Archive for the ambient music Category

LOCRIAN – Stream Entirety Of Newly Released Album “New Catastrophism”

Posted in ambient music, experimental music, Hard Rock, metal music, Music, music news, news with tags , , , , , , , on August 13, 2022 by Metal Odyssey

The newly released LOCRIAN album New Catastrophism is now streaming on the Profound Lore Youtube channel. The album was released on August 12, 2022 on vinyl, CD and digital formats. Alongside New Catastrophism, LOCRIAN will also be releasing the Ghost Frontiers EP that will come as a bonus disc with the CD edition, a bonus digital download with the LP, and released through all digital channels on August 12th. The Ghost Frontiers EP features the two tracks “Witness The Collapse Of Geologic Time” and “The Chasm Of The Future”.

The band comments: “NEW CATASTROPHISM is the expression of years of observing disasters all around us and an opening to a new vision of a world changed beyond repair. We’re pleased to share this album with the world after such a long break and hope it serves as a soundtrack to the changes to come.”


New Catastrophism sees the iconic experimental music trio return back to their roots through four immersive tracks that signal towards the band’s signature expressions through dark ambient, experimental music, drone and post rock. Massive dystopian soundscapes through the intricate, layered, and spacious sound palette LOCRIAN unveil.

LOCRIAN is a prophetic voice of decline. From the band’s inception, it has comfortably straddled both the experimental and metal underground, weaving themes of apocalypse, urban decay, environmental destruction and birth/death/rebirth throughout its multifaceted and genre-defying releases. The trio formed in 2005 in Chicago and features Terence Hannum (synthesizers, vocals, tape loops), André Foisy (guitars, electronics), and Steven Hess (drums, electronics). Over their sixteen-year history, Locrian have released six studio albums, three collaborative albums, and numerous limited-edition releases.

New Catastrophism and Ghost Frontiers was recorded and mixed by J. Robbins, mastered by Brad Boatright, and features artwork by Trevor Paglen with design by Chimere Noire.

New Catastrophism Tracklist:

1. Mortichnia
2. The Glare Is Everywhere And Nowhere Our Shadow 
3. Incomplete Map Of Voids
4. Cenotaph To The Final Glacier

Order on CD:

Order on vinyl:

Source: C Squared Music

PALMS – This Supergroup Creates An Everlasting Debut Album

Posted in ambient music, atmospheric music, Hard Rock, Music, rock albums, rock music, rock music news with tags , , , , , , on August 3, 2013 by Metal Odyssey

Palms - album cover promo pic

5 METAL Fists Out Of 5!

Metal Fists 5 Metal Odyssey

PALMS – I approached this debut album from PALMS with every intention to be non-bias, due to my very high appreciation towards ISIS and Deftones. Before I heard even a single note from PALMS, I was convinced this album had to be good. I was wrong. This debut album from PALMS is spectacular! My long withdrawal of ISIS on permanent hiatus is now over and Chino Moreno is lead vocalist! Who would ever imagine this? Not me.

Do not panic that there are (only) 6 songs on their debut; there exists 45 minutes and 37 seconds of atmospheric, melodic, captivating, ambient coated Rock meets Hard Rock bliss; with each song to savor for the next century or more! The lyrics fit these songs superbly. Any Rock connoisseur knows these guys don’t have to prove a thing to anyone regarding their talent, still, my God almighty have they pushed the envelope when it comes to expanding on the mood, energy and mystical experience of music.

PALMS is like ISIS meets Pink Floyd meets U2 meets the production savvy of Jeff Lynne and David Gilmour meets… well… PALMS are so keen on making their songs layered with musical surprises that it will take me another 100 listens or more to catch them all. I’ve listened to this PALMS debut so many times this Summer that it will forever be linked to this season by me.

I honestly cannot recommend this album more highly. ISIS and Deftones fans will (I believe) agree. For those on the fence, jump off and experience a diamond-studded musical journey with PALMS. Metal be thy name.

