USA 🇺🇸 Looking forward to seeing you, on my next tour, in Spring 2026. A new show with good vibrations, to carry the message that “Music is the Healer”. I’ll see you down the front!
Italy’s gothic doom stalwarts THE FORESHADOWING have just released a live video for “Our Nightmares Call”, a song from the band’s latest album New Wave Order.
The mood is dark to melancholic, but also majestic and epic. Hailing from Rome (Italy), THE FORESHADOWING are something like the musical equivalent of the city they come from. Founded in 2005, the group can look back on a successful and eventful history. Listeners of gothic, doom and dark metal are very familiar with the quartet’s work.
THE FORESHADOWING gained popularity in the international scene with four acclaimed albums released between 2007 and 2016: Days of Nothing (2007), Oionos (2010), Second World (2012) and Seven Heads, Ten Horns (2016) and through touring with SWALLOW THE SUN, SATURNUS, MARDUK, MOONSPELL, ANTIMATTER and IN THE WOODS.
In 2023, THE FORESHADOWING ended a forced break of several years with the EP Forsaken Songs and a European tour with Saturnus and In The Woods. Now, New Wave Order is the group’s fifth full length album and their debut on LIFEFORCE RECORDS. The formation from Rome emphasizes its strengths on the album and offers cinematic tracks of dark music that is nevertheless immensely catchy and mood-enhancing.
While listening to New Wave Order, you are whisked away into a world full of secrets and allusions. The path is THE FORESHADOWING’s goal, which manifests itself in all-encompassing, organically developed musicality. The Italians are outstanding songwriters who create captivating arcs of suspense and also keep an eye on the overarching strands. Nothing else can be expected from this eternal band.
The buzz has been impossible to ignore, Dead Groove is redefining the rules of classic rock. Now, the breakout band is ready to bring their electrifying new sound on tour as the opening act for legendary Deep Purple bassist and vocalist Glenn Hughes on his highly anticipated 2026 U.S. tour.
Glenn Hughes and Dead Groove will launch the run on March 27th at The Coach House in San Juan Capistrano, CA, with shows stretching across the country before wrapping things up with a blowout finale at Oxnard Performing Arts Center, Oxnard, CA, on May 9. It’s not just a tour. It’s a statement: rock isn’t just alive, it’s evolving, and Dead Groove is leading the charge.
“The Chosen Years” promises to be a dynamic two-hour live experience, turning back the clocks to honor Glenn Hughes’ five-decade career. The setlist will span songs from TRAPEZE, DEEP PURPLE, HUGHES/THRALL, IOMMI/HUGHES, and BLACK COUNTRY COMMUNION, plus material from Glenn’s latest solo album, Chosen.
Glenn says it best: “Looking forward to seeing you on my next tour, in spring 2026. A new show with good vibrations, to carry the message that ‘music is the healer’. I’ll see you down the front!”
And if that wasn’t enough, special guests will boost the energy even more: Gilby Clarke (of Guns N’ Roses fame) will perform on select dates, while cult favorites Enuff Z Nuff will join the lineup on others. For pure rock adrenaline, it doesn’t get much bigger or fresher than this.
Dead Groove has been winning over dedicated fans and curious critics with their fearless approach, heavy groove, and relentless drive. Critics have called their sound “the future of rock,” and audiences have responded passionately. With each show, Dead Groove is establishing itself as one of the boldest new forces in modern music.
2026 Tour Dates With Glenn Hughes:
March Mar 27 – Coach House, San Juan Capistrano, CA Mar 28 – Canyon Club, Agoura Hills, CA Mar 30 – Federal Theater, Denver, CO
April Apr 1 – Knuckleheads, Kansas City, MO Apr 3 – The King Of Clubs, Columbus, OH Apr 4 – Palace Theater, Lorain, OH Apr 6 – The Forge, Joliet, IL Apr 8 & 10 – Wildey Theater, Edwardsville, IL Apr 11 – Arcada Theatre, St. Charles, IL Apr 13 – Sellersville Theater, Sellersville, PA Apr 15 – Tupelo Music Hall, Derry, NH Apr 17 – Penns Peak, Jim Thorpe, PA Apr 18 – Strand Theater, Hudson Falls, NY Apr 21 – Garden Club, Atlanta, GA Apr 23 – Ferg’s, St. Petersburg, FL Apr 24 – Mt. Dora Music Hall, Mount Dora, FL Apr 26 – Culture Room, Ft. Lauderdale, FL Apr 29 – Warehouse Live Midtown (Rise Rooftop), Houston, TX Apr 30 – Studio Theater at Tobin Center, San Antonio, TX
May May 2 – Ferris Wheelers, Dallas, TX May 4 – The Rialto Theater, Tucson, AZ May 6 – Fremont Country Club, Las Vegas, NV May 7 – Guild Theatre, Menlo Park, CA May 9 – Oxnard Performing Arts Center, Oxnard, CA
Don’t miss your chance to see the band everyone’s talking about, alongside real rock legends.
