Edward Escamilla, lead guitarist of Chicago based thrash metal band REIGN has joined WAR CURSE, replacing co-founder and lead guitarist Joshua Murphy. The lineup change comes on the tail of the band’s Metal Blade Records / Blacklight Media debut album, Confession, which was released October 20th, 2023.
Guitarist Justin Roth comments: “It’s on the best of terms that we thank Joshua Murphy for ten years of commitment and for his invaluable contributions to WAR CURSE. Murphy is truly like a brother to me. We’ve played in bands together for the last 20 years, spent holidays with each others’ families, and driven each other up a wall on occasion, as brothers do. I speak for all of us when I say that we’ll miss his shenanigans. But as they say, the show must go on.”
We had conversations with a few guitarists, but ultimately Ed was our first choice. We were stoked when he accepted our offer to join. The dude absolutely rips, and more importantly, we like him as a person. Talent matters, but so does liking the people you’re going to be stuck in a van with. We’re optimistic about the band’s future and embracing the change.”
Roth continued: “We’ve wasted no time getting new music ready to record. I’ve been demo recording new material nonstop since the week after Confession was handed in. I truly believe that I’m writing the best material of my career right now. We tried some new things on Confession. I really like some of it. Some of it will never be revisited. We’re constantly evolving. Some of the new stuff is heavier than hell. Heavier than I ever saw us going with WAR CURSE. It’s a lot of fun. But we’re always working. We’re a band that’s laser-focused on the future.”
Listen to WAR CURSE’s most recent album Confession on Spotify:
SIX FEET UNDER will unleash their pulverizing fourteenth studio album, Killing For Revenge, on May 10th through Metal Blade Records.
From the opening moments of first single, “Know-Nothing Ingrate,” which kicks off the record, it’s immediately clear that SIX FEET UNDER focused their energies into something that’s as brutal, lyrically visceral, and musically dazzling as one would hope for from the ground-breaking Tampa-bred death metal. Killing For Revenge, a gnarly beast of a record that’s not for the faint-hearted, dishes up nightmare-inducing imagery courtesy of frontman Chris Barnes via the vocalist’s trademark guttural vocals. Both the album title and darkly detailed red-hued album cover by artist Vince Locke are perfect containers for the brutality within.
“I chose the title Killing For Revenge after we completed writing and noticed that all the lyrics and storylines had a common theme of revenge. Revenge by human or revenge by nature,” Barnes says. “The album title describes the flow of the stories within the lyrics perfectly.”
Watch a lyric video for SIX FEET UNDER’s “Know-Nothing Ingrate” at THIS LOCATION.
Killing For Revenge marks the second album that Barnes and guitarist Jack Owen (ex-Cannibal Corpse) have created together since reuniting for 2020’s Nightmares Of The Decomposed. Owen also produced Killing For Revenge. “We worked well together in Cannibal Corpse,” recalls Barnes. “I loved him to death as a friend and a musician, so I’m really comfortable giving him the reins because I just have such great respect for him as an artist.”
The songs on Killing For Revenge dive headfirst into subjects that are as gleefully vile, graphic, and downright grotesque as you might dream of from a Barnes/Owen project. After all, the two men were vital cogs in the Cannibal Corpse band that released such delightfully offensive death metal classics as Butchered At Birth and Tomb Of The Mutilated. SIX FEET UNDER also recorded a cover of Nazareth’s “Hair Of The Dog,” which appears on all formats of Killing For Revenge with the exception of vinyl.
As a first preview of the record, today the band unveils “Know-Nothing Ingrate.” Notes Owen, “This music was written early in the writing process. Wanting to keep the aggression of a prior SIX FEET UNDER song like ‘Amputator,’ I wrote music in the style of early Dark Angel or Kreator, who always had cool driving drumbeats. I had all the riffs in my head as I wrote the drums in a couple hours. Lyrically, I kicked around a phrase that fit the stop parts throughout the song. After coming up with ‘Know-Nothing Ingrate,’ the lyrics wrote themselves. It’s basically about online trolls who voice their uneducated and unnecessarily spiteful review of any artist’s output. You’re entitled to your opinion, and I’m entitled to mine.”
SIX FEET UNDER was initially formed as a side project for Barnes during his final years with the band that he co-founded, Cannibal Corpse. It became the frontman’s sole focus in 1995, coinciding with the release of their debut, Haunted. Only Barnes remains from SIX FEET UNDER’s original incarnation, but the quality has remained remarkably consistent. The current lineup of Barnes, guitarists Owen and Ray Suhy, bassist Jeff Hughell, and drummer Marco Pitruzzella make for a devastating unit.