Palms - Group Promo Pic - 2013 - #1


Chino Moreno – vocals

Jeff Caxide – bass & keyboards

Aaron Harris – drums

Clifford Meyer – guitar/keyboards


PALMS – Track Listing:

Future Warrior


Mission Sunset

Shortwave Radio


Antarctic Handshake


* For More Info On PALMS:

Facebook: Palms

Ipecac Recordings - Logo - 2013PALMS was released on June 25th, 2013, via Ipecac Recordings.

Facebook: Ipecac Recordings

Stone - Motorhead Tee  pic:small



TRILLION RED – METAPHERE Cover Art & Track Listing; Debut Full Length Releases October 23rd via badGod Music

Posted in ambient music, avant-garde metal, dark metal, Heavy Metal, metal music, Music, progressive metal, rock music, rock music news with tags , , , , , , on September 17, 2012 by Metal Odyssey

TRILLION RED – The debut full length, METAPHERE, from TRILLION RED will be released on October 23rd, 2012, via badGod Music. The dark and sinister music of TRILLION RED has summoned your Metal soul! You have been warned. Check out the track list below!

To purchase METAPHERE and listen to some tracks, click here:

METAPHERE – Track Listing:

1          Blood Bravado

2          Trichroic Prelude : Mira Lore

3          Trichroic : Part I. In Ever Loving Shadows

4          Trichroic : Part II. In Darkness, We Cannot Be

5          Trichroic : Part III. Ephemeral Light

6          Cuts Come In 3’s

7          Bug – Id

8          Parables and Levitation

9          Sin Forecasting

10        For Pain

11        Dawn State



PATRICK – Guitars, Bass, Vocals, Keys, Drums


Past articles on TRILLION RED, as featured on Metal Odyssey:

TRILLION RED – two tongues ep: Take A Dark Descent Into An Ambient Metal Abyss

TRILLION RED – A Metal Odyssey Interview

TRILLION RED: Two Tongues EP Streaming At

TRILLION RED – Signs To badGod Music


For more info on TRILLION RED, click on the links below!



TRILLION RED – A Metal Odyssey Interview

Posted in ambient music, Extreme Metal, Heavy Metal, metal music, metal odyssey, Music, progressive metal, progressive rock, rock music, rock music interviews, rock music news with tags , , , , , , , , , , on May 15, 2011 by Metal Odyssey

TRILLION RED – It’s no secret that undergound music exists from the sprawling country sides of a Middle America to the back alleys, basements and lofts of rural cities worldwide. Underground Metal exists, has existed and shall never go extinct. Trillion Red is yet another example, as to why the underground scene is a music force that can never be underestimated. Trillion Red is a two-man band of (multi-instrumentalist & vocalist) Patrick Brown and Max Woodside on drums, evolving from San Francisco, California.

I have already labeled Trillion Red a Metal band, one that focuses on the ambient, progressive and extreme sides. The layers of instrumentation, diverse vocals and excellent musicianship has made me an admirer of the sound that Trillion Red has captured. The dark imagery that Trillion Red has me visualizing in my minds eye from their debut Two Tongues EP comes as an embraced bonus. Trillion Red is onto something and I’m on board for the ride.

Recently, Patrick and Max took the time to answer some questions that hopefully give their new fans an inside look into their music styles, tastes and influences. There is a complex process involved when a recording is being created, Patrick and Max touch on their thoughts and experiences of recording the Two Tongues EP as well. Here is what Patrick and Max had to say:

Stone: What’s the story behind the band being named “Trillion Red”?

Patrick: The usual. We go back and forth on what we like and dislike. There were a lot of disagreements and eventual realizations, that the last name we thought of was totally ridiculous or not as cool as we thought. This is one we just fell upon without any particular meaning or ideology and just instantly liked. It has a nice ring to it, sounds cool, isn’t affiliated with any particular genre, not cliché and symbolizes a mass scope of life, power, blood, and yes, death. To me it is more a visual existential feeling than an actual idea.

