Topeka, Kansas brutal death metal horde UNMERCIFUL will support DECREPITBIRTH and PATHOLOGY on the Uncivilization of Creation US Tour. Death metallers STABBING (July 8 – 14 & July 16 – 26) and CONDEMNED (August 2 – 6) are on the bill for select dates. UNMERCIFUL will be on the tour from July 8 – 31.
UNMERCIFUL bassist/vocalist Jeremy Turner comments, “We’ve wanted to tour with Decrepit Birth again ever since we got to tour Europe with them in 2008. We’ve also been trying to get a tour going with Pathology for a couple of years now, and the sickos in Stabbing are killing it right now! Condemned has always been heavy as fuck. We are so looking forward to one of the sickest tour packages destroying the stage every night!! We will see you all in July!!!”
In 2020, UNMERCIFUL released their third full-length album WrathEncompassed on Willowtip Records. Purchase the album at: Willowtip – https://bit.ly/unmerciful-wrathwt
Platinum selling legendary LA rockers ANGELES have just released their new full-length album “Running like an Outlaw“, available now worldwide via MVD Entertainment and SONY Music and is now available at Walmart, FYE, Amazon, Barnes & Noble and all Digital Streaming retailers. And the band just hit #42 on the Billboard Radio Charts.
The band’s latest video ‘Nothing But Love’ from the album hit #42 on the Billboard Radio Charts. In case you missed the video, watch it here: https://youtu.be/si4LtV17bWY
“Running like an Outlaw“ track-listing and the song credits: 1. All Night – Dale Lytle/ Mason Oliver 2. Nothing But Love – Dale Lytle/ Mason Oliver 3. Running Like An Outlaw – Dale Lytle/ Mason Oliver 4. Creatures Of The Night – Dale Lytle/ Mason Oliver 5. Lords Of Thunder – Dale Lytle/ Mason Oliver 6. Witch Hunter – Dale Lytle/ Allan Curtis 7. Magic Touch – Dale Lytle/ Louis Collins 8. She’s On Fire – Dale Lytle/ John Aquino
“Running like an Outlaw“ album produced by Dale Lytle.
ANGELES are: DALELYTLE – Founder and Lead Guitar MASON OLIVER – Vocals STEVENSTIERS – Bass Guitar and backing vocals DANNY BASULTO – Drums
ANGELES’ next 2022 shows: May 21st at Sharkys June 11th at Whiskey Dick’ s
Prepare to be transported to a “New World” with the magical offering from LINDSAY SCHOOLCRAFT. Featuring a duet with Fabienne Erni of ELUVEITIE and a guitar solo by Jen Majura of EVANESENCE, the new release delivers an epic sound infused with Celtic elements.
Landing just in time for St Patrick’s Day, “New World” is the first heavy driven song to be unleashed since the release of LINDSAY’s full-length album Martyr. Made possible through the Patreon community, a symphonic/ folk version will also be available as a Patreon exclusive. Emerging out of ethereal realms, ghostly Celtic folk instruments perform an alluring backdrop for LINDSAY’s haunting vocals. Melodies soar gracefully seeing a subtle dark undertone weaving throughout. Explosive metal instrumentation thunders into existence elevating the track with an intense manifestation of power.
Fabienne Erni’s dynamic vocals beautifully complement the atmosphere of “New World”; it’s a stunning duet. Enthralling distorted guitars and bass tones provide a grounding contrast to the soaring melodies, and Jen Majura’s solo enhances the sound even further.
Become immersed in a dramatic tale of folklore, an exploration into stunning soundscapes and thrilling composition. “New World” is a truly bewitching release to kick off 2022. LINDSAY is already hard at work on her next release, preparing another heavy composition in collaboration with SARAH JEZEBEL DEVA.