Killing For Revenge, which features a guest appearance by guitarist Jason Suecof on “Neanderthal,” was mixed and mastered by Chaz Najjar at Badlands Recording in Denver, Colorado. The record will be released on CD and digital formats as well as vinyl in the following color variants:
180g Black (US) Clear w/ Red Bloodshot (US) 180g Black (EU) Crusted Blood Marbled (EU) Khaki Brown Marbled (EU – Ltd. 300) Blood Red Splatter (EU – Ltd. 300) Gold “Black Dust” (EU – Ltd. 200)
A SPELLBINDING CHRONICLE OF SEDUCTIVE FROZEN ATMOSPHERES AND FEARLESS INNOVATION
Pioneers of a sound that changed the world. Lifelong disciples of suspense and mystery. An enigmatic duo like no other, hell-bent on haunting souls through the eternities. There are many things Darkthrone have been called since forming in 1986 and these are but a few, having drawn from a creative well so potent and powerful it turned them into one of Norway’s biggest musical exports. Following from their debut album Soulside Journey, the next three full-lengths, often referred to as ‘the unholy three’, set the benchmark for black metal in the early 90s, though in truth they’ve never been the kind to rest on such laurels – distilling elements of vintage punk, doom, thrash and death into their own sonic fingerprint and continuing to test that equation throughout the years. It’s been quite the journey, having won cryptic pair Nocturno and Fenriz legions of loyal fans around the world. This tradition will only continue with latest masterpiece It Beckons Us All.
Set for release on Peaceville on 26th April 2024, the new music is an intense observation of the world around them – exciting and challenging the listener in equal measure, in the way only they can. Some of the riffs howl across a gallery of ice and snow while others crackle like a volcano awakening from its timeless slumber, Nocturno’s demonic barks ricocheting across the intoxicating structures almost like it’s beaming from a long-distant galaxy. As Darkthrone have shown us so many times in the past, their music is as visual as it gets – evoking tangible imagery through the medium of sound. Whether the ideas are sombre, reflective or incensed, they exist as emotional concepts you can see and feel as much as you hear.
“I am having difficulties putting into words my personal feelings around the existential title It Beckons Us All, I can only hope others out there can feel the darkness that encompasses it,” muses Fenriz.
Fenriz
Never afraid to venture beyond the confines of the extreme metal template they were paramount in creating, there are moments on It Beckons Us All that will dazzle and surprise, as well as satisfy fans of old.
Nocturno comments: “We recorded in the manner we always do, live, meaning drums and guitar, with another guitar added later. We found a new twist during this process that surely benefited this album. Fenriz did stellar clean vocals on several songs, and his way of thinking creatively made it so good. We also shared the bass work this time around. We added a lot of extra layers like solo guitars… it was just a cauldron of ideas. Instead of finding a plug-in or choir synth patch, we both recorded four vocal tracks each. Darkthrone is an ever-evolving band, as many should know by now, and this album is touching a bit into the heavy genre. I have no idea what genre we are, and have really not cared much about it, but I know for sure it’s metal.”
Nocturno Culto photo courtesy of Peer Olav Kittilsen
In that sense,It Beckons Us Allis very much demonstrative of two visionaries at their world-commanding best. They know what works but more importantly they choose to grow, throwing every ounce of their hearts and souls into evolving the jaw-dropping whirlpool of noise that could only ever have come from their collective minds. There are clean guitars, clean vocals and less typical instruments thrown into the mix, but the approach, intent and ethos at the heart of their fearless artistry remains very much the same. This is music for dreamers who find themselves paralysed by the contrasting beauty and ugliness in the world surrounding them. Never ones to appease the faint-hearted, Darkthrone are as real and human as it gets.
Limited Edition Deluxe boxed edition: includes It Beckons Us All on CD, an exclusive corona vinyl LP & cassette and art prints all housed in a heavy duty lift off lid box
Limited edition ‘Fenriz’ edition LP on blue marble coloured vinyl– exclusively available through the Peaceville stores
Limited edition ‘Nocturno Culto’ edition LP on grey marble coloured vinyl–available through the Peaceville stores
CD
LP
Digital
Plus other limited edition coloured vinyl LPs are available in stores across the world – cream white, crystal clear, petrol and .. a collectors dream .. if you can find them!
Don’t miss out on the chance to experience the electrifying energy of the apocalyptic spring tour! Get your tickets now and join us for an unforgettable night featuring performances by Pathology, NecroticGoreBeast, and Aethereus.
Pathology is set to blow your mind with tracks from their highly anticipated new album. Stay tuned for album details, coming your way very soon! Grab your tickets before they’re gone and prepare for a night of intense metal mayhem!
Two big names of the 80s teamed up and took the Music City by its cowboy boots. Adrian Vandenberg, and Geoff Tate played the Country Music Hall of Fame in Nashville Tennessee on March 5th, to a very rock n roll hungry crowd.
Adrian’s band, properly named Vandenberg, took the stage first. The screams of excitement started right when the first member hit the stage. Vandenberg opened with “Hit the Ground Running” off their newest album, Sin, released in 2023. Not only was the album well received by fans all over the world but the song they did play was the perfect way to open the show. A few days prior to this show Adrian took to his social media accounts to express how much he enjoys having so many Whitesnake songs in the set as it was 12 years of his career. Vandenberg played 7 Whitesnake songs out of an 11 song set and the crowd devoured every song.
