Italy’s gothic doom stalwarts THE FORESHADOWING have just released a live video for “Our Nightmares Call”, a song from the band’s latest album New Wave Order.
The mood is dark to melancholic, but also majestic and epic. Hailing from Rome (Italy), THE FORESHADOWING are something like the musical equivalent of the city they come from. Founded in 2005, the group can look back on a successful and eventful history. Listeners of gothic, doom and dark metal are very familiar with the quartet’s work.
THE FORESHADOWING gained popularity in the international scene with four acclaimed albums released between 2007 and 2016: Days of Nothing (2007), Oionos (2010), Second World (2012) and Seven Heads, Ten Horns (2016) and through touring with SWALLOW THE SUN, SATURNUS, MARDUK, MOONSPELL, ANTIMATTER and IN THE WOODS.
In 2023, THE FORESHADOWING ended a forced break of several years with the EP Forsaken Songs and a European tour with Saturnus and In The Woods. Now, New Wave Order is the group’s fifth full length album and their debut on LIFEFORCE RECORDS. The formation from Rome emphasizes its strengths on the album and offers cinematic tracks of dark music that is nevertheless immensely catchy and mood-enhancing.
While listening to New Wave Order, you are whisked away into a world full of secrets and allusions. The path is THE FORESHADOWING’s goal, which manifests itself in all-encompassing, organically developed musicality. The Italians are outstanding songwriters who create captivating arcs of suspense and also keep an eye on the overarching strands. Nothing else can be expected from this eternal band.
Time To Kill Records is proud to announce the signing of Portuguese power duo SOUL OF ANUBIS for the release of their upcoming third full-length album, set for 2026.
Formed in 2010 in Northern Portugal, SOUL OF ANUBIS have carved out a distinct place within the European underground thanks to their explosive fusion of thrash, sludge, doom and post-metal. Their sound channels the raw urgency of Mantar, the primal energy of early Mastodon, and the relentless drive of High On Fire and Black Cobra, yet remains unmistakably their own, a visceral blend of aggression and dynamic shifts that refuses to be confined to a single genre.
On stage, the duo are known for their fierce and magnetic performances, delivering an unfiltered surge of heaviness that connects with audiences on a deeply physical level. Over the years, they have performed extensively across Portugal and beyond, building a loyal following through their intensity and authenticity.
The upcoming album promises to push their sonic boundaries even further, expanding upon their trademark blend of massive riffs, dark groove, and emotional gravity, while highlighting a newfound sense of urgency and compositional versatility.
More details on the release will be revealed soon.
NYC-based purveyors of Blackened Caribbean Doom, PRECIOUS BLOOD has released False Prophets: Visual Album, the official visualizer from the band’s newly released debut. The cinematic offering consists of three songs and visuals from their first studio album: False Prophets.
False Prophets: Visual Album features 3 short films set to their singles “Old Man Abaddon,” “El Muerte” and “Whore’s Grave,” shot by cinematographer Rigo Diaz and directed by Grace Perez, the band’s drummer. The 3 stories are presented as parts of a Halloween themed horror anthology, reminiscent of Tales from the Crypt and The Last Drive-in with Joe Bob Briggs, adding to its striking visual narrative.
False Prophets is now available on all streaming platforms. Stream the album on Spotify, Apple Music and Bandcamp.
Fully formed in 2024, PRECIOUS BLOOD brings together three veterans of the NYC scene: AJ on guitar, vocals (Jesus Knevil, Snake Canyon), Dave Kramer on bass, vocals (Blood Feast, Suaka, Stanley) and Grace Perez on drums, vocals (The Wickedexorcist). The band’s shared love of doom and underground metal is expressed in an unholy concoction of rum-soaked riffs, brutal lyrics, and mystical tribal sounds.
With a signature sound best described as Blackened Caribbean Doom, PRECIOUS BLOOD delivers a unique blend of doom and thrash metal influenced tone, mixed with lyrical themes that draw profound inspiration from the enduring spirit of the Caribbean, shaped by brutal history of colonization, unwavering resilience of its people, and exploration of the darker aspects of human existence, including death, contemplation of mortality and the complexities of human suffering.
Photo Credit: Rigo Diaz
False Prophets was recorded and mixed by Joe Hogan at Captain’s Cove Catskills Studios with mastering and additional engineering by AJ Tissian (The Wave Lab). The album was produced by Joe Hogan and PRECIOUS BLOOD. Album cover photo by Mia. Cover layout by PRECIOUS BLOOD.
For fans of monstrous riffs, horror-inspired visuals, and genre-bending metal.