“New World” Guest Appearances: Fabienne Erni – Guest Vocals JenMajura – Guitar Solo Rocky Gray – Guitar, Bass, Drums IVEEN – Folk Instruments and Backing Vocals Christopher Caouette – Orchestration Dagda – Viola
March 11, 2022 – HauntedShores, the duo of Periphery’sMark Holcomb and Misha Mansoor, has released their debut full-length, Void (https://lnk.to/hs-void), today via 3DOTRecordings.
“Misha and I have wanted to do another Haunted Shores album for quite some time, and we finally made the time necessary to focus on these songs,” explains Holcomb. “I have always loved writing Haunted Shores songs, but this one in particular feels special – a little crazier, a little more unhinged, and in my opinion, a step above what we’ve done in the past.”
Photo credit: Ektarina Gorbacheva
The pair have done a series of playthroughs to accompany the release: “OnlyFangs” featuring both Misha and Mark, “Hellfire” with Mark, “Nocturnal Hours” with Misha, and a sax playthrough from JørgenMunkeby (Shining) for “Nocturnal Hours” can also be viewed here.
Void CDs and merch bundles are available now via the 3DOT webstore. Void was co-produced by Holcomb and Mansoor, with Mansoor also tackling mixing duties. The album cover features a Paoli Girardi painting.
Heavy Metal pioneers ANVIL have announced the release of a brand new studio album, entitled ImpactIsImminent, due out on May 20, 2022 via AFM Records!
The Canadian trio belongs to one of the most distinctive bands of their genre, often cited as having influenced notable metal acts such as Slayer, MEGADETH, Metallica and Anthrax. After 40 years in the music industry, touring the world in sold-out venues, and garnering critically acclaim for Anvil! TheStory Of Anvil – the number 1 music documentary of every metalhead – the iconic band returns with their nineteenth album.
On ImpactIsImminent, ANVIL fires off merciless riff attacks, relentlessly driving drums and impressive bass grooves, complemented by vocal melodies and lyrics that inevitably drill themselves into the listener’s aural tract. As always, Kudlow and founding member and drummer Robb Reiner, are at the epicentre of this heavy metal extravaganza. For the past eight years, they have been supported by bassist Chris Robertson, who not only complements the ANVIL fold on a personal level, but also enhances the tracks with his powerful low frequency bass parts and backing vocals.
Today, ANVIL shared a first single alongside a music video for the full pedal-to-the-metal anthem ‘Ghost Shadow’! Says charismatic frontman Lips: “Ghost Shadow is my 6th sense telling me I’m being watched! Could be internet trolls or paranormal phenomenon! Either way the song is heavy as fuck!!“
“None of our previous albums blends music and lyrics into as tight a unit as ‘Impact Is Imminent’,” enthuses Lips on the fourteen songs on the group’s new album. “Everything comes together homogeneously. As a result, the new material sounds monolithic, right down to the very last details, both in terms of rhythm and harmonies. In the past, our studio sessions were sometimes like a little like jumping in at the deep end, with us having to improvise a lot and making decisions at short notice. Working on ‘Impact Is Imminent’, not only was there plenty of time for the songwriting process in the run-up to the recordings, but I also had the leisure to put all my ideas to the acid test and work on them until they were perfect.”
Like its three predecessors ‘Anvil Is Anvil’ (2016), ‘Pounding The Pavement’ (2018) and ‘Legal At Last’ (2019), ‘Impact Is Imminent’ was produced by Martin ‘Mattes’ Pfeiffer (U.D.O., among others) and Jörg Uken at Uken’s Soundlodge studios, so the successful combination consisting of Anvil/Pfeiffer/Uken has struck again.
The album pre-sale of ImpactIsImminent, available as CD, Vinyl and Digital formats on May 20, 2022, has just started at THIS LOCATION!
Tracklist:
Take A Lesson
Ghost Shadow
Another Gun Fight
Fire Rain
Teabag
Don‘t Look Back
Someone To Hate
Bad Side Of Town
Wizard´s Wand
Lockdown
Explosive Energy
The Rabbit Hole
Shockwave
Gomez
ANVIL: Steve ‘Lips’ Kudlow – Vocals/Guitar Robb Reiner – Drums Chris Robertson – Bass/Vocals
May 13th, 2022 will mark the release of DEMIRICOUS‘ third studio album III: ChaoticLethal. After an extended hiatus, the heavy quartet are preparing to unleash a brutal new record.
