Who wants a to win a HELLION HOODIE? Just go to Hellion’s Facebook page and post a picture of yourself with a member of Hellion, or of yourself wearing a Hellion t-shirt. We will pick the winner on January 31st.
DOOM PIONEERS’ FIRST ALBUM IN 10 YEARS OUT APRIL 14th
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SAN FRANCISCO, Jan. 20, 2015 – Acid King have unveiled the cover art for their forthcoming album, Middle of Nowhere, Center of Everywhere (available April 14).
The artwork for Middle of Nowhere, Center of Everywhere was done by famed tattoo artist, Tim Lehi. Lehi has done cover art and posters for High on Fire, Earthless and Witch.
Middle of Nowhere, Center of Everywhere was recorded at both Sharkbite and Tiny Telephone Studios in San Francisco, mixed at Different Fur Studios and produced by Acid King and Billy Anderson. The digital release will be released independently via Acid King while physical copies, both CD and vinyl, will be available via Svart Records.
“We had several songs in the works over the years that we spent most of our time touring Europe but in between working our day jobs, we didn’t put the effort into recording,” explained singer/guitar player Lori S. “I really wanted to accelerate the process and get new music out. It’s time. This music that we’ve been playing for so long, that was initially obscure and underground, seemed to grow over these past 10 years and the timing was right to release this now!”
Acid King bubbled up from San Francisco in 1993 through a fog of revved up riffs, thunderous drums, and a hypnotic vocal howl. They unleashed three EPs and three full-length albums, starting with Zoroaster in 1995, the 1999 full-length Busse Woods, and their most recent release, Acid King III, coming in 2005. Their seismic chemistry transfixed audiences everywhere from high-profile festivals such as Hellfest and Roadburn to now iconic shows alongside peers such as Sleep and Mystick Krewe of Clearlight.
The band recently confirmed their participation in Desertfest, April 24 to 26 in the UK. North American tour dates will be announced soon.
Releasing on February 17th is the self-released and debut EP, Lucidity, from the UK’s Symphonic Metal Band: Nocturna. I have enjoyed this six song EP very much, to the point where I feel relieved to get this Nocturna review up on this blog for others to read about. Firstly, sonic quality is ever-present throughout this EP. Secondly, lead vocalist and guitarist James Davis reminds me of Rush legend Geddy Lee, with his harmonious, clean and pronounced vocals.
To say this band will go far is not a stretch by any means. Nocturna are a Metal treat to listen to, with their musicianship, songwriting and catchy melodies, all wrapped up into a delicious aural celebration of Symphonic Metal. With just the right touch of progressiveness in their music, Nocturna have a talent for the surprise with their songs. The epic closer on this EP, Cast Assured, showcases the diverse vocal and musical styles that Nocturna is all about.
Tom Frost on guitar is bona fide impressive, with his abundant ability to shred. I love the atmosphere that Josh Vigus gives to the songs with his synthesizer, creating an air of emotions that swirl about so very pleasingly, even while a blazing guitar solo is being executed. Ryan Palmer on bass and Phil Barber on drums are an exciting listen alone, these cats master their craft. Fans of European Power Metal should have no problem digging what Nocturna is all about either. Yes, I highly recommend Nocturna and their debut EP Lucidity; I cannot be more honest than that. Metal be thy name. – Stone
After suffering a setback with the loss of their vocalist Andrzej Nowak, Black Metal group Outre have unveiled a track from their upcoming album recorded with the participation of Stawrogin (Odraza/Massemord). A twisted and ripping track drawing as much from French bands such as Deathspell Omega as Outre’s compatriots Behemoth, it will surely draw the attention of those with a finely tuned Black Metal radar.
The band comments:
“We are now finishing the production of our debut LP “Ghost Chants”. With minor delay caused by our vocalist leaving, the vocals recording session are now heading to an end. We asked Stawrogin for help, in our opinion one of the best throats in the Polish black metal underground, and so far we are more than satisfied with the effects of his work. A promo track “Chant 3. – The fall” gives a sneak peek of what you can expect on our debut long player. We gave our best to make this record as much essential and intense as possible.”