Canadian heavy psych doomers PALE HORSE RITUAL return with “Holy Lies”, the latest single from their forthcoming album Diabolic Formation, arriving November 28 through Black Throne Productions. Bold and unflinching, the song pulls no punches as it confronts centuries of religious power structures and the human cost left in their wake.
“Holy Lies” lays bare the contradictions between immense spiritual wealth and real-world suffering. Its lyrics push against the hierarchy and fear tactics often used to enforce obedience, shining a harsh light on the ways control is cloaked in sanctity. At the heart of the track is a call for equity and liberation. It is an insistence that no one is born to kneel.
Driven by low-end groove and a wall of saturated tone, the band finds a razor-sharp balance between weight and momentum. The guitars churn through layers of fuzz, while the rhythm section carves a deliberate, relentless path forward. There’s a hypnotic pull to the song’s structure, anchored by a hook that lingers long after the final note.
Track Listing:
Deflowered (5:58)
Wickedness (5:03)
Holy Lies (5:46)
Save You (3:13)
Bloody Demon (5:02)
DED (6:50)
A Beautiful End (6:55)
With Diabolic Formation on the horizon, the band continues to sharpen their vision, crafting a record that explores the darker corners of belief, power and the struggle to reclaim autonomy in a world built to obscure it. Pre-orders are available HERE.
About PALE HORSE RITUAL Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions.
Line Up: Paco (Bass/Vocals) James Matheson (Lead Guitar) Will Adams (Rhythm Guitar/Backing Vocals) Jonah Santa-Barbara (Drums)
Album Credits: Producer: Will Adams Recording Studio: Green Mountain Ranch Engineer: Will Adams at Tell Me About It… Records Mastering: Zack Hollow at Z Hollow Studios Mixing: Will Adams
Guest Musicians: Dom Valela – Keys, Vocals Doom Valhalla – Italian Preacher
“Waves of Sorrow” blends dark atmospheres of occult and doom rock with a distinct gothic touch.
A new project formed by seasoned musicians from the black metal and experimental music scenes.
Debut album “Mothers” to be released 7 November via Pagan Records.
A new occult/doom rock act, Drowned in Silver, has unveiled “Waves of Sorrow“, the first single and video from their debut album Mothers. The full-length record is set to be released on 7 November 2025 via Pagan Records in CD, LP and digital formats.
“Waves of Sorrow” is a powerful testament to the band’s signature sound, blending the dark atmospheres of occult and doom rock with a distinct gothic touch. The music video, created in collaboration with the artists from Zaćma Visual Studio and the Kraków-based dance group Morphos, visually captures the song’s intensity and mood.
Photo credit: Arek Alvein
Drowned in Silver is a new project formed by seasoned musicians from the black metal and experimental music scenes. Their music finds a unique balance between occult rock and trance-like expression, drawing inspiration from the spiritual intensity of artists like The Devil’s Blood, Dead Can Dance and Wardruna.
Dêmocide, the new full-length from Portland, Oregon’s DISPOSSESSED, is out now and streaming via Carbonized Records!
Dêmocide contains five tracks of devastating, sludgy doom. Recorded by Mike Vera at VeraTone (Juliana Hatfield, Great Falls), mastered by James Plotkin at Plotkinworks (Earth, Sunn O))), Khanate, Amarok), and completed with cover art by Abomination Hammer, the track “If I Must Die” features synthesizers by B. Pierpont and an original poem by Dr. Refaat Alareer. Dêmocide reflects the band’s ongoing commitment to challenging silence and injustice through sound; direct, unrelenting, and deeply resonant.
Dêmocide is out now on LP, CD, MC, and digitally. Find orders at the Carbonized Records webshop HEREand Bandcamp HERE.
Dêmocide – Track Listing:
Exanimate
Concrete Tomb
Opulent Doom
Watan
If I Must Die
DISPOSSESSED just kicked off their West Coast tour in support of Dêmocide’s release. The journey commenced with a hometown record release show September 27th. See all confirmed dates below.
DISPOSSESSED Live: 10/03/2025 Waterfront Skatepark – Bellingham, WA 10/04/2025 Red Gate– Vancouver, BC 10/05/2025 Slice Of Life Pizza – Tacoma, WA 10/06/2025 Jules Maes – Seattle, WA 10/07/2025 The Crypt – Olympia, WA 10/08/2025 Naked Lounge – Chico, CA 10/09/2025 Cafe Colonial – Sacramento, CA 10/10/2025 Arcata @ Moss Oak Commons– Eureka, CA 10/11/2025 Hesher’s Pizza – Oakland, CA
DISPOSSESSED infuses elements of sludge, doom, and death metal into a commanding sound rooted in anger, despair, and political resistance. Formed in 2014, the band emerged from Portland’s metal scene with a mission to confront systems of oppression through uncompromising, feedback-driven music.
