September 13, 2024 will see hard rock titans VICTORY strike back with their brand new studio album, entitled Circle Of Life, slated for a release on AFM Records. The album pre-sale is available at: https://victory.bfan.link/circle-of-life
Circle Of Life sees the five-piece surrounding founder and iconic guitarist Herman Frank not only effortlessly build on earlier feats, but also sounds stronger than ever. Frank describes the release with its first-rate production as “even more grown-up and mature than its predecessor, we’ve taken the new songs to a whole new level in every respect.” He knows what this optimised performance is due to: “The group operates as a tight unit, based on the experience of the many live shows we’ve played together. ‘Circle Of Life’ brings together what has grown together and belongs together.”
Naturally, the excellent reputation of a successful hard rock act such as VICTORY is based, among other things, on the superb achievements of their long-standing career. The early days of the Hanover-based group date back to the 1980s and include immortal album classics and successful tours around the globe. However, none of this would account for much or would indeed be classed as anything but nostalgia if their present accomplishments weren’t on a par with the band’s impressive past.
All of the ten new album tracks were recorded by Herman Frank together with vocalist Gianni Pontillo, rhythm guitarist Mike Pesin, bassist Malte Frederik Burkert and drummer Michael Stein at Hanover’s famous Horus Sound Studios, featuring a mix courtesy of sound engineer Arne Neurand.
Circle Of Life Tracklist: 01.Tonight We Rock 02. American Girl 03. Count On Me 04. Surrender My Heart 05. Unbelievable World 06. Moonlit Sky 07. Falling 08. Money 09. Reason To Love 10. Virtual Sin
Legendary, long-running metal band STRYPER are setting the stage for a great year with a new single entitled “End of Days.” Accompanied by a new lyric video, the track also helps announce the band’s 40th Anniversary Tour dates which begin this fall. After an appearance at the Alive Music Festival in July, tour dates kick off September 11th in Greenville, TN, and conclude November 16th in North Myrtle Beach, SC. A full list of dates is below.
About the new track, the band shared this:
“’End of Days‘ is a heavy track musically and lyrically. It has a classic sound with a few modern twists and turns along the way. Lyrically, it’s probably the most fitting message according to the times we are living in. It really does feel like the ‘End of Days‘ in many ways. We’re not only a divided nation, we’re a divided world. It’s time to make things right.”
Looking ahead, STRYPER has completed recording a new studio album set for release in fall 2024, which they hope will continue their trend of improving with each release. The band is also working on a Kickstarter-funded documentary film directed by Chris Atkins. With career album sales exceeding 10 million worldwide and a history of Billboard Top 40 hits, STRYPER continues to record, tour, and perform for devoted fans globally.
The current lineup includes original members Michael Sweet, Robert Sweet, and Oz Fox, along with bassist Perry Richardson, as they create what they consider their finest and most powerful music yet.
“It is with heavy hearts we have to inform you that all scheduled Dokken European Summer dates need to be postponed. Due to ongoing complications after extensive neck surgery and a recently fractured ankle, Don will not be able to stand for prolonged periods of time nor travel overseas at this time.
Don believes the European fans deserve the best possible farewell.
With this in mind, he will do his best to make good in 2025. Thank you for your understanding and continued support.” #Dokken
Excited to announce I’ll be embarking on a new USA tour celebrating forty years of my solo career. Can’t wait to see you all on the road – you’re not going to want to miss this.
Tour dates in the tour flyer image above. Tickets will go on sale at: yngwiemalmsteen.com/tour
May 31 | Portland, ME *^ Jun 01 | Norwalk, CT *^ Jun 02 | Rochester, NY *^ Jun 04 | Grand Rapids, MI *^ Jun 05 | Indianapolis, IN *^ Jun 07 | Madison, WI *^ Jun 08 | Palatine, IL *^ Jun 09 | Chicago, IL *^ Jun 10 | Des Moines, IA *^ Jun 12 | Lawrence, KS *> Jun 14 | Memphis, TN *> Jun 15 | Oklahoma City, OK *> Jun 17 | Little Rock, AR *> Jun 18 | Nashville, TN *> Jun 19 | Birmingham, AL #> Jun 21 | Richmond, VA #> Jun 22 | Charlottesville, VA #> Jun 23 | Silver Spring, MD #> Jun 24 | Pittsburgh, PA *> Jun 26 | Patchogue, NY *> Jun 27 | Bensalem, PA *> Jun 30 | Stroudsburg, PA *>
Embrace the enigmatic allure of 70’s rock with OCCULT WITCHES‘ new single, “Faustian Bargain,” released today under the esteemed Black Throne Productions. This marks the second single from their upcoming album, Sorrows Pyre, due out July 26th via Black Throne Productions.
“Faustian Bargain” explores the dangers of an all too familiar type of deal. “This song is about almost making a deal with Satan and he ain’t fucking patient. Won’t be thanking him for this one,” reveals the band.
