Who is ready for some big city nights in Las Vegas?!! Scorpions: Love at First Sting Las Vegas residency launches on April 11th at the Bakkt Theater at Planet Hollywood in Las Vegas, NV.
The brand new headlining residency show will celebrate the 40th anniversary of the Love at First Sting album, performing the album plus all of the biggest hits from April 11th to May 3rd, 2024.
Join us for some Big City Nights – Sin City style! Get your tickets now at Ticketmaster.com
Thursday, April 11 Saturday, April 13 Thursday, April 18 Saturday, April 20 Wednesday, April 24 Friday, April 26 Sunday, April 28 Wednesday, May 1 Friday, May 3
LOVE AT FIRST STING TOUR – UK/Europe:
Rock Believers of UK and Europe, we are very excited to be coming your way! Following the Las Vegas residency we will be bringing the Love at First Sting Tour across the world continuing our celebration of this legendary album. Get your tickets now and we’ll see you this Summer!
Australian Hard Rockers Tarot have released “Leshy’sWarning,” the second single from forthcoming album, Glimpse of the Dawn. Check it out on the Cruz Del Sur Music YouTube Channel: youtu.be/2D-n14FZQAU
Glimpse of the Dawn, the band’s first album for Cruz Del Sur Music, will be released April 12 on CD, vinyl, and digital formats! The long-awaited sophomore album re-imagines heavy, Hammond B3 organ hard rock for a new generation!
Eight years have passed since Tarot’s first full-length, Reflections, to their new long-player, Glimpse of the Dawn. It was like a lifetime for the 1970s-rock-tinged Australians. The band embarked on its first-ever live shows after Reflections, essentially coming together as a unit while on stage.
Live activity then opened the door for increased collaboration between all members of the band. Now operating as a cohesive, free-flowing outfit, Tarot amassed a lively, spacious album in the form of Glimpse of the Dawn that earnestly pays tribute to their core influences of Uriah Heep, Rainbow and Deep Purple while blazing an identity of its own.
Glimpse of the Dawn was recorded across several studios in the band’s native Tasmania, starting with drum tracking by Joe Haley at Crawlspace Productions. From there, the band retreated to its own Heavy Chains Studio and Riff Cabin to complete tracking, yet it was the face-to-face sessions with Haley that gave the album its live and natural feel.
This approach, once an industry standard and now becoming a rarity, found Tarot simply cracking open a few beers, letting the tape roll and letting the results happen as they may. To that end, Tarot purposely left open spaces to allow for improvisation.
Photo Credit: Saint Bradshaw
Many of the album’s lead guitar sections were written on the fly in the studio and were subsequently kept, allowing forTarot to “catch lightning in a bottle.” This approach is perhaps best exemplified on the title track, which kicks off the album in grand fashion with rollicking Hammond keyboards and vocal trade-offs between founding member WillSpectre, guitarist FelixRussell and keyboardist Dave Harrington-George.
In fact, collaboration defines Glimpse of the Dawn. Whereas Spectre previously shouldered the songwriting load, the album features contributions from all members of Tarot. This communal, open vibe is yet another throwback to the bands Tarot has taken inspiration from.
The closeness of all five members allowed for a free exchange of ideas, thus sharpening every facet of the album. It helped further expand Tarot’s sound, which is often driven by the classic Hammond B3 organ, mellotron string and choir and various analog synths. The members of Tarotput an immense amount of thought into the interplay between Harrington-George’sparts and its guitar lines, ultimately producing an album with equal breadth and depth.
Glimpse of the Dawn is tailor-made for the live arena. Tarot already has plans to hit its Australian homeland and Europe throughout 2024, bringing its hard-rocking, anthemic songs to audiences deserving of a band that perfectly embodies the spirit of 1970s rock.
Single cover artwork • “Crack Cocaine“ (Written by Billy Morrison/ Ozzy Osbourne/Steve Stevens)
“The Morrison Project”OfficialAlbumrelease: April 19, 2024
Billy Morrison, the British guitarist, singer, and songwriter primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, and for his previous role as bassist in The Cult, has assembled an electrifying 12 songs including guest performances by Ozzy Osbourne, Billy Idol, DMC, Corey Taylor, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, John5, and more!
I guess the way that your love makes me feel/Must mean I’m really addicted,” sings OZZY OSBOURNE on “Crack Cocaine”, the newly released track out on March 21st from BILLY MORRISON’s new solo album THE MORRISON PROJECT. This album is releasing on April 19th, via The Label Group’s partnership with TLG ZOID through Virgin Music Group.