Holly West, singer and bassist:
“We are stoked to have this opportunity to tour with the incomparable Glenn Hughes, alongside Gilby Clarke and Enuff Z Nuff. We are fans of all of these artists, and with the help of our Cleopatra Records family, we are able to take our music on the road again and play for you all. Can’t wait to see everyone at the shows!”
Fred Aching, drummer, says:
“We are thrilled to embark on this unique and amazing journey with you. We eagerly anticipate rocking the house every night and delivering our best performances to you.”
Dead Groove signed with Cleopatra Records in 2024 and quickly made their mark with the release of their EP, Rubicon, Now, the band is set to unveil a brand new 7” single, dropping in conjunction with the Glenn Hughes “The Chosen Years” Spring 2026 U.S. Tour. This special release highlights Dead Groove’s upcoming track, a powerful collaboration with seven-time Grammy-nominated guitar legend Steve Morse (Deep Purple, Dixie Dregs, Kansas) and blues phenom Lance Lopez.
As an added bonus, the 7” will also feature an unreleased rare mix from the late, great Tommy Bolin—who was Glenn’s bandmate during his iconic Deep Purple Mk III era. These limited-edition single plays will be available exclusively at the shows, along with a unique Rubicon Deluxe Edition CD showcasing the band’s entire catalog.
Dead Groove. New sound. Same rock and roll spirit – turned up to 11.
Hard rockers CORELEONI will triumphantly conclude the year with the release of a new digital live album titled Live at Hallenstadion Zurichon December 19, 2025 via PERCEPTION; a division of Reigning Phoenix Music.
The album is available for pre-save on streaming platforms:
As an additional appetizer, the multi-national quintet of Albanian vocalist Eugent Bushpepa, GOTTHARD’s very own Leo Leoni and Jgor Gianola on guitar, Mila Merker on bass, and Alex Motta on drums, have now launched their second single “Like It Or Not”. This track perfectly captures the group’s approach to both songwriting and live performance: CORELEONI give their all, and it’s up to the listeners whether they “Like It Or Not.” True to form, their hooks remain irresistibly catchy.
Band founder Leo Leoni commented: “It’s a song related to rock ‘n’ roll: Like it or not, that’s the way we are!”.
Jgor Gianola confirms: “This song seems to be born for live performances, groovy and heavy.”
L-R: Jgor Gianola (guitars), Leo Leoni (guitars), Eugent Bushpepa (vocals), Mila Merker (bass), Alex Motta (drums)
Live at Hallenstadion Zurich was recorded on July 3, 2025 at their show supporting the mighty JUDAS PRIEST and comprises 9 electrifying tracks. Including both covers of the rich GOTTHARD catalogue and tracks from III,CORELEONI’s first original effort which came out in early 2022, this new recording is essential rock ‘n’ roll: raw yet heavily rocking.
These history-charged 40 minutes simply had to be captured for eternity, not only for the 7,000 attending fans to relive the event yet also for CORELEONI’s and hard rock fans all over the world!
Track Listing:
01. Sister Moon 02. Standing In The Light 03. Downtown 04. Like It Or Not 05. Sick & Tired 06. Mountain Mama 07. Firedance 08. She Goes Down 09. Here Comes The Heat
We’re thrilled to announce the release of our powerful new LIVE album – Live At Stonedead!
Earlier this year we wrapped up an epic UK tour with our final show at Stonedead Festival set in stone! For those of you who couldn’t be there, you can now relive the raw, high voltage energy of that night with the digital release of ‘Live At Stonedead’! This isn’t a polished studio album – it’s pure, unadulterated Daisies power and really captures the grit and atmosphere we know you guys love when we play live!
“We were pumped to wrap up a great UK Tour at the Stonedead Festival in Newark. It turned out to be such a great show we decided to release it for you guys. The audience was fired up and it was an awesome night of Rock! Hope you enjoy this and see ya again as soon as possible” – Doug Aldrich
Italian metal fusionists NOVOMUNDO will release their first full-length album,The Cursed Cult, on March 1st, 2026.
NOVOMUNDO was born near Rome around 2012 with the idea to blend heavy and groovy music textures alongside various influences, rhythms, and instruments from all over the world. After some line-up changes over the years, the band rewrote and refined some of their previous material, releasing Echoes of Ego: four songs focused on mid-paced ferocity and exotic grooves, with themes exploring modern world decay, primeval instincts, and nightmarish visions.
The video of the first single“The Coven”is now availableHERE.
The Cursed Cult represents the band’s first full-length effort: a darker and more crushing take on their renewed sound. The album explores Voodoo culture, its symbols and meanings, interpreted through the lens of contemporary life. Fourteen tracks of ferocity and raw energy blend dark ambient passages with a rotten edge, fusing death-groove and 2000s metal influences enriched by modern tones and crust-core elements.