Vandenberg’s current lead singer, Mats Levén, has quite the resume, including working with Yngwie Malmsteen and touring with Trans-Siberian Orchestra. Levén has a very seductive voice that pairs very well with the overall sex appeal of almost every Whitesnake song. He stays nicely in a lower register which is perfect for songs like “Sailing Ships,” but when he needs to hit the high notes, like in “Still of the Night,” he hits them spot on. Ears perk up and bras come off. (Not literally but it wouldn’t be surprising). Adrian even stated he had vocal cords of steel.
Adrian started Vandenberg when he was around 27 years young, watching him play on stage 43 years later he is still that lively young man who stole hearts with the power of his guitar in the 80s. Whether you understand how to play or not there is no questioning Adrian’s abilities. Every guitarist says they always have more to learn but watching and listening to him play it’s easy to say that every young guitarist could learn a lot from him.
The rhythm sections is currently made up of Randy Van derElsen on bass and Joey Marin on drums. 10 out of 10 and absolutely solid pair. Van der Elsen absolutely tears up the bass and his facial expressions show that he’s not just playing the notes but feeling the music as he goes. Marin destroys the drums with such speed yet such grace and happily holds up the thunderous sounds of Vandenberg and Whitesnake. Last but certainly not least, Len Van de Laak adds those finishing touches on the keyboard.
Vandenberg had a very good mix of high and low energy songs transitioning from the intensity of Vandenberg’s “Freight Train” to the slightly more subdued sound of Whitesnake’s “Sailing Ships.” The most intimate moment of their whole show was during “Here I go Again.” As the band began their final song every fan in the audience knew their role.
Levén let the crowd have their moment singing the chorus back at him, and even had the crowd repeat it back to him one extra time. Needless to say, Vandenberg set the crowd on fire and prepared them for who was to take the stage next.
Geoff Tate and his band closed out the night. The second the lights went out, the crowd was on their feet trying to get as close to the stage as a seated venue would allow. They opened the show with “Empire,” the title track off Queensryche’s fourth studio album. Tate and his band treated fans to at least one song off of six different Queensryche albums including Operation: Mindcrime, Rage for Order, and Promised Land.
Very little has changed with Tate’s vocal range since the release of the self titled EP Queensryche in 1983. Every vocalist who has been doing this for as long as he has should be aware of what notes they can and can’t hit. Tate smoothly transitioned over pieces that he may have felt weren’t going to come out like the album, but also added a little spice to those high notes he knew he could hold.
Sound is definitely very important when putting on a good show for obvious reasons but so is having good chemistry between band mates. The best way to describe the relationship between Tate and his band is a loving and encouraging father and his 6 sons. Tate has put together a nice blend of young international rockstars.
Tate had up to 4 guitarists raising hell behind him, including James Brown (Ireland), Dario Parente (Italy), AmauryAltmayer (France), and Cillian Plummer (Ireland). The fun didn’t stop with the guitarists. The fiery rhythm section was made up of Jack Ross (Scotland) on bass and Danny Laverde on Drums. As a group they play like they are the original line up of Queensryche!
Fans sang along to every song never missing a beat and it fed the energy of everyone on stage. Tate even conducted the crowd during “Operation: Mindcrime.” After singing “Screaming in Digital,” Tate explained how he loves singing that song because of how accurate it is in this day and age with AI and all the new technology that has come along since the song was released.
Tate is not only a wonderful musician but there is something oddly satisfying about his story telling. Right before going into “Silent Lucidity,” he tells a silly story of being recognized at a gas station but not for being Geoff Tate! As the show comes close to the end Tate asks what everyone would like to hear as the last song. Unanimously the crowd screams for “Queen of the Reich” and honestly it was the perfect way to close out the show.
Tate and Vandenberg came together to remind the crowd of what fun the 80s were or for those of us not alive then, to give us a little taste of what it was like. – Tanis Enos
UK sludge trio IRON MONKEY today shares new song “Off Switch” from their forthcoming new full-length, Spleen & Goad, set for release on April 5th through Relapse Records!
On Spleen & Goad, the legendary band is as uncompromising as ever, churning out some of the grittiest sounding sludge doom in their twenty-five-plus year history. Dubbed a “doom sludge vanguard” by The Sludgelord, IRON MONKEY lives up to their legacy, absolutely pummeling through each of the nine tracks on their new album.
From the two-ton, heavier-than-anything-else riff opening “Concrete Shock,” IRONMONKEY shows no signs of easing up; fuzzed out guitars crash against pulse-pounding drums, set against vicious, misanthropic snarls and barks. Elsewhere, tracks like the aptly titled “Rat Flag” kicks the band into high gear with palpable fury and malaise.
Check out IRON MONKEY‘s “Off Switch” on YouTube HERE or listen on all streaming services HERE.
Watch IRON MONKEY’s previously released video for first single, “Misanthropizer,” HERE.
Preorder Spleen & Goad on LP, CD, and digital formats via Relapse.comHERE.
Recorded in their native Nottingham, Spleen & Goad was mastered stateside by Brad Boatright at Audiosiege.
IRON MONKEY was formed in the year 1994AD in the city of Nottingham, England. The original members were J.P. Morrow, J. Rushby, D. Dalziel, S. Watson, and J. Greaves. IRON MONKEY released six tracks of raw sludge-core via the label Union Mill that were later re-released on Earache Records. During this period S. Watson was replaced by D. Berry.