Crack Cocaine” (04:01 min) Music video Premiere: March 21, 2024 YouTube Video by IVO RAZA
Official release on March 21, 2024 Label: TLG ZOID • Virgin Music
“Crack Cocaine” is the second single/video from THE MORRISON PROJECT and follows the single/video “Drowning”. Stream it HERE
This seismic collaboration also features STEVE STEVENS on guitar and was co-written by MORRISON, OSBOURNE, and STEVENS who all appear in the video with PARIS JACKSON playing the glamorous/romantic interest, with cameos from visual artist RISK and actor JEFF HILLIARD.
“Crack Cocaine” marks the first new song with OZZY on vocals since the 2022 release of his worldwide smash album Patient Number 9 which earned him two Grammy Awards (“Best Rock Album,” “Best Metal Performance”). “I was in the same room as Billy and Steve,” says OZZY about co-writing the song. “The lyrics just came out of the blue. It was written in about 20 minutes.”
BILLY MORRISON • 2024 📸 JaneStuartPhotos
BILLY, the British guitarist, singer and songwriter primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, sheds more light on the song’s origins: “The music was a direct result of sitting in a room with Steve, both with de-tuned guitars, and writing what we felt was an ultimate Ozzy riff. From there, we brought Ozzy over and we all sat around working on the lyrics, but 90% of those came from Ozzy himself. He’s the one that suddenly stood up and sang “Like Crack Cocaine”! We looked at each other and knew we had the title!”
BILLY: “The song is 100% about how certain relationships can FEEL like an addiction. It’s nothing whatsoever to do with the drug! It’s a comparison. Ozzy is talking about being in that dysfunctional situation with a partner that feels so wrong, but you keep going back again and again. ‘Loving you is driving me insane. I put you down and pick you up again’ – it’s exactly like a drug addiction.”
Importantly, reveals STEVE, “First and foremost, Billy and I discussed what an Ozzy fan would really love to hear. We really zeroed in on the ‘90s-era Ozzy, the truly heavy stuff. We cast aside any rules both musically and lyrically. It was really a great team and Billy is just such a great motivator. Obviously as a guitarist, to contribute to an Ozzy song is like a kid in a candy store. He’s played with such an amazing array of guitarists that I tried my best to honor that tradition.”
Adds STEVE: “I think the fact that Billy and I have spent the better part of 16 years working together in Billy Idol means we are almost telepathic in how we arrange guitars, etc. Billy and Ozzy have such an amazing friendship that it was easy to feel inspired and want to help them achieve any idea I could assist with. As we worked in my home studio, I tried to make the actual recording process almost invisible. Forget any technical aspects and really have some fun. To Ozzy’s credit, he was totally focused; and man the first time I heard him sing in what was essentially my living room, fucking chills ran down my spine.”
Line-Up: Ozzy Osbourne • Vocals Billy Morrison • Rhythm guitar Steve Stevens • Lead guitar Tommy Clufetos • Drums
“Crack Cocaine” is the second single/video from THE MORRISON PROJECT and follows the single/video “Drowning”. Stream it HERE
💿 DISCOGRAPHY: 2008 • Stimulator • Full-length 2015 • The God Shaped Hole • Full-length 2024 • The Morrison Project • Full-length
Iconic heavy metallers ARMORED SAINT, who’ve been hard at work demoing tracks for their upcoming new full-length, will return to the stage later this month as direct support to Queensrÿche! The trek, which commences on March 27th in Anaheim, California, includes twelve ARMORED SAINT headlining shows scattered throughout.
Comments ARMORED SAINT bassist Joey Vera: We’re super stoked to be going back out on the road with our good friends Queensrÿche! We’ve done several tours in the past and we always have a great time being on the road with these great musicians and friends! We’re looking forward to playing some cities we’ve never played before and also, we’ll be playing some of these dates as headliners! We’ll be pulling out some deep cuts and playing an extended set so we hope to see you come out to all of these shows! We’ve been busy writing new music so keep your ears peeled in the near future for some new SAINT! Until then, we’ll see you up front!”
Tickets are on sale now with VIP upgrades available at THIS LOCATION. See all confirmed dates below.
ARMORED SAINT’s most recent studio album, Punching The Sky, was released in 2020. The critically lauded full-length hit worldwide record charts including #4 on Billboard’s Current Hard Music Albums chart, #6 on the Top New Artists chart, #16 on the Top Independent Albums chart, and #17 on the Current Rock Albums chart upon its first week of release.
We’re thrilled to announce an exclusive run of U.S. Tour dates kicking off in New York City on June 6th at Racket NYC. We’ll be hitting some of our favourite cities and venues across the country.
We’re going to give you a taste of some of our new music and will be releasing a single in support of the tour. So you’ll be hearing some new stuff as well as your favourites at these shows.
Keeping it in the family, John, Doug, David, and Michael look forward to welcoming heavy hitting Tommy Clufetos (Ozzy Osbourne, Black Sabbath) back to the line-up.