The album is a concept piece centered on Voodoo, its mysteries, rituals, and symbolic icons. Lyrically, it touches on slavery, prejudice, and death as a way to give value to life, among other themes. Across the tracks, listeners are guided through the pantheon of Voodoo deities, called Loa, exploring their stories and traits as metaphors to convey the album’s core messages. The soundscape of NOVOMUNDO evokes emotional instability and a sense of unease, symbolizing the fear stemming from ignorance and unfamiliarity.
Line-up:
Valerio Cristiani – Vocals Carlo Ridolfi – Guitar Fabio Ciccone – Guitar Fausto Idini – Drums
Track-list:
01 Son of Mawu 02 Deathless 03 Erzulie 04 Bokor 05 The Coven 06 Mojo 07 Vodun 08 OSFTG 09 Le Marriage de Brigitte 10 Warlord 11 God’s Violence 12 Maitresse La-Sirene 13 Papa Legba 14 Orishas
SLAYER’s iconic second studio album, Hell Awaits, is set to receive a 40th anniversary edition reissue via Metal Blade Records next Spring!
Formed in 1981, SLAYER assaulted the world with a new hybrid of metal and punk – heavier, faster, and darker than the rest and set a new standard, defining not only a genre, but an attitude. Throughout SLAYER‘s history, the band never faltered in unleashing their extreme and focused aural assault, and repudiating temptations, SLAYER always chose to remain crushing and brutal, steadfastly refusing to cater to the mainstream.
“It’s the record where SLAYER became SLAYER.” That’s what Kerry King says about Hell Awaits. He knows of what he speaks. As the band’s guitarist, co-songwriter, and co-lyricist, he was in the trenches with vocalist/bassist Tom Araya, guitarist Jeff Hanneman (R.I.P.) and drummer Dave Lombardo, creating what has become one of heavy metal’s greatest albums.
A significant departure from SLAYER’s 1983 debut, Show No Mercy and every SLAYER album that came after it, Hell Awaits is both an outlier and a solidification of form. Show No Mercy was the mission statement, but Hell Awaits is a more developed and intricate execution of SLAYER’s speed, chops and aggression.
Released in April of 1985 by Metal Blade Records, Hell Awaits was the pinnacle of an action-packed thrash year that saw debut albums from the likes of Megadeth, Exodus, Kreator, Possessed, Destruction, Hirax, and Overkill. Heavily influenced by Mercyful Fate, the longer, more progressive arrangements on Hell Awaits marked a new era for SLAYER. Whereas most of the songs on Show No Mercy were less than four minutes long, three of Hell Awaits’ seven tracks go beyond the six-minute mark.
“Jeff and I were still trying to figure out who we were as musicians, and we were both infatuated with Mercyful Fate’s Melissa album during the writing process for Hell Awaits,” King says. “That’s why there’s so few songs and most of ‘em are pretty long. That’s the only time anything like that ever happened with us.”
Tom Araya’s performance is similarly impressive. The vocalist spat lyrics a mile a minute on the likes of “Kill Again” and “Praise Of Death.” “I don’t recall the songs being hard to sing,” he says. “Singing fast and clearly has always been something that I strived for.”
The reissue arrives May 15th, 2026 in three physical formats and digitally. Preorders are available now at: metalblade.com/slayer.
Find all details below:
3 LPs total: 7-track Hell Awaits + 18-track live bonus audio (Live From Bochum 1985):
– 60-page book (12” size)
– Hell Awaits album (in gatefold sleeve, 1xLP) mastered and restored from original 1985 production tapes by Patrick W. Engel at Temple Of Disharmony in February 2025. Vinyl color = Fire Splatter
– Live From Bochum 1985 (in gatefold sleeve, 2xLP) – 18 live tracks never before released physically or digitally
Mosh the Rock Island MetalFest, proudly presented by Royalty Entertainment, is now accepting band submissions for its 2026 lineup! Applications are open until November 30th, so don’t miss your chance to be part of this epic event, taking place on August 9th at FRED MILNE PARK in Sooke, British Columbia, on Vancouver Island, Canada.
This all-day, open-air festival is a celebration of metal and hard rock, welcoming fans of all ages to a family-friendly atmosphere filled with heavy riffs and high energy. Mosh the Rock extends heartfelt thanks to the local community for their incredible support and can’t wait to bring the noise back to Sooke in 2026!
Bands from all subgenres of METAL are encouraged to apply. Send your EPK, including photos, music links, bios, and more to: MoshTheRock26[@]gmail[.]com.
Following the overwhelming success of its inaugural year in 2025, Mosh the Rock 2026 is already shaping up to be even bigger and louder!
Founded by Royal Savoie, event promoter, music manager, and host of THRASHCAN on 101.9 FM CFUV.CA in Victoria, BC, Mosh the Rock made its debut with a killer lineup featuring bands from across British Columbia, including: Torrefy (Victoria), Thirteen Goats (Vancouver), Yegg (Nanaimo), Mutual Trauma (Victoria), Dead After Dark (Penticton), Burnt Lung (Vancouver), Pharm (Kelowna), Cybörg (Victoria), Joker’s Revenge (Nanaimo), Blacktop Social (Nanaimo), and Wolf Venom (Sooke).