1998 saw the release of the album Our Problem, widely regarded as a masterpiece of negative rock. This was succeeded by a split EP on Man’s Ruin Records with Church Of Misery from Japan.
IRON MONKEY destroyed itself sometime in 1999. Vocalist J. Morrow died from heart failure in June 2002. Rest In Noise…
The band reformed in the winter of 2016 with original members J. Rushby and S. Watson with the addition of the then Chaos UK drummer Brigga. As of 2023, IRON MONKEY are back with a new lineup featuring founding member J. Rushby and D. Berry from the Our Problem sessions and ex-Widows drummer Z. Big.
One of the early bastions of true U.S. metal, New Jersey’s Attacker is back to celebrate their 40th anniversary on The GodParticle, a triumphant, eight song classic metal offering! The new album will be released on CD, vinyl and digital formats through Cruz Del Sur Music on April 12.
A lyric video for the first single, “The Mighty Have Fallen” is available at: youtu.be/cVpamPWzZg8.
New Jersey heavy metal legends Attacker are celebrating their 40th anniversary in 2024. A milestone marked by their influential 1985 Battle at Helm’s Deep debut and 1988 The Second Coming sophomore effort, as well as post-2001 reformation full-lengths like 2004’s Soul Taker and 2006’s The Unknown that served as reminders of Attacker’s staying power.
While it hasn’t always been easy for Attacker, founding member and drummer Mike Sabatini attributes the band’s longevity to their love of heavy metal music. That red thread and never-ending appreciation for what Attacker means to them and so many across the globe helps define the band’s newest studio foray, The God Particle.
The follow-up to 2016’s Sins of the World LP and 2018’s Armor of the Gods EP was recorded at Sabatini’s Bandmother Recording Studio in Jersey City, New Jersey, from November 2023 to January 2024. The album was mixed by Sabatini alongside C.J. Scioscia, with mastering by Joe Lambert.
The God Particle is a tried-and-true dose of pure, unbridled heavy metal with ample broadsides of aggression and melody; both permanent elements of Attacker’s sound. The band rounded out by vocalist Bobby Lucas, the guitar tandem of Mike Benetatos and Jon Hasselbrink and bassist Brian Smith, have gelled into a formidable writing unit, offering what is perhaps Attacker’s most varied batch of songs.
The album’s gestation period was longer than normal (see: Covid). The extended time writing afforded Attacker the opportunity to craft new songs that are primed and ready for European festival sing-along participation. Lucas is responsible for the album’s soaring choruses and its concept, which is based on the Large Hadron Collider Particle Accelerator in Cern, Switzerland, that is used to create energetic collisions of particles like protons, breaking them into subatomic components that are detected and studied. Adding to the intrigue: supposedly a satanic ritual was performed at the Collider site to call in evil from another dimension. Whether that actually happened or not, it serves as the perfect tie-in to Marc Sasso’s cover art (DIO, HALFORD, Marvel Comics).
Sabatini has been on record that he was reluctant to reform the band during its 1990s dormancy. Only the passing of original guitarist Jim Mooney and vocalist John Leone (who performed on The Second Coming) reignited the Attacker fire. The band now exists to honor its storied legacy and to create new, compelling music to satisfy a worldwide fanbase that remains hungry for Attacker music. Consider the job complete on The God Particle.
Detroit (MI) – Melodic Power Thrashers AMONG THESE ASHES have released “Restless Gypsy,” a cover of the W.A.S.P. classic on all major streaming platforms, including the following:
Guitarist/Backing Vocalist Richard Clark released the following statement on the decision to cover the song:
“W.A.S.P. embodies so much of what I love about metal, and at that band’s core has always been masterful, memorable songwriting. Restless Gypsy has long resonated with me as a great song, and JP [Abboud] and I have been discussing covering this track since we started this band in 2020. We’ve slightly reconfigured a few of the riffs to put our stamp on the song while prioritizing staying true to the original recording. Matt Ries from Traveler gave us an awesome guest solo on it. Also, Matt Roach gave us an excellent mix and master that perfectly captures the atmospheric elements of the 1980s recording. We intentionally dropped this cover so that we could make a content release prior to the release of our second album. The new album is completely tracked, and we expect to drop it in summer 2024.”
Photo Credit: Aaron Lumsden of Akuro Productions
Line-Up:
JP Abboud: Vocals Richard Clark: Guitars and backing vocals Dylan Hamann: Guitars Kane Bochatyn: Bass Kyle Wagner: Drums
BIO: Among These Ashes is a melodic power/thrash metal band hailing from Detroit, MI. The central focus of this band is creating stellar, highly-memorable metal songs. The band’s sound is crushingly heavy and punctuated by cerebral arrangements, thought-provoking lyrics, and dynamic shifts in tempo and aggression. The band’s debut musical offering, Dominion Enthroned, is a conceptual tour de force inspired by modern societal parallels and struggles. In April 2023, the band released the single “The Enemy In I” with a b-side cover of Savatage’s “Sirens.”
Credits:
Guest guitar solo: Matt Ries (Traveler).