Their sound combines slow-burning riffs, bleak atmospheres, and a raw, aggressive energy that draws influence from bands like Corrupted, Asunder, Winter, and Grief. Lyrically and thematically, DISPOSSESSED engages directly with issues such as systemic violence, environmental destruction, and carceral injustice, grounding their work in anti-authoritarian ideals.
Back in 2019, DISPOSSESSED released their debut full-length, Exanimate, a searing critique of societal collapse. They returned in 2022 with the “Makhnovshchina” single, continuing to explore revolutionary themes through crushing, emotionally charged compositions.
The mystic Canadians Finnr’sCane returns with their self-titled fourth album, a haunting and introspective journey through the frozen landscapes of the mind. Released in the US on September 26th, the album marks their debut with renowned label Nordvis Produktion, and is a powerful continuation of their unique blend of atmospheric black metal, doom, and ambient music.
(Please note: these orders are now processed and shipped from the US.)
Hailing from the icy expanse of Sudbury, Ontario, Finnr’sCane has always operated on the fringes, letting their music speak for itself. The band has forged a distinctive sound by forgoing a traditional bass in favor of the melancholic, resonant tones of a cello. This unconventional instrumentation, combined with an improvisational songwriting approach, creates an organic, almost ritualistic quality to their music.
Their new album, arriving just in time for the end of summer and rise of the autumn, delves deep into themes of nature, introspection, and the spiritual connection to the land. It is an album that unfolds slowly, building from somber acoustic passages to powerful, distorted crescendos. The cello remains a central pillar, providing a deep, mournful resonance that sets their sound apart.
For fans of Agalloch, Wolves in the Throne Room, and Fen, this record is a compelling exploration of liminal spaces and the sacred elements of the wilderness.
Avant-garde doom co-conspirators BELL WITCH and AERIAL RUIN continue their fifteen-year collaboration on Stygian Bough Vol. II this fall. Today, they tease this long-awaited follow-up of their critically lauded first partnership, 2020’s Stygian Bough Vol. I.
Helmed by Dylan Desmond, Jesse Shreibman and Erik Moggridge, the alliance has teased the impending release of Stygian Bough Vol. II, with the first taste of new music in the video filmed and edited by Bobby CochranHERE.
Commenting on the teaser, Desmond says: “Bobby Cochran expertly used Sergei Parajanov’s ‘The Color of Pomegranates’ as a muse for this trailer that perfectly captures the dreamlike qualities of the music.”
Additionally, the bands will unite to perform the new record, Stygian Bough Vol. II, on a European tour to take place in January/February 2026, with support from 40 WATT SUN.
Desmond adds about the tour: “We’re very excited to finally perform Stygian Bough Volume II live!”
Additional information regarding Stygian Bough Vol. II will be revealed in the coming months.
1/26/2026 – Warsaw, PL – Voodoo 1/27/2026 – Wroclaw, PL – Łącznik 1/28/2026 – Brno, CZ – Kabinet Muz 1/29/2026 – Vienna, AT – Arena 1/30/2026 – Munich, DE – Feierwerk 1/31/2026 – Dresden, DE – Club Pushkin 2/01/2026 – Munster, DE – Sputnikhalle 2/03/2026 – Paris, FR – Backstage By The Mill 2/05/2026 – London, UK – The Dome 2/06/2026 – Newcastle, UK – Cluny 2/07/2026 – Glasgow, UK – Stereo 2/08/2026 – Sheffield, UK – Corporation 2/09/2026 – Manchester, UK – Rebellion 2/10/2026 – Birmingham, UK – Hare & Hounds 2/12/2026 – Brussels, BE – Magasin 4 2/13/2026 – Nijmegen, NL – Doornroosje 2/14/2026 – Hannover, DE – Cafe Glocksee
AboutSTYGIAN BOUGH:
In our human minds, according to the Law of Contagious Magic as described in The Golden Bough by anthropologist James Frazer, contact between two objects creates an inseparable thread between them. A gift from a dead friend forever holds this magic like a scar reflecting a wound. Similarly, a piece of food that touches the floor is suddenly abject and rotten.
Pairing this notion with the Law of Similarity Magic, as described by Frazer, where an object resembling another can share its power, a musical notion can be understood to serve as an unbodied conduit of such magics; an emotional contact between the music and audience wherein such sorcery threads an inseparable seam that, for a time, resemble each other.
Aptly named in reference to the aforementioned book, Stygian Bough, the collaboration between Bell Witch (Dylan Desmond, Jesse Shreibman) and Aerial Ruin (Erik Moggridge) enlivens its unbodied presence resembling both projects as a conduit in its own separate entity.