Outre’s upcoming LP, entitled “Ghost Chants”, is set for release in early spring via Godz Ov War/Third Eye Temple/Essential Purification Records. It was recorded in No Solace and Impressive Art studios, and mixed/mastered by M. of the well-acclaimed Mgła. The track listing is as follows:
For the second time in their career, DEEP IN HATE will tour with THE BLACK DAHLIA MURDER. Two dates are planned in July, just after DEEP IN HATE bring their dark and oppressive Modern Death Metal to HellFest.
Along with some other dates yet to be announced, these gigs will mark the live premiere of the band’s new bassist, Maxime Hacquard, who recently joined as a permanent replacement for ex-bassist Kapute.
Tour Dates:
July 18 – FR – Metz – Gueulard Plus
July 20 – FR – Villeurbanne – CCO
Called a “bloody good album” by TheLairOfFilth.com, DEEP IN HATE’s Chronicles of Oblivion is out now and available in digital and limited-edition digisleeve CD formats.
PINK VELVET KRUSH welcomes former Gene Loves Jezebel drummer Joe Larsen as the newest member of the band.
“We had a short list of musicians we wanted to look at with Joe being at the top of that list. Joe was the guy that stood out. He is the complete package. His professionalism, experience, style, energy and do what it takes attitude is what landed him the throne. Rehearsals are set, new material is being demoed, and we cannot wait to hit the road and let everyone see what we got. Great things are on the horizon” – PVK
Born and raised in Salt Lake City, Utah, Joe started playing drums at the age of five. Privately tutored and professionally trained, Joe honed his skills throughout the years joining his first band DIADEM and then moved to Los Angeles, California attending UCLA and graduated with a four-year degree in music. Joe auditioned for the band Rockstar Supernova and then went on to join the band Tommy Had A Vision. Joe did session work and performed at a variety of industry events before getting the gig with Gene Loves Jezebel in 2013.
“As a young boy growing up I have looked up to many artists. I am not just a fan of their timeless music but they are also my musical Idols. Dreaming big in hopes that one day I would to have my Led Zeppelin moment and write my name in Rock & Roll History. Thank you Pink Velvet Krush for this amazing opportunity. The best is still yet to come I look forward to seeing you all on the road with Pink Velvet Krush.” – Joe Larsen
Today, January 19th, 2015, is Martin Luther King, Jr. Day, here in the United States Of America. This federal holiday is observed by all fifty states and is celebrated on the third Monday of each January for this champion of the Civil Rights movement. On November 2nd, 1983, President Ronald Reagan signed a bill creating this federal holiday, in honor of the late Martin Luther King, Jr.
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On January 19th, 1981 – The sensational STYX released their tenth studio album: Paradise Theatre, via A&M Records. This album features such STYX classics as: The Best Of Times, Too Much Time On My Hands and Rockin’ The Paradise.
On January 19th, 1988 – The fierce MEGADETH released their third studio album: So Far, So Good… So What! This album features the cover of Anarchy In The U.K., originally recorded and released in 1976, by the Sex Pistols.
On January 19th, 1990 – The monster movie, TREMORS, was released to wide-screen theaters, via Universal Pictures. This movie marks the first of its franchise and features the stupendous Kevin Bacon, with co-stars: Fred Ward, Finn Carter and Michael Gross. TREMORS did very well at the box office, earning nearly 50 million U.S. bucks! Whoa!
TREMORS was written by S.S. Wilson and Brent Maddock, while the director was Ron Underwood. The plot is basically: stay away from 30 foot burrowing worms, cause they are always hungry for unsuspecting humans. These worm monsters are referred to as graboids in this film. Yup.
I’ve seen TREMORS a few times in my day and admittedly, I dig it. TREMORS is Metal. I tend to like this genre of movies, thus, for a hunky dory time, I do recommend TREMORS as a rental; along with an order of wings, 1 container of Pringles, 1 bowl of buttered popcorn and the beverages of your choice.
