Portuguese power duo SOUL OF ANUBIS will release their new album, Ritual, on February 20th, 2026 via Time To Kill Records. After more than a decade of intense activity, relentless touring and a steadily growing reputation across Europe, the band returns with a record that captures the full scope of their signature sound.
“’Incarnation’ represents the rebirth into a new cycle to enter the path of peace after the conflicted struggle in life. It is the story of a man who, after his death, gets on the boat to head towards the perfect world and who faces difficult struggles during his crossing. Along the way, he must leave behind oppression, starvation, pain and mind, leading him to immortality”.
Line-up:
Hugo Ferrão – Guitar, Vocals Rui Silva – Drums
Formed in 2010 in Northern Portugal, SOUL OF ANUBIS have carved out a distinct place within the European underground thanks to their explosive fusion of thrash, sludge, doom and post-metal. Their sound channels the raw urgency of Mantar, the primal energy of early Mastodon, and the relentless drive of High On Fire and Black Cobra, yet remains unmistakably their own, a visceral blend of aggression and dynamic shifts that refuses to be confined to a single genre.
On stage, the duo are known for their fierce and magnetic performances, delivering an unfiltered surge of heaviness that connects with audiences on a deeply physical level. Over the years, they have performed extensively across Portugal and beyond, building a loyal following through their intensity and authenticity.
The upcoming album promises to push their sonic boundaries even further, expanding upon their trademark blend of massive riffs, dark groove, and emotional gravity, while highlighting a newfound sense of urgency and compositional versatility.
Track list:
1. Ritual 2. Mind Crusher (feat Keijo Niinimaa from Rotten Sound) 3. Incarnation 4. Vermin 5. Dead Cult 6. God’s Burial 7. Human Torch 8. Unholy Tomb
General On Sale: Friday, December 19th @ 10:00 AM LOCAL
Thrash of the Titans USA 2026:
Mar 14 – Portland, OR – Roseland theater Mar 15 – Boise, ID – Treefort Music Hall Mar 16 – Salt Lake City, UT – Rockwell at the Complex Mar 18 – Denver, CO – Summit Music Hall Mar 20 – Milwaukee, WI – The Rave Mar 21 – Minneapolis, MN – The Fillmore Mar 22 – Chicago, IL – Ramova Theatre Mar 24 – Detroit, MI – St. Andrew’s Hall Mar 25 – Cleveland, OH – Agora Ballroom Mar 27 – Worcester, MA – The Palladium Mar 28 – Sayreville, NJ – Starland Ballroom Mar 29 – Reading, PA – Club Reverb Mar 31 – Atlanta, GA – Buckhead Theater Apr 01 – St. Petersburg, FL – Jannus Live Apr 03 – Houston, TX – House of Blues Apr 04 – Dallas, TX – The Bomb Factory Apr 05 – San Antonio, TX – Aztec Theatre Apr 08 – Phoenix, AZ – The Van Buren Apr 09 – Los Angeles, CA – The Belasco Apr 10 – Berkeley, CA – The UC Theatre (No Overkill)
Massacre Records Classix Shape Edition is a series of 10 die-cut CD’s. This ANVIL five song compilation is #10 in the series, released back in 1999.
I bought this CD in used condition, about 10 years ago, at an independent record store that’s no longer in business. If I remember correctly, the price I paid for this ANVIL gem was below 10 dollars. You can find this CD online for 15 dollars or lower, right now. It doesn’t have a front cover in the jewel case, with liner notes only on the back cover. I’m unsure if a front cover existed and still researching if one did.
I never played this oddity either in my car CD player or my home stereo system; for fear of a mishap due to its unique die-cut shape. Written on the back cover, it states: “Not suitable for disc changers and car CD players.”
Its existence as a collectible is good enough for me!
Blood On The Ice
Doctor Kevorkian
Old School
Speed Of Sound
Metal On Metal (Live at Wacken Open Air – previously unreleased)
The CD itself is in fabulous condition, with no scratches or signs of wear. Looks like any prior owner didn’t take a chance playing it either.
