STONE SOUR and PAPA ROACH will head out on a co-headlining U.S. tour in January 2013. Stone Sour, currently in the midst of a tour across five continents, will close out every show. Dates are as follows:
January 20 Bethlehem, PA Sands Bethlehem Events Center
January 22 Niagara Falls, NY Rapids Theatre
January 23 New York, NY Terminal 5
January 25 Milwaukee, WI Eagles Ballroom
January 27 Chicago, IL The Congress
January 29 Minneapolis, MN The Myth
February 1 Amarillo, TX Aztec Music Hall
February 2 Lubbock, TX Lonestar Pavilion
February 4 Midland, TX Midland Horseshoe Arena
February 5 College Station, TX Hurricane Harry’s
February 7 Corpus Christi, TX Concrete Street Amphitheatre
Dec. 17, 2012, Philadelphia — Baroness’s John Baizley and Pete Adams share an acoustic performance of “Stretchmarker” via their website (www.baronessmusic.com). The clip, recorded in Baizley’s Philadelphia art studio (www.aperfectmonster.com), marks the first performance the band members have shared since their horrific bus accident in August.
“Simply put: it’s time to get back to it. Since my belated and thankful return to the USA (after our painful test in motor coach-aeronautics) I can definitively say I’ve exhausted my reserve of potential leisure activities (there’s not that many of them, after all).” explained Baizley. “I’ve come dreadfully close to boredom, and in those moments I can’t help but focus on my glaring physical infirmities. Television offers little respite from this relative stasis; I’m sure by now I have sampled every biker-meth-dealer-zombie-low-talking-cop-crime-scene-serial-killer-real-housewife soap opera that is currently being broadcast (and there’s no small number of them). I’ve tried to fill my weekly routine with as much physical therapy as possible but the truth is, PT is not fun, and its benefits come with a great deal of mental/physical/spiritual pain and struggle.
Furthermore, I believe I am getting a touch of Stockholm Syndrome when it comes to my doctors and therapists (the highlight of my week should NOT involve a clinic). Music might be the best therapy I have right now. Perhaps it’s both the cause and the cure (the thought has crossed my mind); but I feel lost without it. Pete and I have just spent a long week surveying our musical wreckage and, surprisingly, we are quite well and intact. Sure, there are some substantial obstacles to overcome before we write, record or perform any time soon; but we still have everything we need to get ‘back in’ that particular ‘saddle again.’ Most of my peers are familiar with such high-school-gym-teacher poeticisms as ‘risk equals reward’ and ‘no pain, no gain;’ but did any of us every really believe there was any real wisdom in those adolescent platitudes? I didn’t. I am, however, starting to understand the essence of these and many of our other favorite clichés.
As odd as it might be for me to write these ‘updates’ after 10 years of personal silence on the internet, I feel that I owe everyone who’s voiced or given their support to Baroness a brief synopsis of our situation and more importantly a heartfelt thanks. Honestly, it has made this ordeal much easier on me. What little publicity that surrounds our crash has given voice to so many people who have shared their own stories of injury, trauma and struggle with us, and has furthered my own faith in the communicative and universal strength of music. As every singer on every stage has nightly said, ‘we wouldn’t be where we are without you.’ Thanks everyone. We look forward to seeing you soon. Here’s a short clip of a song we wrote.”
Yellow & Green, Baroness’s breakthrough double album, has garnered enormous praise on various best of and year-end lists worldwide including reigning over Spin’s “20 Best Metal Albums of 2012,” iTunes awarding “Take My Bones Away” the distinction of the best metal song of the year, Metal Hammer Germany placing the release at #2 on their year-end list and BBC Music describing the album as a “nearly flawless collection” while giving Yellow & Green the #13 spot in their Top 25 albums of 2012. The 18-track record also landed on year-end lists from Amazon (#46), Close Up Sweden (#4), Decibel (#2), Guitar World (#15), Loudwire (#4), Magnet (#12), Metal Hammer Norway (#4), Metal Hammer UK (#14), Paste (#47), Pitchfork (#27), PopMatters (#4), Revolver (#4), Stereogum (#18), Terrorizer (#2), Treble (#2), Village Voice (#6) and Visions Germany (#4).
Baizley recently did a number of interviews where he discussed Baroness’s upcoming plans, telling Decibel Magazine: “I have no doubt that within six months, we’ll be playing shows again.” The full interview can be read here and here.