Max: Powerful name Trillion Red.  Vast numbers of intense Red. Besides, I felt close to all the great bands with color in their names. Evergrey, Black Sabbath, King Crimson, Pink Floyd, Shocking Blue, Frigid Pink, Cream, Savoy Brown, Deep Purple, Black Flag, Blue Oyster Cult, Yellowjackets, Maroon 5, Moody Blues, Whitesnake, etc..

Stone: If the opportunity ever came to pass, would you be interested in
creating a Horror movie soundtrack?

Patrick: Is our music that creepy? I never realized or even thought of our music as “dark” until I received feedback from listeners. The devil has got me all goosed up I suppose. But, to answer your question, yes, that would be a lot of fun.

Stone: What band or who is the musician you would say has had the most
influence on your music?

Patrick: Hmm….tough one.  I can be rather capricious with these kinds of questions. I tend to immensely like a certain genre or a few bands at one time, and after a while, my mood changes and I move on to something else.  So, depending on when you ask me, it would be a different musician. If had to pick a few musicians that have always been somewhere in my mind, it may be Allen Epley of Shiner and now, The Life and Times. He is a brilliant songwriter, guitarist and vocalist.  And Johan Edlund (vocalist/guitarist) of Tiamat (the old stuff mostly!)

Max: King Crimson, Rush, Dream Theater, Symphony X, Andromeda, Dark Moor, Chuck Brown, Terry Bozzio, Neil Peart, Mike Portnoy, Bill Bruford, Tommy Bolin, ELP, Yngwie Malmsteen. Mahavishnu Orchestra, Motorhead, Iron Maiden, Vandenplas, Therion, Nightwish, Chick Corea, Al De Meola, Billy Cobham, Jean-luc Ponty and Patrick Ohearn.

Stone: How did you decide on the style of Metal that you would create and

Patrick: When writing the Two Tongues material (and new stuff coming), I didn’t even consciously consider it was “Metal”, so to speak. What you hear on this EP and will hear in the future are simply songs that I would want to hear myself. I never stopped to think, “geez, what kind of Metal do I want to sound like?”. It just never occurred to me.  This style of Metal I suppose is a conglomeration of everything I like and enjoy I suppose.  If it sounds like hip-hop (which it never ever will), then so be it.

Stone: Do you agree that music truly is a universal language?

Patrick:  Yeah. I’ve lived in China and Japan for many years, and have always found commonalties and camaraderie with others into the same music that don’t speak English. Although, to be fair, I do speak fluent Mandarin Chinese and some Japanese. Good times those were…

Max: The most universal language perhaps but certainly not the most objective art.

Stone: Somewhere, someone is listening to Trillion Red right now. Does this
thought put what you create as a musician into perspective?

Patrick:  I don’t think so.  When I write, it is a selfish act and process, it’s a place where there are no concern of others. It is a pleasant thought that somebody is listening to (and hopefully enjoying) my passion, but it doesn’t change anything other than me feeling more rewarded for my efforts, i.e., a happier guy.

Max: Cool thought. But only a thought. It’s nice that someone should listen to our music because the music is very good.  But, if nobody listened, we would still have fun making it.

Stone: What trials and how much fun was involved in writing and recording
your debut “two tongues ep”?

Patrick: The writing was a lot of fun. It always is. Max and I are not recording engineers or mixologists, and had no prior experience recording this EP.  So we had a steep learning curve with respect to creating a good sound and production (but it all turned out sounding excellent). So one can imagine there was a lot of wondering and worrying. I did all the sound engineering, recording and initially mixed the entire EP myself. I had a hard time getting the right sounding mix with all the instruments and layering.  I kept beating my head to the wall trying to get everything well represented in the mix. Eventually I came to realize that I didn’t carve out frequencies very well, and subsequently, the drums and vocals were buried. At that point, I renounced my mixing moniker and had a professional do it for us, under my direction though.  I had a blast during production though! That was my highlight. I really think the next go-around will be very enjoyable, because we know our true strengths and limits.