Get ready for Mosh the Rock2026 is coming, and it’s going to be louder than ever.
Photographer: João Fitas (@joao.fitas) L-R – Bruno Martins (Bass), Daniel Rodrigues (Drums), Ricardo Pereira (Lead Vocals), Pedro Quelhas (Guitar), Luís Dias (Guitar)
Cover EP Angels, Blood And Enemies Out In Feb 2026
Portuguese melodic death metal force Moonshade has unveiled their latest single, a thunderous, emotionally charged cover of Stromae & Pomme’s “Ma Meilleure Ennemie.”Accompanied by a lyric video, the track will be featured on their upcoming three-song EP,Angels, Blood And Enemies, set for release in February 2026.
Inspired by an unforgettable scene from the Netflix series Arcane, Moonshade’s cover strips away the original’s trip-hop shell and rebuilds it with their signature blend of epic, brutal, and atmospheric metal. The band’s connection to Arcane and League of Legends runs deep, with members Pedro and Ricardo being longtime Stromae fans.
Watch the lyric video for “Ma Meilleure Ennemie” created by Jöel Martins from Titanforged Productions (Wolfheart, Analepsy, Dark Oath).
“We annoyed the rest of the band to exhaustion to make this cover happen. But they’re always tolerant of our eccentricities, and now we have a metal version of this brilliant Belgian trip-hop artist. We wanted to highlight the song’s emotional intensity using our own sonic palette. We’ve never done covers before, and there’s probably not much overlap between our fanbase and Stromae’s. But we had fun, we’re proud of it, and that’s what matters. Moonshade’s fans are open-minded and adventurous, traits that make this cover EP a natural fit,” says vocalist Ricardo Pereira, who also performs clean vocals alongside drummer Daniel, adding layers to the song’s theme of love-hate duality.
The single’s artwork, designed by Rui Carneiro (Lorna Shore, Polaris, Chelsea Grin), draws from Guido Reni’s Archangel Michael Defeating Satan, visually anchoring the EP’s title, Angels, Blood And Enemies. Carneiro also created the remaining two artworks for the EP, whose tracklist remains a mystery for now.
With Angels, Blood And Enemies,Moonshade invites fans into a new chapter, one of fearless reinterpretation, emotional depth, and genre-defying creativity.
If you love Insomnium, Heaven Shall Burn, In Flames, Dark Tranquillity, or Omnium Gatherum, Moonshade’s sound will feel like home.
Mid-west Heavy Metal torchbearers SACRED LEATHER are back with the 3rd single, “Fallen Angel”, from their eagerly awaited, new album, Keep The Fire Burning, that’s due out December 12th via King Volume Records / Wise Blood Records. Forged in fire, the hellion five-piece have returned with a ferocious new song and video that delves into the mind of the prince of darkness.
Commenting on the track, bassist Magnus LeGrand says:
“When we wrote ‘Fallen Angel,’ it immediately felt like a callback to an era when metal songs had both hooks and teeth, something big, melodic, yet still dangerous. That track set the stage for what Keep the Fire Burning would become. Dee’s lyrics step inside Lucifer’s head, turning his fall from grace into something deeply human; the loneliness, the pride, and the weight of one’s own choices.
Visually, I wanted the video to conjure the haunting, biblical imagery found in the lyrics themselves, smoke, fire, and mystery, all wrapped in that classic ’80s metal grandeur. Think ‘Holy Diver’ meets ‘Dream Warriors,’ but filtered through our own world, with its own identity.”
SACRED LEATHER set the underground ablaze with their debut album, Ultimate Force. Seven years later the beast is back with a unrelenting, classic metal masterpiece that recalls a time when tight leather and heavy riffs ruled the world. The band recently released their explosive singles “Spitfire AtNight” and “PhantomHighways,” setting the tone for their headbanging followup.
1. Resurrection 2. Spitfire At Night 3. Phantom Highway (Hell Is Comin’ Down) 4. Wake Me Up 5. Fallen Angel 6. Flatline 7. Tear Out My Heart 8. Malevolent Eyes 9. Keep The Fire Burning 10. Mistress Of The Sun
Sacred Leather: Dee Wrathchild – Vocals Lynn St. Michaels – Lead Guitar Magnus Legrand – Bass Don Diamond – Drums Cvon Owens – Rhythmn Guitar
AboutSACRED LEATHER:
Forged in the fires of classic heavy metal and baptized in the spirit of rock ‘n’ roll rebellion, Sacred Leather stands as a defiant reminder that true metal never dies. Hailing from the American Midwest, the band delivers an unrelenting assault of twin-guitar fury, thunderous rhythms, and commanding vocals that channel the essence of leather, chains, and midnight highways.
Following their 2017 full-length debut Ultimate Force, which established them as torchbearers of traditional heavy metal’s resurgence, Sacred Leather return with their long-awaited sophomore album Keep the Fire Burning, due December 2025 through King Volume Records and Wise Blood Records. The album is both a declaration and a promise—rekindling the spirit that started it all while pushing their sound into sharper, more melodic, and more anthemic territory.