Limited quantities of the Yellow & Green Deluxe 2xLP Hardbound Book Vinyl edition from the band’s personal collection are available via Baroness’s website (www.baronessmusic.com) with all proceeds going directly to the band.
California based rockers FAITHSEDGE has inked a worldwide management deal with Germany’s Rock N Growl Management. The follow up album to the debut is tentativley called “The Answer Of Insanity” is a concept record based on stories from singer/songwriter Giancarlo Floridia’s life that lead up to the first album with an intresting twist at the end. It’s sure to be melodic, progressive and intense!
After the critical acclaim of the Faithsedge debut around the world the band has a new keyboard player EricRagno. Eric is internationally known for being on many melodic rock albums such as Fergie Fredrickson (Toto) and Trixter’s return album New Audio Machine and many more. Eric has also done many live gig’s from playing with legends like Graham Bonnet (Rainbow) to also playing with vocal icons of other genre’s like Dawn Robinson of En Vogue.
FAITHSEDGE:
Giancarlo Floridia – Vocals, Guitar
Alex De Rosso – Lead Guitar
Tony Morra – Drums
Eric Ragno – Keyboards
Faithsedge is a heavy Heavy Metal/Hard Rock/Progressive project started by singer/songwriter GiancarloFloridia in Huntington Beach, California, in early 2009. Giancarlo has a solid musical background, having previously worked with renowned producers such as Mike Talanca (David Bowie/Foreigner) and Juan Croucier (ex-Ratt) among others.
Giancarlo contacted producer and bass player Fabrizio Grossi (Steve Lukather/Alice Cooper) after not only being impressed with his work on numerous albums as a producer but also with his amazing bass playing skills. Fabrizio has worked with some of the biggest names in the most diverse music genres (George Clinton, Ice T and Cypress Hill are among his endless list of collaborations) and after hearing Giancarlo’s demos put together an incredible band to back up the project along with himself playing bass duties and producing the resulting debut CD.
Alex De Rosso joined Faithsedge on guitar. Having handled live lead guitar duties in Dokken, with whom he toured the world and shared the stage with the likes of Scorpions, Whitesnake, Ratt, Warrant and Firehouse among others, Alex has also played on many critically acclaimed albums with artists such as Joseph Williams (Toto/Disney’s The Lion King), Kelly Hansen (Foreigner/Hurricane) and Pamela Moore (also known as Sister Mary from Queensryche’s concept album ‘Operation Mindcrime’).
Tony Morra completes the line-up on drums. Tony owns his own studio in Nashville, Tennessee, the Downtown Batterie and has played with many great artists such as Rebecca St James and Van Zant among others. He is also credited for playing on the Grammy Award winning album ‘Songs From The Neighborhood – A Tribute To Fred Rogers’ in 2006 and for touring as a member of pop legend Stevie B’s Band and Sweet Sensation. Tony has also played drums for different movie soundtracks such as ‘Chronicles Of Narnia’ and ‘Just Married’ to name a few.
The resulting effort is a perfect mix of Hard Rock, Heavy Metal and Progressive, with lots of vocals and hooks, shredding guitar solos, pounding bass and drums and plenty of melodically challenging songwriting. ‘Faithsedge’ was mastered by Tom Baker of Precision Mastering (Judas Priest/Motley Crue).
* For more info on FAITHSEDGE, click on the links below!
It’s official; Rush will be inducted into the Rock & Roll Hall of Fame in 2013. They will join Public Enemy, Heart, Randy Newman, Albert King, and Donna Summer. Lou Adler and Quincy Jones will both receive the Ahmet Ertegun Award for non-performers. The ceremony will be held on April 18 at the Nokia Theatre in Los Angeles, CA.
It’s official…we have been inducted to the Rock and Roll Hall of Fame! Thank you to all of our fans for the support throughout our musical journey. We wouldn’t be here without you!
MASS – It’s that time of year again and Boston Rockers “MASS” will be donating all of this years download proceeds of “A Very Merry X-MASS” to the victims of hurricane Sandy!
Click the link below to purchase your download of “A Very Merry X-MASS”!
New CD Dirty Dynamite to be released in Switzerland and most European countries on February 22nd, 2013, other countries and release dates per country to be announced as they are confirmed.
A Rock N’ METAL Thanksgiving – It’s Thanksgiving Day here in the U.S. and I’m thankful as always for my family, friends, Metal Buddies, faith, country and the freedom I’ve grown so accustomed to since being alive. I’m thankful for our U.S. troops that protect us here at home and abroad. The Rock N’ Metal that inspires me each and every day, I am absolutely giving thanks for as well. (See below!)
