – accusing them of ripping off the legendary Robert Plant. “Easy Livin'” is definitely my favorite track on this debut, it is fast, slick and the guitar play of “Fast” Eddie Clarke shines. “You Got Me Runnin'” and “Give It All You Got” are heavy, fast paced – melody makers, providing the maximum Heavy Metal grooves you can possibly get out of three minute songs. 

In a Metal nutshell, the overall enjoyment that this Fastway debut album has provided me, sincerely has lasted a lifetime. This is one of those albums that I bought on CD as quickly as it was available. The efficiency of this album is what makes it a winner, for me. The efficiency of the songs structures, both musically and time wise, coupled with “Fast” Eddie Clarke on guitar, Dave King on vocals, Jerry Shirley on drums and Mickey Feat on bass, makes the debut Fastway album a Heavy Metal treat for me – to reach for to this very day.

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Happy Metal Birthday, Klaus Meine – Scorpions vocalist

Posted in 1970's hard rock, 1970's heavy metal, 1970's Rock, 1980's heavy metal music, 1980's metal music, Album Review, classic metal, classic rock, cool album covers, essential hard rock albums, essential heavy metal albums, essential rock albums, Hard Rock, hard rock album review, Heavy Metal, heavy metal album covers, heavy metal album review, heavy metal albums, heavy metal from germany, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, Music, Rock, Scorpions, vintage hard rock albums, vintage heavy metal albums, Vocals with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 25, 2009 by Metal Odyssey

fullsizeIt is May 25th, 2009, Memorial Day in the United States. Today is also… the 61st birthday for Klaus Meine, lead vocalist for the incredible, dynamic and legendary Scorpions. Metal Odyssey gives out a loud, Metal filled, Happy Birthday to Klaus Meine! I can go on for days as to how much Metal joy that Klaus Meine and the Scorpions have given me, with their Heavy Metal, throughout my life. My favorite Scorpions album ever, is “In Trance” – this album showcased an up and coming Heavy Metal band that was filled with the Metal hunger and talent needed to sustain such a long standing, unbelievable career. Released in 1975, the third album, this is a Scorpions release unlike their “Animal Magnetism”, “Blackout” or “Love At First Sting” albums. This is Scorpions Metal that was raw, rough and edgy, in other Metal words – great tunes without the Arena Rock flamboyancy. Do not get me wrong, I support and revere every album ever released by the Scorpions. Only this is a Scorpions band in their Metal infancy, the dynamics are clearly heard on this album, which makes me choose “In Trance” as my favorite Scorpions release. This vinyl Metal Classic still exists in my collection today, after so many plays on the turntable. I am still amazed that I was able to keep this album, in such incredible condition, for this long!

“Top of the Bill” is my favorite track on “In Trance”, this song exemplifies what true old school Heavy Metal sounds like. The Scorpions musicians over the decades are stand alone – top of their Metal game players. Klaus Meine is realistically, for me, a top ten, all-time Heavy Metal vocalist. You can argue that Klaus Meine is a top ten, all-time Hard Rock vocalist as well. (Take your pick or pick both). “In Trance” does not lack in quality of musicianship or song writing, in my Metal opinion. This was an album that really represented this time period well, representing what Heavy Metal from Germany sounded like. (Thank you Germany). I am confident in saying that the world of Metal has embraced and revered the Scorpions to this very day. Thank you Klaus Meine for sharing your unique and unbelievable vocals with us, you and the Scorpions are in a Metal class all your own!

Scorpions as they appeared on “In Trance” in 1975: Klaus Meine on lead vocals, Ulrich Roth on lead guitar & backing vocals and lead vocals on “Dark Lady” & “Sun In My Hand”, Rudolf Schenker on rhythm guitar & backing vocals, Francis Buchholz on bass guitar & backing vocals and Rudy Lenners on drums & percussion.

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