Finnish black metallers BLOODMOTHER will release their debut album Militant Black Magic on September 25th, 2026, via Time To Kill Records.
A sharp and uncompromising record, it refuses shortcuts and avoids hiding behind pretentious structures or overly foggy atmospheric detours. Instead, it focuses on pure impact and precision, built entirely on riffs that cut deep and leave no room for distraction.
The album stands as a severe statement of intent, stripping everything back to its essential violence and clarity, delivering a sound that is direct, punishing and relentlessly focused on damage rather than ornament.
The first single“Liturgical Decay” is available now:
“Liturgical decay, the meaningless ritualization of dead flesh. When Death calls and the pious decompose, the futility of their faith becomes evident. This is what Bloodmother is all about, a sonic war machine rolling over your graves in celebration of the end of life”.
Formed in 2021 by Kuolontuoja, BLOODMOTHER was conceived with a clear and uncompromising purpose: to channel the spirit of true Finnish black metal through a sound stripped of excess and focused entirely on aggression. Building upon the foundations laid by the demo Death to All and the EP Soul Crusher, the band has refined a style based on razor-sharp riffs, hostile atmospheres and a direct, no-frills approach. Yet beneath its relentless surface lies a constant rhythmic variety that prevents the music from falling into predictability, maintaining tension and momentum throughout.
With Militant Black Magic, BLOODMOTHER push their vision further, delivering a work rooted in themes of faith, war, death and Satanic defiance. The album stands as the band’s most complete statement to date and a concentrated display of the ferocity that has defined their mission from the very beginning.
Time To Kill Records is proud to announce the vinyl reissue of MISERY INDEX‘s landmark 2001 debut EP, Overthrow, arriving on LP for the first time on December 15th, 2026.
A defining release in the early evolution of modern deathgrind, Overthrow captured the raw energy and uncompromising vision of a newly formed band destined to become one of the genre’s most influential names. Across five relentless tracks including a blistering cover of Terrorizer‘s “Dead Shall Rise,” MISERY INDEX forged a sound that fused death metal, grindcore and hardcore with sharp social commentary and unrelenting intensity.
Originally self-released on CD through the band’s own Anarchos Records, the EP has remained a cornerstone of extreme music history for more than two decades. Now, Time To Kill Records proudly brings this essential release back to vinyl, faithfully preserving the ferocity and impact of these historic recordings. The vinyl edition also features 3 bonus tracks recorded by the band a year after the Overthrow release (which appeared on the 2002 split with Commit Suicide).
For the first time the recording is also mastered for vinyl by Virtalähde Mastering.
Track-list:
Side A 1. Manufacturing Greed 2. Your Pain Is Nothing 3. Blood On Their Hands 4. Pulling Out The Nails 5. Dead Shall Rise (Terrorizer cover)
Side B (Bonus Tracks) 1. My Untold Apocalypse 2. Alive? 3. Reality Distortion
Frontman Jason Netherton comments:
“Its been a long time since we released this back in 2001 yet its awesome to see how much of an impact its had, and its staying power has been inspiring. We often get requests for these songs to this day and we are stoked that its finally getting the proper treatment with a fresh vinyl master from Time to Kill”.
Look for the band to release their new single “Feral Future” on 7″ vinyl as well via Time To Kill Records later this month and be sure to check out MISERY INDEX on tour in Europe and the UK this summer.
Misery Index – An Epitaph for Endtimes EU + UK Summer Tour 2026:
July 28 – Helsinki, Finland @ Kult [TICKETS] July 30 – Wacken, Germany @ Wacken Open Air [TICKETS] August 1 – Dortmund, Germany @ Dortmund Death Fest [TICKETS] August 2 – Saint Maurice de Gourdans, France @ Sylak Open Air [TICKETS] August 4 – Deinze, Belgium @ Elpee [TICKETS] August 5 – The Hague, Netherlands @ Musicon [TICKETS] August 6 – Schloteheim, Germany @ Party San Open Air [TICKETS] August 8 – Swansea, United Kingdom @ Sin City [TICKETS] August 9 – Manchester, United Kingdom @ Rebellion [TICKETS] August 11 – Bridgwater, United Kingdom @ The Cobblestones August 13 – Munich, Germany @ Backstage [TICKETS] August 14 – Dinkelsbühl, Germany @ Summer Breeze [TICKETS] August 15 – Sulingen, Germany @ Reload Festival [TICKETS]
“A Beast To Praise” contains DARK FUNERAL’s annihilating live-set for their latest studio album release We Are The Apocalypse and will be available in the USA as a Jewelcase CD, gatefold 2LP on 140g vinyl and as a digital album.
Track-list:
1. Unchain My Soul 2. The Arrival Of Satan’s Empire 3. My Funeral 4. Leviathan 5. We Are The Apocalypse 6. Open The Gates 7. When I’m Gone 8. Goddess Of Sodomy 9. Vobiscum Satanas 10. Nail Them To The Cross 11. Let The Devil In 12. The Secrets Of The Black Arts 13. Where Shadows Forever Reign
The new video from Tasmanian death metal devils THE ABSOLUTION SEQUENCE is now streaming. “The Nightlight Sigil” is the third single off the band’s highly-anticipated full-length album, Dread Cycle.
Vocalist Shawn Wells calls the song the most personal track on Dread Cycle. “The Nightlight Sigil is a tale of family trauma, toxic home environments and the way in which one is treated in the aftermath. Often those who have suffered the most where they are meant to feel protected are shamed and forgotten. The aim of this is to keep the conversation alive, and begin to heal these deep wounds.”
Following a string of EPs and singles, the album promises to be the band’s most incendiary work yet. Slated for release via Bleeding Art Collective, with distribution by Blood Blast Distribution, Dread Cycle is set to solidify the band’s position as a premier name in contemporary technical death metal.
Dread Cycle is due out on August 14.