With Keep the Fire Burning, the band expands on their reputation for electrifying live performances and unflinching authenticity. Drawing from the steel-plated legacy of Judas Priest, Accept, and early W.A.S.P., Sacred Leather blend classic metal tradition with cinematic flair, evoking the neon glow of midnight highways and the danger of the unknown.
Time To Kill Records is proud to announce the signing of Portuguese power duo SOUL OF ANUBIS for the release of their upcoming third full-length album, set for 2026.
Formed in 2010 in Northern Portugal, SOUL OF ANUBIS have carved out a distinct place within the European underground thanks to their explosive fusion of thrash, sludge, doom and post-metal. Their sound channels the raw urgency of Mantar, the primal energy of early Mastodon, and the relentless drive of High On Fire and Black Cobra, yet remains unmistakably their own, a visceral blend of aggression and dynamic shifts that refuses to be confined to a single genre.
On stage, the duo are known for their fierce and magnetic performances, delivering an unfiltered surge of heaviness that connects with audiences on a deeply physical level. Over the years, they have performed extensively across Portugal and beyond, building a loyal following through their intensity and authenticity.
The upcoming album promises to push their sonic boundaries even further, expanding upon their trademark blend of massive riffs, dark groove, and emotional gravity, while highlighting a newfound sense of urgency and compositional versatility.
More details on the release will be revealed soon.
Finnish thrashers Indemon have released a music video for their song “Abuse.” The track is taken from their critically acclaimed debut album, Reclaiming Chaos, which was released last June via Inverse Records.
“Abuse show’s the narrator’s perspective on the conflict in which they want to break free from a person, yet at the same time want to keep that person under their control. The narrator has an obsession with control.
Alternatively, it could be that the other person does not exist at all, and the narrator is actually a voice inside the listener’s head, a kind of inner demon, telling the listener how it wants to get rid of them, while simultaneously keeping them in its grasp.”
DANGEROUS TOYSDemolition will be releasing on December 12th, 2025, via Cleopatra Records. It’s been 30 years since a new studio album from DANGEROUS TOYS!
Amidst so much activity, and with the band’s long-awaited fifth album still in a state of gestation, fans can look forward to the arrival of Demolition, which features 10 tracks, all previously unreleased and recorded during the hiatus between the band’s second and third albums, 1991’s Hellacious Acres and 1994’s Pissed, as they continued refining their debut album’s unique concoction of Southern rock and driving metal.
Hand selected by DANGEROUS TOYS, “these old songs… obviously didn’t make the cut when choosing songs for official release,” the band remarks in the liner notes. All will be completely new to all the ears that hear them.
Demolition – Track-listing:
Rock Shock Cowboy Come Out Swinging Rattle My Cage Rhapsody in Barbed Wire One On One Live Burning Bridges Your Sister Backstreet Girl Shot To Hell SNAFU
New Album “Something Borrowed…Something New” Out Dec 5th, 2025
Australian hard rockers Greystone Canyon return with a powerful new single – a bold rendition of Thin Lizzy’s “Suicide”, available worldwide now. The track is the first glimpse into the band’s forthcoming album Something Borrowed…Something New, due out December 5th, 2025, from Rockshots Records, marking their most authentic and organic release to date.
Faithful to the spirit of Phil Lynott and Thin Lizzy’s timeless legacy, Greystone Canyon delivers a warm, punchy, and honest version of “Suicide”, enriched by their signature blend of melodic rock and gritty hard-edged groove. Recorded live with no click tracks or studio trickery, the single captures the raw chemistry of a band feeding off one another in the room – a true celebration of rock ‘n’ roll energy.
Produced by the band and engineered by Joel Taylor at Black Lodge Studio (Melbourne), “Something Borrowed…Something New” represents a turning point in Greystone Canyon’s journey. As the title suggests, it’s a hybrid record – a mix of new original songs and hand-picked classics from the bands that shaped their sound, including Thin Lizzy, Led Zeppelin, ZZ Top, UFO, and Neil Young. The album bridges past and present, combining heartfelt tributes with fresh, road-worn originals such as “Drives Us,” “Friend of the Fox,” and “Stealing Our Freedom”.
Track Listing: 1. Doctor, Doctor (UFO cover) – 04:16 2. Just Got Paid (ZZ Top cover) – 03:35 3. Drives Us – 05:06 4. Immigrant Song (Led Zeppelin cover) – 02:21 5. Friend of the Fox – 03:57 6. Suicide (Thin Lizzy cover) – 05:14 7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22 8. AAF – 1:47 9. Stealing Our Freedom – 04:26 Album Length: 33:54
Vocalist/guitarist Darren Cherry comments:
“This is our most honest record so far, real instruments, real performances, all captured live in one room. We wanted to remind listeners of the warmth and punch that only true rock bands can create together. It’s pure, old-school energy and we had an absolute blast making it.”
Following the success of Iron & Oak (2024), which reached #18 on the Australian iTunes Hard Rock chart and earned multiple 10/10 media scores, the band is poised to bring their music to a new global audience with a record that’s equal parts homage and evolution.
