Chicago-based Band Just Dropped Their Second Track From Upcoming Concept Album: “Odyssey”
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Chicago, IL – Rock outfit, New Mayans, just released their single, Jezebel, a bat out of hell anthem with grizzly guitar licks and a head-banging beat. With a rich and diverse palette, New Mayans takes us further down the rabbit hole that provides more insight of the mad world they’ve constructed in their upcoming concept album, Odyssey, due out later next year. “Jezebel” is now available to download on Bandcamp.
Following the success of their well-received debut single, “Universe,” New Mayans shift gears away from the softer seventies synth tones into a darker arrangement of heavy distorted guitar work and hooks echoing influences of seventies and nineties alternative rock. Lead singer, Swiggy, has described his musical style as “Mad Max meets Ziggy Stardust,” which makes sense with the release of their latest single, “Jezebel.” As “Universe” painted the first stroke a cosmic world that stylistically pays homage to the art rock of David Bowie and Morrissey, “Jezebel” hones in on the hard edge of distorted electric guitars that conjure imagery of a post-apocalyptic landscape. “Jezebel” is from the perspective of an unreliable narrator. “The concept of reality is all in the mind of the observer,” Swiggy comments. “The only person who knows the truth to these questions is an exotic dancer named Jezebel.”
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To capture the varying inspirations that New Mayans weave together, they recruited producer Mario J. McNulty (David Bowie, Prince, Lou Reed, Nine Inch Nails.) The menacing guitar work in “Jezebel” fits comfortably next to the chops of Black Sabbath and Led Zeppelin, though the entire sonic landscape New Mayans creates defies comparison. “Jezebel” was recorded at The Magic Shop, known for flagship albums such as David Bowie’s secret album The Next Day, Coldplay’s Viva La Vida, and Arcade Fire’s The Suburbs.
Hailing from St. Louis, Swiggy exhibited an insatiable thirst to play music as he began learning how to play a violin at the early age of eight years old and would continue to sift through studying saxophone, guitar and piano throughout his youth. Fusing inspiration from an avant-garde pool of bands like Radiohead, David Bowie and Pink Floyd with directors like David Lynch, Stanley Kubrick and David Cronenberg, the result is the surreal aural experience that is New Mayans.
The band’s full lineup was solidified in 2014 when Swiggy began collaborating with Nathan Gilberg on bass, Earl Slick assisting in studio guitar work (David Bowie, John Lennon, Keith Richards), and Sterling Campbell on drums (David Bowie, The B-52s, Duran Duran). Swiggy has played at House of Blues-Chicago, The Pageant, Off Broadway, and The Social while sharing the stage with acts such as The Ataris, The Von Bondies, InnerPartySystem, and Nico Vega.
Playing with symbolism both religious and otherworldly, New Mayans establish a world that is truly imaginative and boundless in their music. “Jezebel” indicates they are as capable of rocking out ruthlessly as they are of crafting a sound of reflective contemplation in “Universe.” With both ends of the spectrum in mind, the possibilities fans can expect from the band’s upcoming album, Odyssey, are endless. “Jezebel” is now available on Bandcamp. To learn more about the epic narrative New Mayans assemble in their eclectic indie rock, check out NewMayans.com!
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Stone Says:
This song Jezebel by New Mayans has mesmerized me, man! I’m digging it! I’m digging it! I cannot shake it from my brain! The Jezebel vibe is freaking unreal! Yeah!!
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Source: LaFamos PR
LONG LIVE NEW MAYANS.
WHOA.
Stone.
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