Letters of each volume (10 in all) of this series, on the CD spines, together in order spell: METAL&MORE. Thank you for checking out my ANVIL CD and visiting Metal Odyssey. I appreciate every visitor! Metal be thy name. – Stone
We’re heading back to Australia in March 2026 for four shows — Brisbane, Adelaide, Melbourne, and Sydney. we can’t wait to bring the noise down under 🇦🇺
The tour will commence on Monday March 23 at Brisbane’s at Fortitude Music Hall, followed by Wednesday March 25 at Hindley Street Music Hall, Adelaide, continuing on to Melbourne’s Festival Hall on Thursday 26 March, before concluding at Enmore Theatre, Sydney, on Saturday 28 March.
Promo picture by Henna Pohjosaho @hennaidakatriinaphoto
Finnish thrashers Krushor are set to release their debut EP Taste of Hatred on January 9th 2026 via Inverse Records. The second single “Taste of Hatred” is unleashed now and it’s available here: https://push.fm/fl/krushor-taste
The band comments: “Taste of hatred is about a situation where a person takes a stand for someone who’s pushed ’em down long enough to make that person retaliate. What happens, when beaten and oppressed person decides to stand their ground and says they’ve had enough and gives back all they had to endure. What kind is this persons actual hatred if just a taste of it can turn tables and make the one who made them suffer have taste of their own medicine.”
Krushor – “Taste of Hatred” (single 2025)
Composed by Joni Kärsämä, Juho Mattila Saku Hirvimäki, Sami Keränen Lyrics by Ville Lehtoranta Arranged by Krushor
Line-up: Ville Lehtoranta – Vocals Joni Kärsämä – Guitar Juho Mattila – Guitar Sami Keränen – Bass Saku Hirvimäki – Drums
EP cover by Joni Kärsämä
Taste Of Hatred – Track list:
Shockwave
Vortex
Rise Above
Taste of Hatred
Composed by Joni Kärsämä, Juho Mattila Saku Hirvimäki, Sami Keränen Lyrics by Ville Lehtoranta Arranged by Krushor
BIOGRAPHY:
The band found its current identity through shared musical tastes, playing together, and a shared hobby. We are a group of people who enjoy making and playing music that works for all of us. A big part of this is that composing, writing lyrics, and editing songs is open to everyone. All songs and compositions are created by the whole group, not based on one person’s vision or goal.
Our influences definitely come from older metal, but that doesn’t matter, because mixing genres actually adds a lot to our music, there’s no one right way to do things. Krushor’s goal is to make music that sounds good and at the same time talk about the difficult things that are part of life. For many people, music can be therapeutic, and if even one person feels that way about our music, we feel we have succeeded.
King Records, in collaboration with Silver Lining Music, will release the Japanese edition of No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All on Wednesday, December 24th.
Included in this edition is a standout bonus track from British hard rock royalty GIRLSCHOOL: a defiant and electrifying take on Metallica’s “Hit The Lights,” featuring bona fide shred lord Joe Stump and Alcatrazz. The performance serves as one of the all-star compilation key highlights, offering Japanese fans a unique and essential addition to the CD release.
The digital single as well as an official video by Natalia Jonderko Śmiechowicz of N.Station Animation & Design Studio are out today.
Watch GIRLSCHOOL’s full-throttle assault on Metallica’s “Hit The Lights” HERE. Stream/purchase the track HERE.
No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All is a colossal celebration of the most propulsive debut album in heavy metal history, reimagined by the legends who inspired it and the generations that came in its wake!
Watch the official videos produced for the compilation and stream the album in full HERE.
The veteran likes of Saxon, Diamond Head, and Motörhead (three of Metallica’s favorite bands), are joined by rising stars such as Tailgunner and Swedish prog metallers Soen to create a who’s who of heavy music, with each performer lending their unique sound to one classic track. The Almighty deliver a particularly confrontational cover of “The Four Horsemen,” a release that saw the hard rockers return to the studio with their founding lineup for the first time since 1991.