Recorded by Among These Ashes. Mixed and Mastered by Matt Roach.
March 6, 2024 – Baroness and Red Fang have announced five special co-headlining performances this May, bringing back-to-back sets from two of heavy music’s most beloved bands, for the first time ever.
“It will be great to get out and play some shows with our old friends in Red Fang,” Baroness collectively shared. “Surprisingly, we’ve never properly toured together, so we’re all excited to bring these shows to you this spring. Furthermore, it will be great to have another opportunity to support and perform songs from our latest record, STONE, with you!”
Red Fang’s Bryan Giles adds: “We’re stoked to be paying shows with Baroness this Spring! I’m pretty sure these shows are gonna go off!”
Baroness/Red Fang tour dates:
May 13 Winston Salem, NC The Ramkat May 14 Norfolk, VA Elevation 27 May 15 Baltimore, MD Ram’s Head Live May 16 Asbury Park, NJ The Stone Pony May 18 Harrisburg, PA HMAC
Tickets for the newly announced, non-festival dates are on-sale this Friday at 10 am local time. Ticketing links can be found on: YourBaroness.com.
Baroness – photo credit: Ebru Yildiz
About Baroness:
Founded in 2003, Baroness is John Baizley (vocals/guitar), Gina Gleason (guitar), Nick Jost (bass) and Sebastian Thomson (drums). The Philadelphia-meets-Brooklyn foursome have released six full-length albums to date: STONE(2023), Gold & Grey (2019), Purple (2015), Yellow & Green(2012), Blue Record (2009), and the Red Album (2007).
Red Fang – photo credit: James Rexroad
About Red Fang:
Red Fang is Aaron Beam (bass/vocals/guitar/keyboards), Bryan Giles (guitar/vocals), John Sherman (drums) and David Sullivan (guitars). The Portland, Oregon-based band have released five studio albums: Arrows (2021), Only Ghosts(2016), Whales and Leeches(2013), Murder the Mountains(2011), and Red Fang (2009)
On February 28th, VOIVOD launched their 2024 North American Tour with PRONG, in Columbus, Ohio, at The King of Clubs. I was accompanied by my buddy Troy, who helped guide me along in the trenches due to my now using a cane to get around.
I’ve waited my entire life to see this legendary, pioneering, Canadian Metal band and I was left in awe; reminded at just how fabulous they are as musicians. Honestly, watching and hearing Michel “Away” Langevin was a treat in itself. His drumming was simply captivating.
Michel “Away” Langevin – photo credit: Stone/Metal Odyssey
Away is a founding member of VOIVOD and I’ve always yearned to hear and see his drumming on the live stage. Mission accomplished!
Michel “Away” Langevin – photo credit: Stone/Metal Odyssey
Fronted by vocalist and founding member Denis “Snake” Bélanger, VOIVOD had their fans ecstatic the entire night; inviting us all into the Sci-Fi themed world of their progressive thrash.
VOIVOD played songs that spanned their deep catalog of albums, (see set-list below). Snake stalked the stage, adding humor with his mannerisms to the Sci-Fi sound effects and speaking to the crowd between songs.
Snake’s vocals were sound and he worked the stage like a true Metal warrior. Snake even did a tribute to late founding member and guitarist Denis “Piggy” D’Amour, with VOIVOD playing their first ever song for him. The crowd chanted “Piggy” and it made for a memorable moment.
Daniel “Chewy” Mongrain – photo credit: Stone/Metal Odyssey
Lead guitarist, Daniel “Chewy” Mongrain was on fire the entire show! His playing is top-tier for Metal guitarists, in my Metal opinion. I was caught fixated on his shredding and so were many, many around me; if he could’ve heard the adoration! Chewy has become a fixture of VOIVOD over these years.
Daniel “Chewy” Mongrain and Away – photo credit: Stone/Metal OdysseyDominic “Rocky” Laroche – photo credit: Stone/Metal Odyssey
Bassist Dominic “Rocky” Laroche was head banging while playing nearly the entire set it seemed, it looked like he felt every note he played go through his body and so did the crowd of fans! He and Away fit together perfectly on the rhythm section.
In summary, if you get any chance to see VOIVOD on their current tour or live in the future then GO! Truly one of the very best of Metal bands ever and they delivered a memorable show to brag about! Metal be thy name! – Stone
Daniel “Chewy” Mongrain photo credit: Stone/Metal Odyssey
SETLIST:
Forgotten in Space Condemned to the Gallows Holographic Thinking Rise Pre-Ignition Nuclear War Fall Tribal Convictions The End of Dormancy Fix My Heart Encore: Voivod
From the heart of the Chicago underground metal scene arises epic traditional/doom metal collective ÇÖKÜŞ, today unveiling an earthmoving new single, “Wolf Moon.”
Chicago-based ÇÖKÜŞ is the product of ten years of mostly virtual collaboration between former Earthen Grave bandmates, vocalist Mark Weiner, drummer Chris Wozniak (Vanishment, Lair Of The Minotaur), and guitarist Jason Muxlow (Witchcryer, The Living Fields).
