Archive for July, 2009

Violent Femmes – “Why Do Birds Sing?” is a unique album, a unique band

Posted in 1990's alternative rock music, 1990's college music, 1990's folk punk rock music, 1990's punk rock music, Album Review, essential punk rock albums, punk rock album reviews, punk rock albums, punk rock cover songs, punk rock music, punk rock songs, Rock, rock & roll, rock music, silly album covers with tags , , , , , , , , , , , , , on July 4, 2009 by Metal Odyssey

main-150Throughout my travels to antique stores and thrift shops, more often than not, I come across albums and/or CD’s that grab my attention in milliseconds. I usually find the Metal, Punk Rock or Extreme Music that is not in stock at your local Walmart, Best Buy or f.y.e., therefore my journey’s to these eclectic shops are never in vain. Sure, the vast majority of underground and obscure music titles can be had online just about anywhere you look, I am an avid consumer of online purchases this way. However, it is just a tad more cool to actually hunt down or stumble upon a CD of a band that is not on any mainstream or commercial charts… not in the limelight whatsoever… and this band is unique, a definite qualifier for existing in the world of Extreme Music. Please excuse me, if I say that the three dollars I paid to bring home Violent Femmes “Why Do Birds Sing?”, (released in 1991), was a smart move. Three dollars versus the eleven dollars (or more) it would have cost me to buy this CD brand new online… not counting the shipping and tax costs. Used CD? Is there such a thing? Man, a CD really has to be scratched up and bent out of shape for me to consider it used.  Besides, I am not that naive to purchase a used CD without inspecting the surface wear of the actual disc itself. Crap, I better get on with the actual music found here, on “Why Do Birds Sing?” and stop this ranting about the science of used CD hunting and purchasing.

Hey man, anytime a band is considered, labeled or sounds like Folk Punk Rock, this said band is embraced by Metal Odyssey. What is more unique than Folk Punk? C’mon, this genre is flying under the radar for decades and is a survivor. I certainly remember there being a cult following for the Violent Femmes back in my college days. (I honestly never gave them a listen back then, I was either too broke to afford new tunes or too occupied with my core bands of Thrash and Heavy Metal). Life is all about exploring… and explore my ears have done with this Violent Femmes CD. To pursue the music that lies within “Why Do Birds Sing?”, for me, is paralleled to taking a road trip without a map. In other words, this album has been something I never expected, I never really knew what may be around the next turn, what will the next song be like? Will there be memorable tunes along the way?

Before I mention some of the songs on this album… just look at the album cover artwork found here. I am going to use the words – retrospective silly. Yes, I used the words retrospective silly on Metal Odyssey. This artwork captures the who cares what the system thinks of us attitude that is sweltering from the music of the Violent Femmes. There are no muscular barbarians, warlocks, monsters, skulls, science fiction backdrops or busty women on this album cover. The music that is within “Why Do Birds Sing” does not need any of these covers to win me over. The music holds it’s own, without the help of cover artwork… the Violent Femmes created some really good music here, all 13 songs of it. These Violent Femmes do a darn good cover on The Culture Club hit “Do You Really Want To Hurt Me”, for this genre of music, this song captivates as much as it rocks. “Hey Nonny Nonny” is a folk rocking, vocally punk rockin’, foot stompin’, knee slapping, pass me another beer, hip little song. “Used To Be” is a melodic, free flowing Rock & Roll song, reflecting on how a man and a woman used to be happy before their world ended… the lyrics never state exactly why their worlds ended. “Girl Trouble” definitely encompasses all things 1950’s Rock & Roll, only that the lyrics and vocals would never fit into the decade of the ’50’s. (This song definitely fits in with me). My favorite song on this album is “More Money Tonight” – this is the one track that does not have the Folk Punk Rock happening, instead it rocks like a late 1970’s Rolling Stones tune… vocally I swear I hear Mick Jagger himself. (I am not kidding).