Contributions from thrash giants Testament, ex-Megadeth bassist David Ellefson, and New Wave Of British Heavy Metal linchpins Tygers Of Pan Tang show the label looking beyond their own artists to amass the greatest lineup possible. Joining the super star lineup are the legendary Raven (closing with the thundering anthemic “Metal Militia”) who were part of Metallica’s first-ever tour, 1983’s famous Kill ‘Em All For One venture.
No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All Japanese edition is available to preorder on CD at THIS LOCATION.
No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All is an ambitious achievement worthy of Metallica’s game-changing legacy. By the fans and for the fans, it reaffirms the Four Horsemen’s ironclad influence and its stacked roster continues the band’s mission to shove metal up your ass!
No Life ‘Til Leather – A Tribute To Metallica’s Kill ‘Em All Japanese CD Edition Track Listing:
1. Hit The Lights (TAILGUNNER)
2. The Four Horsemen (THE ALMIGHTY)
3. Motorbreath (SOEN)
4. Jump In The Fire (TYGERS OF PAN TANG)
5. (Anesthesia) – Pulling Teeth (DAVID ELLEFSON)
6. Whiplash (MOTÖRHEAD)
7. Phantom Lord (SAXON)
8. No Remorse (DIAMOND HEAD)
9. Seek & Destroy (TESTAMENT)
10. Metal Militia (RAVEN)
11. Hit The Lights (GIRLSCHOOL feat. Alcatrazz, feat. Joe Stump) [Bonus Track]
Megadeth is heading north in 2026! The band returns to Canada for a powerful run of dates, bringing their signature intensity and a set built for diehard fans. Cyber Army members get first access—exclusive presales begin Wednesday, November 26 at 10am local time. Special VIP offers including Side Stage Experience and Band Member Meet & Greets will be available.
Don’t miss your chance to secure tickets before the rest of the world. Let there be shred!
MEGADETH Canada 2026 Tour Dates:
February 15, 2026 | Victoria, BC @ Save-On-Foods Memorial Centre
February 17, 2026 | Abbotsford, BC @ Rogers Forum
February 18, 2026 | Kelowna, BC @ Prospera Place
February 20, 2026 | Calgary, AB @ Scotiabank Saddledome
February 21, 2026 | Edmonton, AB @ Rogers Place
February 24, 2026 | Saskatoon, SK @ SaskTel Centre
February 25, 2026 | Winnipeg, MB @ Canada Life Centre
February 28, 2026 | London, ON @ Canada Life Place
March 1, 2026 | Ottawa, ON @ Canadian Tire Centre
March 3, 2026 | Halifax, NS @ Scotiabank Centre
March 4, 2026 | Moncton, NB @ Avenir Centre
March 6, 2026 | Québec City, QC @ Videotron Centre
Dave Mustaine shares some insight into the new track.
“How many times have you wanted to say this to someone? I know you want to! Deep down inside, if we had the balls, we would tell more people, ‘I don’t care’ more often.”
“Part of the main riff in this track had been floating around in my head since we did TSTD&TD, so I was pumped to start recording ‘I Don’t Care’ for this LP. I really love the guitar nuances in the track. There is the main rhythm riff, next, a very deliberate down-picking part, next, the octave chords with jump picking on octave notes (while still down-picking!). And the soloing and back and forth between me and Teemu is magnificent!!”
SLAYER’s iconic second studio album, Hell Awaits, is set to receive a 40th anniversary edition reissue via Metal Blade Records next Spring!
Formed in 1981, SLAYER assaulted the world with a new hybrid of metal and punk – heavier, faster, and darker than the rest and set a new standard, defining not only a genre, but an attitude. Throughout SLAYER‘s history, the band never faltered in unleashing their extreme and focused aural assault, and repudiating temptations, SLAYER always chose to remain crushing and brutal, steadfastly refusing to cater to the mainstream.