Max:  Profound fun with Patrick!  He lets me be creative and experiment. I think I understand the way he thinks now and he indeed has a great vision. Pat let’s me contribute, without being a petty tyrant as other bandleaders I’ve known were.

Stone: Will there be a full-length eventually from Trillion Red? Are you
approaching the writing and recording process any differently compared to
the first time around?

Patrick: Yes, we have 8 new songs we are preparing for a full-length album. Various parts of these new songs were written prior to and during the construction of the Two Tongue’s EP. We have put beats to 5 of them, and as soon as we do so with the last 3, we will start recording. I suspect we will release an album in very early 2012.

The writing on this record will have more ambient (or isn’t psychedelic the new cool trendy term to use?) breathing room.  Yet, it will still maintain a very dark and heavy pounding mood. Writing for me is very much like writing a story; there is a beginning, middle, and end.  I love songs that emotionally pull you up, take you down, or drag you across a droning path, only to pull you up, down, side ways and bleed the mind. That is what I am trying to do with this album, all of the above.

We will indeed be recording differently. There will be a lot more attention paid to sound engineering (like microphone placement on the drums) and engineering a much better bass guitar sound.  I will also be doing some different recording techniques on the guitar and unifying my vocal style a bit. We’ll see how it turns out!

Stone: Have any record labels shown interest in Trillion Red thus far? I feel
there should be strong interest from labels in what you have created with
the “two tongues ep”.

Patrick: None so far.  I just started sending our EP to labels. I originally wanted to be independent. Since we currently aren’t playing live, I didn’t see what a label really could do for us. But after learning a bit more about the way things work in the world of underground Metal and the strain promotion takes on “time” in my life, it made more since to have a label as a supporter. Therefore, we have just recently shifted gears towards finding a lablel.

10 – If you could seek out one “well known” guest musician for your next
album, who would that be and why?

Patrick: Possibly Kristoffer Rygg of Ulver.  The guy is an amazing vocalist. Truly inspiring and very original! His unique take on vocal presentation and a pull away from traditional choruses and melodies would run beautifully with some of my material I think.

Stone: As a multi-instrumentalist, how important is it to focus on song
structure and balance?

Patrick: Song Structure and balance is extremely important. A song doesn’t necessarily require original riffs, melodies or hooks, it is how it is presented, structured, and layered, that will ultimately make or break it.  One of my biggest pet peeves with Metal bands (or most bands) is that they don’t know when to shut up, there is so much riffing/vocal masturbation, that bands lose sight of what it means to simply put a good well-rounded song together. Many just concentrate on perceived cool ideas (mostly redundant) and try to glue shit on shit with unnecessary bridges and breaks. I would suspect producers have a lot to blame for this phenomenon too. Originality is great, but if you can’t put the pieces together correctly, it loses its appeal very quickly.

Slayer’s Reign in Blood is an exemplar of structure and balance.  The freaking album is what, something like 30 minutes? Each song is tight, powerful and doesn’t linger one bit. It has zero filler! Its’ balance and structure is perfect. I strive for that kind of bluntness. However, as I like to structure songs as emotional stories that walk you to the side, up, down, and more to the side, I can’t afford to be as cut and dry. I also totally love style structures like Burzum’s Filosofem, an ambient antithesis of Reign in Blood being long, winded, spacey, rich… a beautiful record!  I guess you could say I am now trying to structure and balance my songs like Reign in Blood and Filosofem – to the point, not too much fluff, but some good fluff for sure, and then get on with it!

Stone: Where can fans buy your music?

Patrick: You can buy the Two Tongues CD on our website: . It is $5, including postage in the USA. Buyers outside the US will be quoted pending country/location. MP3s can be purchased via Amazon, iTunes, and a lot of other places too.

We are planning on doing some t-shirts and possibly releasing Two Tongues on 10” vinyl soon. It all depends on how the label thing shakes out. Thanks for the interview. Good questions.

Stone: Thank you Patrick and Max!