In the grand scope of Folk Punk Rock, these Violent Femmes are and should be regarded as true stalwarts for their genre. If you are looking to get into a band that is so damn different from what you are currently into, the Violent Femmes will give you a taste of old time Rock & Roll, mixed in with some Folk, sprinkled with some eccentric lyrics, and layered with Punk Rock attitude and vocals. The crusty surface on all of these songs only make for a more diverse and unique musical trip. The Violent Femmes as they appear on “Why Do Birds Sing?”: Gordon Gano on vocal and acoustic guitar, Brian Ritchie on acoustic bass guitar, banjo, electric guitar and jaw harp, Victor DeLorenzo on brushed snare drum, tranceaphone, vocals and drums and Michael Beinhorn on piano.

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Seether – “Finding Beauty In Negative Spaces” is awe inspiring Hard Rock

Posted in Album Review, cool album covers, current hard rock albums, current hard rock music, current hard rock songs, essential hard rock albums, essential rock albums, Hard Rock, hard rock album review, hard rock albums 2007, hard rock drummers, hard rock guitarists, hard rock music 2007, hard rock music this decade, hard rock songs, hard rock vocalists, Music, Rock, rock album reviews, rock music, rock music vocals, rock vocalists, seether rock band, Vocals with tags , , , , , , , , , , , , , , , , , , on July 3, 2009 by Metal Odyssey

main-150Seether is a Hard Rock band that does not need any plastic Hollywood music awards to be told they are damn great. The fans know. The music of Seether tells the whole story… of just how sensational Hard Rock songs are written. “Finding Beauty In Negative Spaces” is an album that should be a required musical manual for any up and coming Hard Rock band. Seether has proven to me, that lyrics are very, very, important in Heavy Music. Shaun Morgan, in my Metal opinion, encompasses many musical gifts… his vocals, guitar skills and the song writing that leaves me in awe. Lyrically, this is one of the best albums I have ever listened to in my lifetime. Couple these tremendously inspiring lyrics with Hard Rock music that is maximized by it’s hardness and mesmerizing grooves, well, you have yourself an instant classic. Shaun Morgan for me, is a vocalist that I listen to so intently, that the music at times becomes a backdrop. (This is by no means, an insult, it is just that Shaun Morgan’s vocals are so searing, they take hold of my attention and leave me zoned out on his voice and lyrics). I have to listen to Seether and say to myself, o.k., I am going to pay more attention to the music this time around, when I do it is like a double dose of Hard Rock music and Hard Rock vocal exhilaration. 

“Rise Above This” is a song that has hit me in such a right way. I lost my sister four years ago, man do I miss her. Since this song came into my life, well, It just seems to say exactly how I feel about missing her. My sister left to go to heaven at age 43, there was way too much more that I wanted to do with her and say to her. I never had a chance to say goodbye to her, this is my song that encourages me it is alright. I am ecstatic that there is a band like Seether and a vocalist/lyricist like Shaun Morgan that can combine Hard Rock with real lyrics recognizing true humanity. “No Jesus Christ” is probably the heaviest song on this album, it basically calls a deceitful person out, a song that just about anyone who is not a backstabbing, evil entity, can relate to. “Fake It” is the single greatest song to commemorate all of the scum bag, plastic people of this world, who cannot find their own identity and try their best to be nothing but despicable chameleons. I raise my fist and say hooray to Seether and Shaun Morgan for knowing that crappy people make great subject matter for Hard Rock songs! “Six Gun Quota” is a song about self inflicted destruction – of both body and soul. This song rocks, despite the honest to goodness gray subject matter.

The popularity and record sales of Seether are for a measurable reason. This band connects to me, it is only logical Seether connects to an unknown many others. Fans of Seether already know this, yet I need to tell new, prospective fans, that “Finding Beauty In Negative Spaces” is not your run of the mill Hard Rock album written with the premise to just party hard and pick up chicks. The music found here is of substance and quality Hard Rock, it is also story telling that mixes in a menagerie of human emotions and trials. 