I’m giving thanks for this clear Metal fact: I’ll be catching up with Best Metal Buddy Scott Coverdale this Thanksgiving weekend… over a couple of cold brews and plates of wings as we discuss… Metal and NFL news.
Now, let’s begin: A Rock N’ METAL Thanksgiving – What I’m Thankful For!
I am thankful for ALL the pioneers of Heavy Metal, aka, Metal. I give Metal thanks to the 1969 debut/ST from Led Zeppelin, with the 1970 debut/ST album from BlackSabbath to follow. I am also thankful for 1974’s KISS debut/ST (see at top of post). Moving forward to 1979’s No Mean City from Nazareth and every other seminal and not so famous Heavy Rock album from those building block years of Metal – I declare my Metal thanks!
AC/DC… WHOA!
From Saxon to Iron Maiden and from Motörhead to Diamond Head, I give Metal thanks.Believe me, if I could list every single band and musician that has psyched-me-out throughout my Metal lovin’ life, I would!
I am thankful for ALL the pre-Heavy Metal history; a Rock and Roll and Classic Rock History that includes all the pioneering bands and musicians that paved the path for Hard Rock and Metal.
I am very, very, thankful for these albums & bands: (A very short list, of course!)
LIZZY BORDEN – Best Of (1994 – Metal Blade Records)
SATYRICON – The Age Of Nero (Koch Records)
DIO – Holy Diver (1983 – Warner Bros.)
SOUNDGARDEN – Down On The Upside (1996 – A&M Records)
SOULFLY –Enslaved (2012 – Roadrunner Records)
SCORPIONS… WHOA!
WITCH CROSS IS BACK! WITH KEV MOORE! WHOA!
STRYPER… WHOA!
MASS… WHOA!
DORO… WHOA! WHOA AGAIN!
CHRIS BARNES and SIX FEET UNDER… WHOA!
SKELETONWITCH… WHOA!
VENOM… WHOA!
HATEBREED… WHOA!
ORANGE GOBLIN… WHOA!
THE BIG FOUR… WHOA!
OVERKILL… WHOA!
TESTAMENT… WHOA!
EXODUS… WHOA!
BLACK COUNTRY COMMUNION– Afterglow
(2012 – J&R Adventures)
3 INCHES OF BLOOD –Long Live Heavy Metal
(2012 – Century Media)
BLACK SABBATH – Sabbath Bloody Sabbath
(1973 – Warner Bros.)
QUEENSRYCHE – Operation Mindcrime (1988 – EMI)
What and/or who are you thankful for on this Thanksgiving Day? If you’re thankful for a favorite band and/or musician… let it be known by commenting! Whoa!
“We are producing our first full length album after 3 long years and we want the world to hear it.”
STEALING GADSBY – Providence Rhode Island’s Stealing Gadsby are in the middle of recording their first full-length album and started a kickstarter campaign to help fund its production. Currently, Stealing Gadsby are short of reaching their goal of $1,500 and there’s only 10 days left! Fans of Hard Rock and Metal like you can help! All it takes is only a $1 minimum pledge!
Just click on that cool link below to check out Stealing Gadsby’s kickstarter campaign!
The money will be used to produce physical copies of the album and merchandise, distribute the album online, and fulfill the prizes and incentives to all the people that helped make this happen.
NEW ZEALAND BUSINESSMAN – MURRAY BOLTON – IS THE WINNING BIDDER
ALL PROCEEDS DONATED TO THE GERSON INSTITUTE SUPPORTING HOLISTIC CANCER THERAPY
Guitar Played Exclusively Throughout Def Leppard “Rock of Ages” Tour This Summer
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(Los Angeles, CA) –In early September, PHIL COLLEN, lead guitarist for the iconic rock band DEF LEPPARD, announced plans for the charitable auction of “Wings” a custom Jackson PC1 guitar that COLLEN had played throughout this summer’s Rock of Ages tour. The auction began exclusively through eBay’s “Giving Works” on September 5th and ended on the morning of September 15th.
Reaching beyond all expectations, the highest bidder paid an amazing $15,000 for the one-of-a-kind guitar. The lucky winner is New Zealand businessman Murray Bolton. COLLEN personally handed “Wings” over to Bolton a few weeks ago when Murray visited COLLEN’s home.