On January 18th, 1973 – The great Led Zeppelin performed at St. George’s Hall in Bradford, UK. Pictured above: Led Zeppelin UK tour program for November 1972 – January 1973.
On this day in 2008 – The Science Fiction thriller, Cloverfield, was released to wide-screen theaters, via Paramount. Honestly, this movie is scary as all hell. Seriously. The abbreviated plot is: Extraterrestrial’s are hell-bent on destroying our world as we know it, starting with New York City. The alien that is shown in this film is one terrifying motherfu**er too!
Cloverfield was directed by Matt Reeves and written by Drew Goddard. The actors in this movie are not big-time stars; nonetheless, the acting is very believable and makes this movie that much more realistic to me.
Cloverfield is filmed as a point-of-view and never ceases to make me feel very uneasy about what is possibly watching us from Outer Space. The ending is a shocker, I’ll tell you that. Cloverfield is a MUST movie to see and is without a doubt… Metal.
On January 18th, 2015 – The Best Of Nickelback: Volume 1 falls to #150 on the Billboard Top 200 Albums Chart. This Nickelback compilation peaked at #21 and has spent 25 consecutive weeks on this chart.
On this day in 2015 – Nickelback No Fixed Address falls to #75 on the Billboard Top 200 Albums Chart. This eighth studio album from Nickelback has spent 8 consecutive weeks on this chart, peaking at #4.
NSN is 2 months away! Get your tickets today at Cavenders, NSNFestival.com or text @geoo 956-607-8727
NSN is a two-day, multi-stage event at Las Palmas Race Park, Mission, Texas. Check the festival flyer above for all the cool bands that will be performing. Never Say Never Fest, est. 2009, is the biggest all-ages music fest in South Texas that has featured bands of many different genres. Metal be thy name.
On January 17th, 1969 – The iconic Led Zeppelin performed at The Grande Ballroom, in Detroit, Michigan. Notice the crazy spelling for Led Zeppelin on the above concert flyer? Whoa!
On January 17th, 1975 – A Robert Plant interview that was filmed before Led Zeppelin’s Brussels concert the previous week, was broadcasted on the BBC2 “Old Grey Whistle Test” program. This legendary footage is included on the Led Zeppelin official “DVD”, released in 2003.
On this day in 1976 – Sweet hits #5 in the U.S., on the Billboard Hot 100 with their single: Fox on the Run. This song is featured on Sweet’s sensational third studio album, from 1974: Desolation Boulevard.
On January 17th, 1986 – The Dark Comedy/Horror film, Troll, is released to wide-screen theaters, via Empire Pictures. Toll was directed by John Buechler and written by Ed Naha. The cast stars: Noah Hathaway, Michael Moriarty and Shelley Beck.
The plot is simple; basically, a pissed-off and constipated Troll takes over an apartment building, possesses a little girl and changes people into stuff like plant pods. Now, that’s… Metal!
On this day in 1986 – The Clan Of The Cave Bear was released, via Warner Bros., to wide-screen theaters. Above, notice the resemblance to 80’s Hair Metal and David Lee Roth on his Eat ‘Em And Smile (1986) album cover? Whoever the makeup artist was for The Clan Of The Cave Bear… he or she just HAD to be a fan of 80’s Heavy Metal. I mean, c’mon? I kinda like that makeup job, myself.
The Clan Of The Cave Bear was a flop at the box office and the only cool thing it has going for it is the main star: Daryl Hannah. Whoa, yeah! I’ll say this movie poster is Metal and the movie is not. Due to the English sub-titles used for interpreting the grunts and growls of the Neanderthals and primitive Homo Sapiens, during this film, I highly recommend it only if you’re wasted. Um, yeah.