The partnership at the center of Stygian Bough is over in a decade in the making, growing from Moggridge’s recurring contributions to the Bell Witch catalog. Their initial collusion occurring on the debut Bell Witch album Longing (2012) following which, Moggridge would return to guest on both Four Phantoms (2015) and Mirror Reaper (2017).
Italian doom metal outfit MESSA are pleased to unveil their new video for “Reveal.” The track comes off the band’s critically-adored new full-length, The Spin, released in April via Metal Blade Records.
Based in the band’s eclectic, self-defined “scarlet doom” sound, The Spin rises, falls, broods, bites, comforts, and destroys, all the while resounding with both instinctive magic and obsessive, concerted hard work. After lighting up the underground with a triptych of increasingly distinctive and wondrous records as 2016’s Belfry, 2018’s Feast For Water, and 2022’s Close, with The Spin, MESSA is audibly equipped for the proverbial big leagues.
Comments the band on their “Reveal” video, “The main riff in ‘Reveal’ manifested itself spontaneously. Our guitar player Alberto dreamed of it one night. He suddenly woke up at 4:00am and recorded it with his phone so he wouldn’t forget it. It was the most immediate song to write out of all those we wrote for The Spin and it features two key elements: the typical, ‘blues’ use of slide guitar and the ‘metal’ element of the blastbeats. This video was entirely shot with analog equipment in a tire warehouse in our hometown. We chose the lo-fi aesthetic on purpose, using the dynamism of strobe and neon lights. We tried to make it as spontaneous as the songwriting process for the track.”
Watch MESSA’s previously released video for “At Races”HERE, “The Dress”HERE, and “Fire On The Roof”HERE.
The Spin was partly recorded, produced, mixed, and mastered by Maurizio “Icio” Baggio and includes synth work by Andrea Mantione (Nuovo Testamento) on “Fire On The Roof” and cover art by Nico Vascellari (Uroboro, 2023. Nero Portoro marble, tire. 57 x 57 x 10 cm).
The record is available now on CD, vinyl, and digital formats at metalblade.com/messa.
Next month, MESSA will serve as direct support to Paradise Lost on a month-long European trek. The Ascension Of Europe Tour 2025 begins on October 9th in Manchester, United Kingdom and runs through November 6th in Antwerp, Belgium. Additional support will be provided by High Parasite and Lacrimas Profundere on select shows. See all confirmed dates below.
MESSA w/ Paradise Lost, High Parasite: 10/09/2025 New Century Hall – Manchester, UK 10/10/2025 KK’s Steel Mill – Wolverhampton, UK 10/11/2025 University – Newcastle, UK 10/12/2025 Garage – Glasgow, UK 10/14/2025 Rescue Rooms – Nottingham, UK 10/15/2025 SWX – Bristol, UK 10/16/2025 The 1865 – Southampton, UK 10/17/2025 Islington Assembly Hall – London, UK 10/19/2025 Tyrant Fest – Lille, FR ** w/ Paradise Lost, Lacrimas Profundere: 10/20/2025 Elysée Montmartre – Paris, FR 10/21/2025 La Rayonne – Lyon, FR 10/23/2025 Live Music Hall – Cologne, DE 10/24/2025 Rockhal – Luxembourg, LU ** 10/25/2025 Conrad Sohm – Dornbirn, AT 10/26/2025 Hall – Padova, IT ** 10/28/2025 Backstage Werk – Munich, DE 10/29/2025 Palac Akropolis – Prague, CZ 10/30/2025 Boogaloo – Zagreb, HR 10/31/2025 SiMM City – Vienna, AT 11/01/2025 Durer Kert – Budapest, HU 11/03/2025 PTR/L’Usine – Geneva, CH ** 11/04/2025 Z-Bau – Nürnberg, DE 11/05/2025 Pandora – Utrecht, NL 11/06/2025 Trix Hall – Antwerp, BE ** Paradise Lost, MESSA only
MESSA: Sara – vocals Marco – guitars/bass Alberto – guitars Rocco – drums
Under the canopy of a darkening forest, the album, Diabolic Formation is preparing to manifest in its final material form on November 28, 2025, via Black Throne Productions. As it’s arrival approaches, the Canadian stoner/doom/heavy psych outfit PALE HORSE RITUAL provide a further taste of what is to come with the new single, “Bloody Demon“. Listen HERE.
PALE HORSE RITUAL evoke the occult sound of the ’70s with a seductive yet deadly twist. An enticing rock ‘n’ roll spirit lies within “Bloody Demon”. Groove rhythms are accompanied with the band’s staple offering consisting of distortion, lashings of fuzz and a memorable hook. The electric opening riff soon settles into a fully immersive, rhythmic momentum that carries throughout the song’s duration. Its guitar-driven shadowy appeal doesn’t let up.