“We’re looking FORWARD to seeing all of our incredibly supportive friends, fans, and family out on the road, right here in the “Good Old U.S. of A” kicking off June 6th… Thank you, we love you!!!” – John Corabi
June 2024 U.S. Tour:
06 Racket NYC New York, NY 08 The Landis Theater Vineland, NJ 09 Mickey’s Black Box Lititz, PA 11 The Machine Shop Flint, MI 12 The Arcada Theatre St. Charles, IL US 14 The King Of Clubs Columbus, OH 15 Blue Note Harrison, OH 16 The Basement East Nashville, TN 19 House Of Blues San Diego, CA 20 Whiskey a Go Go Los Angeles, CA 22 Goldfield Trading Post Roseville, CA
Two big names of the 80s teamed up and took the Music City by its cowboy boots. Adrian Vandenberg, and Geoff Tate played the Country Music Hall of Fame in Nashville Tennessee on March 5th, to a very rock n roll hungry crowd.
Adrian’s band, properly named Vandenberg, took the stage first. The screams of excitement started right when the first member hit the stage. Vandenberg opened with “Hit the Ground Running” off their newest album, Sin, released in 2023. Not only was the album well received by fans all over the world but the song they did play was the perfect way to open the show. A few days prior to this show Adrian took to his social media accounts to express how much he enjoys having so many Whitesnake songs in the set as it was 12 years of his career. Vandenberg played 7 Whitesnake songs out of an 11 song set and the crowd devoured every song.
Vandenberg’s current lead singer, Mats Levén, has quite the resume, including working with Yngwie Malmsteen and touring with Trans-Siberian Orchestra. Levén has a very seductive voice that pairs very well with the overall sex appeal of almost every Whitesnake song. He stays nicely in a lower register which is perfect for songs like “Sailing Ships,” but when he needs to hit the high notes, like in “Still of the Night,” he hits them spot on. Ears perk up and bras come off. (Not literally but it wouldn’t be surprising). Adrian even stated he had vocal cords of steel.
Adrian started Vandenberg when he was around 27 years young, watching him play on stage 43 years later he is still that lively young man who stole hearts with the power of his guitar in the 80s. Whether you understand how to play or not there is no questioning Adrian’s abilities. Every guitarist says they always have more to learn but watching and listening to him play it’s easy to say that every young guitarist could learn a lot from him.
The rhythm sections is currently made up of Randy Van derElsen on bass and Joey Marin on drums. 10 out of 10 and absolutely solid pair. Van der Elsen absolutely tears up the bass and his facial expressions show that he’s not just playing the notes but feeling the music as he goes. Marin destroys the drums with such speed yet such grace and happily holds up the thunderous sounds of Vandenberg and Whitesnake. Last but certainly not least, Len Van de Laak adds those finishing touches on the keyboard.
Vandenberg had a very good mix of high and low energy songs transitioning from the intensity of Vandenberg’s “Freight Train” to the slightly more subdued sound of Whitesnake’s “Sailing Ships.” The most intimate moment of their whole show was during “Here I go Again.” As the band began their final song every fan in the audience knew their role.
Levén let the crowd have their moment singing the chorus back at him, and even had the crowd repeat it back to him one extra time. Needless to say, Vandenberg set the crowd on fire and prepared them for who was to take the stage next.
Geoff Tate and his band closed out the night. The second the lights went out, the crowd was on their feet trying to get as close to the stage as a seated venue would allow. They opened the show with “Empire,” the title track off Queensryche’s fourth studio album. Tate and his band treated fans to at least one song off of six different Queensryche albums including Operation: Mindcrime, Rage for Order, and Promised Land.
Very little has changed with Tate’s vocal range since the release of the self titled EP Queensryche in 1983. Every vocalist who has been doing this for as long as he has should be aware of what notes they can and can’t hit. Tate smoothly transitioned over pieces that he may have felt weren’t going to come out like the album, but also added a little spice to those high notes he knew he could hold.
Sound is definitely very important when putting on a good show for obvious reasons but so is having good chemistry between band mates. The best way to describe the relationship between Tate and his band is a loving and encouraging father and his 6 sons. Tate has put together a nice blend of young international rockstars.
Tate had up to 4 guitarists raising hell behind him, including James Brown (Ireland), Dario Parente (Italy), AmauryAltmayer (France), and Cillian Plummer (Ireland). The fun didn’t stop with the guitarists. The fiery rhythm section was made up of Jack Ross (Scotland) on bass and Danny Laverde on Drums. As a group they play like they are the original line up of Queensryche!
Fans sang along to every song never missing a beat and it fed the energy of everyone on stage. Tate even conducted the crowd during “Operation: Mindcrime.” After singing “Screaming in Digital,” Tate explained how he loves singing that song because of how accurate it is in this day and age with AI and all the new technology that has come along since the song was released.