The new Pat Travers Band album, Live At The Iridium NYC, will be released on January 23rd in Europe and January 27th in North America, via Frontiers Music SRL. Wow, is this the perfect album to get my mind off of the dreadful world news of the day! This is marvelous, live Classic, Bluesy, Hard Rock that gives my energy meter a much-needed boost; a welcomed Rockin’ jolt of joy that helped ease my soul, during that awful Polar Vortex invasion that overbooked itself here in the Midwest, this past week.
This is a live album that is so well done, I can close my eyes and pretend I have a close spot at the stage, while my earbuds let the irresistible Rock vibrations from Pat Travers Band free flow through my cerebrum. Man, they don’t make ’em like Pat Travers Band anymore. Heck, this live Pat Travers album should be required listening in every music appreciation class, cause this is how a band plays live without going through the motions. There’s real excitement in this live album and it likely shall cascade on to generations more to enjoy!
The unmistakable tones that Pat Travers creates with his guitar, along with the rhythms and beats from his band make for a sonic elixir of goodness. Forever relevant and substantial are these songs from Pat Travers Band and hearing them live only adds to my re-appreciating them all the more. The Ray Charles classic I’ve Got News For You soars once again, with the Bluesy rendition that Pat Travers Band gives it. Whiz -bang, great stuff! Jon Paris is prodigious on the Blues Harp; he brings an added bluesy emotion to songs: If I had Possession Over Judgement Day and Spoonful.
A live album so full of energy and positive vibrations! Pat Travers and Kirk McKim are a dual six-string jammin’ machine and Lone Wolf / Red House only magnifies my belief. Who can’t resist the Bluesy essence of the song classic: Black Betty? I can’t resist Black Betty and Pat Travers Band closes out this live album with that everlasting number.
There is so much to delight in, if you love Classic Rock, Hard Rock and/or Blues Rock. I’m only the messenger of what I’ve heard and enjoyed (many times over) from Pat Travers Band Live At The Iridium NYC; hopefully you’ll pick this album up and love it like I do.
Track Listing:Rock And Roll Susie; Gettin’ Betta; Crash And Burn; Heat In The Street; Josephine; I’ve Got News For You; Ask Me Baby; I La, La, La Love You; Lone Wolf (Kirk solo) / Red House; If I Had Possession Over Judgement Day; Spoonful; Black Betty
PAT TRAVERS BAND:
Pat Travers – Guitar, Vocals
Kirk McKim – Guitar, Vocals
Rodney O’Quinn – Bass Guitar, Vocals
Sandy Gennaro – Drums
Jon Paris – guest on “Blues Harp” on “If I Had Possession Over Judgment Day” and “Spoonful”
The Deathmass Cloak, the debut full-length from San Diego-based death metal band GHOULGOTHA, is out now on Dark Descent Records. Stream the album in its entirety at this location.
After a demo, EP and a split, GHOULGOTHA emphatically announces their presence in the metal realm with the 53-minute The Deathmass Cloak. The album is the product of the very warped and prolific W. Sarantopoulos (AKA Elektrokutioner), so expect some of the most outside the box brutality the underground has to offer. Produced by Damian Herring (HORRENDOUS) at Subterranean Watchtower Studio, The Deathmass Cloak is a weird and winding death metal album destined to satisfy even the harshest critics. Cover art for the album comes courtesy of Mattias Frisk (Vanhelgd).
The Deathmass Cloak – Track List:
Solar Awakening (Intro)
Gazing into Melted Night
A Neck for the Nameless Noose
Austere Urns
Saturnal Rites
Prophetic Oration of Self
Arteries Unblest
Citadel of Heathen Flesh
Cartilage Imperfect
Levitate Within the Curse
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W. Sarantopoulos (DECREPITAPH, FATHER BEFOULED, ENCOFFINATION, WOODEN STAKE, FESTERED, SCAREMAKER and more) moved from Dallas to San Diego and began searching for musicians to bring some Doom/Death to Southern California. Shortly after moving, he hooked up with drummer C. Koryn (ASCENDED DEAD) who shared a lot of the same influences. Their playing styles worked perfectly with each other, making the song writing process very easy. The two jammed for a few months while looking for other members to complete the line up.