Track Listing:
Deflowered (5:58)
Wickedness (5:03)
Holy Lies (5:46)
Save You (3:13)
Bloody Demon (5:02)
DED (6:50)
A Beautiful End (6:55)
About PALE HORSE RITUAL:
Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions.
Line Up: Paco (Bass/Vocals) James Matheson (Lead Guitar) Will Adams (Rhythm Guitar/Backing Vocals) Jonah Santa-Barbara (Drums)
Guest Musicians: Dom Valela – Keys, Vocals Doom Valhalla – Italian Preacher
Album Credits: Producer: Will Adams Recording Studio: Green Mountain Ranch Engineer: Will Adams at Tell Me About It… Records Mastering: Zack Hollow at Z Hollow Studios Mixing: Will Adams
“Reptile Dysfunction” is the latest single from Chicago riff conjurors MOTHERLESS. The track comes by way of the band’s Do You Feel Safe? full-length, set for release on Friday, September 12th via Prosthetic Records.
Rooted deep within the city’s longstanding tradition of doom and riff-driven metal, MOTHERLESS is comprised of StavrosGiannopoulos and Alex Klein of The Atlas Moth, with Gary Naples and Anthony Cwan of Without Waves.
Together they manifest a raw, unfiltered sound that prioritizes weight and atmosphere over theatrics, combining elements of punk and hardcore with a bleak, driving intensity that reflects both personal darkness and industrial urban weight. There’s no gimmick here, just thick tones, sharp songwriting, and a commitment to keeping heavy music honest: “No fog, no light show, just riffs.”
Comments Giannopoulos on the band’s latest single, “‘Reptile Dysfunction’ was the last track we wrote for the record and is probably the most organic and natural song I’ve ever written. It came together so easily and the lyrics really sum up everything I felt this record was about. It’s a mission statement about feeling left behind, forgotten and returning to the music scene. The song title was actually thought up by my girlfriend Dee, who coincidentally stars in the video as well, which makes it even more special to me!”
Watch MOTHERLESS’ “Reptile Dysfunction” video HERE. Stream the track HERE.
Stream the band’s previously released single, “Weaponized Goodwill,”HERE. Watch the lyric videoHERE.
Do You Feel Safe? features artwork by Rosario Scimeca and was produced by Sanford Parker with vocals produced by Stavros Giannopoulos, mixed by Sanford Parker, and mastered by Brad Boatright.
The record will be available across all streaming services. Find preorders HERE.
Do You Feel Safe? – Track Listing:
Reptile Dysfunction
Abrupt Violence
You Seem So Damn Sure
Darling, You Don’t Look Well
Weaponized Goodwill
Christian Math
Insect Politics
The New Romance
As they continue to carve out their place in Chicago’s storied metal landscape, MOTHERLESS stands as a reminder that in a city built on grit, the heaviest voices often rise from the underground. Fans of Intronaut, The Ocean, Kylesa, ISIS, High on Fire, and the like, pay heed.
Foundations of Burden (Redux 2025) re-envisioned cover features a painting by Benjamin Vierling
AVAILABLE DIGITALLY ON NOVEMBER 7; PHYSICALLY ON DECEMBER 5
A FULLY RECONSTRUCTED VERSION OF THEIR 2014 LANDMARK ALBUM
Aug. 22, 2025, Little Rock, Ark. – Pallbearer release Foundations of Burden (2025 Redux) this Fall, a meticulous sonic reconstruction of their transformative 2014 album. The newly remixed and remastered version arrives digitally on Nov. 7, with physical editions (2xLP and CD) available on Dec. 5. (pre-orders:
“During the writing and preparation for Foundations, everything was ephemeral and we were practically feral,” recalls bassist/vocalist Joseph D. Rowland. “We had no real practice space, we barely had a single working computer between the four of us. Our demos of the record consisted of something barely discernible from white noise. Nevertheless, we knew we were working towards building a set of songs we were deeply enthusiastic about.
Once in the thick of recording, the feeling went from dream to dreamlike very quickly, as we found ourselves in what felt like an endless churn of repetition. We slept at the studio on whatever soft surfaces we could find, waking each day to discover that some of the previous day’s work had been corrupted overnight. This resulted in some parts of the album being recorded many times over. The guitars in particular mutated into something Sisyphean.”
Rowland continues, “Since the time that we finally committed the original version of Foundations to print, we knew it would be a sonic space we would eventually revisit. Its form did not unfold according to the original version as the numerous file corruptions, delays, and exhausted studio budget compounded into a final feverish push to finish the mix. We were relieved to get those massive and difficult mixes turned into finished songs just in time, but not without a nagging thought; we had to sacrifice much of the nuance we had spent so much time crafting.”