Stream the videos for the album’s first two singles at the links below:
Dread Cycle was produced by Chris Themelco and mastered by the world-renowned Jens Bogren at Fascination Street Studios. The album was written by THE ABSOLUTION SEQUENCE with lyrics by Shawn Wells.
Line-up:
Stephen Cusato – Rhythm Guitar/Backing Vocals Steven Mason – Rhythm Guitar Alastair Boon – Bass/Backing Vocals Luke Tucker – Lead Guitar Nick Machin – Drums Luke Sanderson – Drums Shawn Wells – Lead Vocals
L-R – Matt McGuire – Drums, Thomas Ireland – Guitar, Tom Emmans – Vocals, Eric Camilleri – Guitar
Debut EP in Memory of Bassist Dale Burrows
Ontario metalcore force As Oceans Divide continue their ascent with the announcement of their next single, “World Collapse”. The track marks the third release from the band’s upcoming self‑titled EP, following the momentum of previous singles “White Noise” and “Into The Dying Light.”
The lyric video for “World Collapse”expands the EP’s overarching themes of tension, internal conflict, and emotional weight, concepts visually represented in the EP’s striking artwork: a chained sea serpent wrapped around an anchor, thrashing against a violent ocean backdrop. The imagery mirrors the band’s sonic identity: a constant push and pull between aggression and melody, chaos and control, heaviness and atmosphere.
Track Listing:
Into The Dying Light – 4:04
White Noise – 3:31
World Collapse – 3:16
Cursed Oblivion – 3:59
One Of The Herd – 3:25 EP Length: 18:15
“World Collapse” delves deeper into the EP’s emotional core. While “Into The Dying Light” explored acceptance, resistance, and the confrontation of one’s breaking point, “World Collapse” widens the lens, capturing the feeling of everything falling apart at once, both internally and externally.
Musically, the track blends the band’s signature elements of technical, hard‑hitting riffs, dynamic melodic passages, atmospheric tension, and a powerful vocal performance from Tom Emmans that shifts seamlessly between aggression and clarity. The result is a song that feels massive, immersive, and emotionally charged, an embodiment of the EP’s core contrasts.
As Oceans Divide’s debut EP is built around contrast. Every track balances intensity with reflection, heaviness with melody, and chaos with structure. Lyrically, the EP dives into themes of internal struggle, loss, resilience, and the weight of what lies beneath the surface. The band describes the EP as “a journey rather than a collection of parts,” with each song crafted to pull listeners in, hit hard, and leave space for emotional connection.
Forged from years of friendship and a shared legacy in Canadian metal, As Oceans Divide brings together members with roots in Bloodshoteye, Aquila, Odium, Battlesoul, and more. Their sound blends early‑2000s metalcore influence with modern precision, harmonized guitars, mid‑tempo anthems, technical aggression, and emotionally driven vocals. The lineup includes Tom Emmans (Vocals), Eric Camilleri (Guitar/Songwriting), Thomas Ireland (Guitar/Production), and Matt McGuire(Drums).
The band also honours the memory of bassist Dale Burrows, whose passing in March 2026 left a profound impact on their music and their brotherhood.
Recommended for fans of Killswitch Engage, All That Remains, Unearth, and God Forbid.
Japanese metal pioneers Sigh are back today with news of their new album ‘Goh-ka’; a new highlight of atmosphere, technical mastery, and meticulously arranged epics of metallic grandeur. Main-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically and lyrically.
From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies and Japan into a cauldron and stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock and classical music are also evident over the album’s close to one-hour duration.
The album title ‘Goh-ka’ has a triple meaning, being: 業火 infernal fire scorching sinners, 劫火 a huge fire that burns down the world at the end of time, and 業果 karma. The primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body’s decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, and the detachment from physical beauty and worldly attachment.
It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead and rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover and in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.
Joining Mirai Kawashima and Dr Mikannibal along with guitarist Nozomu Wakai, are Frédéric Leclercq (Kreator) on bass, plus renowned US drummer Mike Heller.
Among the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.
‘Goh-ka’ was recorded across multiple studios, and once again mixed and mastered by Lasse Lammert at LSD studios in Germany.
PRE-ORDERS OF THE ALBUM FROM THE PEACEVILLE STORE AND BAND STORE WILL COME WITH THE FREE ‘LEGACY OF HORRORS’ 10-TRACK SIGH SAMPLER.
Japanese metal pioneers Sigh formed in 1989/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, and with a subsequent journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (and first for Peaceville Records), ‘Shiki’.
This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw the World’s End: Hangman’s Hymn MMXXV’ (2025).
SIGH TOUR DATES:
EUROPE OLD-SCHOOL SET (AS A TRIO) 07/09 DE Torgau In Flammen Open Air (Scorn Defeat Set) 07/10 DK Fredericia Metal Magic (Special Old School Set) 07/11 UK London Downstairs at the Dome (Special Old School Set)
US 07/26 Fire In The Mountains 07/28 Seattle WA El Corazon 07/29 Portland OR Star Theater 07/30 Sacramento CA Cafe Colonial 07/31 Berkeley CA Cornerstone 08/01 Los Angeles CA 1720
EUROPE 09/03 PL Aleksandrow Lodzki Summer Dying Loud 09/04 PL Cracow Zaścianek 09/05 CZ Ostrava Metal III 09/07 DE Munich Hansa 39 @ Feierwerk 09/08 DE Leipzig Moritzbastei 09/09 DE Berlin Badehaus 09/10 DK Copenhagen Beta @ Amager Bio 09/11 DE Hamburg Betty 09/12 DE Oberhausen Death & Damnation Fest 09/13 NL Leeuwarden Neushoorn 09/14 NL Utrecht DB’s 09/15 FR Paris Backstage By The Mill
“Caught In A Spell” is the latest single from up-and-coming German melancholic heavy metal troupe, THE NIGHT ETERNAL. The track comes off the band’s upcoming Metal Blade debut, Cold Velvet, set to drop on August 21st.