Tate is not only a wonderful musician but there is something oddly satisfying about his story telling. Right before going into “Silent Lucidity,” he tells a silly story of being recognized at a gas station but not for being Geoff Tate! As the show comes close to the end Tate asks what everyone would like to hear as the last song. Unanimously the crowd screams for “Queen of the Reich” and honestly it was the perfect way to close out the show.
Tate and Vandenberg came together to remind the crowd of what fun the 80s were or for those of us not alive then, to give us a little taste of what it was like. – Tanis Enos
Dec. 5, 2023 – The Cult, who celebrate their 40th anniversary in 2024, see their adventurous and highly-regarded debut album, Dreamtime, released as a special 40th anniversary vinyl variant on Feb. 23 via Beggars Banquet.
Originally released in 1984, following the band’s evolution from the Southern Death Cult, to Death Cult, and then simply The Cult, Dreamtime finds the outfit featuring Ian Astbury and Billy Duffy, pivoting from their goth and punk roots into something eclectic, aspirational, and adventurous. Rife with lyrical references to the indigenous cultures of the Americas and Australia, and set against a more bombastic and muscular musical backdrop, Dreamtime hints at what would envelop the band over the next four decades, a dedication to their wholly unique songwriting, both musically and thematically, and the frenzy that was soon to come with the release of Love only a year later.
“Spiritwalker,” the first single from the album, hit #1 on the U.K.’s independent chart.
A1. Horse Nation A2. Spiritwalker A3. 83rd Dream A4. Butterflied A5. Go West
B1. Gimmick B2. A Flower In the Desert B3. Dreamtime B4. Rider In the Snow B5. Bad Medicine Waltz
The Cult formed in 1984 England, with the seminal post-punk band going on to sell in excess of four million albums with numerous international and U.S. gold and platinum certifications. Ian Astbury (vocals) and Billy Duffy (guitar) have released 11 studio albums over The Cult’s 40-year career. The band, dubbed “Shamanic goths” by Classic Rock Magazine, found international renown with the 1985 album, Love, which featured the enduring rock anthem “She Sells Sanctuary,” as well as the oft-heard follow-up single “Rain.”
Electric arrived in 1989, with Rolling Stone saying the collection of songs (particularly “Love Removal Machine,” “Wild Flower” and “Lil’ Devil”) “swaggers, crunches and howls.” Most recently, The Cult released Under the Midnight Sun. Mojo, in a review of the eight-song album, said “rock’s unquenchable melodramatists have the fire in their eyes still.”
In late 2023, Astbury and Duffy reformed Death Cult for a series of live performances including a sole U.S. date at The Theatre at The Ace Hotel and a limited run of U.K. dates including back-to-back sold out shows at the Brixton Electric.
On December 2nd, LIVE from Madison Square Garden, KISS will perform in concert for the final time ever, and you can watch LIVE on Pay-Per-View!
Stream this historic event worldwide, exclusively on PPV.COM; or watch on Pay-Per-View via your cable or satellite provider in the US & Canada.
This is your last chance ever to see America’s greatest rock band! Don’t miss out! KISS: END OF THE ROAD LIVE from Madison Square Garden Saturday, December 2nd at 8pm ET
With remarkable records such as the self-titled Voodoo Circle or Locked & Loaded, Alex Beyrodt’s VOODOO CIRCLE quickly establish themselves as the epitome of quality in classic hard rock. This band has it all: lots of experience featuring members of PRIMAL FEAR, SINNER and PINK CREAM 69, outstanding songwriting skills and musicianship, passion and a sense for great hooks.
It’s obvious that VOODOO CIRCLE have enhanced their classic rock repertoire on the highest level. A German band never before sounded that international, with that much “American Hard Rock“ in their blood. These melodic anthems, cultivated by the powerful voice of David Readman, the tasteful Hammond-sounds by Jimmy Kresic, Mat Sinner’s as usual precise bass foundation and Markus Kullmann’s drumming in best Bonham tradition, appear to come down right from the Olympus of hard rock.
To shorten your wait for a new studio offering to follow in the hopefully not so distant future, on December 1, 2023, VOODOO CIRCLE present their Best Of “15 Years Of Voodoo” via AFM Records, featuring not only highlights of their discography ( Locked & Loaded, Raised on Rock, More Than One Way Home, Whisky Fingers, Voodoo Circle ), but also two previously unreleased tracks! One of them, “Sweet Devotion”, recorded in 2021 during the Locked & Loaded album-era, is now available with a music video, streaming HERE
Says Alex Beyrodt:“Sweet Devotion is a typical Voodoo Circle song with all trademarks. David’s voice blows me away every time. I’m glad that the song now has its place on the Best Of album that will be released soon!“
DOGBONE featuring Keel guitarist Bryan Jay, Keel drummer Dwain Miller, new vocalist Bob Reynolds (7 Angels, Fierce Heart, Grave Danger) and bassist David Dion have released the new single “Speed Kills,” a full throttle heavy metal thrill ride full of dangerous turns and high speed straightaways.