The band comments: “It’s been 15 years since we’ve released a record. We are so unbelievably proud of this one, and this is the DEMIRICOUS record we’ve always wanted to make. Prepare yourselves. It’s a fucking monster.”
Initially formed in early 2002, DEMIRICOUS released their debut album One (Hellbound) on Metal Blade Records in 2005 pushing them into early success with a global fanbase. Their follow-up album, Two (Poverty) also on Metal Blade Records, was released in 2007. Now, in 2022, DEMIRICOUS are returning even harder and heavier than before.
More information to follow soon.
Line-Up: NateOlp DustinBoltjes Scott Wilson Ben Parrish
This year’s Monsters of Rock Cruise was captained by none other than Alice Cooper. Due to the size, the amount of guests on the cruise and the size of the room in which Alice would be performing, the cruise decided to split guests into two groups. The red group would see Alice perform on the 12th while the blue group would see him on the 13th. The red group’s show started at 7:30 PM and the crowd packed in quickly.
The stage was hidden by a beautiful curtain that would rise revealing a scaled down, yet still highly decorated, version of Alice’s normal stage set up. The crowd roared as the intro of “Feed My Frankenstein” began. Members of the band walked on stage and began to play. Right after the first strum all sound in the house vanished. Fans began pointing at their ears trying to let the band know we could not here them. The band finished the song and they all exited the stage, Alice leaving with noticeable anger.
Ryan Roxie informed a group of fans, who attended an unannounced Rock N’ Roll Parking Lot (on a boat), what had happened that night. According to Roxie, Alice was the first band to use the curtain on this cruise. As the curtain lifted it pulled the main cable to the PA system out completely. The crew worked hard and fast to figure out the issue and sound was restored within five minutes. Roxie also let fans know that because everyone on stage was wearing a monitor and could hear what they were playing, they did not realize what was going on. It was not until the second verse of the song that they noticed something was wrong. Roxie said they all looked out trying to find the devoted fans and did not understand why everyone was not singing along.
Once the technical difficulty was fixed the show continued without a single problem. Even though the stage and set up were smaller than normal, that did not stop Alice from pulling out all the stops. Props were used as normal including crutches, knives, and canes. During “Billion Dollar Babies” a giant baby paraded on stage meeting Alice’s minions who brought out a giant confetti cannon that shot gold, silver, and green pieces of confetti, as well as fake money with Alice’s face on it into the audience.
The fun continued all through the show as Alice and his gang of ghouls wowed the audience with their fine-tuned sound and silly stage antics. During “Teenage Frankenstein” Alice chased his band around the stage with arms stretched out in frontof him and knees locked like Frankenstein. It did not stop there. As Alice and his band walked back on stage for the famous encore of “School’s Out” one extra musician joined them. Taime Downe of Faster Pussycat came out to sing and enjoy the pleasure of popping many confetti filled balloons over the crowd with one of Alice’s knives.
Alice has been performing for over 50 years and at the ripe age of 74, is still performing with as much heart and soul as he did when he first began. His voice has not changed and everything you have heard about Alice Cooper you get times 10.
HorrorPainGoreDeathProductions are set to unleash the ripping debut release from Philadelphia/New Jersey’s crossover beasts FRIGHT. Fright is up now for pre-order and will be released April 8th on CD and Digital formats.
Hailing from Philadelphia/New Jersey, Fright was formed as a quartet in the winter of 2020 by current/ex-members of bands that include A.S.D., Citizens Arrest, Das Oath, Down In Flames, Devoid Of Faith, 97A, Söft Dov, and many more. Fright presents six tracks of raw, punk-infused 80’s Speed/Thrash with elements of gritty Japanese hardcore/D-beat and dark 90’s crust.