Comments the band, “‘Caught In A Spell’ delivers the perfect heavy metal soundtrack for a night drive. Driven by a hypnotic groove and a powerful sing-along chorus, the song evokes images of endless highways and a restless sense of wanderlust, pulling the listener towards the unknown. Director Robert Piel underlines this atmosphere with a striking video clip, following a Harley-Davidson–riding knight through a cinematic road-movie journey.”
Watch THE NIGHT ETERNAL’s “Caught In A Spell” video HERE.
Watch THE NIGHT ETERNAL’s previously released video for “Where This World Ends”HERE.
Since their foundation in 2018, THE NIGHT ETERNAL have built themselves a serious reputation with their ‘70s and ‘80s guitar-driven sounds in their very own sinister guise. The band´s previous two full-lengths, Moonlit Cross (2021) and Fatale (2023), gained applause by fans and critics alike, which resulted in successful support tours (Blind Guardian, Michael Schenker Group, Angel Witch, Lucifer) and festival gigs (Wacken, Summer Breeze, Hellfest, Alcatraz) throughout Europe as well as a spot on the infamous Hell’s Heroes fest in Houston, Texas.
With Cold Velvet, the band ultimately carved out its own subgenre, weaving darkness, dreamlike unease and deep melancholy into a dramatic yet untainted heavy metal rock ’n’ roll attitude. Recurring trademarks such as hypnotic, ritualistic rhythms, mesmeric guitar riffs, melodies and irresistibly catchy choruses permeate every track drawing the listener into a trance-like state and unleashing a relentless surge of dark energy and dopamine.
The band is currently featured on the cover of Deaf Forever Magazine. Writes the esteemed publication, “Incredible, where is this band heading next? To the very top, of course. And it would take the devil himself to prevent Cold Velvet from finally catapulting THE NIGHT ETERNAL to the pinnacle of the European scene. Catchier yet even more mystical than before, the German band throws their entire talent into the ring across eight tracks, leaving behind everything else attempting to navigate the dynamic interplay of goth rock, gritty heavy metal, and anthemic hard rock (#1 in Soundcheck).”
Cold Velvet was recorded between May and December 2025, at Church Of Sound Studios in the greater area of Munich, Germany. Production, recording, and mixing duties were handled by Michael Zech, a guitarist of black metallers Secrets Of The Moon and a highly respected producer known for his work with Sulphur Aeon, Triptykon, and The Ruins Of Beverast, among others.
The record will be released on CD-digipak and digitally as well as vinyl in the following color variants:
180g black (US) Clear Purple w/ Black Smoke (EU – Ltd. 1000; includes 7”, slipmat, velvet bag, gas lighter) “Storm Cloud” Violet Blue Marbled (EU – Ltd. 700) Steel Grey Blue Marble (EU – Ltd. 500) Light Grey Blue Splatter (EU – Ltd. 300) “Black Dust” Crystal Clear (EU – Ltd. 200)
THE NIGHT ETERNAL Live: 7/18/2026 Baden in Blut Festival – Weil am Rhein, DE 8/20/2026 Goldgrube – Kassel, DE * Release Show 8/21/2026 Bambi Galore – Hamburg, DE * Release Show 8/22/2026 Nord Sommerfest – Essen, DE * Release Show 8/27/2026 Drums of War Festival – Barcelona, ES 9/25/2026 Delta Zinnober – Essen, DE w/ Messa: 10/27/2026 Le Dodu – Marseille, FR 10/28/2026 Sala Salamandra – Barcelona, ES 10/29/2026 Sala Copernico – Madrid, ES 10/30/2026 Antirouille – Montpellier, FR 10/31/2026 Rock Art Festival – Trier, DE * THE NIGHT ETERNAL only 11/01/2026 Petit Bain – Paris, FR 11/03/2026 Cathouse – Glasgow, UK 11/04/2026 Rebellion – Manchester, UK 11/05/2026 Rescue Rooms – Nottingham, UK 11/06/2026 Thekla – Bristol, UK 11/07/2026 The Garage – London, UK 11/09/2026 13 – Tilburg, NL 11/10/2026 Kavka – Antwerp, BE 11/12/2026 Franz Club – Berlin, DE 11/13/2026 Logo – Hamburg, DE 11/14/2026 Rockpalast – Bochum, DE 11/15/2026 Artheater – Cologne, DE 11/17/2026 Das Bett – Frankfurt, DE 11/18/2026 Backstage – Club Munich, DE 11/19/2026 Dynamo – Zurich, CH 11/20/2026 Sunset Bar – Martigny, CH 11/21/2026 Live Club – Trezzo sull’Adda, IT
THE NIGHT ETERNAL: Ricardo Baum – vocals Robert Richter – guitar Henry Käseberg – guitar Aleister Präkelt – drums
“Gloomy metal from my hometown. Beautiful!” – Mille Petrozza, Kreator
“With their new record, THE NIGHT ETERNAL cements even further, why they are the rightful defenders of the New Wave of German Heavy Metal and a staple of contemporary brutal night time rocking. Who let the bats out?!” – Johanna Sadonis, Lucifer
“Genuine emotions that sweep you back and forth, plunging you into the depths and soaring you to new heights. With this album, THE NIGHT ETERNAL fills the gaping void in my musical heart, the gap between rock-infused wave and rousing metal, like no one else can.” – Maik Weichert, Heaven Shall Burn
“If THE NIGHT ETERNAL have played Champions League with Fatale, Cold Velvet secures them a safe spot in the play offs right away. Huge songs, huge sound and maybe one of the best vocalists our generation has to offer. THE NIGHT ETERNAL is the next big thing!” – S. Castevet, Vulture
Russian Epic Metallers Scald return with a new EP!
Cruz Del Sur Music proudly presents, Relics, a new offering from Scald. Exhuming ancient songs from their past and giving them new life with Hrafn, their new vocalist, this is a must have for fans of the genre.
