Archive for May 6, 2009

Molly Hatchet – “Greatest Hits” defines Southern Hard Rock

Posted in 1980's hard rock, 1980's southern hard rock, 1980's southern rock, Album Review, classic rock, Hard Rock, hard rock album review, hard rock songs, Heavy Metal, Music, Rock, rock music, rock music vocals, southern hard rock albums, southern rock albums with tags , , , , , , , , , , , , , , , , on May 6, 2009 by Metal Odyssey

4264744Every time I listen to Molly Hatchet “Greatest Hits” I get positively pumped and put into the best of moods. The Southern Hard Rock crunch of Molly Hatchet coupled with the back roads feel of all their music will never be matched by any band today. Molly Hatchet, in my opinion, was the heaviest Southern Rock band of their day. They treaded the fine line of Metal later in their career with “Satisfied Man” and “Shake The House Down”. Early in Molly Hatchet’s catalog of music, “The Creeper” made it known instantly that this band was playing heavy and for keeps! This song off of their debut album “Molly Hatchet” is bass heavy and the guitar work slams it down! The signature heaviness of Molly Hatchet is also linked to the unique lead vocals. The tough as nails vocals you will hear are from Jimmy Farrar and Danny Joe Brown. Both vocalists were so similar in their attitude and make no mistake Southern Hard Rock vocal delivery. The FM radio hits of the late ’70’s and early ’80’s are all here, with “Flirtin’ With Disaster”, “Beatin’ The Odds”, and the lengthy guitar driven masterpieces “Dreams I’ll Never See” and “Fall Of The Peacemakers”.

7188189Let’s face it, the album artwork on Molly Hatchet album covers are extremely cool. I still find myself, to this day, staring at the artwork like it is my first time ever seeing it. I am from the generation of Metal/Hard Rock fans that would (and still do), sit down with a vinyl album jacket and inspect every speck of art, from front to back, while listening to that respective band’s tunes. I strongly recommend any fan of heavy music to buy this “Greatest Hits” of Molly Hatchet, still, I also recommend any album that this band has ever released, past or present. It is my opinion, that Molly Hatchet truly crossed over many Rock genres during their reign – Rock, Hard Rock, Southern Rock, Southern Hard Rock and eventually a stab at trying to sound like ’80’s Heavy Metal, (with the album “The Deed Is Done” – released in 1984). Call them any genre you wish, I just call Molly Hatchet legends. Long live Molly Hatchet. Keeping in mind, the core of the original Molly Hatchet lineup has changed over the years, this band has still released some current and impressive Southern Hard Rock albums over the last decade.

4264762I have never, ever, heard such incredible, good-old fashioned guitar jamming in my life like I hear with Molly Hatchet on their “Greatest Hits” – intensity is the best adjective. This band legitimized guitar jamming and put it on the map! This is the ultimate “Greatest Hits” you will find from Molly Hatchet. Give the Hatchet a try and you will be hooked for life! The liner notes that come with the re-mastered CD are eight pages. Two pages are devoted to a summary history of Molly Hatchet, along with four cool band photos and song/album credits.

Mastodon “Crack The Skye” is a cool Metal journey to take

Posted in Album Review, current heavy metal music, Hard Rock, hard rock album review, Heavy Metal, heavy metal album review, heavy metal albums, heavy metal guitarists, heavy metal music, Heavy Metal Reviews, heavy metal vocalists, Metal, metal music, Metal Reviews, progressive metal, progressive metal albums, progressive metal music, progressive rock, rock music with tags , , , , , , , , , , , , , , , , , , on May 6, 2009 by Metal Odyssey

9231716I have been reading “professionally paid” music critic reviews about the newest release from Mastodon – “Crack The Skye” – the majority of them  are not even worth discussing or repeating. I dig the new Mastodon album, simply put it rocks. For Metal sakes, anyone who knows Metal, should know and/or understand that Mastodon is and always has been a Progressive Metal band. With the Progressive Metal bands, you never know exactly what you are going to get with the next album. (To solidify my point, just look at Rush, Dream Theater and Queensryche, these bands have always experimented musically). So what, big deal, so the new Mastodon album is not as heavy as their last release “Blood Mountain” – give me a Metal break.

bm-bandThe Metal musical “escape” I feel and hear while listening to “Crack The Skye” is cool for me. The vocals are still heavy, the guitar leads are still heavy, and the rhythm section is the farthest thing musically from 1970’s Hard Rock as you can possibly get. This album was not created in 1977, this Metal is happening now. Sure, there are plenty of synthetic sounds applied to “Crack The Skye,” that is what makes this album progressive. The synthetic interludes and backdrops along with the lyrics are why I call “Crack The Skye” a Metal journey. Mastodon did not provide here, a “rip and tear – let it all loose, heavy frenzy” – if I or any other true Metal fan wants that, heck, I will listen to a Metal band that is supposed to play that way. Suffice to say, in my Metal opinion, Mastodon has created a Progressive Metal gem. Paid and uninformed music critics can call this new album from Mastodon anything they want. The sole reason why I live for Metal music in the first place, is due to it’s diversity with all of the Metal genres. At the end of the day, when you break it all down, musically, Metal will always be… Metal

icons_3I really give praise to the vocals, musicianship, song writing and lyrics on “Crack The Skye” – do I find any flaws? Nope. I could never write or play Metal music this darn good. I recommend to all Mastodon and Metal fans across the globe to chase this album down, play it, enjoy it. Rock out to it. Jump onto “Crack The Skye” and experience the Progressive Metal journey that Mastodon created. Now, just because I want to, here is a roll call of the fine Metal musicians that are Mastodon: Brann Dailor (drums, vocals & percussion), Brent Hinds (lead guitar, vocals & banjo), Bill Kelliher (guitar) and Troy Sanders (bass, vocals & bass synth).