The band name GHOULGOTHA was chosen as it represents our dedication to rotting old skull Doom/Death. In the summer of 2012, J. Moreno (ASCENDED DEAD) and I. Mann were added on bass/vocals and second guitar, respectively. The full horde quickly put together a two song demo/promo called No Peace To Rest In and released it in September 2012.
Alice in Chains is honored and excited to be performing at halftime of the #NFCChampionship game at CenturyLink Field (Seattle, Washington) on Sunday (January 18th). #gohawks
Stone Says: Hell yes! Alice In Chains for the NFC Championship half-time show! Whoa! How refreshing, knowing I am not going to have to be switching channels due to the usual dance & pop music crap. Metal be thy name! By the way, here is my fearless NFC Championship prediction:
The first ever vinyl and reissue of the critically acclaimed sophomore album, Sarkomand, from Lovecraftian black metallers Ctulu is out now and available for orders via the band’s webshop. The 12” black LP was released on December 5th, 2014 via Black Blood Records and Human To Dust, in order to celebrate the band’s tenth anniversary. The CD version (2011, God Eater Records) was sold out and was received very warmly by the band’s fans and critics worldwide.
According to Rolling Stone India “Sarkomandfeatured Ctulu at their best, with a bruising, brutal mix of black and death metal” and Metal As Fuck states that the album “is a fine example of contemporary extreme metal“.
Ctulu was formed in 2004 by Mathias Junge and ex-member Stefan Schulz. The band has gone through various line-up changes over the years and the Sarkomand line-up features ex-members Jan Westermann (Diablery, Released Anger) on drums, Rolf Quast-Janßen (Lunar Eclipse) on vocal duties, along with Arne Uekert and Mathias Junge on guitars.
Despite its line-up changes, Ctulu has never given up and has put their original Seastorming Extreme Metal on the map of Heavy Metal. With their experience of live performances – including a tour with Taake, Ragnarök Festival (DE), Infernal Damnation (UK) and various shows outside their homeland, the band is stronger than ever.
Having a powerful member line-up featuring Junge and Uekert both on guitar and vocal duties, Roman Szymura (AEBA) on drums and Lasse Bodenstein on bass, the Germans are now working on their fourth full-length which will see a return to the catchy, straightforward – but not lacking in atmosphere – black metal which is found on Sarkomand.
Upcoming shows:
02. 20 – Frostfeuernächte – KiEZ Hölzerner See, Germany
03. 13 – Magazinkeller, Bremen, Germany (Freie Geister Festival co-organised by the band)
06. 19-21 – Gardelegen, Germany (Metal Frenzy Open Air)
08. 14 – Moscow, Russia
08. 15 – Tula, Russia (Blackened Life Festival)
HELLION SINGER, ANN BOLEYN, EXPLAINS HER MYSTERIOUS ABSENCE FROM THE MUSIC INDUSTRY AND REVEALS FIRST OFFICIAL LYRIC VIDEO FROM NEW “KARMAS A BITCH” CD
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Ann Boleyn, powerhouse vocalist for L.A. female-fronted Metal act, HELLION, speaking to Eric Thompson in the current issue of Sweden Rock Magazine, explains the reasons for her mysterious disappearance from the music industry in the mid-2000s.
“My absence from the music industry was not voluntary,” said Ann Boleyn. “I was forced to flee because of problems with three stalkers.” One of the stalkers, a former financial advisor for HELLION, pled guilty to felony charges in 2003, and served time in prison.
“The District Attorney issued restraining orders to keep them away from me. The police could not protect me so I was forced to change my lifestyle and had to avoid places where I usually would go. Even my friends were threatened by these stalkers.”
Ann Boleyn re-emerged in DÉTENTE in 2007, replacing legendary thrash singer, Dawn Crosby, who died of liver failure.
Shortly after leaving DÉTENTE, Boleyn became depressed following the death of Ronnie James Dio, in 2010. Dio had produced HELLION.