“Master of Tundra” – the EP’s first single, is available to stream at:
This EP opens a new chapter in Scald’s history. They were joined by Hrafn, a magnificent singer famous for his work with Vendel (Russia). He can truly do justice to Agyl’s legacy, which we present to you in Relics.
Three of the five songs, Master Of Tundra”, “Ravens”, and “Flame” were written after the recording of the legendary album Will Of The Gods Is Great Power (spring 1996 – fall 1997, the year Agyl died). At that point, the band chose to step away from traditional epic doom and, as an experiment, create songs with a more diverse style while still maintaining the original Scald atmosphere.
When writing these three songs, Scald were inspired by the work of the Norwegian Sami singer Mari Boine and in particular her album Leahkastin, progressive metal bands Fates Warning and Dream Theater; as well as Sanctuary’s album Into The Mirror Black and the magnificent singer Warrel Dane with his soulful vocals.
These songs had never been recorded in a studio before, but they were occasionally performed at Scald concerts in the past. Fans from all over the world kept asking Scald when they would finally record and release these songs.
“So here you go – this EP is for all of you who waited for it all these years! Your support is priceless and the release could not have happened without you!
The song “Falcon” was written by Agyl for his pre-Scald band called Ross, in 1991-1992. To honor the memory of this great vocalist, Scald decided to record a cover version of this song, and on Relics, in addition to the English version, they recorded it in Russian; the language Agyl performed it in.
Thanks to everyone who helps and supports us in these difficult times. Scald are beyond politics! Always were, always will be.”
– Scald
Relics will be released on September 4, 2026.
Line-Up:
Hrafn – vocals Harald – guitars Karry – guitars Velingor – bass Ottar – drums and percussion
Australian gothic metal act Victoria K return with their new single “Take It All”, out June 26, 2026, taken from the band’s forthcoming third studio album, The Pleasure of Sorrow.
Following the release of “Oh So Weary”, the new track opens a darker and more vulnerable chapter in the world of The Pleasure of Sorrow. Seductively melancholic and deeply personal, “Take It All” moves through loss, memory, and the slow process of healing, shaping an emotional journey that feels intimate, atmospheric and direct.
For fans of Evanescence, Lacuna Coil, and Spiritbox, Victoria K continues to evolve their gothic metal foundations through modern metalcore intensity, electronic textures, heavier dynamics, and layered sound design. The result is a sound that remains melodic and emotionally charged while pushing the band further into a darker, more contemporary space.
Speaking about the single, Victoria K explains:
“The song discusses a moment in time when a piece of yourself is taken from you. It may have been a piece of your character, of your youth, but it was a moment in time where you lost something of yourself in a way that felt as though it was out of your control.”
Written as a form of catharsis, “Take It All” unfolds like a distant memory resurfacing through sound, capturing the aftermath of loss, the uncertainty that follows, and the emotional spiral of trying to make sense of something that cannot be undone. Rooted in Victoria K’s love for gothic metal, with Evanescence as a key reference point, the track lets its atmosphere, vocal melodies, and recurring main riff carry the emotional weight, turning restraint into one of its greatest strengths.
The single arrives as part of Victoria K’s upcoming third studio album, The Pleasure Of Sorrow, a new chapter that sees the band expanding their gothic metal roots with darker atmospheres, modern heaviness, and subtle electronic textures. Further details regarding the album, including the release date, will be revealed in the coming months. Stay tuned!
New album “Desolate Echoes of Turmoil” to be released via These Hands Melt
Kråkstad, Norway & Rome, Italy; 22 June 2026: Norwegian symphonic black metal group Profane Burial has unveiled a new single, “Triumph Of Dreadful Aftermath,” as an introduction to the upcoming full-length, Desolate Echoes of Turmoil, to be released later this year via These Hands Melt.
According to the band, “Triumph Of Dreadful Aftermath” tells the tale of how chronic insomnia and spontaneous panic tear apart the fabric of normality, dragging the human psyche into a nightmare dimension of disintegration and fear. With its ferocious style of expression, “Triumph Of Dreadful Aftermath” sets a whole new tone of aggressiveness for Profane Burial, with music that is dark and orchestral in its intensity.
Their upcoming album “Desolate Echoes of Turmoil” is considered the most elaborate and dynamic album produced by the band yet. While the new material deliberately maintains the core foundation of their established style, relying heavily on grandiose arrangements, bleak atmospheric textures, and sharp black metal execution, it also moves significantly further into progressive territory. Complex arrangements, changing structure, and unexpected timing make the band move into the modern, very emotional sphere without losing its characteristic dark and cinematic sound.
Track-list:
Den Fortaptes Krønike
Prognostic Augural Obsolescence
Triumph of Dreadful Aftermath
Channeling Epiphany
Horror Code pt. 2
Malicious Discomfort
To bring this specific vision to life, the band worked with notable names in the studio. The entire album was mixed and mastered by Børge Finstad at Toproom Studio, whereas the drum tracks were recorded independently at StrandStudio. Visually, the release is tied together by a striking, Rorschach-inspired cover artwork painted by Ella Kunst, a piece designed to mirror the existential and psychological tension found throughout the music.
Profane Burial originally formed in 2013, starting out as an ambitious studio project between Kjetil Ytterhus, known for his work with Haimad, Khôra, and Babels Tårn, and André Aaslie, who has performed with Funeral, Images At Twilight, Omnia Moritur, and Vitam Aeternam.
The project quickly grew into a proper live group, bringing in a highly capable lineup of musicians associated with prominent acts like Borknagar, Trollfest and Cadaver. After building early momentum with their 2018 debut album, The Rosewater Park Legend, the band switched into a trio format after 2020. This transition put Aaslie on guitar duties and positioned Ytterhus as the main vocalist, a creative shift that resulted in their 2024 album, My Plateau.
The album will be available across several formats via These Hands Melt. The release options include a standard digital album, a CD Digipack strictly limited to 200 copies, and a classic vinyl LP pressed in two separate color variants.