In an extraordinary act of charity Phil included $5000 of his own to the auction’s total in order to deliver a $20,000 check this past Thursday, November 15th, when he performed live at the San Diego based Gerson Institute.
“I am very excited to present this check to the people at the Gerson Institute”, said Collen. “Meeting Murray and handing over “Wings” was bitter-sweet. I really grew to love that guitar but am so happy that it’s going to a great home and the money will help so many more people.”
November is Pancreatic Cancer Awareness Month, a more than appropriate time for COLLEN himself to introduce the auction’s winner and present the check to the Gerson Institute, a San Diego based non-profit organization dedicated to promoting the Gerson Therapy, an alternative treatment for cancer and other degenerative diseases.
In early 2012 Jake Willoughby, a guitar and music store owner, asked COLLEN if he would assist in helping to raise money towards the fight against cancer with Jake’s mother Connie having just passed away from pancreatic cancer after a courageous 13-month fight. By tragic coincidence Phil’s own father, Kenneth succumbed to the same disease in 2004. Jake donated a PHILCOLLEN signature guitar, the Jackson PC1 from his music store. In the spirit of hope it was named “Wings”. Mike Learn, a noted artist whose graphics are well-known in the guitar world, donated the graphic custom paint job on the guitar. Ironically, Mike also lost two family members to the same disease.
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About The Gerson Institute:
The Gerson Institute is a non-profit organization in San Diego, California dedicated to providing education and training in the Gerson Therapy, an alternative, non-toxic treatment for cancer and other chronic degenerative diseases.
CANDLELIGHT RED – DEMONS, the 4 song EP from Williamsport Pennsylvania’s Hard Rockin’ Candlelight Red was released on September 25th, 2012, via Imagen Records. Produced by Morgan Rose (drummer & founding member of Sevendust), the quality of sound and overall Rockin’ atmosphere is solid. This 4 song DEMONS EP is a can’t miss for fans spanning the Rock, Hard Rock and Modern Rock genres.
Candlelight Red has been continuously gaining waves of fans and building on their potent Rockin’ momentum, ever since their famous 2010 opening gig for the iconic KISS in Pittsburgh, PA and subsequent 2011 Imagen Records debut: The Wreckage.
With plenty of riffs, a killer solo, stand-out vocals and an all-encompassing heaviness to earn my Metal respect, I’ve chosen the DEMONS music video from Candlelight Red to be: Stone’s METAL Pick of The Day!
Turn it up and watch below! Hopefully you’ll enjoy this song as much as I do! Metal be thy name.
* Candlelight Red were chosen among 22 regional contest winners by Paul Stanley and Gene Simmons to open for KISS in Pittsburgh, PA, winning the Guitar Center’s 2010 “Onstage Contest.
The legendary Jean Beauvoir (Gary US Bonds, The Plasmatics, Little Steven & The Disciples of Soul – see more below) has contacted me regarding the following special news involving the recording of his new Crown Of Thorns EP:
“I’m reaching out because I am running a Pledge Music Campaign for the recording of a new Crown Of ThornsEP… A new way to do it! It’s very cool and to those who have Pledged, I’ve been giving great free updates that include, acoustic concerts, free albums, duet of myself and Bruce Springsteen and lots of other stuff, (there’s) more to come so it’s well worth it for the fans.”
“Thanks and all the best!”
Jean Beauvoir
Crown Of Thorns, KISS, Ramones and so on!
Pledge what you can by clicking on the link below!
(To read complete Jean Beauvoir biography, click here: Jean Beauvoir)
Beauvoir selling over 1,5 million copies worldwide from his first solo effort, lead to productions and co-writing ventures with artists such as KISS, The Ramones, N’Sync, John Waite, Deborah Harry, Lionel Richie, The Pretenders, Carol Davis, Nile Rogers, Nona Hendryx, Desmond Child, Jim Vallance and many more. He toured and performed with the Eurythmics, David Bowie, Tina Turner, Bon Jovi, Van Halen, Little Steven, BruceSpringsteen and The Who. He’s made hundreds of personal and TV appearances throughout the world and has sold in excess of 20 million records worldwide as an artist, producer and songwriter.
Jean also expanded his musical horizons through his groups, Voodoo X and Crown of Thorns, he released four additional solo records to date and was also actively involved in the hugely successful Hand in HandCharity in Berlin Germany amongst others throughout the years.