Recommended for fans of Led Zeppelin, Thin Lizzy, and ZZ Top, Greystone Canyon‘s new album Something Borrowed…Something New is out December 5th, 2025
Frontman Darren Cherry, who also performed with Paul Di’Anno’s (ex-Iron Maiden) Australian touring band in 2024, leads the lineup featuring Richard Vella (guitars, vocals, keyboards), David Poulter (bass), and Sham Hughes (drums, keyboards, mastering). Together, they embody the spirit of traditional rock music, played with authenticity, precision, and passion.
The band also performed alongside US heavy metal pioneers The Rods, further cementing their reputation for powerful and emotionally charged live shows.
The band released their debut album While the Wheels Still Turn in 2018, earning critical acclaim from both Australian and international press. The record was named “Debut Album of the Year” by Australia’s national TV program The Hard Rock Show, and received outstanding reviews across the board – including 10/10 from Rock ’n’ Load Magazine and 99/100 from The Metal Mag. Supported by multiple singles and videos amassing over 450,000 views, the album firmly established Greystone Canyon as one of Australia’s most promising rock acts.
Their sophomore record, Iron & Oak, followed in 2024, entering the Australian iTunes chart at #18 for Hard Rock and #82 across all genres, as well as reaching #1 on CFUR North American college radio. The album was praised by the international rock media, with several 10/10 scores, and produced over 250,000 video views within weeks of release.
Metal Blade Records has teamed up with renowned artist Vince Locke to create designs for exclusive merchandise that the legendary label will sell for Erik Rutan – guitarist in Cannibal Corpse and famed Producer at MANA RECORDING STUDIOS – who suffered severe damage by Hurricane Helene in 2024.
The below items are Erik Rutan approved and available for fans at this location: metalblade.com/erikrutanwith all money collected going directly to Rutan to help him replace studio and musical gear for a new MANA RECORDING STUDIOS – gear that Rutan has used to produce a massive list of metal albums over the last two plus decades at Mana Recording.
– Erik Rutan – MANA RECORDING STUDIOS Snap Back Hat
– Erik Rutan – Vince Locke (Signed Print) 11×17: Limited edition 60 signed prints, Vince Locke created and gifted this image, signed by both Vince and Erik
– Erik Rutan – MANA RECORDING STUDIOS T-Shirt
– Erik Rutan – Vince Locke Original Design T-Shirt: Vince Locke created and gifted this image.
About Erik Rutan – Producer | Guitarist | Visionary:
Erik Rutan is one of extreme metal’s most respected and multi-dimensional forces, renowned not only for his blistering guitar work and songwriting in legendary bands Hate Eternal, Morbid Angel, and Cannibal Corpse, but also as a prolific producer and founder of Mana Recording Studios, where he’s helped shape the sound of death metal for decades.
Rutan began his career in the late ‘80s with Ripping Corpse, appearing on their influential Dreaming With The Dead (1991), then playing as a touring guitarist with Morbid Angel for Covenant (1993). Rutan then joined permanently to record the classic albums Domination (1995), Entangled In Chaos (1996), and Gateways To Annihilation (2000). In 1997, he formed Hate Eternal, taking on guitar, vocals, and full creative control.
In 2002, Rutan left Morbid Angel to focus on Hate Eternal and Mana Recording Studios. The band’s discography: Conquering The Throne, King Of All Kings, I, Monarch, The Perilous Fight, Fury & Flames, Phoenix Amongst The Ashes, Infernus, and Upon Desolate Sands – has cemented Rutan’s reputation as a technical innovator and one of death metal’s most uncompromising architects.
Equally revered behind the console, Rutan opened his recording studio in 1999 and founded Mana Recording Studios in St. Petersburg, Florida. The studio has since become a premiere destination for extreme music, hosting sessions for a who’s who of death metal as well as other styles of music.
His production, engineering, and mixing credits include a staggering list of landmark albums: Cannibal Corpse (Kill, Evisceration Plague, Torture, Red Before Black, Violence Unimagined, Chaos Horrific), Goatwhore (A Haunting Curse, Carving Out The Eyes Of God, Blood For The Master, Constricting Rage Of The Merciless), Krisiun (Conquerors Of Armageddon, Forged In Fury), Soilent Green (Confrontation, Inevitable Collapse In The Presence Of Conviction), Madball (Empire, Rebellion), Into The Moat (The Design, The Campaign), Tombs (Savage Gold, The Grand Annihilation). Agnostic Front, The Mountain Goats, Vital Remains, Belphegor, Through The Eyes Of The Dead, Rivers Of Nihil, Ether Coven, Aeon, Ephel Duath, Nile, Black Fast, Lizzy Borden, as well as the entire Hate Eternal catalog among many others.