Even though Muxlow and Wozniak had moved thousands of miles away after the abrupt conclusion of Earthen Grave in 2013, the three stayed in touch, trading riffs, beats, and lyrics from their respective corners of the United States. The material that emerged saw influences from the usual suspects — Black Sabbath, Judas Priest, Trouble, Dio — as well as old favorites like Soundgarden, Alice In Chains, and Kyuss.
Shortly before the pandemic, the group started meeting periodically in Chicago to write and record. Embracing a shorter, more polished format than their previous engagement, they privately released a demo under the moniker WMW in 2020, which generated a lot of buzz and positive feedback among those who had access to the recording.
Watch ÇÖKÜŞ’ “Wolf Moon” visualizer HERE and stream the song HERE.
In 2021, the group re-branded as ÇÖKÜŞ (pronounced cho-koosh; Turkish for “decline” or “collapse”) and recruited bassist and longtime friend Patrick Green to complete the lineup and the material which will become the band’s debut album. Soon after, they were joined by another old friend, Steve Ligeza (Torg, Makahiya), on second guitar, and ÇÖKÜŞ began playing live.
ÇÖKÜŞ’ first album, An Hour Of Lies, was captured in three states – Illinois, Washington, and Texas – the drums and vocals recorded by John E. Bohmher, Jr. at Berwyn Recording, the bass recorded by Patrick Green, and the guitars recorded by Jason Muxlow, the finished recordings were mixed by Chris Wozniak and mastered by Chris Hanzsek (Melvins, Soundgarden, Helms Alee).
The visual elements including the logo, album and single art, and video content was handled by Tom Denney (Soilent Green, Weedeater, Rwake)
While An Hour Of Lies will be released late this Summer, ÇÖKÜŞ presents a harbinger of the record with the new single, “Wolf Moon,” with it writing, “‘Wolf Moon’ is one of the last — and longer — songs written for the album, but quickly became a favorite, so we decided to release this one first. It’s a lot of fun to play, too. Musically, it features some odd scales and feels, which complement the lyrical themes well. It pairs well with Halloween and haunted walks through the woods.”
The full details on An Hour Of Lies will be issued in the months ahead and will be released by QumranRecords late this Summer.
ÇÖKÜŞ: Mark Weiner – vocals Jason Muxlow – guitar Steve Ligeza – guitar Patrick Green – bass Chris Wozniak – drums
The Black Dahlia Murder will be returning overseas this summer for their first tour across Europe since 2019 including performances at festivals like Party San, Download, Graspop, Brutal Assault, Summer Breeze, and more. Support for select dates comes from Suffocation, Shadow of Intent, and Decapitated. See dates and support breakdown below and get your tickets HERE.
The Black Dahlia Murder – EU Tour Dates & Festivals: 6-14-24 – Zamora, ESP – Z! Live Rock Fest 6-16-24 – Donington Park, UK – Download 6-17-24 – Belfast, UK – Limelight 6-18-24 – Dublin, IE – Opium 6-20-24 – Athens, GR – Arch Club 6-21-24 – Thessaloniki, GR – Block 33 6-23-24 – Dessel, BE – Graspop 6-24-24 – Nuremberg, DE – Hirsch w/ Suffocation 6-25-24 – Lille, FR – The Black Lab w/ Suffocation 6-26-24 – Stuttgart, DE – Im Wizemann w/ Shadow of Intent 6-27-24 – Trier, DE – Mergener Hof 6-28-24 – Lindau, DE – Club Vaudeville w/ Suffocation 6-29-24 – Yasselsteyn, NL – Jera On Air 6-30-24 – Clisson, FR – Hellfest 7-31-24 – Brasov, RO – Rockstadt Extreme Fest 8-02-24 – Dortmund, DE – Dortmund Deathfest 8-03-24 – Wacken, DE – Wacken Open Air 8-04-24 – Roitzschjora, DE – Full Rewind 8-06-24 – Cham, DE – Lifestyle Café 8-07-24 – Jaromer, CZ – Brutal Assault 8-08-24 – Schlotheim, DE – Party San Open Air 8-09-24 – Wien, AT – Szene 8-10-24 – Ljubljana, SI – Menza Pri Koritu 8-11-24 – Milano, IT – Slaughter Club 8-13-24 – Salzburg, AT – Rockhouse 8-14-24 – Aarau, CH – Kiff 8-15-24 – Dinkelsbühl, DE – Summer Breeze 8-16-24 – Sulingen, DE – Reload Festival 8-17-24 – Gent, BE – Chinastraat w/ Decapitated 8-18-24 – Carhaix, FR – Motocultor
The Black Dahlia Murder has recently finished recording their next full-length album with longtime producer Mark Lewis at his studio in TN. More news on the upcoming album will be released over the year so be sure to keep eyes on the band’s and Metal Blade’s socials for updates.
The Black Dahlia Murder‘s last full-length, Verminous, was released in 2021 via Metal Blade Records. Without compromising a scrap of heaviness, the record stands among the band’s most dynamic, rousing, and emotional releases to date.