“It’s the record where SLAYER became SLAYER.” That’s what Kerry King says about Hell Awaits. He knows of what he speaks. As the band’s guitarist, co-songwriter, and co-lyricist, he was in the trenches with vocalist/bassist Tom Araya, guitarist Jeff Hanneman (R.I.P.) and drummer Dave Lombardo, creating what has become one of heavy metal’s greatest albums.
A significant departure from SLAYER’s 1983 debut, Show No Mercy and every SLAYER album that came after it, Hell Awaits is both an outlier and a solidification of form. Show No Mercy was the mission statement, but Hell Awaits is a more developed and intricate execution of SLAYER’s speed, chops and aggression.
Released in April of 1985 by Metal Blade Records, Hell Awaits was the pinnacle of an action-packed thrash year that saw debut albums from the likes of Megadeth, Exodus, Kreator, Possessed, Destruction, Hirax, and Overkill. Heavily influenced by Mercyful Fate, the longer, more progressive arrangements on Hell Awaits marked a new era for SLAYER. Whereas most of the songs on Show No Mercy were less than four minutes long, three of Hell Awaits’ seven tracks go beyond the six-minute mark.
“Jeff and I were still trying to figure out who we were as musicians, and we were both infatuated with Mercyful Fate’s Melissa album during the writing process for Hell Awaits,” King says. “That’s why there’s so few songs and most of ‘em are pretty long. That’s the only time anything like that ever happened with us.”
Tom Araya’s performance is similarly impressive. The vocalist spat lyrics a mile a minute on the likes of “Kill Again” and “Praise Of Death.” “I don’t recall the songs being hard to sing,” he says. “Singing fast and clearly has always been something that I strived for.”
The reissue arrives May 15th, 2026 in three physical formats and digitally. Preorders are available now at: metalblade.com/slayer.
Find all details below:
3 LPs total: 7-track Hell Awaits + 18-track live bonus audio (Live From Bochum 1985):
– 60-page book (12” size)
– Hell Awaits album (in gatefold sleeve, 1xLP) mastered and restored from original 1985 production tapes by Patrick W. Engel at Temple Of Disharmony in February 2025. Vinyl color = Fire Splatter
– Live From Bochum 1985 (in gatefold sleeve, 2xLP) – 18 live tracks never before released physically or digitally
Finnish thrashers Indemon have released a music video for their song “Abuse.” The track is taken from their critically acclaimed debut album, Reclaiming Chaos, which was released last June via Inverse Records.
“Abuse show’s the narrator’s perspective on the conflict in which they want to break free from a person, yet at the same time want to keep that person under their control. The narrator has an obsession with control.
Alternatively, it could be that the other person does not exist at all, and the narrator is actually a voice inside the listener’s head, a kind of inner demon, telling the listener how it wants to get rid of them, while simultaneously keeping them in its grasp.”
The Finnish progressive thrash metal band Krateros is set to release their debut EP Lost in Translation on January 30th 2026 via Inverse Records. The first single ‘Linguicide’ is unleashed today and it’s available on all essential streaming services: https://push.fm/fl/krateros-linguicide
The band comments: ” “Linguicide” is the first taste of our upcoming EP “Lost in Translation.” With its catchy groove and memorable guitar melody, it is arguably the most “commercial” track from the EP, yet it contains a great blend of all the elements that make our music what it is. Musically, the song is the oldest one on the EP, with the first demo going as far back as February 2020. Lyrically, the song went through two or three rewrites before finding its final form. Some of the discarded ideas have since been used in songs meant for future releases. As a product of our times, “Linguicide” deals with cancel culture and the death of independent thought, whether through self-censorship or outside pressure.”