In 2019, after years of collaboration, Rutan joined Cannibal Corpse as touring guitarist and then in 2021 became a full-time guitarist, making his recording debut as a member with Violence Unimagined and also Chaos Horrific. He contributed rhythm and lead guitar as well as songwriting on three tracks for each album, while also producing, engineering, and mixing the albums, earning widespread acclaim. “Erik’s influence and musical knowledge have elevated everything around us,” bassist Alex Webster said. “He brings a work ethic and vision that’s unmatched.”
Despite his commitments to Cannibal Corpse, Rutan remains devoted to Hate Eternal and Mana Recording Studios. “Hate Eternal is my life’s work,” he told Premier Guitar, “and producing – that’s where I channel a different part of my creativity. I want to help bands create the best version of themselves.” With a legacy that spans multiple roles and generations, Rutan continues to define and redefine the sound of extreme metal, both onstage and behind the scenes in the studio.
About Metal Blade Records:
Founded upon owner Brian Slagel‘s enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalog, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it celebrates its fourth decade.
Metal Blade Records launched Metallica, Slayer, Armored Saint, Fates Warning, GWAR, Cannibal Corpse, Amon Amarth, Whitechapel, The Black Dahlia Murder, Cattle Decapitation, and dozens more genre giants, shaping four decades and counting of hard rock, metal, and extreme music culture. Brian Slagel worked as a record store clerk when he founded Metal Blade in 1982, reserving a spot for a young Lars Ulrich on his Metal Massacre compilation series.
BEAST EAGLE returns with “Witch Hunt,” a ferocious new single that captures the band’s raw intensity and unrelenting vision. The song strikes with primal force, a collision of thunderous drums, snarling guitars, and vocals steeped in fury and defiance.
“Witch Hunt” tells the story of a village consumed by vengeance, where fear twists into chaos and fire becomes a weapon. It is a tale of justice gone wrong and wrath turned loose, a song that feels both ancient and immediate. Every note burns with purpose, pulling listeners into a storm of sound and emotion that refuses to fade.
The single paves the way for BEAST EAGLE’s forthcoming EP, Sorceress, set for release on November 21 through Golden Robot Records. The record delves into themes of control, identity, and transformation, offering a darker and more introspective side of the band’s evolving sound.
Line Up: Kate Lewis (Vocals) Austin L’Ecuyer (Guitarist) August Sievering (Drums) Toby Wandel (Bassist)
Sorceress – Track Listing:
Sharp Tongue – 3:16
The Dead Follow – 3:40
Send Me Down – 3:14
Witch Hunt – 4:50
The Demonstration – 4:28
EP Credits: Producer: Rick Carson Recording Studio: Make Believe Studio Engineer: Ryan Harvey Mastering: Rick Carson Mixing: Rick Carson Album Cover Artist: Austin L’Ecuyer
From the blackened mines of Bergslagen and rising from the ashes of the now‑defunct band Maniak, Sweden’s ZADISM emerge as an unholy force bent on obliterating restraint.
Guided by the spirit of the early Brazilian underground (you know the ones – disfigured riffs, filthy production, uncompromising aggression) and the savage blueprint laid down by the German thrash metal pioneers at the dawn of the scene, this duo brings a sound steeped in raw violence and fury.
Their debut EP Under Sadistic Law, out 21st of November via De:Nihil Records and Dala Destroi Records, is a concentrated dose of extremity: short, brutal and unrelenting. ZADISM don’t just honour the relics of the past, they inject them with fresh, virulent energy and drag them screaming into the present.
The first single “Under Sacred Soil” is now streaming at THIS LOCATION.
Switzerland’s rock heavyweights GOTTHARD and Marc Storace (KROKUS) have joined forces for a brand-new version of ‘Liverpool’, one of the highlights and fan-favorite from GOTTHARD’s No. 1 album Stereo Crush.
The newly reimagined duet sung by two of Switzerland’s most remarkable rock voices, Nic Maeder and Marc Storace, is out now on all digital platforms. The song will also be featured on GOTTHARD’s upcoming mini-album More Stereo Crush, set for release on March 13, 2026, via RPM.
The song gains an extra dimension through the interplay of two of Switzerland’s finest rock singers. Chris von Rohr, founder of KROKUS and longtime producer and co-songwriter of GOTTHARD, once again joins guitarist Leo Leoni and the band to give this anthem the extra boost.
Nic Maeder (left), Marc Storace (right), Photo: Luc Braissant
This new recording highlights the enduring friendship and mutual respect that have formed the foundation of Swiss rock history for over four decades.
“It’s always been an honour for me to sing live onstage with Marc, and to get to work on and record a duet together was really fantastic. Reworking this song with Chris and Leo was really interesting. It’s gonna be super fun performing this new version of ‚Liverpool’ together.” – Nic Maeder
“Like always, Nick and I had a great time singing together live in the studio. Chris and Leo guided us with their experienced ears and soon this version of the Liverpool-Song came alive. now i can’t wait to perform it at our Rockmonsters-concerts.” – Marc Storace
“What connects us are 11 years of intense, successful work together that brought many great Songpearls to life. And here comes the next one. The BEATLES from Liverpool helped me tremendously in my early days to find my way. When I start with a new song, I always look for a title that doesn’t exist already, the rest comes almost naturally.” – Chris von Rohr
The new single paves the way for the upcoming 8-track mini-album More Stereo Crush. Like Stereo Crush, it was produced by Charlie Bauerfeind and Leo Leoni, mastered by Sascha “Busy” Bühren and features artwork by Manuel Schütz and Thomas Ewerhard.