More than a decade later, Pallbearer seized the opportunity to revisit the record from the ground up. Over the past year, the band meticulously reconstructed the album from the original sessions.
“In the time since then, we have played most of the songs from Foundations more times than we can count, and they remain some of our favorites,” Rowland continues. “The songs have grown with us. And while we hold a deep love and attachment to what we created in 2014, we also gained a fuller understanding of how we would want to re-present them if we had a chance. After years of discussion, listening and learning, we found ourselves in the position to fulfill that vision.”
Foundations of Burden (2025 Redux) features new mixes and mastering, plus new artwork featuring a painting by Benjamin Vierling. The six-song, 55-minute collection is produced by Pallbearer, mixed by Mario Quintero (Spotlights), and mastered by Adam Gonsalves.
Pre-orders (https://geni.us/PallbearerFOB2025Redux) are available now with the album available on multiple limited-edition vinyl variants: a band-exclusive metallic gold marble 2xLP (300 copies), a Profound Lore only iridescent blue marble 2xLP (500 copies), and standard black.
Pallbearer performs Foundations of Burden in full for the first time ever on Sept. 6, at Seattle’s Substation’s 10th Anniversary (tickets: https://bnds.us/z2ezd4).
Photo credit: Dan Almasy
Pallbearer is Brett Campbell (vocals/guitar), Devin Holt (guitar), Joseph D. Rowland (bass/vocals) and Mark Lierly (drums). The Little Rock, Arkansas-based band formed in 2008 and have since released four albums: Sorrow and Extinction (2012), Foundations of Burden (2014), Heartless (2017) and Forgotten Days (2020).
Pallbearer has received widespread praise with Rolling Stone dubbing their music “beautiful melancholia,” the New York Times saying, “Pallbearer takes the genre’s distorted guitars and dread and adds an ambitious element of optimism” and Decibel, who have twice afforded the band their cover slot, declaring the Pallbearer’s songs both “majestic” and “extraordinary.”
Dallas (TX) – A storm is brewing. Having just signed to Willowtip Records last year, long-running, atmospheric Blackened Doom quartet, Krigsgrav, is now ready to release Stormcaller, their first album for the label and eighth full-length overall.
Krigsgrav released the following statement about Stormcaller:
“When we started writing the songs that would make up Stormcaller, our intention was to create the most complete Krigsgrav album that took something from every era of the band, while still pushing our sound forward. A culmination of the blackest hues, doomiest of dirges, and most soaring of lead guitars. We think we achieved that, but we also wrote the best album of our career thus far. We trust that when you hear it, you’ll agree.”
The album’s first single and opening track, “Huntress of the Fire Moon,” which features vocalist Jens Rydén (Thyrfing, Naglfar), is available now! Listen at at youtu.be/d1ynS-dbF9Y, as well as on Bandcamp, Spotify, and Apple Music.
Willowtip will release Stormcaller September 19th on CD, gatefold vinyl LP and digital formats! Pre-order at the following links:
Justin Coleman – Guitar/Harsh Vocals David Sikora – Drums/Clean Vocals Wes Radvansky – Bass Cody Daniels – Lead Guitar
Album Credits:
All songs written, produced, and arranged by Krigsgrav. Drums recorded by Sam Paquette at S.A.M. Studios. Mixed and Mastered by Owe Inborr at Wolfthrone Studios. Additional Engineering by Cody Daniels. Cover Art by Adam Burke at Nightjar Illustration. Album Layout and Design by Randi Matejowsky.
Haarlem (NL) – Thorndale, the Netherlands-based stoner/doom metal powerhouse, have released the official video for “Battles Fought in Vain,” the second single from forthcoming sophomore album, Spiritual Chains.
Comprised of seasoned musicians from notable acts such as Adarrak, Killing Darlings, Embers of Oblivion, Epinikion, and Primal Charge, their unique blend of heavy, stoner, and doom metal has resonated with fans worldwide, setting the stage for Spiritual Chains to be a significant release.
Paradise Lost formed in Halifax, West Yorkshire in 1988 and are known for being the founders of the Gothic Death/Doom Metal genre; a style fully brought into existence with their genre-defining second album, the highly influential Gothic.
Having released 2 albums, including Gothic for the UK’s Peaceville Records and later helping to establish Peaceville as home to the finest trio of UK doom bands (alongside My Dying Bride and Anathema), Paradise Lost then signed with fellow UK label, Music For Nations which eventually led to the band breaking through to mainstream rock and metal audiences as their style evolved, becoming one of the UK’s most essential metal exports around the globe in the process.