OCCULT WITCHES has quickly risen through the ranks, defining a unique space within the rock genre with their captivating blend of music and storytelling. Their songs, rich in narrative and emotion, draw on elements of darkness, witchcraft, and existential struggle, resonating with a wide range of listeners.
The band’s journey from Rimouski, QC, to Hamilton, ON, on their first tour last summer has only solidified their presence in the music scene. With plans for mini-tours this summer, OCCULT WITCHES is poised to reach new heights and captivate more audiences with their powerful performances and profound lyrical themes.
OCCULT WITCHES invites listeners to embark on this dark yet enlightening journey through their music. Stay tuned for more from OCCULT WITCHES as they continue to explore the depths of the human condition and the eternal dance between light and darkness.
The Helsinki Vampires took the United States by the neck on their most recent tour, Death of Darkness. The 69 Eyes sunk their fangs into Leesburg Virginia on April 11th at the Tally Ho Theater, but they were not alone. Joining them were Budderside and The Bites and they all came with a thirst for blood and Rock N Roll.
Budderside took the stage first to the Goosebumps theme song that led into “Careless Whisper” which by the way even the gothiest of people will cheer for. They continued the spooky theme by opening the show with “Ghostlighting” and immediately had the crowd’s attention.
Lead singer Patrick Stone has the perfect combination of high pitch vocals and grungy rasp that makes Budderside sound so unique. Along with strong piercing vocals, Stone has a stage presence that is not only commanding and passionate but also comforting. It took no time for Stone to make his way off the stage and down to the barricade to really connect with fans. This literal in your face experience did nothing but hype the crowd up even more. By the last song Stone had escaped the barricade and truly connected with fans by running into the middle of the crowd and head-banging along with them.
Playing along side Stone is one of the finest young guitarist to join the rock and metal scene. Sam Koltun, better known as Sam Bam, truly knows his way around a guitar. However, it’s not just Koltun shredding for Budderside. Logan Nikolic took command of stage right in his own incredible style.
Both put their whole bodies into playing and you can both see and hear how much heart they put into their playing.
Towards the end of their set Stone began to encourage new and old fans to sing along with him to “Never Worth It.”Even those who didn’t know the lyrics picked up on instructions and “Never Worth It” became the loudest sung song of their set.
For the most part Budderside’s set stayed on the heavier side of things musically, only slowing down for “Joker,”a very sentimental song for Stone. Over all, Budderside’s lyrics are very relatable no matter how you interpret them. Their set made you feel every emotion.
As the band left the stage it was obvious they had gained quite a few excited new fans. They may have gone first but there is no way their set wasn’t permanently burned into everyone’s heart and soul.
The Bites took the stage next. Their music style is much lighter than Budderside, staying closer to their 80s glam metal side, but they did not hold back in the slightest.
Lead singer Jordan Tyler is the equivalent of this generations David Lee Roth. From running all over the stage and landing multiple high kicks, to a voice and face that drives the ladies wild. It’s like someone kept him in a cage and he was released on stage to let everything out. His goofy side also shown through during their cover of “War Pigs” by Black Sabbath when he changed “Just like witches at black masses” to “I love goth girls with fat asses”.
While hanging out with fans after the show, Tyler jokingly stated that they definitely weren’t having fun on stage. How do we know that’s a joke? Cause it’s blatantly obvious that every second they are on stage they are having the time of their lives doing what they love.
The crisp ear piercing sounds of Jono Richer‘s guitar is a very big part of what fueled the fans. With just as much energy as Tyler, Richer let the sleaze run from his fingers.
Just watching bass player Zack Currier, it’s safe to say if given the opportunity he would leave the stage to rock with the crowd. His movements were perfectly aligned with every pick of the bass.
Along with Currier, drummer Mark Hylander kept an exceptionally tight rhythm. Even behind the kit, his loud strikes against the drum heads reached fans and his talent elevated the band’s sound even more.
A long line awaited the band after their set as fans wanted their own autographed copy of 2023’s album Squeeze.
As the last of the day’s light disappeared, the creatures of the night came out to play literally. The 69 Eyes joined the party and left everything they had on stage. From the first note to the last song hands were in the air and fans were screaming at the top of their lungs.
The band took the stage to Elvis’s “Heartbreak Hotel,” a song that for those who aren’t familiar with the band will make so much sense later on in the show.
Opening the show with “Devils” was a perfect way to introduce the new fans in the crowd to the overall vibe of the rest of the night, and had the OG fans even more excited than before. By the third song everyone was pushed up as close to the barricade as possible reaching for the band.
Lead singer Jyrki is best described as Vampire Elvis, with a deep sultry voice and hips that would give The King himself a run for his money. The low gothic tones of his voice mixed with the classic horror rock n roll sound of the band makes it feel like you’re at sexy Halloween dance party.