Seether as they appear on “Finding Beauty In Negative Spaces”: Shaun Morgan on guitar & lead vocals, Dale Stewart on bass guitar & backing vocals and John Humphrey on drums.

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STRYPER – “The Roxx Regime Demos” Is Classic Christian Heavy Metal

Posted in classic rock, Hard Rock, Heavy Metal, metal music, Music, rock albums, rock music, rock music news with tags , , , , , , on July 2, 2009 by Metal Odyssey

8389326This is the original demo of Roxx Regime, from 1983, (“The Roxx Regime Demos”), before they became Stryper. (This CD was released on July 10, 2007). The songs are all excellent, with an unpolished, raw, under produced feel and spirited energy. (This is what really makes the Heavy Metal sound even better, in my Metal opinion). There are seven songs in all on this disc, including one drum solo. These tunes really thump, they have the early 80’s Heavy Metal/Hair Metal sound. “Honestly” is a ballad that really touches off tremendous emotion, the most mellow tune on this disc and a future hit for Stryper. “From Wrong to Right” and “Loud N Clear” are catchy tracks, with a definite early ’80’s Heavy Metal/Hair Metal vibe. “Tank” is a drum solo from Robert Sweet, nothing really fancy – cool to have in the mix of songs just the same. If you are already familiar with Stryper, you will hear and recognize the talented musicianship, a band in their Metal infancy, that would become a premier Christian Heavy Metal band of the 1980’s and beyond.

Listening to “The Roxx Regime Demos”, for me, is listening to a Heavy Metal band that obviously paid their dues and made some excellent, high-spirited music. Consistently melodic, with a great heavy groove, I cannot resist recommending this music to Hair Metal, 1980’s Heavy Metal and Christian Metal fans. This disc definitely puts me in a cheery mood, the lyrics and Heavy Metal gel together perfectly.

“The Roxx Regime Demos” has proved to be a quality purchase for me, plus it is quite the obscure Heavy Metal find as well. This is a definite must for all Stryper fans, fans of ’80’s Heavy Metal should find this to be quite a neat surprise. I did get an opportunity to see Stryper, live, back in the good ol’ ’80’s. It was at the West Hartford Ballroom, in West Hartford, Connecticut. Hurricane, a relatively low-key Heavy Metal band back then, opened up for Stryper that night. The show was cool, what you would come to expect from a Heavy Metal-Hair Metal-Christian Band that played loud. Stryper was in essence, doing the same thing musically that many of the Heavy Metal-Hair Metal bands of the ’80’s were doing… the only key difference was they were using inspirational/Christian lyrics and themes for their songs. I never was turned off by their religious glow, if anything, I was and still am into their brand of Heavy Metal music.

If I have said it once, I will say it a thousand times more – I am into bands that represent all of the Heavy Metal and Metal genres. Quite honestly, the only other Christian Metal Band that I ever saw live was a band called Bloodgood. (They were pretty good too, no pun intended). Bloodgood was an up and coming Christian Metal Band back in – you guessed it – the fired up ’80’s. I actually had an album from Bloodgood, to this day I do not know what happened to it. (I wish I still had it, then I could really blog about their music with some integrity). I do remember Bloodgood being quite cool live, with one song standing out called “The Messiah”.

In Metal summary, sure, Stryper has always been in the Metal Odyssey alliance – bands that I listen to and respect. In my Metal opinion, Stryper has carved out their place in Heavy Metal history, especially Christian Heavy Metal history. Here is an overview of what you will be looking at and/or holding if you get a copy of “The Roxx Regime Demos”: the liner notes in the CD are cool, with 4 pages of credits, a 1 page written background on “The Roxx Regime Demos”, 2 photos of Roxx Regime/Stryper, plus 1 page depicting Roxx Regime/Stryper concert posters & magazine covers from the 1980’s. Roxx Regime/Stryper is: Michael Sweet on lead vocals & guitar, Robert Sweet on drums, Oz Fox on vocals & guitar and Timothy Gaines on vocals & bass.

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