The track is featured on RFK Media’s “LIVETHE ROCK Volume One” CD and now available on all digital and streaming platforms, along with the relentlessly dizzying lyric video, via http://lnk.to/dogbonespeedkills.
Originally formed in the cultural transition between 80’s metal and 90’s grunge, DOGBONE once included the late great Rhett Forester (RIOT) on vocals. This long-awaited resurrection took place in the wake of the 2020 pandemic when Bryan Jay began working with vocalist Reynolds on tracks for his Digital Assassin TV & film music library, capturing lighting in a bottle with tracks like “Speed Kills.”
In addition to running the Digital Assassin music library and sporadic reunion shows with Keel, Jay also was instrumental – playing guitar and arranging music – in the 2001 VH1 film “Hysteria – The Def Leppard Story.”
BRYAN JAY (photo: Missie Tong)
“This song ‘Speed Kills’ is the perfect opening statement for the next chapter of this band,” Bryan claims. “We hope that rockers everywhere, Keel fans and all metalheads will keep up with us online and on social media as we put the pedal down. Speed kills – but life and rock & roll will keep us in the fast lane!”
“Bryan Jay and I have always been the best of friends and worked together in Keel and on a number of other projects,” explains RFK Media founder Ron Keel. “I must admit, when he sent me ‘Speed Kills’ I was both proud and jealous – songs like this put us both on the map, and RFK Media is extremely proud to be part of Dogbone’s rebirth.”
Longtime Tesla guitarist Dave Rude will release his highly anticipated full-length album, “Through the Fire” on November 17, 2023, via Rat Pak Records. The album features 11 new studio tracks and was mixed by fellow Tesla band-mate Brian Wheat, at his studio J-Street Records in Sacramento, CA.
Regarding the recording process Dave states, “Through the Fire” was written all over the world – in dressing rooms, hotels and at soundchecks. “When I tour with Tesla, I usually have a mobile Pro-Tools recording rig with me so I can put down ideas during our downtime. Writing and recording in so many different places over a long stretch of time gave the songs a lot of variety and dynamics. I’m very happy with how it turned out and I’m excited to get this music out there!”
From the driving intro of album opener “Hell and Back”, to the melodic acoustic outro track “Ship Came In”, Dave Rude shines with his signature brand of rock-n-roll. Tracks like “Drink with the Devil”, “By the Blade”, “Eye for an Eye” and “Ain’t my Time” are chock full of memorable hooks and melodies, while songs like “Bron-yr-Rude” and “Gotta Pay” showcase his diverse and unique songwriting abilities. “Through the Fire” delivers all the power and punch that one would expect from this high-level guitarist!
Quiet Riot brought the noize to the East Tennessee Distillery in Piney Flats, TN on October 1st. The band is celebrating 40 years of Metal Health, Quiet Riot’s third studio album. Metal Health is the first heavy metal album to make it to number one on the Billboard 200 chart and includes hits like the title track Metal Health (Bang Your Head) and their cover of Slade’s Cum on Feel the Noize.
Corey Snowden took to the stage first to an already excited crowd. Snowden is a Bristol TN native with a wide variety of musical influences spanning across different genres. His set was strictly acoustic but kept the tempo and engagement needed at a heavy metal show. He even had a few requests. Corey started his set with All Along The Watch Tower. Throughout the set, he peppered in some of his originals from his album Tennessee Line. Every rock show has that one person who yells “Play Free Bird” but Snowden did it without being asked. He perfectly blended a small part of Free Bird with his original song Brothers of the Road.
Next to hit the stage was Slick Cadillac, a heavy metal band whose set included a blend of covers and a few originals. The band consists of Jeremy Acito on guitar, Seth Cunningham on vocals, Jonathan Taylor on the keyboard, Chris Smith on drums, and GL Bortz on bass. Cunningham had such amazing control of his vocal range that during songs like Jump and It’s My Life he was able to hit the notes in such a way that almost sounded exactly like the original singers. Acito took to the stage like a true rock star and smoothly powered through a few technical difficulties before climbing onto the amps to get the crowd pumped. The crowd interaction was top notch as Bortz made his way off the stage and out to the fans. Slick Cadillac was defiantly a perfect match to play with Quiet Riot.