Fright‘s thrashcore assault showcases vicious guitars, frantic bass/drum assaults and powerful intense vocals, all resulting in absolute audible anarchy and complete controlled chaos! Features artwork by the legendary Sugi and layout design by Mark McCoy (Full Of Hell, Pig Destroyer).
A doctrine of doomsday for fans of Celtic Frost, Corrosion Of Conformity, Death Side, Destruction, English Dogs, Exodus, GISM, Onslaught, Sabbat, Sacrilege, Sepultura, Slayer, Terrorizer, and Tragedy.
There are few rock guitarists on this planet who’ve had such a lasting influence on so many renowned musicians as MICHAEL SCHENKER. With his outstandingly fluid style, inexhaustible wealth of ideas, and instinctive feel for hooks and melodies, MICHAEL SCHENKER is a living legend who, despite his longstanding and distinguished history, still impresses with his unflagging energy and drive.
The blond stringsman from Sarstedt, Germany began his international career in the early 1970s with the Scorpions, achieved worldwide fame after joining British rock group U.F.O., and then seamlessly continued his exceptional global success story under his own name, as well as with acts such as MICHAEL SCHENKER GROUP (otherwise known as MSG), Temple Of Rock, and MICHAEL SCHENKER Fest. SCHENKER and his career, which has spanned more than five decades, are absolute exceptions in the otherwise short-lived music industry.
Now his latest MSG album is about to be unleashed, scheduled for release on Atomic Fire Records on May 27th under the programmatic moniker of Universal. His latest offering will feature all the strengths of this exceptional musician: first-rate songs with anthemic melodies, catchy guitar riffs, and inspiring solos.
As we have come to expect from him, SCHENKER has once again enlisted a number of prestigious fellow musicians for the recording of his new studio production, among them, as main vocalist, Ronnie Romero (Rainbow, Vandenberg), who will also be MSG’s frontman on their upcoming tour, Michael Kiske (Helloween), and Ralf Scheepers (Primal Fear), keyboard player Steve Mann (Lionheart), drummers Simon Phillips (Toto, The Who), Brian Tichy (Whitesnake, Foreigner), Bobby Rondinelli (Rainbow), and Bodo Schopf (Eloy), as well as legendary bassists Bob Daisley (Black Sabbath), Barry Sparks (Yngwie Malmsteen, Dokken), and BarendCourbois (Blind Guardian, Zakk Wylde), with Tony Carey as a very special guest. But more about that later.
First, let’s talk about the basic parameters of the new recording: Like its predecessor Immortal (2021) and the MICHAELSCHENKERFest albums Resurrection (2018) and Revelation (2019), Universal was produced by MICHAEL SCHENKER and Michael Voss (Lessmann/Voss, Mad Max) at Voss’s Kidroom Studio, which has become something of a creative home-away-from-home for SCHENKER. “Michael Voss is happy to wait until I have worked out an idea and takes the time to really get to know the song, simultaneously developing ideas for the vocals,” SCHENKER describes of the fruitful collaboration which has one cog intermesh with the other. “Then we work out the drums, bass, and some keyboard parts together. He always has plenty of great ideas up his sleeve.” Compositional highlights abound on Universal, from the haunting opener “Emergency” and the subsequent “Under Attack” with its casually driving groove to “The Universe,” featuring an atmospheric duet by Ronnie Romero and Gary Barden, “Wrecking Ball,” performed as brilliantly as ever by Ralf Scheepers, and “London Calling” with its homage to the British capital’s musical spirit.