Krateros – Linguicide (Single 2025)
Track list:
1. Linguicide
Composed & lyrics by Saku Rekonen
Cover art by All4band Design
Krateros – Lost in Translation (EP 2026)
Track list:
1. Tomb Service
2. Linguicide
3. The Performer
4. Uticensis
5. Comatose Waltz
Cover art by All4band Design
BIOGRAPHY:
Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na, all the while being filtered through a progressive lens
The band’s first EP, Lost in Translation, releasing through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.
Chile’s OVERTOUN has signed with Time To Kill Records for the release of their third album, Death Drive Anthropology. The record is firmly rooted in the ’90s death-thrash tradition but features a modern edge that keeps it agile and current, bridging the gap from Carcass and Atheist to contemporary acts like Revocation. The music also incorporates a compelling Latin influence, adding a unique flavor to the band’s sound.
Further details on the album will be announced soon.
OVERTOUN is a death-thrash metal band based between Santiago, Chile, and Boston, MA, fusing the rich musical heritage of Latin America with the complexity and aggression of technical death metal. Founded by Agustín Lobo and Matías Bahamondes, the band solidified its lineup with Yoav Ruiz-Feingold (Atheist, Graviton) on vocals and Matías Salas on bass.
Their discography includes two full-length albums: Centuries of Lies (2018) and This Darkness Feels Alive (2021). The latter was mastered by Flemming Rasmussen (Metallica) and won Best Metal Artist at the 2022 Chilean Pulsar Awards (Chilean Grammys), earning strong praise from the specialized media.
OVERTOUN has performed extensively throughout Latin America, with five national tours in Chile, a tour in Brazil, and shows in Argentina, sharing the stage with Death To All, Sinister, Cryptopsy, and Atheist. In 2025, the band completed its first tour of Japan, including performances in Yokohama and Tokyo, with an appearance at the Tokyo Brutal Fest.
Produced by Martín Furia (Destruction, Bark), OVERTOUN’s third album marks a bold new chapter, introducing darker, genre-defining material that aims to amplify Chilean metal’s global presence.
Due to unfortunate circumstances Toxic Holocaust will no longer be able to take part in the upcoming Death Angel Act III American Tour. However.. We’d like to Thank our friends and Bay Area Thrash brothers Vio-lence for stepping up on such short notice and more than filling in that gap!
This will be the first time that Death Angel and Vio-lence have ever toured together! That coupled with us celebrating 35 years of Act III by playing it in its entirety every night is reason enough not to miss this tour!
11/26/25 Denver, CO – Oriental Theater 11/28/25 Joliet, IL – The Forge 11/29/25 Davenport, IA – Capitol Theater 11/30/25 Minneapolis, MN – Varsity Theater 12/2/25 Indianapolis, IN – Vogue 12/3/25 Pittsburgh, PA – Mr Smalls Theater 12/4/25 Brooklyn, NY – Brooklyn Monarch 12/5/25 Worcester, MA – The Palladium 12/6/25 Albany, NY – Empire Live 12/7/25 Reading, PA – Reverb 12/10/25 Dallas, TX – Southside Ballroom 12/11/25 Houston, TX – Warehouse Midtown 12/12/25 Corpus Christi, TX – House of Rock 12/13/25 San Antonio, TX – Vibes 12/15/25 Albuquerque, NM – Sunshine Theater 12/16/25 Tucson, AZ – 191 Toole 12/17/25 Los Angeles, CA – The Belasco 12/18/25 San Francisco, CA – The Fillmore* 12/19/25 San Francisco, CA – The Fillmore*
MEGADETH have revealed the full track listing for their self-titled final album that’s due out January 23, 2026. Pre-order the album, via DAVE MUSTAINE’s Tradecraft imprint in partnership with Frontiers Label Group’s new BLKIIBLK label, HERE: https://www.blkiiblk.com/
The album includes “Tipping Point,” the previously released first single, and a very special bonus track: a reimagined version of “Ride the Lightning,” which MUSTAINE co-wrote with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich and was the title track from the group’s 1984 album.