Following ‘Kreel’s Magic Staff’, a first single and album harbinger released in 2023, Rhapsody Of Fire have revealed full details about their brand new studio offering, entitled ‘Challenge The Wind’, due out this May! In support, the band has announced a busy touring schedule, with many more shows to follow soon. Find all upcoming Rhapsody Of Fire dates listed below!
Their upcoming studio album, ‘Challenge The Wind’, is slated for a release on May 31, 2024 via AFM Records, the pre-sale has started today at:
For more than thirty years, fans of symphonic melodic metal act Rhapsody Of Fire have been able to rely on one thing: there’s nothing half-hearted about this band. The Italian masters of their craft can look back at an impressive catalogue of 14 studio albums, three EPs and two live recordings to date, all marked by lots of heart and soul, passion and a virtually inexhaustible wealth of ideas. Since 1993, mastermind and founder Alex Staropoli has been hailed as the creator of the film score metal genre and his band as one of the most charismatic acts worldwide. In addition, Staropoli has enlisted a highly creative first-rate guitarist in Roby De Micheli, who joined the fold in 2011, contributing lots of gritty metal riffs and virtuoso solos to contrast the band’s symphonic orchestral style.
The song is out now on all digital streaming services via:
Rhapsody Of Fire: Giacomo Voli (vocals) Alex Staropoli (keyboards) Roby De Micheli (guitars) Alessandro Sala (bass) Paolo Marchesich (drums)
The album will mark Rhapsody Of Fire‘s most fast-paced rager to date. “Compared to all previous Rhapsody Of Fire releases, the current album consists exclusively of up-tempo numbers, not a single ballad in sight,”reveals composer and keyboardistAlexStaropoli. None of our other records have featured as much pure, unadulterated metal as ‘Challenge The Wind’!” Give ear, today, Rhapsody Of Fire are premiering a music video for their new single, the album title track!
Staropoli adds: “The new Rhapsody Of Fire single “Challenge The Wind” is another strong musical statement from the band. Speed, energy, orchestrations, shredding guitars, amazing vocals and choirs; truly epic and divine music. Expect to be blown away, the entire album will shake you to your core!”
Challenge The Wind’ was produced by Alex Staropoli and mixed by Seeb Levermann (Orden Ogan), who is responsible for the homogeneous sound of the ten songs’ elaborate arrangements. As the first single releases prove, one can be sure: Rhapsody Of Fire’s fast-paced adventure is set to continue with undiminished intensity!
‘Challenge The Wind’ tracklist:
Challenge the Wind
Whispers of Doom
The Bloody Pariah
Vanquished by Shadows
Kreel’s Magic Staff
Diamond Claws
Black Wizard
A Brave New Hope
Holy Downfall
Mastered by the Dark
Rhapsody Of Fire Live: 05.05.2024 (MX) EL CONDE, Foro 360 07.05.2024 (CO) BOGOTA, Astor Plaza 09.05.2024 (BR) SAO PAULO, Caricoa Club 10.05.2024 (CL) SANTIAGO, Blondie 11.05.2024 (AR) COMUNA 1, El Teatrito 18.05.2024 (IT) TREZZO SULL’ ADDA MI, Live Club 29.06.2024 (FR) CLISSON, Hellfest 13.07.2024 (BG) MOGILOVO, Midalidare Rock in the Wine Valley 2024 19.07.2024 (FI) PERUNKA, John Smith Rock Festival 07.11.2024 (SE) MALMOE, Plan B 08.11.2024 (SE) GOTHENBURG, Surr Arena 09.11.2024 (SE) STOCKHOLM, Fryshuset Klubben 10.11.2024 (SE) GAVLE, Centralteatern
Get ready to dive into the electrifying world of The Million Watts Tour as it returns for its highly anticipated second leg. Headlined by the unstoppable Nonpoint with special guests Hed Pe and The Dropout Kings. This tour is promising an unforgettable live show experience for metal fans everywhere! Get your tickets now. https://bnds.us/8cm0a9
International melodic death metal project ACT OF DENIAL has dropped the lyric video for their latest single ‘Unbury The Hatchet’, which bring you back to 90 and early 2000 with some old school Gothenburg vibe. The single has a new guest on drums, Eugene Ryabchenko (best known as drummer of FLESHGOD APOCALYPSE).
“We are extremely happy that we have a new song out after almost 3 years together with a new lyric video. Once again video is done by our buddy Wanderley Perna who did also our 1st lyric video for ‘Your Dark Desires’ from our debut album and he did an amazing job as always. Thx bro!!
We are also satisfied that we are recording again since it is very difficult for us at this point. People we are working with, are very busy already with their own bands and it is hard to find any time for some side projects. 1st album was made during Covid time when everyone was stuck at home, so they had time, now is completely different situation but somehow we’re still managing.
Also thanks every AOD fans and supporters for making this happen. What everyone is wondering and asking us lately, will there be a new album from AOD soon? Unfortunately I can’t confirm anything about that topic, as already said, some of the guys already started their tours or they will start it soon, but I can give a hint about a new song that is in the works with some cool guests, and not only 1 but a few, but we will leave that aside for now.
We will be updating all on our socials when time comes. Stay tuned, healthy and beautiful. As always Rock on!!”