The rock anthem “A King Has Gone” and its intro “Calling Baal” both have a special significance: The track, sung by Helloween frontman Michael Kiske, is a tribute to the immortal Ronnie James Dio, in particular to his performance on the 1976 hard rock classic RainbowRising. For this reason, SCHENKER has brought together an original Rainbow rhythm section consisting of Bobby Rondinelli and Bob Daisley, additionally enlisting keyboardist Tony Carey, who also played on Rainbow Rising, for a terrific Moog synth intro – a direct reference to the iconic intro of the 1976 album opener “Tarot Woman.” The impressive result “Calling Baal / A King Has Gone” is already considered to be one of the most important and successful songs in SCHENKER’s career to date, both musically and lyrically.
In line with all these highlights, the spectacular MSG album cover designed by ZsofiaDankova (Powerwolf, among others) features SCHENKER in a futuristic spaceship, floating high up in orbit. The artwork is based on the guitarist’s own visions, “I had the original idea for the album cover a few years ago, but only now does it seem to fit perfectly. So, I sent some older sketches to my label Atomic Fire Records and based on this the final artwork and album title were created.”
No doubt about it: The title, artwork, and new songs suit MSG as perfectly as his characteristic Flying V suits MICHAEL SCHENKER! Stand by for more from MSG in the weeks to come.
MNRVA venture further into the descending darkness with their debut full-length, Hollow which will be released on may 20th via BlackDoombaRecords. Conjuring gloomy atmospheres with funeral doom and fuzz tones, the heavy trio are unafraid to unveil what’s lurking in the shadows.
Forming in 2018, MNRVA made their debut with the EP Black Sky giving fans a tantalizing taste of their unconventional sludge fueled doom sound. Hollow builds further on their exploration of heavy music with groove-laden riffs, mid-slow tempo tracks and vocals which range between soaring melodies and those of guttural demons.
“Not the One” introduces the new album with ludicrously overdriven instruments, impactful percussion and vocals that appear to be reaching out of the abyss. The title track falls further into the gloom evoking an intense dark mood. Melodic motifs and riffs punctuate the black with an experimental twist, adding something extra to the sound without breaking the nightmarish illusion. “The Way” concludes the album with the wrath of the void, fusing the sinister and sombre.
Hollow is a melting pot of sludge drawing upon the guitar grind of MELVINS, the vocal interplay of MASTODON, and the post-doom heaviness of Wisconsin’s BEREFT. Embracing their influences while cultivating their own distinctive edge, MNRVA manipulate these dynamic musical elements to manifest an enticing atmosphere.
DRAGONFORCE will kick off their long-awaited North American trek tonight, March 7th. The Extreme Power Metal tour will commence in Santa Ana, California and run through April 23rd in Berkeley, California. Support will be provided by Firewind, Visions Of Atlantis, and SevenSpires. Tickets and extremely limited pre-show VIP upgrades are available at: www.dragonforce.com. See all confirmed dates below.
Known as the fastest band in the world, Grammy-nominated extreme power metal band DRAGONFORCE is based in London, England. Their platinum-selling record, ThroughTheFireAndFlames, brought them international acclaim and was featured as the most-challenging song on GuitarHeroIII. Their energetic and humorous live performances have won them fans on every continent.
DRAGONFORCE‘s latest album, ExtremePowerMetal, released via Metal Blade Records in the US, features uplifting choruses, catchy melodies, and mind-bending guitar solos. After playing just a few shows in 2020, DRAGONFORCE is finally returning to the USA and Canada to complete their Extreme Power Metal World Tour. To preview and purchase ExtremePowerMetal, go to THIS LOCATION.
Time To Kill Records have announced the re-release of MAYHEM’s modern masterpiece “Esoteric Warfare”, due out on March 1st 2022 in MC format under exclusive license from Season Of Mist.
Originally released in 2014, with “Esoteric Warfare”, the band’s first album with Teloch on guitar since Blasphemer‘s departure from the band in 2008, the long running Norwegian black metallers have created an intense journey in which angular riffs are being alternated with subtle melodies until they intertwine into an enormous soundscape.
These new tape editions are currently available via the below links:
Symphonic metalcore band AGE OF ATHENA has released a video for their song “Together We Fall”. The track is taken from their critically acclaimed album GatetoOblivion which was released in December.