Your patience will be rewarded. Chile’s RIPPER returns with their first full-length since 2016’s Experiment of Existence.
The last decade has seen RIPPER refine their attack into a lethal blend of old-school death metal and thrash-or-be-thrashed aggression. The band has undeniably earned a reputation as one of South America’s premiere extreme metal exports.
Witness the band’s triumphant return with the first single offTowards Rebirth, “The Source Exterminator.” Stream the track at: youtu.be/J_QqGRoVQ2Q?si=BafNTXKHy5hO3jOz
Towards Rebirth contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.
Dark Descent Records will release Towards Rebirth on July 24th on CD, vinyl and digital formats.
(Photo Credit – Andrew Brophy) L-R: Dan Brophy – Rhythm and Lead Guitars and Vocals, Andrew Brophy – Drums and Lead Vocals, Dustin Smith – Bass Guitar and Vocals, Ruth Guechtal – Rhythm Guitar and Vocals
Hamilton, Ontario, extreme‑metal outfit METALADIAN erupt with the release of “Deaditation,” the ferocious and hypnotic title track single from their upcoming debut album out on Canada Day, July 1st, 2026. After more than twenty years of composing, refining, and shaping the band’s sound, composer, lead vocalist, and drummer Andrew Brophy finally unveils the first official chapter of METALADIAN’s long‑awaited recorded legacy.
“Deaditation” is METALADIAN’s most aggressive and unrelenting work, a dizzying, chromatic, multi‑vocal assault built on a three‑stage structure: plateau, ascension, descent. Each time the cycle restarts, the tempo subtly increases, dragging listeners deeper into a spiralling frenzy.
“The interplay between vocalists is quick, dizzying and hypnotizing… the music is incrementally and constantly gaining momentum, driving the track to a spiralling frenzy by the final descent,” adds Brophy.
Lyrically, the single paints a blackened world where victims reclaim power through a psychic retaliation, a Deaditation, forcing abusers to feel the pain they inflicted “100,000 fold.” Musically, it opens with riotous crowd samples, chromatic bass lines, droning harmonies, ripping feedback, and a tribal drum solo that launches the track into its relentless progression.
Fans of extreme metal, progressive death metal, and classical‑influenced metal will immediately recognize the ambition and precision behind the single.
Arriving July 1, 2026, “Deaditation”is the culmination of more than two decades of writing. Brophy began composing the framework on classical guitar in 2003, later expanding the material into a full three‑album arc.
Track Listing:
Left Hand Path – 9:44
Deaditation – 6:21
No Worse Death Than The Loss Of All Hope – (Wondering Why I Wonder Why) – 7:35
Confrontation With God – 11:59
Cure For Judgement – 6:51
Welcome To Your Holy Hell – 8:49 Album Length: 51:19
The debut album is a story‑driven descent and ascent, moving through spiteful violence, spiralling depression, suicidal ideation, confrontation with God, revenge, and finally, redemption.
“The album is drenched in violence and darkness, but with a hint of light that begins to show itself as the album progresses,” says Brophy.
Musically, the record is dense, chromatic, harmonically lush, and rhythmically punishing. Vocally, all four members contribute in a rapid‑fire call‑and‑response style: Andrew Brophy (drums, lead vocals) with melodic leads and rhythmic anchors, Dustin Smith (bass) brings guttural, ogre‑like lows, Dan Brophy (guitar) adds vicious, rabid‑dog riot vocals and Ruth Guechtal (guitar) exports ripping, high‑screeching screams. The result is a massive, layered vocal machine unlike anything in the Canadian metal landscape.
METALADIAN formed in Hamilton, Ontario, as the vehicle for Andrew Brophy’s intricate compositions, music that blends thrash, death, progressive, and technical metal with the darker works of classical composers such as Bartók, Penderecki, Mussorgsky, Stravinsky, Beethoven, and Mahler.
“Metaladian is my passion, my main source of creativity and catharsis for years,” adds Brophy.
Their sound is best described as complex, emotional, heavy, dark, and hypnotizing. The band’s lineup is deeply interconnected: Andrew and guitarist Dan are brothers, Ruth (guitar) is Dan’s wife, and Dustin (bass) is their “metal brother from another mother.”
All four also perform in the Hamilton extreme‑theatre metal act 30 Immolated; 16 Returned, and three members hold classical‑music degrees, including two doctorates in composition.
Recommended for fans of Strapping Young Lad, Metallica (early), Suffocation, Bela Bartok, and Ludwig Van Beethoven, METALADIAN’s “Deaditation” is available for pre-order at: https://metaladian.bandcamp.com/
Technical death metal juggernauts PSYCROPTIC present their new single, “No Blade Of Grass.” The track comes off the band’s impending new full-length, and first for Metal Blade Records, The Pulse Of Annihilation, set for release on July 17th.
“This one has a good blend of old-school PSYCROPTIC-style riffage and slightly sludge filled, loosey-goosey sections straight outta the classic death metal era,” remarks guitaristJoe Haley. “The whole thing is brought together with the choral/orchestral chorus. Something for everyone! Going to be a fun one to rip live!”
Bassist Todd Stern agrees, “It’s an unbelievably catchy tune! The main verse is one of my favorite bits on the whole record. Classic riffage, steam rolling the whole song forward with solid momentum all along. Badass.”
Adds vocalist Jason Peppiatt, “I had so much fun with this song as it was the first song that [vocalist Jason] Keyser had written for the band and it was awesome to have someone bring different ideas to the table than what I normally would. Vocally it’s nice and fast and has a real sick flow and groove to vocal parts.”
Watch PSYCROPTIC’s “No Blade Of Grass” video HERE.
Watch PSYCROPTIC’s previously released video for first single, “Gathering A Venomous Herd,”HERE.
Across The Pulse of Annihilation, PSYCROPTIC sounds focused, disciplined, and fully aware of their trajectory. Complexity remains foundational, but it is now guided by compositional restraint and veteran confidence. With this release, the band reaffirm their status not merely as technical death metal stalwarts, but as architects actively shaping its future, proving that mastery, sharpened by time, only grows more lethal.