Finally it was time for Quiet Riot. Fans quickly got out of their seats and made their way to the stage. The energy was high as fans attempted to inch as close as they could through the line of security guards acting as a barricade. The roar of excitement was nearly deafening as the band took to the stage, but the band was louder. They opened the show with Run For Cover, a perfect way to get the crowd head banging early. Lead singer Jizzy Pearl has the attitude, stage presence and vocal capacity to keep the Quiet Riot spirit alive but with his own twist. He joked and engaged with fans as they transitioned into Slick Black Cadillac. The crowd was treated to a Quiet Riot song that was thought to be lost but was found again in 2021 and released earlier this year called I Can’t Hold On.
The Crowd continues to get crazier and by Condition Critical managed to push security as close as they could to the stage. As the song begins, the sound of Rudy Sarzo’s bass dominates the speakers. Fans not only hear his talent but can feel it as well. Sarzo plays with such ease and passion that the bass seems not like just an extension of him but a true part of him. It wouldn’t be Rudy Sarzo without his signature bass licks every once in awhile, which even after all these years still makes the girls (and guys) go crazy. Pearl then turned the mic over to Sarzo who introduced Thunderbird dedicating it to their fallen brothers, Randy Rhoads, Frankie Banali, and Kevin Dubrow.
Sarzo isn’t the only one who made his presences known with a bang. Drummer Johnny Kelly is an explosion behind the kit. He adds his own flair to the ends of their songs and perfectly grasps the crisp sound that Banali created. He played so hard that he busted one of his drumheads. He didn’t miss a single beat as the band started The Wild and the Young.
The members of the current lineup are known for rocking out in more than just Quiet Riot and they let that shine through in more ways than one. They played a perfect rendition of Blackout in the Red Room by Love/Hate, a band in which Pearl is well known. The song fit seamlessly into the set. The lights turned red as Pearl announced the song and the crowd’s reaction was just as impressive as every other song. Sarzo is a former member of Ozzy Osbourne’s solo band and treated the crowd to a small taste of a song every metalhead knows. The roar of fans fell over the venue as Sarzo beat (yes with his fist) out the intro to Crazy Train.
Guitarist, Alex Grossi’s presence is known before he even plays a note. Head to toe his appearance screams rock star but his playing says, “ I was born to do this”. Not a note was missed and, if it was, you would never have noticed. He shined during every song but was given the spot light for a spectacular guitar solo that left the crowd wanting more. From the guitar solo, Grossi transitioned the band into the beginning of Black No.1 by Type O Negative representing Kelly’s time with the band.
They ended the show the only appropriate way possible, with Metal Health (Bang Your Head). The crowd was singing the song back at them word for word basically fueling the intensity of the song. Sarzo even played his bass on a fans head. After years of performing, Quiet Riot has continued to build a fan base of all ages. Whether it’s celebrating 40 years of Metal Health or not, they are a band that should be on everyone’s bucket list.
Vixen (Britt Lightning, Lorraine Lewis, Roxy Petrucci, and Julia Lage) – credit Mark Weiss
Los Angeles, CA (October 2, 2023)—Legendary female rock band Vixen has released their new single, “Red,” and premiered the track’s official music video. Produced and written by Cinderella drummer Fred Coury and self-released, “Red” is available now to stream/download.
Vixen — Roxy Petrucci (drums), Lorraine Lewis (vocals), Britt Lightning (guitar), and Julia Lage (bass) – debuted the infectious rocker today (10/2) on SiriusXM‘s “Trunk Nation With Eddie Trunk.” Regarding the single, original member Petrucci shares, “‘RED’ is a very dynamic and hard driving rocker of a song! Modern yet embraces the amazing harmonies and catchy choruses that are signature to the classic Vixen style. It’s important to me we honor Jan and the band’s 35-year legacy by staying true to the Vixen sound while melding in fresh new ideas. I feel confident we nailed it with our new release ‘RED’!”
Coinciding with today’s single release, Vixen premiered their music video for “Red” featuring the band rocking out on the Sunset Strip and Lewis belting out the catchy chorus: “You’re taking me to the red, to the red. You’re pushing all my buttons. To the edge, to the edge. I’m getting such a rush. So intense, so intense. Don’t let it in. You’re taking me into the red.” Directed by Drew Johnston and Vicente Cordero, click here to watch the video for “Red.”
After a busy summer of touring, Vixen will finish off the year performing at Life After Death Horror Fest in Mexico City on Dec. 1st and then gear up for another busy year, kicking off 2024 with the Monsters of Rock Cruise next March 2nd-7th, with more dates to be announced. For more info and tickets, visit VixenOfficial.com.
Vixen consistently delivers high-energy top-notch performances that leave fans wanting more. Over the years, the band has rocked theaters, casinos, and major festivals throughout the U.S., Canada, and Spain (including M3, The Moondance Jam, Monsters of Rock Cruise, FireFest, Hard Rock Hell, The Halfway Jam, and Rockin’ the Rivers).For more info, visit :VixenOfficial.com and follow on Facebook, Twitter, Instagram, YouTube, Spotify, and Apple Music.