“Together We Fall captures the essence of Age of Athena. We wanted to showcase the chaos and beauty of the music through a balance of light and dark in the video. We are incredibly proud and excited share our hard work with everyone. We thank everyone for the support and hope you enjoy!”
AGE OF ATHENA: Zachary Sabean Helen Illumina Nathan Gross Michael Johnson
LIMITED-EDITION, 5X LP COLLECTION FEATURES NEW ARTWORK AND ETCHINGS
Feb 25, 2022, LOS ANGELES – The eagerly-awaited vinyl version of TOOL’s critically-acclaimed fifth album, FearInoculum, arrives on April 8 via RCA Records, with the GRAMMY®-Award winning release spread over 5 LPs and paired with new, extensive artwork.
Adam Jones reconceptualized the already impressive album packaging with each of the 180g vinyl discs emblazoned with a unique etching and accompanied by an elaborate pictorial booklet including never-before-seen artwork. The limited-edition set, which also features a new cover, is housed in a hard shell box
TOOL has consistently elevated the concept of album art, from the groundbreaking Fear Inoculum CD release fronted by a 4” HD rechargeable screen with exclusive video footage (“Recusant Ad Infinitum”) to 10,000 Days’ integrated stereoscopic lenses to Ænima’s lenticular jewel case, Jones has pushed the boundaries of what is possible. He has been twice nominated in the GRAMMY®-Awards Best Recording Package category, taking home the trophy in 2007 for 10,000 Days.
Quite possibly the era’s most highly-anticipated album, Fear Inoculum arrived in August of 2019. Debuting at #1 on Billboard’s Top 200, the album earned heaps of critical praise with NPR saying, “Fear Inoculum was worth the 13 year wait,” Revolver proclaiming the album “a masterpiece to be dissected for years to come” and Consequence saying the release finds “Tool in peak performance.”
Finnish stoner metal band Zombie Rodeo is back after six years. The band released a new single MindInfestation which is taken from the upcoming EP TheEyesAreSetUponYou. EP is released on April 29th 2022 via Inverse Records.
The band comments: “The song is a twisted tale, when one’s mind is consumed with thoughts, that should not normally be there. This time the vocals took a much harsher turn and also the music has a lot more pronounced mid 90’s metal vibe, on top of the fuzzy delivery of earlier releases. The lyrics also reflect the music better this time.
After a lenghty search, no suitable replacement for Thomas Vee on vocals was found, so Miika decided to also take on the vocal duties on top of delivering commanding riffage. Otherwise the line-up remains unchanged this time.”
Tour organizer The Flaming Arts issued the following:
Headlined by the mighty IAMMORBID, Morbidfest Tour 2022 is dedicated to the 30-year anniversary of the release of the ‘Blessed are the Sick’ album. Initially announced for 2021, the Morbidfest Tour had to be postponed due to the pandemic. But, it’s finally happening in 2022 with even higher anticipation!
Formed by DAVID VINCENT, the legendary, long-time frontman (vocalist & bassist) of the genre-defining extreme metal purveyors, MORBIDANGEL, IAMMORBID performs Vincent-era classics from Morbid Angel’s ‘Altars of Madness’, ‘Blessed Are The Sick’, ‘Covenant’ and ‘Domination’ albums.
Morbidfest Tour 2022 will include a touring package supported by two very special guests, Belphegor and HATE.