“I was approached by a Japanese promoter to front an all-star tribute. They wanted me to record a tribute album to Ronnie and to tour in Japan and possibly South America. I had never been offered so much money for any music project, but I could not agree to it because I felt like I would have been profiting from Ronnie’s death.”
In 2014, Boleyn enlisted drummer Simon Wright (AC/DC, DIO, UFO, QUEENSRYCHE), keyboard player Scott Warren (HEAVEN & HELL, DIO, TYPE-O NEGATIVE), bassist Bjorn Englen (YNGWIE MALMSTEEN, TONY MCALPINE), and up and coming shred guitarist Maxxxwell Carlisle to record and tour for the first time in nearly a decade. Georg Dolivo (RHINO BUCKET) also appeared as a special guest rhythm guitarist on HELLION’S recent North American tour. Bassist Greg Smith (ALICE COOPER, RAINBOW, TED NUGENT) filled in for Englen on the recent tour due to a schedule conflict.
Above cover art by Woven Claws.
In October HELLION released their first CD of new music in a decade. Hellion’s new CD, Karma’s A Bitch, was produced by legendary British studio icon Ken Scott, who produced iconic albums, including DAVID BOWIE‘s “Hunky Dory”, “The Rise And Fall Of Ziggy Stardust And The Spiders From Mars”, “Aladdin Sane” and “Pinups,” along with Simon Wright and Ann Boleyn.
With songwriting that is a progressive, heavy and catharsis, Vancouver, BC’s id. is a multi-layered metal force. Inspired by Sigmund Freud’s theory on the levels of the human psyche, the band’s front line introduction of their subconscious tendencies is unleashed in their debut EP ‘Sagittarius A’ due out Feb 10, 2014.
Written by guitarist Alex Dubreuil with words backed by Jason Pennington, the EP touches on topics such as inner struggle, world views, self-awareness to what’s beyond in outer space.
“We want people to connect with our message and enjoy the diversity of our sound. The music has evolved from quite unstructured abstract ideas to come around to find a comfort zone with no borders.” comments vocalist Jason Pennington.
Employing a style that is different compared to other progressive bands, id. transcend genres in their four track debut, which features Vancouver Metal scene veterans lyricist and vocalist Jason Pennington (Makaria), drummer Kris DeBoer (Grudge, Infernal Majesty, Artep), rhythm guitarist Tyson Araszewski (AutumnEx) and guitarist Alex Dubreuil (My Own Chaos) who also does bass on the EP.
With more songs in their arsenal for a full length to follow their EP and influenced by bands such as Opeth, Mastodon, Devin Townsend, Gojira, and Augury, id is sharing with metallers what’s to come as they push forward to put themselves on the map.
Band Fact: The story behind the EP Title: ‘Sagittarius A’ is the name of the black hole in the center of our galaxy. The idea comes from a fundamental belief in a scientific world view, free of religious influence and tyranny. It outlines how people are susceptible to believe things without evidence if it appeals to their vanity, as opposed to being presented with evidence and being able to accept something that is inherently contradictory to their intuition.
In order to whet appetites, Biotoxic Warfare have released a single from their upcoming album ‘Lobotomized’ which is released this coming Monday, January 19th, via Slaney Records. The track, also named ‘Lobotomized’ is a meaty introduction to the band’s debut full-length release.
Since their formation little over two years ago and having already supported the likes of Enforcer and Suicidal Angels and released one highly lauded EP, ‘Baptized in Blood and Greed’ [2013], Biotoxic Warfare are emerging from the Greek underbelly as a force to be reckoned with. This is demonstrated in full on their debut album release, ‘Lobotomized’.
‘Lobotomized’ is a blistering aural attack from the start and does not let up the onslaught through the album’s eight tracks. Talking of the album, the band had this to say –
“The sound of ‘Lobotomized’ is mostly influenced by the European Thrash Metal scene (Kreator, Sodom) with a mix of old school American Death Metal (Obituary, Death, Morbid Angel). It also combines dark melodies, shredding guitar solos, technical riffing and many well-combined fragments of the whole extreme metal spectrum.