“As I come full circle on the career of a lifetime, the decision to include ‘Ride the Lightning,’ a song I co-wrote with James, Lars, and Cliff, was to pay my respects to where my career first started,” MUSTAINE says.
The album’s full track listing is as follows:
Tipping Point I Don’t Care Hey, God?! Let There Be Shred Puppet Parade Another Bad Day Made to Kill Obey the Call I Am War The Last Note Ride the Lightning (Bonus Track)
Megadeth’s This Was Our Life world tour is coming to Latin America in 2026, with massive shows just announced in Lima,Bogotá, Buenos Aires, São Paulo,Santiago, Mexico City and more.
Megadeth Cyber Army members get first access to tickets through exclusive presales.
Lima: Cyber Army Presale November 2 – 3 at 10am local time General On-Sale: November 6 at 10am local time
Colombia: Cyber Army Presale November 3 – 4 at 10am local time General On-Sale: November 7 at 10am local time
Argentina: Presale details coming soon
São Paulo: Cyber Army Presale November 3 – 4 at 10am local time General On-Sale: November 5 at 10am local time
Santiago, Chile: Cyber Army Presale November 2 – 3 at 10am local time General On-Sale: November 4 at 10AM local time
Mexico (all 3 shows): Cyber Army Presale November 8 – 9 at 10am local time General On-Sale: November 12 at 10am local time
VIP package upgrades including full band member Photo Ops and individual band member Meet & Greets will be available starting with presales via Megadeth.com.
The countdown is on, Latin America! Megadeth is coming for you in 2026!
L-R – Ignacio Orellana (Bass/Guitars/Drums) | Nelson Diaz (Vocals)
The international metal project Quemasantos returns with a haunting new visual experience: the official lyric video for “The Oneironaut”, a track inspired by the 19th-century writings of Allan Kardec on journeys of the soul. In this modern reinterpretation, the band transforms those spiritual ideas into a nightmarish, inter-dimensional voyage that unfolds within the realm of dreams. The track featuresguest guitarist Chris Irarrazábal of Chilean thrash metal band Nimrod.
“It’s a song inspired by the 19th-century writings of Allan Kardec on what he called ‘journeys of the soul.’ Today, we could interpret it as a nightmarish vision of an interdimensional journey experienced during sleep.”
Ignacio Orellana adds:
“As we’ve been releasing one track after another, the sound has been evolving in search of what we truly want it to be. As the musician behind the music, it’s been challenging to balance the instruments so that each one shines, because each represents a part of the creator’s soul. I feel that this one leans a little more toward the drums’ side… but the bass, the bass. We’re preparing a few more surprises. Stay tuned and be ready to be surprised.”
Formed in the relentless underground of Santiago, Chile, NIMROD stands as one of the country’s pioneering thrash metal forces. Blending speed, aggression, and precision, the band has forged a sound rooted in classic ’80s thrash while pushing forward with a distinctly South American intensity.
Known for their explosive live shows and powerful songwriting, NIMROD has shared stages with both national legends and international acts, earning a loyal following across Latin America. With a catalog that captures decades of fury and evolution, the band continues to deliver pure, uncompromising metal, a testament to Chile’s enduring heavy scene.
Credits & Production Details:
Vocals: Nelson Díaz
Music: Ignacio Orellana
Lead Guitar: Chris Irarrazábal (Chilean thrash metal band Nimrod)
Vocals Recorded At: Ultrasonico Studios – Santiago, Chile
Music Recorded At: Oily Sound Studios – New York, USA
“Circle The Drain” Single Posted + EU Tour With Darkest Hour Underway
Creator-Destructor Records welcomes Tacoma, Washington-based thrash/crossover crew DENIAL OF LIFE to the label’s savage roster for the release of their new EP, Witness The Power, posting the cover art, track listing, and track “Circle The Drain.”