The first interview I had with Gordon Brown was just after his amicable departure from Heavy Rock legends IronClaw; that interview was posted here on Metal Odyssey practically a year ago to this day, on October 21st, 2011. Now, with a fresh start and always the positive outlook on the future, Gordon Brown has started a new band: DeltaOne Six.
A Scottish gentleman with music flowing from his soul, Gordon Brown has a bluesy voice that fits right into any decade of Rock and Roll. This past year, Gordon Brown shared many of his songs that he has recorded throughout his life, via Soundcloud. (See link at bottom of post). The “open-book” approach that Gordon Brown has taken, with the music he’s created, shows to me the honest-to-goodness personality of this man.
Since I’ve known Gordon Brown, he has always taken a nothing to hide approach with his music and has never dodged a question. This is an artist I’ve been rooting for since I first heard him sing. Recently, Gordon Brown answered another round of questions, being his typical friendly and polite self! I’m proud to present to you, this second interview with Gordon Brown:
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Stone: Can you give more (untold) details as to why the Iron Claw partnership ended?
Gordon: Very simply, the band wanted to play a heavier style of music than I did. Once the recording of the album was finished things just didn’t work out – if it isn’t right it’s time to move on. There’s no animosity, we don’t see each other as we live in different towns, but I dare say at some point we’ll have a pint or two. At this stage it appears unlikely that Iron Claw will perform live again, I was speaking to Alex Wilson recently and told him that I would consider writing lyrics and singing on any future recordings. As far as I’m concerned that door is not shut, only it would have to be music that appealed to me. The music from “A Different Game” lives on in a live sense though, currently I’m doing Southern Sky with a view to possibly adding some others further down the line.
Stone: How has “life after Iron Claw” been treating you?
Gordon: Life has been good, I am working on some collaborations with songwriters in the USA and have started a new band “Delta One Six”, we’re due to go live on November 9th and have a song being included in a compilation of Scottish Blues acts due for release in November. Throughout my musical career I have been fortunate enough to play with some truly amazingly talented musicians, the boys in Delta One Six are an absolute delight to play with.
People have had the chance via You Tube to see some of the very early practice sessions, they were recorded using a mobile phone, the sound quality, despite being taken from one side is pretty good – I think people will enjoy what we’re looking to create – a tiny amount in the way of effects, just ass-kicking blues/rock played with passion.
Check out Delta One Six below, jamming during a rehearsal this past August! This is cool stuff! Metal be thy name!
Stone: You list the music you “err towards” as British Blues, Southern Boogie, Chicago Blues and “a hint of Bluegrass chucked in for good measure” on your bio. You’ve obviously excelled, on a grand scale, with (Bluesy) Hard Rock with Iron Claw. What is the one genre you want to sing, that comes straight from your heart and soul?
Gordon: The bluesy thing will remain, it suits the way I like to sing. I always end up coming back to the Blues, having said that I’m not a huge fan of Delta Blues, I much prefer the electric sound. It’s fair to say that I do like ballads as well, the Blues I do is a mash-up of Free, Whitesnake, The Allmans and too many others too mention.
Stone: While growing up as an aspiring musician, what records were in your collection?
Gordon: It kinda went in stages, I started off listening to my elder brothers and sisters music, The Beatles, Stones, Cream, Fleetwood Mac (with Peter Green), the first record I remember listening to was Jigsaw Puzzle Blues, it was the B side to Albatross. When I started secondary school I was a big fan of a band called Slade for a couple of years – then came the Black Sabbath period, but I was also listening to all manner of things like, Atomic Rooster, Wishbone Ash, The Sensational Alex Harvey Band, Pink Floyd, The Groundhogs, Frankie Miller, Blue Oyster Cult, Humble Pie, Thin Lizzy and in particular one band which has stuck with me since that time – the mighty FREE (and Bad Company ), I’m a huge fan of Paul Rodgers.
Southern Rock came along in the shape of Lynyrd Skynyrd at about age 15 and I’ve loved that genre ever since. Punk arrived when I was 17 – I didn’t think much of it, so pretty much ignored it. The NWOBHM didn’t really shake my boat either – I did enjoy gigs by Saxon and Iron Maiden, but found myself still listening to the things I grew up on and I still do! My little confession is that I’ve always wanted to do a blues/rock cover of At The Car Wash by Rose Royce. Unfortunately, so far no-one shares my vision for it!
Stone: Which well-known bands and/or musicians of today would you want to work with on a “special guest” level of recording?