Platinum selling Legendary LA Rockers ANGELES have released their new stand-alone single ‘Just Do It’, Music and Lyrics by Dale George Lytle, available now on all streaming platforms. Currently the band is working on more songs and this single will be included in the album.
ANGELES – Current 2023 Line-up: Dale George Lytle – Vocals and Guitar Bill Wildman – Bass Guitar Danny Basulto – Drums
ANGELES released their latest full-length album “Running like an Outlaw“ on March 5th 2022, via MVD Entertainment and SONY Music and is available at Walmart, FYE, Amazon, Barnes & Noble and all Digital Streaming retailers.
German singer, guitarist, producer Michael Voss has announced the release of his upcoming album, “Rockers Rollin’ (A Tribute To Rick Parfitt)”, due out on October 13, 2023 via Massacre Records! The album will be available as CD Digipak, Ltd. Vinyl LP and Digital formats, the pre-sale has just started at THIS LOCATION!
Voss is premiering a music video for the first album single! “That’s the title track of the album and features all the ingredients that made me a Status Quo addict,” he comments. “A stomping beat, driving guitars, hammering piano and road movie lyrics that keep that ole train a’drivin on.
I especially love the breaks of the chorus with its fine chord changes. Co-writer Jackie Lynton told me it was composed after Rick gave Jackie a white metal framed Harrods piano as a present! … Yeah, they had to catch that train… What a great tune to kick off with… it simply rawwksss!”
The clip for “Rockers Rollin'” is now streaming HERE
From almost year one, Michael Voss has been a huge Status Quo fan after attending his first live concert in a big arena in 1979 at Halle Münsterland, where dumbstruck and starstruck he witnessed the mighty Status Quo on their “If You Can’t Stand The Heat” tour.
Rick Parfitt stepped into the spotlight and fired his intro riff of ‘Caroline’ into the crowd, and Michael Voss was suddenly infected with his hard hitting, take-no-prisoners rhythm. Filled with an irrepressible desire to embrace all that is Status Quo, he greedily snapped up all their albums and became an ardent soldier in the Quo Army fan club as well.
Furthermore, Status Quo gave this impressionable 14-year-old the great inspiration to follow in their footsteps by learning to sing play and compose. Many years later he found himself with the skill to render Parfitt’s great contribution to rock music in this tribute to his first all-time hero.
Voss has carefully chosen ten songs, that Parfitt sang and wrote, and now proudly presents them in this glorious rock tribute. “Rockers Rollin’ (A Tribute To Rick Parfitt)” features severals high class guests, who shared the music and stage with Rick, such as longtime tour manager and co-writer of many super hits, Bob Young, original founding member of the Frantic Four, John Coghlan, Rick’s son, Rick Parfitt Jr., actual bass player Rhino Edwards, original band member Andy Bown, Mat Sinner of Primal Fear, among many more!
“Rockers Rollin’ (A Tribute To Rick Parfitt)” track listing:
I went to see the mighty and legendary Queensrÿche back on April 6th of this year in Columbus Ohio at the Newport Music Hall. Man, what a show!! The place was jam packed with with a legion of fans! My wife and 2 good friends went with me, making for a good times night of memories.
I’ll add that the one song that made the crowd go absolutely bananas was their classic Jet CityWoman. I was thrilled. The band even played my all-time favorite of theirs: Queen of the Reich. This was my third time seeing Queensrÿche, dating back to the late 80’s. This era of the band I’m just as proud of as any. I hope you enjoy the photos I took, I tried my best not being up close as I’d like to have been.
Trauma was the opening band. Plus the great Marty Friedman and his band opened as well!! Metal be thy name! – Stone
Michael WiltonTodd La TorreL: Mike Stone R: Michael WiltonMike StoneTodd La TorreL: Mike Stone R: Michael Wilton Mike StoneOpening band: TraumaL: Mike Stone & R: Michael WiltonMarty FriedmanMarty FriedmanMarqueeNewport Music Hall – Columbus Ohio
SINGLE U.S. PERFORMANCE SEES THE BAND EXPLORE THEIR POST-PUNK ORIGINS WITH A SETLIST THAT SPANS THE THREE INCARNATIONS OF THE SEMINAL BAND
Aug. 14, 2023 – Death Cult returns. The storied post-punk progenitor to The Cult returns for a sole U.S. performance on Oct. 23 at The Theatre at the Ace Hotel in Los Angeles.
The evening, while centered around Death Cult and their eponymous EPs, will boast a setlist that spans the three phases of the band, from Southern Death Cult, to Death Cult, and The Cult’s first two albums: Dreamtime (1984) and Love (1985).