Lost Paradise was the band’s debut album, released in 1990 and one of the early highlights in the formative years of Peaceville. Featuring more death metal influences, Paradise Lost created a dark and atmospheric style of death metal as opposed to one based on speed, with the sombre guitar leads of Gregor Mackintosh permeating through the compositions.
Lost Paradise was recorded at the famous Academy Studios (My Dying Bride, Anathema, Cradle of Filth) in Yorkshire, England, and stands as an undeniable classic of UK death/doom metal.
Haarlem (NL) – Thorndale, the Netherlands based stoner/doom metal powerhouse, Thorndale, is thrilled to announce the September 12release of their sophomore album, Spiritual Chains. A music video for the album’s first single, “Veins of the Phoenix“, is available at youtu.be/jQvSLVMMjv8.
“Veins of the Phoenix” is also available on Bandcamp. The single will be available on all other digital platforms soon.
This highly anticipated follow-up to their critically acclaimed 2024 debut, Lightning Spawn, promises a darker and more mature sound, showcasing the band’s evolving artistry and the addition of a second guitar player to their lineup.
Comprised of seasoned musicians from notable acts such as Adarrak, Killing Darlings, Embers of Oblivion, Epinikion, and Primal Charge, their unique blend of heavy, stoner, and doom metal has resonated with fans worldwide, setting the stage for Spiritual Chains to be a significant release.
Spiritual Chains was recorded across various studios in North America and Europe, a testament to Thorndale’s commitment to sonic excellence. Jeff Henson (Duel) lends his talent to the album, featuring a guest solo on the track “Exiles and Masters”. The album was mixed and mastered by Rickard Bengtsson and Stafan Karlsson at Sweetspot Studiosin Halmstad, Sweden (Arch Enemy, Spiritual Beggars).
Track Listing:
1 – Veins of the Phoenix 2 – Battles Fought in Vain 3 – Gods of Pain 4 – Twenty Thousand Souls 5 – Spiritual Chains 6 – Exiles and Masters
Album Credits:
Cover Art – Costin Chioreanu.
Jeff Henson – guest guitar on “Exiles and Masters”.
All music by Thorndale.
Photo credit: Gustavo Valderrama
All lyrics by Gustavo Valderrama and Zigor Munoz.
Produced by Thorndale.
Recorded locally in Austin, Texas; Scarborough, Ontario and Haarlem and Den Haag, Netherlands across 2024 and 2025.
Mixed and mastered by Rickard Bengtsson and Stafan Karlsson at Sweetspot Studios in Halmstad, Sweden.
“Hardening of the Heart” is about the emotional aftermath after a devastating loss. All that remains are shattered dreams and emptiness. The song represents the darker and personal side of GRACELESS.
Watch “Hardening Of The Heart ” (Official Video) HERE
Relentless powerhouse GRACELESS’ new album Icons Of Ruin out May 30th is the band’s most groundbreaking release to date! Massively produced, it boats crushing, unrelenting, large-scale, bombastic sonic destruction!
“Icons of Ruins is exactly what GRACELESS should sound like. This is us”, says drummer Marc Verhaar. The songs are destined to be more than just tracks; they are anthems, rallying cries for those who are also witnessing the world around them crumble and burn. “GRACELESS has become much more than a regular death metal band”, says Jasper. “We couldn’t be more proud of this album”, concludes frontman & founder David Kreft.
Listen to “Hardening Of The Heart” now available on all major digital platforms HERE
Graceless Icons Of Ruin – for fans of Bolt Thrower, Asphyx, Gorguts, Paradise Lost, Death, Bloodbath
GRACELESS – Icons Of Ruin Album Track-listing: 01 God Shines In Absence 4:11 02 Sanctified Slaughter 4:02 03 Lash Me To My Painful Death 4:50 04 Night Of The Slain 5:19 05 Hardening Of The Heart 5:17 06 Ungodliness 4:09 07 Rise Of The Blackest Sun 4:51 08 A King In The Filth 3:59 09 Beneath Starless Skies 5:47 10 Resurrection Of The Graveless 3:41
Band pics: Eus Straver
GRACELESS line up: Remco Kreft: Guitar, Vocals Marc Verhaar: Drums Jasper Aptroot: Bass Björn Brusse: Lead Guitar
Discography: Endless Spiral of Terror – split with Grond (Raw Skull – 2019) Deathbound – split with Revel in Flesh (War Anthem 2021) Shadowlands (Listenable reissue 2023) Where Vultures know your Name (Listenable reissue 2023) Chants of Purgatory (Listenable reissue 2023) Icons of Ruin (Listenable 2025)
Chilean death-doom cult DEVS MORTVORVM have unveiled the second taste of their upcoming EP with the brand new single “Orgy in the Graveyard”, now streaming exclusively via a premiere at Mystification Zine. Drenched in decay and driven by the band’s signature blend of cavernous doom and old-school death metal, this track sets the tone for what promises to be a truly morbid release.