Gordon: Warren Haynes, Paul Rodgers or Greg Allman would be top of my list, Glenn Hughes, Buddy Guy and so many more including Iron Dave from Diablo Canyon. I think the real answer would be “anyone who asked”!
Stone: These are turbulent times in the world right now; many countries economies and wars have taken it’s toll on the human spirit it seems, yet music seems to be the universal language of peace, hope and friendship that unites fans and bands worldwide. What are your thoughts on the power of music to unite and heal?
Gordon: I agree with you 100% that music brings people together and I would say one genre more than any other to do that is Metal. Music does much already to unite people to combat famine etc. in terms of providing money to assist, alas, I think we humans are too wrapped up in making a profit and fighting over oil.
Stone: If you could change the record industry overnight, what changes would you mandate?
Gordon: Fair contracts for bands. Too many bands sign themselves away just to become a “signed band” and end up being ripped off or having their recordings buried. The most important thing for most bands to understand is that you get back what you put in, if you don’t work hard you’ll go nowhere – the music business is 90% business and 10% music – sad but true!
Stone: Gordon, there is no denying you have an amazing voice and music is in your soul. For all aspiring vocalists out there, what are the golden rules to follow in protecting your voice? Is a true lyricist born or made?
Gordon: Don’t smoke, don’t drink alcohol, avoid air-conditioning and take lots of exercise while eating a healthy balanced diet. Well, I drink, smoke and probably don’t exercise as much as I used to. My simple Golden Rule is practice, practice, practice! I probably sing somewhere between 1 and 2 hours per day (most days!). There are certain songs I use as “training songs” in which I simply sing along to a record and try to match the high and low notes, (for example) Ronnie James Dio singing Heaven and Hell and Catch the Rainbow, maybe a bit of David Coverdale and always some Paul Rodgers, I find it helps with the way I like to phrase songs, I don’t try to imitate them, quite often I’ll do a harmony to their vocal, if possible get some lessons and learn how to breathe properly.
On stage I am always accompanied by Vocalzones, Strepsils, Vicks (for up my nose!) a flask of hot tea and about 3 litres of water, before a gig I do lots of breathing exercises and some scales just to warm up, occasionally I’ll gargle a glass of whisky (sometimes I might even drink it!) but my firmly held view is that when I’m on stage I’m working and therefore no excessive alcohol intake.
Lyricists, I think they can be both born and made, probably more born than made though, I think you have to be in tune with the music and let it talk to and guide you as to the direction the lyrics should take. Unless of course you have the lyric but no tune to go with it, I think that’s harder to do and those who can put a tune to lyrics are born.
Stone: You have showcased your musical evolution on Soundcloud. I find this “open-book” approach to your musical resume commendable and inspiring. What and/or who has been most influential to you, in creating your life’s soundtrack?
Gordon: In everything you do, there is something that shapes the person you become, every person you meet from your parents onwards define your path. Personally, I think I’ve led a full and interesting life so far, it’s had its highs and lows, but I’m very much an optimist, if you get knocked down, get up, brush yourself down and keep moving forward. The open book approach and putting up videos of band rehearsals and recordings that weren’t the greatest was a gamble, it could have put people off completely and fortunately that hasn’t been the case.
Very simply, I think that people can appreciate an honest approach, they know that live music isn’t about every note being perfect (even the best bands/artists make mistakes), live music is about finding a vibe and making the audience believe in what you’re doing.
Stone Says: I’d like to thank Gordon Brown for this interview and for being such a cool long-distance Metal Buddy!
Candlelight Records confirms November 6 as the North American release date of CORROSION OFCONFORMITY’s Eye For An Eye. This special reissue has been remastered/packaged and includes the EP Six Songs With Mike Singing. Both titles have been out of print for years. It follows the successful release of the band’s self-titled album earlier this year. A deluxe digibook edition of the album, limited to 1000 for North America, will be available at limited retailers and via Candlelight’s official webstore. The digibook version includes extended liner notes and a rare pictorial gallery.
Twenty-six songs showcase the early sonic years of the North Carolina-based band. Far more punk than their later recordings, the album found an immediate fanbase. Amazon customers over the years have called the album an “undisputed classic,” while noting it is “for the true skaters of the mid-to-late-‘80s,” and “brings me back to a good time of hardcore/punk.”