‘Morbidfest Tour 2022’ dates + support from Belphegor and HATE:
March 24th: Berlin 🇩🇪 @ ORWO Haus March 25th: Roskilde 🇩🇰 @ Gimle March 26th: Aalborg 🇩🇰 @ Streetfood March 27th: Bochum 🇩🇪 @ Matrix March 29th: Prague 🇨🇿 @ Futurum March 30th: Poznan 🇵🇱 @ Klub U Bazyla March 31st: Gdansk 🇵🇱 @ B90 April 1st: Katowice 🇵🇱 @ P23 April 2nd: Ostrava 🇨🇿 @ Barrack Club April 3rd: Bratislava 🇸🇰 @ MCC Majestic April 4th: Brussels 🇧🇪 @ Botanique April 6th: Hengelo 🇳🇱 @ Metropool April 7th: London 🇬🇧 @ Underworld April 8th: Cardiff 🇬🇧 @ Fuel April 9th: Manchester 🇬🇧 @ Rebellion April 10th: Rotterdam 🇳🇱 @ Baroeg April 12th: Nantes 🇫🇷 @ Le Warehouse April 13th: Paris 🇫🇷 @ L’Empreinte April 14th: Metz 🇫🇷 @ Le Geulard April 15th: Aaburg 🇨🇭 @ Musigburg April 16th: Munich 🇩🇪 @ Dark Easter Metal Meeting April 17: Leipzig 🇩🇪 @ Hellraiser April 18th: Kassel 🇩🇪 @ Goldgrube April 19th: Weiheim 🇩🇪 @ Cafe Central April 20th: Milan 🇮🇹 @ Slaughterclub April 21st: Rome 🇮🇹 @ Orion April 22nd: Venice 🇮🇹 @ Revolver
Colorado metal force ALLEGAEON will kick off their month-long North American tour supporting Omnium Gatherum this weekend! The journey begins on February 26th in Brooklyn, New York and runs through March 27th in Boston, Massachusetts. Additional support will be provided by BlackCrownInitiate. See all confirmed dates below.
ALLEGAEON w/ OmniumGatherum, BlackCrownInitiate: 2/26/2022 The Kingsland – Brooklyn, NY 2/27/2022 Metro Gallery – Baltimore, MD 2/28/2022 Local 506 – Chapel Hill, NC 3/01/2022 The Masquerade – Atlanta, GA 3/02/2022 The Haven – Orlando, FL 3/04/2022 Come And Take It Live! – Austin, TX 3/05/2022 Satellite Bar – Houston, TX 3/06/2022 Amplified Live – Dallas, TX 3/07/2022 BLVD – Kansas City, MO 3/08/2022 Oriental Theater – Denver, CO 3/09/2022 Rockhouse Bar & Grill – El Paso, TX 3/10/2022 Nile Theater – Mesa, AZ 3/11/2022 Brick By Brick – San Diego, CA 3/12/2022 1720 – Los Angeles, CA 3/13/2022 DNA Lounge – San Francisco, CA 3/14/2022 Bossanova Ballroom – Portland, OR 3/15/2022 El Corazon – Seattle, WA 3/16/2022 Rickshaw Theatre – Vancouver, BC 3/18/2022 Dickens – Calgary, AB 3/19/2022 The Exchange – Regina, SK 3/20/2022 Park Theater – Winnipeg, MB 3/21/2022 Amsterdam Bar & Hotel – Minneapolis 3/22/2022 The Crucible – Madison, WI 3/23/2022 Reggies – Chicago, IL 3/24/2022 Velvet Underground – Toronto, ON 3/25/2022 The Ritz – Montreal, QC 3/26/2022 Source de la Martinere – Quebec City 3/27/2022 Middle East Downstairs – Boston, MA
ALLEGAEON will be touring in support of their sixth studio album, DAMNUM, set for release on February 25th via Metal Blade Records. ALLEGAEON have built themselves a unique place in the musical landscape, forcing both technicality and melody to the forefront as they create tumultuous and riveting death metal. With DAMNUM, they push everything further into the extreme, and in the process deliver the definitive ALLEGAEON record. Preview and purchase DAMNUM at metalblade.com/allegaeon.
