JOINING THE BAND FOR THE HEAVIEST TOUR OF THE NEW YEAR ARE KUBLAI KHAN TX, FIT FOR AN AUTOPSY AND SANGUISUGABOGG
ARTIST PRE-SALES BEGUN
GENERAL ON-SALE THIS FRIDAY AT 10 A.M. LOCAL TIME
Nov. 18, 2025 – RICHMOND, Va. – Lamb of God return to the road this March for what promises to be the heaviest tour of 2026, with the North American trek, produced by Live Nation, featuring support from Kublai Khan TX, Fit For An Autopsy, and Sanguisugabogg.
Tickets and VIP packages will be available at Lamb-of-god.com/tour.
“We are beyond thrilled to announce the loudest, proudest, floor shakin’-est, earth quakin’-est, ear-splittin’-est, mosh pittin’-est, undiluted, undisputed HEAVIEST tour of the whole damn year,” Mark Morton declares. “Is this the largest collection of RIFFS ever assembled under one roof? It would seem so. Lamb of God, Kublai Khan TX, Fit For An Autopsy, and Sanguisugabogg. Do not miss this shit.”
The tour news follows the recent release of “Sepsis,” the band’s first new original song since 2022’s Omens, and now the #1 song on the U.S. metal radio charts. Produced by longtime collaborator Josh Wilbur, the track celebrates the Richmond underground and the bands Lamb of God performed alongside during their early years. The band also shared a live video for “Sepsis,” capturing the electrifying live debut of the song at Aftershock Festival.
Consequence named the three-and-a-half minute track its “heavy song of the week,” describing the single as “crushing” while Revolver spotlighted “Sepsis,” calling it a “rock-solid addition to their ever-crushing canon.”
Sepsis video: https://youtu.be/MEb49Q9ZRGo
Lamb of God tour dates:
March 17 National Harbor, MD The Theater MGM National Harbor
March 19 Montreal, QC Bell Centre
March 20 Toronto, ON GCT Theatre
March 22 Detroit, MI Fox Theatre
March 24 Minneapolis, MN Armory
March 25 Chicago, IL Byline Bank Aragon Ballroom
March 27 Denver, CO Fillmore Auditorium
March 28 Salt Lake City, UT The Union Event Center
March 30 Portland, OR Theater of the Clouds
March 31 Seattle, WA WAMU Theater
April 1 Vancouver, BC PNE Forum
April 3 San Francisco, CA The Masonic
April 4 Inglewood, CA YouTube Theater
April 5 Phoenix, AZ Arizona Financial Theatre
April 7 Albuquerque, NM Revel Entertainment Center
April 10 Austin, TX Moody Amphitheater
April 11 Irving, TX The Pavilion at Toyota Music Factory
April 12 Houston, TX 713 Music Hall
April 14 Nashville, TN War Memorial Auditorium
April 15 Atlanta, GA Coca-Cola Roxy Theatre
April 16 Raleigh, NC Red Hat Amphitheater
April 18 Reading, PA Santander Arena *
April 19 Virginia Beach, VA The Dome
April 21 Buffalo, NY Buffalo RiverWorks
April 23 Brooklyn, NY Brooklyn Paramount
April 25 Uncasville, CT Mohegan Sun Arena *
April 26 Boston, MA MGM Music Hall at Fenway
*Not a Live Nation show
2026 Festival Performances:
May 14 – 17 Columbus, OH Sonic Temple Art & Music Festival
July 24 – 27 Plovdiv, BG Hills of Rock
July 27 – 31 Râşnov, RO Rockstadt Extreme Fest
August 1 Wacken, DE Wacken Open Air
August 5 – 9 Lisbon, PT Vagos Open Air
August 6 – 9 Kortrijk, BE Alcatraz Open Air
August 7 Walton-on-Trent, UK Bloodstock Open Air
August 12 – 16 Dinkelsbühl, DE Summer Breeze
August 13 – 15 Sulingen, DE Reload Festival
August 14 – 16 Eindhoven, NL Dynamo Metalfest
October 30 – November 3 Miami, FL Headbangers Boat
Lamb of God is Randy Blythe (vocals), John Campbell (bass), Mark Morton (guitar), Willie Adler (guitar) and Art Cruz (drums). Formed in 1994, the Richmond, Virginia based band has released nine critically-acclaimed albums, received five GRAMMY® Award nominations, sold over 3 million albums, packed arenas around the world, and tallied over one billion streams and counting.
Widely regarded as one of the most influential and innovative forces in modern heavy music Lamb of God’s most recent collection, Omens, arrived in late 2022 , marking their sixth consecutive album to debut in the Top 15 of on the Billboard 200. Kerrang! noted that the album finds the band “as reliably heavy, violent, and pissed off as ever,” and Consequence said the “album will break you down to nihilistic pieces.”
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