L-R: Flavio Mezzodi (drums), Marc Lynn (bass), Nic Maeder (vocals), Leo Leoni (guitars), Freddy Scherer (guitar)
Fans can experience this powerhouse line-up live at the Rock Monsters of Switzerland shows in Bern (December 19, 2025) and Zurich (December 20, 2025) where GOTTHARD and KROKUS will share the stage.
05. – 07.06.2026 CZ Pilsen – Metalfest Open Air 03. – 06.07.2026 SE Knislinge – Time To Rock Festival 16.07.2026 DE Schopfheim – Sommersound 17.07.2026 AT Thüringerberg – s’brennt scho widr *NEU* 18.07.2026 AT Innsbruck – Music Hall *NEU*
RICHMOND, Va. – Lamb of God, who recently released their first new music in three years with the single “Sepsis,” have shared a riveting live video capturing the song’s explosive debut in front of tens of thousands of fans at Aftershock Festival.
Directed by Sam Shapiro and Kevin Garcia, the performance took place just one day after the song’s release. Before launching into the three-and-a-half-minute track, Randy Blythe introduced it, saying, “This song is about a national sickness,” as John Campbell, Mark Morton, Willie Adler, and Art Cruz, joined in as the crowd erupted.
Produced by longtime collaborator Josh Wilbur, “Sepsis” arrived last month alongside a grainy, lo-fi performance video that offered a moody, unfiltered look at Richmond’s underbelly.
Earlier this week, Lamb of God announced the return of their annual Headbangers Boat cruise. The 2026 edition features the GRAMMY® Award-nominated band with an assortment of special guests, including Zakk Sabbath, The Dillinger Escape Plan, In Flames, GWAR, The Haunted, D.R.I., 200 Stab Wounds, X-Cops, Mark Morton, and more to be announced soon.
First Round Pre-sale Signups are available now through Nov. 18 at 11:59 pm eastern. Second Round Presale Signups will conclude Nov. 23 at 11:59 pm eastern. Public on-sales begin Nov. 25 at 2:00 pm eastern, exclusively at headbangersboat.com.
Lamb of God tour dates:
May 14 – 17 Columbus, OH Sonic Temple Art & Music Festival July 24 – 27 Plovdiv, BG Hills of Rock July 27 – 31 Râşnov, RO Rockstadt Extreme Fest August 1 Wacken, DE Wacken Open Air August 5 – 9 Lisbon, PT Vagos Open Air August 6 – 9 Kortrijk, BE Alcatraz Open Air August 7 Walton-on-Trent, UK Bloodstock Open Air August 12 – 16 Dinkelsbühl, DE Summer Breeze August 13 – 15 Sulingen, DE Reload Festival August 14 – 16 Eindhoven, NL Dynamo Metalfest October 30 – November 3 Miami, FL Headbangers Boat
Tickets for all shows are available now via Lamb of God’s website.
Lamb of God is Randy Blythe (vocals), John Campbell (bass), Mark Morton (guitar), Willie Adler (guitar) and Art Cruz (drums). Formed in 1994, the Richmond, Va.-based band has released nine critically-acclaimed albums, received five GRAMMY® Award nominations, sold over 3 million albums, packed arenas around the world, and tallied over one billion streams and counting.
Widely regarded as one of the most influential and innovative forces in modern heavy music Lamb of God’s most recent collection, Omens, arrived in late 2022 , marking their sixth consecutive album to debut in the Top 15 of on the Billboard 200. Kerrang! noted that the album finds the band “as reliably heavy, violent, and pissed off as ever,” and Consequence said the “album will break you down to nihilistic pieces.”
My Best Metal Buddy Scott Coverdale bought me this fantastic Lita FordLive &Deadly CD several years ago. He has gifted me some sensational vinyl, CDs and concert merch over the last couple of decades and yes, I have gratitude!
This CD was released via DEADLINE MUSIC (a division of Cleopatra Records) back in 2014 and has 13 of Lita’s songs performed liveby her and band. It’s hand numbered 138/1000. As stated on the Cleopatra Records website: Recorded live at “one of Lita’s favorite watering holes” in 2000.”
This CD is still available everywhere online, you can find both the hand numbered version and a more recent version with an alternate Lita Ford photo on the front cover. You can also find Live & Deadly streaming on Spotify or other digital platforms.
Live & Deadly bestows a fabulous production of Lita performing live, with her vocals, guitar and band sounding amazing. This is a necessary listen and/or buy to own for all Lita Ford fans. Lita and her band jam without any fade-outs; plus the crowd cheering included gives this recording that added dose of live vibes! Metal be thy name – Stone.
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Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
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