From its lumbering riffs to its sepulchral growls, “Orgy in the Graveyard” drags listeners deep into the crypt, offering a glimpse of the rotting majesty that awaits on June 6, 2025, when the full EP drops via Apocalyptic Productions.
Formed in 2015 by David Briones (guitar) and Claudio Carrasco (vocals), DEVS MORTVORVM emerged with a clear mission: to play Graveyard Doom Death, inspired by legendary acts such as Goatlord, Derketa, early Cathedral and Autopsy. The band is now completed by Andrés Henríquez on drums and Felipe Vuletich on bass, bringing even more weight and rot to their already imposing sound.
This upcoming EP features five tracks, three original compositions, a crushing cover of “Acid Orgy” by U.S. cult legends Goatlord, and a raw live track that captures the band’s visceral stage presence. Every aspect of this release, the lyrics, artwork, and music is a unified expression of DEVS MORTVORVM’s devotion to the morbid spirit of doom-death and necrolatry.
Musically, the EP offers an enticing blend of shadow-drenched, vicious death-doom, where sludgy riffs clash and intertwine with serpentine melodies, creating a dynamic tension that keeps each track unpredictable and alive. It’s a masterclass in sonic decay, where every note drips with the dampness of the tomb.
Track-list:
Orgy in the Graveyard
Love for the Dead
The Oldest Crypt
Acid Orgy (Goatlord cover)
Orgy in the Graveyard (live)
Recorded between july 2023 and september 2024 at Black Sheep Studios. All Music composed by David Briones except “Acid Orgy” by Goatlord. Lyrics and vocal lines by Claudio Carrasco except “Acid Orgy” by Goatlord. Live track recorded at MiBar 20/12/2024 Artwork by Julián Mora.
Italy’s WASTE CULT have unleashed their new single “The Warmest Shelter”, the third preview from their upcoming debut album Blame, out June 6th, 2025 via Aesthetic Death. Marking a shift in tone from the darker, more introspective cuts previously released, this new track channels a warmer, groovier energy, without sacrificing the band’s signature weight and grit.
Built around hypnotic riffs and a swaggering rhythmic pulse, “The Warmest Shelter” brings a dynamic sense of movement to the album’s overarching atmosphere of tension and collapse.
Emerging from Bologna’s underground scene in 2021, WASTE CULT continue to refine their blend of doom, stoner and post-metal with each release. “The Warmest Shelter” adds yet another layer to the rich and punishing soundscape of their forthcoming full-length.
Track-list:
1 – Ad Astra 2 – Delirium Of Manners 3 – Blame 4 – Blended As One 5 – Kerberos 6 – Pictures 7 – The Warmest Shelter 8 – Maze
All the members have experience with other punk/thrash metal projects, including Rake-Off, Hyle, Siege Stompers and Call The Cops.
The aim for WASTE CULT has been to create different sounds and atmospheres to those other projects, exploring a slower doomier approach to their sound. In mid 2022 they self-released an eponymous 4-track EP on tape, and on the back of that started playing shows across Italy.
The first full length, Blame, is the characterisation of all their different influences, with a more defined identity – taking inspiration from the doom classics to the more modern post-metal sounds. This reality took shape after years experimenting in the practice room, with Blame bearing witness to a more introspective and personal approach within both the music and lyrics.
Line-up:
Frank – Guitar and vocals Pilvia – Guitar Noise – Bass Claudio – Drums and backing vocals
Aesthetic Death has always been a fan of stoner doom sounds and like many, was schooled on the likes of Kyuss, Monster Magnet and Black Sabbath. Yet, Aesthetic Death has rarely had opportunity to work on any release with bands from these lands of sound.
Horror Pain Gore Death Productions are set to release the new collection from Spain’s old school Death/Doom Metal destroyers BOCC. Obrint El Taüt is up now for pre-order and will be released June 13th on CD and Digital formats, along with merch.
BOCC make their Horror Pain Gore Death Productions debut with the compilation Obrint El Taüt! Formed in 2019, BOCC hail straight from the sewers of Barcelona, Spain and perform Death/Doom Metal in the ways of the old. Obrint El Taut, which translates to Opening The Coffin, presents the band’s three EPs: Al La Forca, Santa Eulàlia, and La Forja Dels Cranis… twelve tracks totaling 75+ minutes of bone-crushing brutality!
For fans of Autopsy, Bolt Thrower, Coffins, Cianide, Disma, Hooded Menace, Undergang and Winter.
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