* For more info on TRILLION RED, click on the links below:

TRILLION RED – Official Website

TRILLION RED – myspace music

* To read my review on two tongues ep, (posted on Metal Odyssey April 21, 2011), click on the big header link below:

TRILLION RED – two tongues ep: Take A Dark Descent Into An Ambient Metal Abyss



TRILLION RED – two tongues ep: Take A Dark Descent Into An Ambient Metal Abyss

Posted in ambient music, avant-garde music, Heavy Metal, metal music, metal odyssey, Music, rock music, rock music news with tags , , , , , , , , , , on April 21, 2011 by Metal Odyssey

TRILLION RED – Comprised of 4 songs, this Trillion Red (debut self-released) two tongues ep combines all the dark ambience, progressiveness and flirtations with Extreme Metal that this Metalhead could wish for. The duo of Patrick Brown (vocals, guitar, bass, keyboards) and Max Woodside (drums) from San Francisco, have formulated quite an exquisite Metal sound and style that is as sinister as it is ambient.

While I listened to these songs the first several times, I let my Metal mind journey afar to experience where it would go. I kept envisioning a trek to the center of the Earth, just a few blocks from the gates of Hell itself, discovering what Metal would sound like when it’s created there. I’m not kidding around. Music is supposed to take you places, so if my Metal minds eye has me trotting about somewhere in Middle Earth due to Trillion Red’s dark wall of Metal sound, so be it. Metal be thy name.

As a Metal bonus, there are Metal genres that scream out through the songs on two tongues ep: Stoner and Doom chugging make it’s presence heard on Lullaby. Creepy and atmospherically macabre, Lullaby is not to be confused for a song that let’s the sun shine in while sugar plums dance in your head. The opening track No Visible Help (Hold Tight!) is carried by thumping Metal bass grooves and retrospective guitar tones and riffs that should make Tony Iommi proud. Patrick’s intro vocals on this song indicates to me, an admirable taste for Black Metal.

Forging Two Tongues / A Reckoning has Patrick summoning up the spirit of Jim Morrison in his vocal tone, with a poetic vibe in his calmer verses. Oh, can Patrick switch vocal gears however, giving this song it’s maniacal beauty with his Extreme vocal range. The coda of this song only solidifies my feelings of being a few blocks from the gates of Hell too… whoa.

Right Over To The Helm begins innocently enough with a slow tempo of Stoner fused with psychedelic sound, while Patrick takes a deliberate and eloquent approach to singing, with a near spoken word. At nearly the mid-point, the tempo picks up quickly and shades of psychedelia smothered in Metallic froth boils over. Trillion Red is not delivering the same old here, they are delivering an ambient horn of plenty and I’m listening. Hell yeah I am.

Musically as a whole, Patrick displays his keen talents of being a multi-instrumentalist, while Max is downright good and very cool to take in on drums. A “less is more” style to Max’s drumming fits right into these songs. Songwriting is a plus here, while the layering of all 4 songs gives this ep it’s intriguing delight. Trillion Red have created songs to be digested thoroughly, then savored and reached for again… and again.

With bands that Patrick has looked up to, such as Triptykon/Celtic Frost to Pink Floyd, with Old School Swedish Death Metal, YES, Miles Davis and George Carlin in-between, it is no wonder he has such a savvy grasp on the music he’s created and played on this two tongues ep.

Left: Max, Right: Patrick


Patrick Brown – vocals, guitars, bass & keyboards

Max Woodside – drums

TRILLION RED Track Listing:

No Visible Help (Hold Tight!)