The Pulse Of Annihilation features cover art by Belial Necroarts (Gaerea, In Aeternum) and will be available on digipak CD and digital formats as well as vinyl in the following color variants:
World Ablaze (Tiger’s Eye) – (US) Sleepy Hollow (Radioactive Dust) – (US) 180g Black – (EU – Ltd. 500) Barren Waste (Swamp Green Gold Melt) – (EU – Ltd. 250) Fires Of Time (Gold Black Splatter) – (EU – Ltd. 250)
PSYCROPTIC will join labelmates Rivers Of Nihil for a short run of Australian dates this August with support provided by Growth and Slaughtercult. From there, PSYCROPTIC and Rivers Of Nihil will unite with The Zenith Passage (also on Metal Blade) for four shows in Japan. See all confirmed dates below and stay tuned for additional live dates to be announced in the weeks to come.
PSYCROPTIC w/ Rivers Of Nihil, Growth, Slaughtercult: 8/13/2026 Magnet House – Perth, AU 8/14/2026 Lion Arts – Adelaide, AU 8/15/2026 Max Watts – Melbourne, AU 8/21/2026 Manning Bar – Sydney, AU 8/22/2026 Necrosonic Festival – Brisbane, AU
w/ Rivers Of Nihil, The Zenith Passage: 8/24/2026 Socore Factory – Osaka, JP 8/25/2026 3Star Imaike – Nagoya, JP 8/26/2026 Space Odd – Tokyo, JP 8/27/2026 Space Odd – Tokyo, JP
For over two decades, PSYCROPTIC has operated at the vanguard of technical death metal, defined by instrumental precision, structural intelligence and an uncompromising creative ethic. From their Tasmanian origins to commanding stages worldwide, the band have built a reputation on rhythmic complexity, exacting musicianship, and a refusal to plateau.
At the core of this next phase is guitarist and principal songwriter Joe Haley. Over time, Haley’s compositional voice has evolved from pure technical density into something more architecturally deliberate. On The Pulse Of Annihilation, riff construction feels sharper, transitions more fluid, and thematic motifs more intentional. Haley’s writing demonstrates a seasoned understanding of pacing—knowing when to constrict, when to expand, and how to weaponize silence and space within otherwise relentless arrangements. Experience has not diminished intensity; it has refined its delivery.
The record features the dual-vocal assault of Jason Peppiatt and Jason Keyser (Origin), a partnership that debuted on PSYCROPTIC’s previous full-length, Divine Council. Peppiatt’s commanding growl intertwines with Keyser’s razor-edged articulation, creating a dynamic vocal interplay that adds dimension and contrast to the band’s dense instrumentation. This twofold approach heightens the record’s impact, featuring layered, confrontational elements that remain tightly synced with the band’s intricate foundation.
PSYCROPTIC: David Haley – drums Joe Haley – guitars Todd Stern – bass Jason Peppiatt – vocals Jason Keyser – vocals
Raleigh, North Carolina traditional heavy metal band CRIMSON STEEL have released their new single “Dark Rider,” the second single from their forthcoming full-length album Show No Fear, out October 2, 2026 via Heaven and Hell Records.
“Dark Rider” charges forward with classic heavy metal intensity, galloping rhythms, sharp riffing, and apocalyptic imagery. The track captures CRIMSON STEEL in full command of their traditional metal foundation, pairing high-energy musicianship with a cinematic sense of dread and momentum.
Built around visions of plague, death, famine, destruction, and unavoidable catastrophe, “Dark Rider” descends like an omen. Relentless percussion, forceful bass, soaring vocals, and layered guitar harmonies drive the song with urgency, giving it the feeling of a warning carried on steel and thunder.
Show No Fear presents CRIMSON STEEL in a fully realized narrative landscape shaped by fear, transformation, power, sacrifice, and perseverance. Across the album, the band brings together traditional heavy metal force, cinematic atmosphere, progressive-minded arrangements, and emotionally charged performances. The record moves with the scope of dark fantasy while staying rooted in the human struggle to confront fear, endure conflict, and emerge with strength.
With Show No Fear, CRIMSON STEEL delivers an album built for listeners drawn to classic heavy metal storytelling, soaring vocals, driving rhythms, and dramatic musicianship. The production preserves warmth and organic energy while giving the record the clarity and impact of a modern heavy metal release.
Show No Fear was produced by Wendy Brancaccio and recorded and mixed at Vintage Noise Studio with Wendy Brancaccio and Bill Spears. The album was mastered by Anthony Focx. Cover artwork and design for Show No Fear isby Johnathan @gerardster.
CRIMSON STEEL:
Tina Langevin – Lead Vocals David Ryan – Guitars, Backing Vocals Joel McGee – Bass, Vocals Will Adkins – Drums, Backing Vocals
Italian death metal act GORGE announce the release of their debut full-length album Deeds of Horror, set to arrive on August 27, 2026 via Time To Kill Records. The band also unveils the first single taken from the record, “Visions Before Dying”, now available on all digital platforms.
“Visions Before Dying” is a relentless death metal assault, driven by blistering speed and suffocating intensity reminiscent of the classic brutality associated with bands like Suffocation and Dying Fetus. The song moves between ferocious blastdriven passages and crushing, cavernous grooves, creating a violent dynamic that feels both chaotic and oppressive.
Lyrically, the track explores the mysterious threshold between life and death. Inspired by psychological and metaphysical films such as Altered States and Jacob’s Ladder, the song dives into the unsettling visions and dreamlike experiences that might occur in the final moments before the body gives out.
“Visions Before Dying” imagines the mind drifting through fragments of memories, distorted realities, and unknown dimensions, where dreams, hallucinations, and subconscious fears merge into a final sequence of surreal revelations, a descent into the last visions the brain may conjure as consciousness slowly fades into darkness.