DENIAL OF LIFE is a metallic hardcore auditory assault forged in the Pacific Northwest. Channeling the speed and venom of Slayer, the primal fury of Sepultura, and the death-soaked grime of Entombed, they deliver a sound that is merciless, unrelenting, and steeped in darkness. With Brenna Gowin’s searing vocals riding the razor-sharp guitar work of Logan Miller and Dante Zickler, the crushing bass of Brian Bernard, and the pulverizing drums of Nick Cody, the band wages war on false hope and hollow promises.
photos by Liv Margullis
DENIAL OF LIFE’s new EP, Witness The Power, is a grim testament to rage and ruin and the beginning of relentless touring that will spread their chaos far and wide. DENIAL OF LIFE is not here to save you. They are here to burn it all down. Having only formed in 2019, the band has been making waves all over the world, bringing their unique style of crossover to headbangers and hardcore fans alike.
Stream DENIAL OF LIFE’s “Circle The Drain” on YouTube HERE and Bandcamp HERE.
Following several singles, promos, and the 2022 release of their debut LP, No Reason, extensive US touring and a four-week European headlining tour, the band now sets their sights on world domination.
Witness The Power was engineered by Jason Brooks, mixed by Taylor Young at The Pit Recording Studio (Nails, Kruelty, God’s Hate), mastered by Brad Boatright at Audiosiege (Obituary, Internal Bleeding, Creeping Death), and completed with artwork by Stein Hansen.
With the EP’s lead single, the band states, “‘Circle The Drain’ is a love song about mourning a personal relationship and feeling shameful because the loss could have been avoided.”
Witness The Power will be released on 12” vinyl, CD, and digitally, via Creator-Destructor Records on November 7th. A music video, preorders and more will be issued over the coming days.
Witness The Power – Track Listing:
Witness The Power
God’s Favorite (Slave To The Blade)
Circle The Drain
Sword Of Fire
Love Sting
Not The One
The news of the new EP arrives as DENIAL OF LIFE launches a European tour, supporting Bleeding Through, Darkest Hour, and Shai Halud. Upon their return stateside, the band goes back out supporting Shai Hulud throughout the Western US in November. See all confirmed dates below and expect additional tour dates to be posted shortly.
DENIAL OF LIFE w/ Darkest Hour, Shai Hulud, Bleeding Through: 10/02/2025 Kavka Zappa – Antwerp, BE 10/03/2025 Tower – Bremen, DE 10/05/2025 Schlachthof – Wiesbaden, DE 10/06/2025 Naumanns – Leipzig, DE 10/07/2025 SO36 – Berlin, DE 10/08/2025 Futurum – Prague, CZ 10/09/2025 Dürer Kert – Budapest, HU 10/10/2025 Hirsch – Nürnberg, DE 10/11/2025 Kiff – Aarau, CH 10/12/2025 Backstage – München, DE w/ Shai Hulud: 11/05/2025 The Aggie Theater – Fort Collins, CO 11/06/2025 Bluebird Theater – Denver, CO 11/07/2025 Urban Lounge – Salt Lake City, UT 11/08/2025 Neurolux – Boise, ID 11/09/2025 Hawthorne Theater – Portland, OR 11/11/2025 924 Gilman – San Francisco, CA 11/12/2025 Fulton 55– Fresno, CA 11/13/2025 1720– Los Angeles, CA 11/14/2025 Brick By Brick – San Diego, CA 11/15/2025 Garden Amphitheater – Garden Grove, CA
Thrash Metal Icons Flotsam and Jetsam Sign Worldwide Contract With Napalm Records! New Music Coming Soon!
Michael Gilbert of FLOTSAM AND JETSAM offers about the signing: “We are extremely excited about working with Napalm! They are an amazing company that is very passionate about metal music, just like FLOTSAM AND JETSAM is. Everyone in the band looks forward to a great relationship with a very like-minded company!”