Ian Astbury and Billy Duffy follow the Los Angeles outing with a U.K. trek featuring the same, remarkable celebration of The Cult’s origins:
October 23 Los Angeles, CA The Theatre at The Ace Hotel November 6 Belfast, UK Telegraph November 7 Dublin, IE 3Olympia November 9 Sheffield, UK Foundry November 10 Liverpool, UK Guild of Students November 12 Glasgow, UK Barrowland November 13 Nottingham, UK Rock City November 14 Birmingham, UK O2 Institute November 16 Bournemouth, UK O2 Academy November 17 Norwich, UK UEA November 18 Manchester, UK Albert Hall November 20 London, UK Brixton Electric November 21 London, UK Brixton Electric
Tickets for all dates are on-sale this Friday, Aug. 18 at 10 am local time. Check for local pre-sale options.
Southern Death Cult formed in 1981, releasing their sole, self-titled album posthumously in 1983. That same year, Death Cult formed, with Astbury joining forces with Duffy for a musical partnership that has endured for 40-plus years. The band released two 12-inches that same year, one being the Death Cult EP, which were subsequently combined and released as a CD. Death Cult is a vital transmission from the generation of Shamanic post-punk gothic futurists.
Death Cult became The Cult in 1984. Releasing Dreamtime that same year and going on to experience a career that has seen the release of 11 full-length albums, as well as numerous international and U.S. gold and platinum certifications.
The band previously announced a series of traditional performances, spanning The Cult’s discography:
October 5 Sacramento, CA Aftershock Festival October 6 Reno, NV Grand Sierra Resort & Casino – Grand Theatre * October 8 Eugene, OR Hult Center for the Performing Arts – Soreng Theatre * October 11 Spokane, WA Northern Quest Resort & Casino October 12 Boise, ID Revolution Concert House * October 14 Shelton, WA Little Creek Casino Resort – Skookum Event Center October 15 Portland, OR Roseland Theatre * October 17 Saratoga, CA The Mountain Winery October 19 San Diego, CA Humphreys Concerts by the Bay * October 20 San Diego, CA Humphreys Concerts by the Bay * October 21 Rancho Mirage, CA Aqua Caliente Rancho Mirage – The Show October 26 Chandler, AZ Gila River Hotels & Casino – The Showroom at Wild Horse Pass October 27 Las Vegas, NV The Pearl * October 28 Las Vegas, NV The Pearl *
I’m so exceedingly exhausted of the thousands of lists I see on social media ranking who the greatest guitarists of all-time are. I won’t name the very popular publication that “ranked” Brian May as #1 aka “the greatest ever”. That ranking alone was enough for me to vomit and luckily I didn’t. My point is these clickbait lists are completely biased, whether compiled by a single person or group of people.
I’m not saying Brian May is a terrible guitarist; in fact he would probably be in mypersonal list of 100 greatest guitarists somewhere. Just not at #1 for the love of God. The only good that these lists generate are debate and discussion, I suppose many would say. End of my opinion. To conclude, without posting a nonessential list, the guitarist that is my #1 all-time is Jimi Hendrix and that resonates more historical than picking Brian May.
Guitar legend George Lynch will release his sophomore instrumental album “Guitars at TheEnd of the World” via Rat Pak Records on September 08, 2023, an album which features 10 all new studio tracks along with 3 new bonus tracks. The album is the highly anticipated follow up to his 2021 opus “Seamless”, which fans of the shred-master embraced with open arms. Guitars at The End of the World features pro drumming legend Curt “Kirkee B.” Bisquera, who has worked with such greats as Elton John, Mick Jagger and Tom Petty, and also features renowned bassist Tony Franklin, who is known for his work with The Firm, Jimmy Page and Kenny Wayne Sheperd. Also appearing is Lynch Mob drummer Jimmy D’Anda on the track “The Crucible”.
Regarding George’s approach to instrumental albums, the virtuoso states, “I always focus on creating guitar-driven music that delivers something outside the realm of what most people would expect, coming from a semi-redeemed 80’s hair shredder. I want my instrumental records to be challenging, but not exhausting; personal, without being belligerently self-indulgent, include a fair amount of guitar histrionics, and pay tribute to the masters without making it sound like I’m competing to be the end-all summation of all guitar legacies that preceded me. I also wanted the underlying music to be more than vehicles for solos, I want the compositions to stand on their own”, explains Lynch. Fueled with driving guitar tracks like “Psycho Beta” and “The Crucible”, to the haunting outro of album closer “Contraflow”, it is clear there is no slowing down George’s creativity and Guitars at The End of the World is sure to be a fan favorite!
TRACK LISTING:
The Knowing
Psycho Beta
The Crucible
The Passage
Borracho Boogie Delux
Shadow of the Needle
The Wolf
Serpentarium
The Ritual
Contraflow BONUS TRACKS (CD & Digital versions only)
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
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