Track-list:
1. Sacred Misconception 2. Visions Before Dying 3. Mortal Decimation (Deeds Of Horror) 4. Interlude 5. Unhinged Punishment (ft. Angel Ochoa) 6. Without Inheritance 7. Fear Of Losing Another Vital Limb 8. Repetition Of The Kill
Formed in 2025 by Edoardo Nicoloso (Fulci, Jorelia, TV-Crimes) and Roberto Sava (Jorelia), GORGE were created with the intent of exploring death metal in its most direct and uncompromising form, drawing inspiration from the raw energy of the genre’s foundational years while developing a personal and dynamic approach.
The band’s approach is rooted in a direct, riff-driven philosophy that draws heavily from the foundational era of Suffocation, Dying Fetus, Gorguts and Malevolent Creation, updated with just the right amount of modern weight without compromising its original identity.
GORGE blends death metal with a gritty hardcore sensibility, resulting in a groovy yet ferocious sound that avoids overused slam dynamics in favour of tighter songwriting and internal rhythmic variation. At the centre of everything lies the riff, treated as the primary narrative force across all compositions, supported by a constant attention to structural tension and release.
Delve into the chaos of the cosmos with “Limitless,” the new single release from the US and Mexico based melodic death metal band FALSIMONIAN. The quartet’s dynamic heavy sound is influenced by Mexican folk and Latin-American roots music, as well as progressive elements and jazz. FALSIMONIAN‘s forthcoming EP For Survival issetto arrive independently on November 7, 2026.
Drawing inspiration from concepts such as autotheism, the big bang, and relativity, the band takes a more abstract approach with their lyrics in “Limitless”. The track’s narrative is positioned from the perspective of a celestial being, leaning into the cosmic horror realm, which is a personified form of the universe.
A chaotic mood emerges from “Limitless” which begins with an onslaught of sharp and aggressive rhythmic stabs. The violent intensity creates a sense of disturbance and discomfort. Stylistically, “Limitless” is rooted in melodic death metal though progressive sections and groove passages are incorporated across the track. This song also features the first guitar solo heard by Cesar Robles on the upcoming EP in a display that is initially melodic before developing into intricate, technical shredding.
Presented through the lens of a fictional, dystopian world, the EP considers the everyday impact onto individuals who are living under the threat and fear of a world-ending catastrophe. “Limitless” is a key moment for the narrative’s protagonist in which, through a moment of introspection, they decide to take action against the imposing darkness.
For Survival was produced by Jesus Fuentes Valverde, with mixing and mastering by Gil Andrade. Drums engineering was undertaken by Ruben Sanchez at Urvn Studios, with guitars and keyboards recorded by Jesus Fuentes Valverde and vocals recorded by Erick Valverde. Guitar and vocal editing, and bass programming, was by Jesus Fuentes Valverde. Additional guitars on “Limitless”, “Judgment” and “For Survival” were recorded and edited by Cesar Robles.
For Survival Track-list:
Freefall – 3:57
The Enemy – 4:02
Limitless – 3:44
Judgment – 4:48
For Survival – 5:05
All artwork photography for the EP and single releases are from X-Rays Erick Valverde has taken over the last 10 years. The artworks utilize original photographs of a colorful sunset as the light source behind the X-Rays. These colors are commonly seen in the desert skies of the US/Mexico border. Ariadne Willis, adjusted the photographs for the layout and design of the EP and single covers. Erick’s accidents and health struggles have also indirectly influenced the overall theme of the EP. Additional photography by Rancho Creativo Studios.
FALSIMONIAN:
Erick Valverde – Vocals Jesus Fuentes Valverde – Guitars, Keyboards Cesar Robles Sanchez – Lead Guitars Mauricio “Moritz” Gonzalez – Drums
TIL THE END’s self-titled Lifeforce Records debut album will be released on September 11th and is up now for preorder/ presave.
New single Until the End up now on all digital platforms.
With their widely acclaimed debut EP Dark Kings, TIL THE END made an impressive entrance into the melodic death metal community last year, immediately winning over a broad audience. With the release of their first full‑length album, the band now takes the next major step. The self‑titled record on LIFEFORCE RECORDS is a clear statement: an expression of confidence, artistic determination, and an unwavering focus on what matters most – the music. And the music speaks for itself.
The line‑up of the group, founded in 2023, brings together four musicians firmly rooted in the international scene: vocalist Antony Hämäläinen (Nightrage, Armageddon), guitarist Kostas Sotos (Mystic Prophecy, Crystal Tears), drummer Márton Veress (Orgy, Armageddon), and bassist/rhythm guitarist Nic Svensson (Slaves For Scores, Swede Studios). TIL THE END is their shared vehicle to pay tribute to the legendary Gothenburg sound while simultaneously pushing it forward with modern energy and a contemporary artistic vision.
01. Form the Beginning (Genesis) 02. Lava 03. Dismal Paradise 04. These Little Voices 05. I’m Falling Apart 06. Awakening 07. Hybrid Fragments 08. Cemetery Trees 09. Higher and Beyond 10. Until the End
Album Artwork by Gustavo Sazes (Soilwork, Nightrage, Firewind, etc.)
Monolord, who are currently in the midst of a U.S. tour following the release of their new album, Neverending, have partnered with Dunable Guitars for a pair of signature model instruments: Dunable USA Custom Gnarwhal and R2 Bass.
Monolord have been great friends of Dunable Guitars for almost a decade, using the brand’s guitars and basses as weapons of choice for their torrential downpour of heavy tones and catchy hooks live and in the studio. Neverending is a perfect showcase of their mastery in blending loud metal with great songwriting, and similarly an encapsulation of what Dunable instruments were built for.
Artist signature models for Thomas Jäger and Mika Hakki are long overdue, and Dunable is happy to finally present their Dunable USA Custom Gnarwhal and R2 Bass signature instruments, limited to only six of each model.
“Mika and I have been playing our Dunables for a couple of years now and to get your own instrument with your own specifications, it’s pure magic,” Jäger says. “These instruments came out great and we’re absolutely stoked.”