Napalm Records Senior A&R Sebastian Münch adds: “We’ve been very impressed by Blood In The Water and I Am The Weapon, the two amazing Power/Thrash Metal albums that FLOTSAM AND JETSAM have released in recent years. Due to that and their legendary metal status, we are absolutely thrilled and proud to work alongside the band as they continue their legacy! Welcome to the Napalm family!”
Fresh off of their successful recent European tour, FLOTSAM AND JETSAM are thrilled to announce their brand new partnership with Napalm Records! The American thrash metal legends have signed a worldwide contract with the premier rock and metal label, and are preparing to release new music soon.
A new era is dawning for the Arizona metal icons. With their iconic mascot Flotzilla growing more menacing with each release (just like the band themselves!), FLOTSAM AND JETSAM’s work on their upcoming 16th studio album keeps the heavy momentum moving. Currently in production and slated for a 2026 release, it’ll mark nearly 40 years since the band’s groundbreaking debut, Doomsday for the Deceiver.
The band’s current lineup is arguably its strongest ever. Frontman AK Knutson continues bringing the magic, steadily improving his craft with every album and tour. He’s backed by the incredibly talented, exceptionally brilliant guitar duo of co-founder Michael Gilbert and Steve Conley, the powerful, precise and lightning fast magic of drummer Ken K Mary (Alice Cooper, Accept), and the “fresh blood”, extraordinary technical skills and prowess of bassist Bill Bodily.
Streaming Single “Blood Drowned Prophecy” ft. Liv Jagrell (Liv Sin)
Canada’s undisputed Thrash Metal Gods Triskelyon return with their long-awaited 4th full-length,Maelstrom of Chaos, a relentless storm of speed, fury, and precision due out on November 28th, via Moribund Records.
Formed in 2021 by guitarist Geoff Waye of the acclaimed True Metal band Category VI, Triskelyon came roaring out of the gate with their self-titled EP and landed a deal with Moribund Records for their chart-crushing debut, Downfall (2022). They followed with the bone-splitting Artificial Insanity (2023), dominating radio for six weeks, followed by the apocalyptic Shattered Elysium (2024). Each release bigger, faster, heavier… and now comes the ultimate Thrash onslaught “Maelstrom of Chaos”.
For Maelstrom of Chaos, mastermind Geoff Waye once again summons an all-star cast of metal warriors from the Canadian scene and from the global scene. Enlisting the vocal talents of guests Liv Jagrell (Liv Sin), Amanda Jackman (Category VI), James Delbridge (Lycanthro), Carolina Padrón (Tribus, Bloodrain), Dale Drew (Sea Dogs), and Pete Healey (Marshall Law, Ex Oberon), this album reigns as a true Thrash Metal masterpiece.
On drums, the thunder is split between Raul Marques (Burning Torment) and Nicole Trinchero (Chaos Rising, Acroma), while bass devastation comes courtesy of Dwayne Pike (Afterforever), Rick White (Within the Realm, Exorcist), and Darrin Pope.
In true Triskelyon fashion, expect more than Thrash – this is a molten fusion of Thrash, Speed, Power, Death-Thrash, and Traditional Metal. Wild and impressive, explosive riffs, razor-sharp solos, and skull-crushing rhythms resurrect the glory of the ‘80s while forging it into something bigger, louder, and deadlier for today.
In keeping with Triskelyon‘s tradition of closing their albums with an iconic cover, this release delivers the heaviest Metal rendition of Peter Schilling’s mega-hit “Major Tom” that the world will ever hear!
Maelstrom of Chaos is not just an album – it’s a Thrash Metal supernova. Brace yourself.
Track Listing: 1. Of Dust and Divination (4:49) 2. The Winter Tsar (4:02) 3. Maelstrom of Chaos (4:24) 4. Unit 684 (4:21) 5. Blood Drowned Prophecy (4:10) 6. Death Racer (4:24) 7. Blame Game (4:27) 8. Divide and Dissent (3:53) 9. Cretin (5:08) 10. Major Tom (cover) (5:22)
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