Guitarist Woody Weatherman comments: “We were just kids when we wrote and recorded these tunes.” Vocalist/bassist Mike Dean notes, “Making that album was our dream and we worked hard to make it happen because it was the vehicle to allow us to go out and play two hundred shows a year, like the bands we looked up to – Black Flag, Bad Brains, D.O.A.”
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Originally released in 1984, Eye for An Eye featured the original lineup of Weatherman, Dean, drummer ReedMullin, and vocalist Eric Eycke. Reissued to incorporate the 1989 EP by Mike Dean (who left the band between 1987-1992), Eye for An Eye is raw in sound but focused on message. The years that followed would see the band rise to worldwide popularity with breakthrough and Billboard-charting releases Blind and Deliverance.
Formed in Raleigh in 1982, CORROSION OF CONFORMITY quickly transformed heavy music. Politically charged and socially aware, the band has influenced countless others and today remains humble about their accomplishments. With over 1.1 million albums sold in the United States, the band continues to find new fans via nonstop touring.
“We had a lot of fun doing it and it’s great to have this album officially back out there again,” says Weatherman. “I had basically written this off as being our sloppy beginner’s effort but listening to it now, I really hear a few songs that hold up well,” adds Dean.
RUSH – Canada’s greatest Rock & Progressive Rock band ever. You can even throw in Canada’s greatest Hard Rock band ever too, if you like. Simply put, one of the greatest bands in Rock Music history. RUSH has been ignored by The Rock And Roll Hall Of Fame for what reason(s) again? I would certainly like to know the reason(s) for RUSH not being enshrined inside that building in Cleveland, Ohio.
Let’s face it, the legendary RUSH has been influencing countless bands and musicians, while psyching-out their fans, going on 5 decades now! RUSH is a pioneering Progressive Rock band that makes credible all-time lists at every turn, with absolutely no sign of stopping! Whoa! Metal be thy name!
The musical excellence that Geddy Lee (bass & vocals), Alex Lifeson (guitars) and Neil Peart (drums & percussion) radiates from their vast catalog of studio and live albums is mind-boggling to me… and I shall never stop saluting this unreal important band.
Okay, with all that cool stuff blabbed, it’s time for your voice to be heard! Take the poll below and answer this simple question: Shouldn’t RUSH be in the Rock And Roll Hall Of Fame by now?
RUSH – Stats Of Note:
* Debut/ST album released in 1974
* Inducted into the Canadian Music Hall Of Fame – Class Of 1994
* Inducted into Canada’s Songwriting Hall Of Fame – Class Of 2010
* Bestowed the Order of Canada – 1997
* Have earned 24 Gold Records
* Have earned 14 Platinum Records
* RUSH has sold more than 40 million records worldwide
* 3 records have gone multi-platinum
* 7-time Grammy Nominee
* Winner of 8 JUNO Awards
* Awarded a star on both the Hollywood Walk Of Fame (2010) and Canada’s Walk Of Fame (1999)
EVILYN STRANGE are proud to reveal the new artwork for their forthcoming album Mourning Phoebe. The band is also happy for people to hear a sample of the six-minute epic Everything taken from the debut album. This latest sample showcases the work of Al Strange (drums) and Mikael Johannesson (lead guitar). The debut album artwork and sample of the music can be seen and heard below!
This follows the recent release of the band’s debut single “The Ballad Of Evilyn Strange”
The full version of The Ballad Of Evilyn Strange can be heard on Soundcloud, just click the link below!
Stone Says: Evilyn Strange are part English and Swedish. There’s no question in my Metal mind that Evilyn Strange are seriously on to something very special here, with their Melodic Metal meets Hard Rock sound. They’re modern and (then again) their Classic Rock influences seem to have taught them very well. With confident and astute musical vibes swirling about, there is something different about this band’s heaviness and melodies that makes them sound so damn refreshing to my ears… and I totally dig what I’m hearing! Metal be thy name.
Lizzy Borden bass player Marten Andersson will be jamming at the Rock Harvest/Fallen blue charity with guys like Don Dokken, Doug Aldrich, Mark Boals, Keith St. John and many more.
If you’re a band or musician and would like your music reviewed or be interviewed by Stone, please click the link under the “ALBUM REVIEWS ARCHIVES” section below!
Metal Odyssey's Rock, Hard Rock and Heavy Metal Hall of Fame! These Are The Rock And METAL Legends Wrongfully Ignored By "The Rock And Roll Hall Of Fame"
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Metal Odyssey > Heavy Metal Music Blog 
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