Hakki adds: “After years of using and owning several Dunable Guitars, it’s a great privilege to be part of the Dunable team with this amazing instrument. When Sacha Dunable asked us what color options we wanted for the instruments, I just saw this sick scorched bass in my mind, and he got probably equally as stoked on the idea as we did. Great minds twist alike!”
These guitars and basses feature a custom Monolord Icon graphic on the headstock, tuxedo stripe pickguard, and a charred Swamp Ash body, giving a classy yet grizzled look to these weapons of doom.
The single High-Wind P90 pickup in Jäger’s Gnarwhal comes from Lollar Pickups, a company whose founder literally wrote the book on pickup winding. The P90 lends itself incredibly well to all applicable tones, from loud cleans to ultra heavy fuzz and distortion.
Hakki’s R2 Bass comes in two pickup variants – one with dual Dunable Katana pickups, for a hot output, but sharp attack, and one with a Dunable D-Split and D-J pickup combo, for a more traditional sound.
Grab one of these unique instruments while you can. Orders are live at this link: https://dunableguitars.com/
Dunable Gnarwhal – Thomas Jäger limited artist collab model
Scale length: 24.75″ Neck: mahogany Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Graph Tech Ratio Bridge: Nashville TOM/Stop Tail Bridge Pickup: Lollar Soapbar P90 – High Wind Controls: 1 volume Setup: E standard 10-46 Case: hardcase
Dunable R2 Bass – Mika Hakki limited artist collab model (Katana variant)
Scale length: 35″ Neck: maple Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Leo Quan Badass Clover Bridge: Leo Quan Badass Neck Pickup: Dunable Katana Single Black Foil Bridge Pickup: Dunable Katana Single Black Foil Controls: 2 volume 1 tone Setup: E standard 105-45 Case: hardcase
Dunable R2 Bass – Mika Hakki limited artist collab model (PJ variant)
Scale length: 35″ Neck: Maple Fingerboard: Ebony Frets: 22 Jumbo Nickel Inlay: none Side dots: luminlay side dots Body: charred swamp ash Finish: satin lacquer Nut: Graphtech Tusq Tuners: Leo Quan Badass Clover Bridge: Leo Quan Badass Neck Pickup: Dunable D-split Bridge Pickup: Dunable D-J Controls: 1 volume Setup: E Standard 105-45 Case: hardcase
ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track “Precious Stones“.
The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE.
Eternal Recurrence – Track List:
Precious Stones
8 by 8
Amor Fati
Relativity
Eternal Recurrence
“Precious Stones” features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.
Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, “In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”
All material on Eternal Recurrencewas composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project’s logo was designed by Pavel Kurbanov at All4band Design.
About ETERNAL RECURRENCE:
ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.
Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.
Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.
All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation.
Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.
Québec City-based Bulgarian folk and black metal band TSAR STANGRA will release their new full-length album, Химните на разрушените светове (Hymns of the Broken Worlds), on July 1, 2026 via GLOBMETAL PROMOTIONS.
Created over the course of nearly a decade, Химните на разрушените светове is the band’s most ambitious work to date. The album explores Bulgarian history, folklore, pagan ritual, exile, language, and cultural memory through a collision of black metal aggression, Balkan melody, ceremonial atmosphere, tambura, orchestration, and lyrics written in Bulgarian.
Founded by vocalist Stanislav Stefanovski, TSAR STANGRA was built around the mission of preserving Bulgarian heritage through extreme metal. On Химните на разрушените светове, that mission expands into a larger meditation on identity, displacement, and the meeting of worlds.
Written largely in Québec by musicians from different cultural and musical backgrounds, the record carries a natural tension between Bulgarian folk tradition and Western black metal, between pagan symbolism and literary sources shaped by Christian Bulgarian poets, between ancestral memory and life far from the homeland.
The album opens with “Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”), an epic invocation of Thracian memory and Bulgarian ancestry. “Хан Аспарух” (“Khan Asparuh”) follows with a martial black metal tribute to the founder of the First Bulgarian Empire, while “Черна песен” (“Black Song”) turns inward through the poetry of Dimcho Debelyanov.
The record later moves through the exile and longing of “Тъга за Юг” (“Longing for the South”), the Kukeri ritual force of “Земни стражи” (“Guardians of the Earth”), and the uncompromising pagan invocation of “Завръщането на родния бог” (“The Return of the Native God”), before closing with “Българският език” (“Bulgarian Language”), a tribute to the survival of Bulgarian language and identity.
The artwork, created by Paolo Girardi, reflects the album’s central theme of cultural collision. Kukeri, ancient masked figures from Bulgarian pagan tradition, stand before the burning Basilica of Sainte-Anne-de-Beaupré, one of Québec’s most recognizable Christian landmarks. The image captures the album’s vision of old ritual, new geography, ancestral memory and transformation.
Химните на разрушените светове follows TSAR STANGRA’s debut full-length Небесният ковач(Celestial Forger), the 2023 single “Черна песен” (“Black Song”), and the 2024 live album Битката за Фиорда – На живо в Сагене (The Battle of the Fjord – Live in Saguenay).
Track-list:
“Тракийци – Черни химни за изгубените” (“Thracians – Black Hymns for the Lost Ones”) – 6:45
“Хан Аспарух” (“Khan Asparuh”) – 6:35
“Черна песен” (“Black Song”) – 4:41
“Последният поход” (“The Final March”) – 3:03
“Тъга за Юг” (“Longing for the South”) – 4:49
“Земни стражи” (“Guardians of the Earth”) – 6:42
“Завръщането на родния бог” (“The Return of the Native God”) – 3:11
“Българският език” (“Bulgarian Language”) – 5:43
For fans of ROTTING CHRIST, NEGURA BUNGET, DRUDKH, MELECHESH, BATHORY, and IMMORTAL, the new album offers a deeply cultural and ritualistic take on pagan black metal.
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