Forging Two Tongues / A Reckoning

Right Over To The Helm


* For more info on TRILLION RED, click the link below:

TRILLION RED – Official Website

TRILLION RED – myspace music



BRUCE LAMONT “Feral Songs For The Epic Decline” – Transcends Rock Music’s Complacency

Posted in ambient music, avant-garde music, Hard Rock, Heavy Metal, industrial rock, metal music, progressive rock, rock music, rock music news with tags , , , , , , , , , on December 28, 2010 by Metal Odyssey

BRUCE LAMONT – Upon my very first listen to Feral Songs For The Epic Decline,  I realized quickly that Bruce Lamont has created music that is a soundtrack to the inner Metal mind. What is the inner Metal mind you query? Why, it is all of the thoughts, sounds and sensory subtleties that just magically make their unexpected visit, (within my own inner Metal mind), during the course of a day… or two. You see, what Bruce Lamont has created here, is Experimental meets Industrial, coalescing with the progressive and tribal, while colliding with drifting atmospherics… the end result being Bruce’s honest and credible interpretation of what’s likely his real music ideal.

If there is a defining constant I hear throughout Feral Songs For The Epic Decline, it is Bruce’s interpretation of combining so many musical elements and styles together and making them come to a boil with an almost late 70’s progressive trip, while adhering to relevance. I do sense a keen sense of hard versus heavy balance, in regards to what Bruce Lamont has created here, due to my feeling and hearing some conscious restraint of venturing too far into the absolute heavy realm. Refraining from total heaviness comes across smoothly within his music, a more progressive approach provides the balance of musical sounds Bruce so convincingly conveys.

What Bruce Lamont seems to thrive on, is pulling music from across the spectrum, then he takes musical matters into his own imaginative hands and creates unique songs that tantalize with their modernistic genius. Throughout this eclectically put together album of avant-garde amassment, Bruce Lamont stays true to his varied style of putting a song together… the listener should expect the unexpected. Just when there are dreamy moments of Pink Floydian progressive space circulating in The Book Of The Law, don’t be surprised to hear next, a futuristic Wild West sound which connects to an extreme psychosis encounter on Deconstructing Self Destruction.

One Who Stands On The Earth is this album’s epic, at 11:44 long. Bruce’s baritone voice along with his acoustic guitar and background Industrial fuzz combines for a continuum of building this song from it’s foundation. Bruce lends some mysterious chanting, which lends way to his saxophone building a melancholic passage with the assistance of tribal background chants. These background tribal chants give way to and combine with rhythmic tribal drum beats, bringing One Who Stands On The Earth to it’s finish, with a synthetic whirling sound being the final exclamation point. The presence of these sounds, brings about an open atmosphere of near exhilaration.

It is the all encompassing manner of disorder by intention, that makes Bruce Lamont’s songs enthrall me to such a high level of admiration. Where else can one hear or who else can make a saxophone coexist so brilliantly, amidst a flurry of Industrial sounds and an extra-terrestrial musical climate as Bruce accomplishes on Disgruntled Employer? Extraordinary is this song with the inclusion of foggy tribal chants, generating a feeling of what an out of body experience might just feel like.

If you have an open-mindedness of listening to a broad based musical puzzle being put together, with a legion of nuances on steroids, then Feral Songs For The Epic Decline is unquestionably an album for you to absorb. Bruce Lamont created each song, sings and plays all the instruments heard on this album, being his first full length. What more could I appreciate from a solo artist, with such intense vision, than Bruce Lamont?

I’m heralding Bruce Lamont and his album Feral Songs For The Epic Decline, especially during an era when the Rock Music Industry is stagnating from complacency. Bruce Lamont’s musical style is inconsistent with the mainstream norm, obliterating a false mindset that artistic music ingenuity is no longer in vogue. This is my reasoning for admiring what Bruce Lamont has achieved here, which invigorates me to recommend Feral Songs For The Epic Decline to any and all open minded fans of Rock, Progressive and Ambient Music.

* Bruce Lamont’s associated bands are: Yakuza, Circle of Animals and Led Zeppelin 2.

* Feral Songs For The Epic Decline will be released on January 25, 2011, on At A Loss Recordings.

* For more info on Bruce Lamont, click on the link below:

BRUCE LAMONT – myspace music

Track Listing For Feral Songs For The Epic Decline:

One Who Stands On The Earth

The Epic Decline

Year Without Summer

The Book Of The Law

Disgruntled Employer

Deconstructing Self Destruction

2 Then The 3



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