“Lyrically the album opposes strictly to any religious fanatics and cults who use their lies to control every human being with ambitions to reign upon arrogance and false reality created by religions worldwide since the dawn of time. The lyrics call the people to rise against their oppressors, stand out for what they believe and break the chains that bond both mind and soul.”
And this is what the press is saying:
“If ‘Lobotomized’ is a sign for all the good albums that are to come in 2015, then I cannot fucking wait…an amazing start to the year’s metal releases.” – 10/10 Metal Addicts
The band recorded the album at their home studio and went on to have it mixed and mastered by Vaggelis Theodorakis (Revolted Masses). ‘Lobotomized’’s artwork, designed by Roberto Toderico, encapsulates the messages from within the album. The band describe the artwork as depicting “the massive lobotomy and brain washing that terrorizes our society by any organized religion party, and aims to a global propaganda in order to control and twist the freedom of thinking and acting for yourself.”
LOS ANGELES, Jan. 14, 2015 – Failure, who are currently in the studio working on the follow-up to their critically acclaimed album Fantastic Planet, are giving fans a behind-the-scenes look at their progress with a new video released today in tandem with the kick off of the band’s PledgeMusic campaign (pledgemusic.com/failure).
PledgeMusic supporters will receive early access to audio clips as well as ongoing video updates from the band. A variety of packages are available, offering mementos from the recording sessions, ranging from hand-scrawled lyrics to effects pedals and vocal mics. All pre-order bundles include the as-of-yet untitled album, which will be available in a variety of formats: digital (mp3/flac), cd, vinyl and USB drives.
Explained Ken Andrews: “Obviously we are not the first band to do this sort of thing, but I do think our fans are uniquely qualified to make this a very satisfying experience for all who participate.”
Failure returned from a 17-year hiatus in early 2014 with a riotous hometown show at the El Rey Theatre and performances at Fun Fun Fun Fest, Riot Fest, the Sunset Strip Music Festival, Cinquanta, an outing with old friends Tool, and the band’s own Tree of Stars tour.
About Failure
Failure formed in Los Angeles in the early ‘90s, releasing Comfort, their debut album, in 1992 via Slash Records. Magnified followed in the spring of 1994 with the band’s final offering, Fantastic Planet, released in 1996. Fantastic Planet earned a perfect 5-star score from Alternative Press with the magazine saying the album was able “to breathe life into the corpse of contemporary, guitar-driven rock,” adding that the band was “willing to stretch the definition of both their instruments and their songs.” The 17-track album is considered one of the era’s most influential and enduring rock records. Failure is Ken Andrews, Greg Edwards and Kellii Scott.
About PledgeMusic
PledgeMusic is the world’s leading online, direct-to-fan music community, offering artists a unique way to engage their fans in the music making experience while interacting with PledgeMusic’s global community of music fans.
The super legendary AC/DC are returning to U.S. network television for the first time in over 14 years, to perform at The 57th GRAMMYs, on CBS this February 8th. Whoa! If you’re like me, I will tune in to see AC/DC on The Grammys, for this awards show never has our beloved Hard Rock or Metal heroes perform onstage; very few and far between it has historically been. Crap, it’s about time the mainstream world witnesses a Hard Rock band perform on the world stage other than Foo Fighters. You know?
I wonder how much stage time AC/DC will be given? The Grammys usually gives the three-quarter naked singers and creepy dancers all the time they need to perform like dumb dumbs, every year. It would be (gulp) great if AC/DC were to perform a couple of songs, maybe a new song from their Rock Or Bust album and a timeless classic? Man, how cool would it be to see the great Angus Young drop his britches and moon all of those plastic-faced Grammy elite?
Then again, I’m sure there is a tape delay for this broadcast anyway. Who knows. If the puppet masters of The Grammys downgrade the AC/DC performance to just a medley, it wouldn’t surprise me a bit, cause we are talking about mainstream television, after all. Metal be thy name. – Stone
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
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