“ALLEGAEON’s metamorphosis from mechanical tech-deathheads to progressive wayfarers has been as smooth as it was unpredictable. They’ve avoided the period of stagnation that brings down so many great tech bands. We should have all guessed from those Rush and Yes covers which way the wind was blowing, but few would have predicted just how impressive DAMNUM would be.” — Metal Injection
TABAHI is a Thrash Metal band from Karachi, Pakistan. A city is known as the most violent in Pakistan, and among the world’s most dangerous. A perfect breeding ground for quality thrash metal. TABAHI, takes its cues from 80’s German thrash bands such as Destruction and Kreator, armed with some classic pre-86 Bay Area ideas.
With stingy vocals and claustrophobic riffs, the music will take you right into the heart of Pakistan’s most dangerous city with a pure thrash assault that numbs the brain. After an 8 year hiatus, TABAHI returns; being both a pioneer of thrash metal in Pakistan and their country’s only thrash metal band.
Watch and listen to their new music video for new single Politricks below. A damn good song and worthy of many listens on any metalhead’s playlist. Crank it up you metal muthas!!
Having been haunting stages all over the world for thirty-three years, goth ‘n’ roll pioneers THE69EYES seem to be a truly immortal part of the dark rock/metal scene. Widely known as the Helsinki Vampires, the quintet gained several platinum albums with BlessedBe and ParisKills and not only reached the #1 spots on the single and album charts in their home country of Finland, but also plunged the world into a sinful cosmos of love, death, and melancholy, outliving any other band emerging from the goth hype of the early 2000s.
By developing their sound further into sleaze rock on Devils (2004) and Angels (2007) and not shying away from pitch black Elvis allusions in singer Jyrki69’s dark voice and unique onstage dance moves, the band has established a worldwide following. Over the course of over three decades, THE69EYES has toured relentlessly throughout Europe, America, Asia, and Australia and released twelve full-length studio albums.
Today, THE69EYES announces their signing to Atomic Fire Records (worldwide excluding Finland). Get your vampire teeth sharpened as news songs and tours are in the horizon!
Singer Jyrki69 comments on this unholy new alliance: “We are back in a full swing! Our paths here in Helsinki crossed with our old A&R guy Gabi Hakanen who was with us when we released our highest selling albums Devils and Angels, so as he heard our new demos, we sort of just continued like right after last time. So, he got us in his label’s studio right away at Vallila Music House (Hanoi Rocks’ Sami Yaffa, Ville Valo & Agents). Simultaneously, we also hooked up with the brand new Atomic Fire Records label which has our classic former Nuclear Blast dream team there, so this ‘new’ and fresh beginning for THE69EYES sounds like a dream, really! New big-time rocking music comes out very soon!”
CEO and A&R MarkusWosgien adds, “We are more than happy to welcome our beloved Helsinki Vampires, the most unique and by far coolest gothic band in hell and on earth. We worked together for more than ten years and their four latest studio albums, and will continue now, reunited under the Atomic Fire banner. This feels like coming home to all of us and we are honored to continue our long term relationship.”
Heavy rockers NOTINGODZ will release their self-titled EP on April 8, 2022.
The trio are a powerhouse of groove rhythms, soaring melodies and distortion. From “I Walk Alone” to “Hell Yeah” their energy never falters. Forging a full sound drawing influences from traditional metal such as BLACK SABBATH, to the heavy of ROB ZOMBIE, and melodic style of GHOST, NOTINGODZ deliver a heavy modern twist with a rock ‘n’ roll edge.
The epic impact of the intro riff in “I Walk Alone” establishes the hard-hitting intensity NO TIN GODZ produce. Melodic commanding vocals and intricate guitar leads, along with rhythmic experimentation, show the clever manipulation of dynamics across the tracks which cultivate charismatic moods. “We Are Zombies” combines NOTINGODZ energy with a darker atmosphere. While “Just Before Dawn” ventures into a greater focus of guitar riffs and licks, with a raw sentiment portrayed through the chorus.
NOTINGODZ’s unyielding spirit storms through the album. Exposing all sides of the human condition with great enthusiasm, the new EP is a model of pure, high voltage heavy metal.
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
Metal Odyssey > Heavy Metal Music Blog 
You must be logged in to post a comment.