Unbury The Hatchet’ line-up: Voi Cox – Lead guitar, programming Luger – Rhythm guitar Bjorn Speed Strid – Vocals, backing vocals Steve Di Giorgio – Fretless bass Eugene Ryabchenko – Drums John Lönnmyr – Keyboards
My birthday is on January 26th. I don’t usually make a big fuss about it here; although I did a couple of times some years ago. As always, my Best Metal Buddy aka Scott Coverdale bestowed upon me some fabulous birthday vinyl; just in time for my big day last month. Thank you, Scott!
I’d like to share a look below to see the gifts Scott sent my way. I am very grateful! A fun way to start off my Metal New Year! Metal be thy name! – Stone
* The Motörhead Bomber vinyl was sold as a package deal that included a hand numbered (to 500) color photo of Lemmy Kilmister (circa 1970s). I didn’t post the photo due to copyrights.
* The late/iconic Eddie Van Halen was also born on January 26.
Chilean Thrashers Critical Defiance are set to release new album The Search Won’t Fall… March 22 on CD via UnspeakableAxeRecords and vinyl LP via Dying VictimsProductions. The album will also be available digitally on the usual platforms.
Critical Defiance has released a lyric video for “44 Minds” and an official video for the title track, both of which are available below:
The Chilean metal force known as Critical Defiance has something for every thrash fan out there. Not in the sense of being homogenized and generic, but in their alchemical and nearly magical melding of blitzkrieg tempos, dizzying technicality, aggressive shouts and gang vocals, and rarest of all for a post-1990 thrash act – a healthy dose of actual, memorable melody. They have added a new element to the mix: just a taste of the eerie melancholy and harsh melodrama of black metal.
Their release schedule has been nearly as fast as their music, with the debut (Misconception) coming in 2019, and its follow-up (No Life Forms) in 2022. They have let even less time elapse from then until this new platter’s arrival, taking line-up changes in stride and pushing forward relentlessly regardless.
The addition of Mauricio Toledo on guitar (just prior to their previous album) has pushed their music in new directions. That black metal aspect, some tremelo riffing, some blastbeats, bits of a distinctly new melodic sensibility–lends the album an updated feeling that sets it apart from its predecessors, while by no means abandoning the thrash foundation that has served them so well.
All of this ambition is well-served by a terrific production job that balances just the right amount of rawness and polish. Three albums in, Critical Defiance are poised to deliver their most ferocious work yet. Angry yet uplifting, full of the spirit of true metal both old and new, it’s a record that only these guys could make.
Today marks a monumental moment in the metal music scene as DEATH SCYTHE releases their latest single, “Ek Balam,” an epic blend of melodic death metal and ancient Mayan lore. This release promises to captivate listeners with its intense musical journey into the heart of Mayan civilization.
“The band elaborates on the legends that inspired the single: “‘Ek Balam,’ a musical tribute to the Mayan deity, unveils the mystical aura of a cosmic jaguar. Amidst the celestial canvas, Ek Balam emerges as the guardian of the night, the keeper of time, and the protector of the skies. With fiery eyes and a cosmic essence, Ek Balam symbolizes the seamless connection between the earthly and celestial realms. The lyrics narrate the legend of this divine jaguar, a powerful and enigmatic entity gracefully dancing among the stars, resonating with an ethereal melody in the expansive tapestry of the night.”
Recorded with precision and passion, “Ek Balam” stands as a testament to DEATH SCYTHE‘s musical evolution and their commitment to exploring the connections between history and heavy metal. The artwork accompanying the single draws heavily on Mayan iconography, featuring symbols and deities that evoke the ancient world’s complexity and mystique.
Death Scythe:
Gerardo Mendoza (Vocals) Roberto Cervera (Guitars) Rafael Barreiro (Guitars) David Montero (Bass) Ricardo Cruz (Drums)
More about Death Scythe:
DEATH SCYTHE is a Melodic Death Metal Band from Mérida, Yucatán, México. Formed in 2003 by Roberto Cervera and Gerardo Mendoza with the only goal of play pure melodic death metal. In 2006 they release their first self produced demo called Hollow Darkness.
After years in the underground scene of Yucatan the band release in October of 2008 their debut album Killing for Pleasure with 15 songs.
The album included “Hollow Darkness” song that made them gain popularity in the local scene. The “Killing for Pleasure Tour” included cities like Mérida, México City, Cancun and Cd. del Carmen.
After a nine years of silence, DEATH SCYTHE made their return as an active band in June of 2018 with a live concert and started to work in new songs.
In 2020, 12 years since their debut album, DEATH SCYTHE released their album Descending Into Xibalba in February of 2020.
Death Scythe has participated in several online festivals alongside bands such as JINGER, SHOKRAN and ARISE IN STABILITY.
NEW DATE FOR THE WOLFSNÄCHTE TOUR 2024! After the metal mass in Paris is almost completely sold out already 8 months before the show, we have set everything in motion to make another date in France possible! On October 09th we will play an additional show at the Zenith in Nantes. We are already looking forward to coming back to the region near Hellfest, it brings back great memories! See you all there!
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
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