Drummers are known to be wild and Jussi is no exception. Arms like an octopus and standing up on his drums like a monkey climbing a tree. He’s loud, impactful and adds the thunder to the beautiful storm that is The 69 Eyes. Paired with Jussi on bass is Archzie, who kept deep time and perfect low end all night.
The 69 eyes have two creatures producing the beautiful banshee screams and low ghostly moans on the guitar. Pasi Moilanen on stage left and Timo-Timo on stage right. Just like Archzie and Jussi, the two are a match made in heaven (or hell).
Jyrki fed off the crowds reaction all night, even holding the mic stand out over the pit and into the audience to encourage them to sing along louder which wasn’t a problem in the first place. Jyrki introduced Dance D’Amour by stating he had some moves to show us. As “Dance with me into Night” left his lips everyone was truly dancing. Not headbanging, not nodding along but dancing and swaying like they were in a calm trance.
The band left the stage for the encore and a member of their team came out and got the whole place chanting 69 as the band walked back out on stage. Jyrki placed a rose on the drum set and the madness continued. The most hype came when they began to play “Lost Boys”. No one wanted the show to end and there were nothing but smiles as the band said their final goodbyes.
The Death of Darkness tour featured 3 different styles of rock, yet they all blended so well together. The most important thing is that not once throughout the night did any one look bored or did any band sound bad. I don’t think anyone would be angry if these 3 bands toured together again next year. – Tanis Enos
Metal Blade Records is pleased to welcome CATEGORY 7, the new band featuring vocalist John Bush, guitarists Phil Demmel and Mike Orlando, bassist Jack Gibson and drummer Jason Bittner, to its legendary roster!
With veteran musicians from such legendary acts as Anthrax, Armored Saint, Adrenaline Mob, Machine Head, Overkill, Exodus, and Shadows Fall, it’s hard not to think of CATEGORY 7 as a supergroup. The origins of the band began with discussions between Demmel and Orlando of their mutual desire to form a twin lead guitar hard rock unit harkening back to bands of the ‘70s such as Thin Lizzy. Bittner was next to join the conversation followed by Gibson. After composing some early music, it was obvious that the only vocalist that would fit the concept would be Bush.
Notes Bush, “Mike Orlando’s and Phil Demmel’s awesome riffs made writing lyrics over the music a piece of cake. The rhythm tandem of Bittner and Gibson rounded out the sound and the connection felt like it was put together in the stars. Obviously, everyone being a veteran of the metal scene made it that much easier.”
Based on Demmel’s and Bush’s long-term relationships with Metal Blade Records, it seemed to be the perfect home for the band. The label agreed and a union was quickly forged.
Comments Metal Blade Records’ founder Brian Slagel of the signing, “Happy to welcome CATEGORY 7 into the Metal Blade family. Of course, some of them are already in! Seriously love working with this crew and it’s great stuff!”
As crushing and confrontational as an armed rebellion and as fiercely melodic as infectious riffs and aggressive vocals can be, CATEGORY 7 is a new breed of hard rock that lives up to the storied histories of its members. CATEGORY 7’s debut will see release this Summer with their first single to be unveiled on May 2nd. Stand by for details!
We’re thrilled to announce new dates for our 2024 PEACE OUT Tour with special guests The Black Crowes! All previously purchased tickets will be honored for the rescheduled shows – you’ll receive more info via email. Tickets for the rescheduled dates & newly added shows go on sale Fri 4/12 @ 10AM local at http://www.aerosmith.com.
Hall Aflame, the rock band which features Metal Church founding guitarist Kurdt Vanderhoof, will release their long-awaited sophomore album “Amplifire” on May 3, 2024 via Rat Pak Records. Originally formed in 1989, the band garnered commercial success with their debut album “Guaranteed Forever”, which was well received by fans and industry peers alike and quickly found themselves opening for ZZ Top on their 1991 “Recycler” tour for a number of dates. As with many bands from that era, facing a decline in interest for AOR rock due to the onslaught of the “grunge” scene, the band went on a lengthy hiatus and reunited again in late 2023 to begin working on a handful of songs.
Amplifier offers 12 new studio tracks and reunites Kurdt with original bassist Brian Smith, along with drummer Bill Raymond and front-man Scott Nutter. Regarding the album, Kurdt Vanderhoof comments, “This album came about as a project to document all the songs that we had written for the second album that never came to be. We revisited the songs and realized they had to be recorded properly. Then it blossomed into something much better than we had even hoped! So that led us into reforming the band instead of just having it be a project.”
Bassist Brian Smith adds, “I think anyone that is a fan of “Guaranteed Forever” will see this record as a new and improved “Part II” of Hall Aflame. Great songs, great production and we had a ton of fun putting this together!” Scott Nutter adds, “A good hard rock album should lift you, make you want to sing along and rock out! That’s what this album does for me!”
From the driving album opener “Helltown” to the powerhouse outro track “Keeping Them All Away”, Hall Aflame shines with their signature brand of rock-n-roll. Tracks like “Ripcord”, “In The Same Gutter”, “It Ain’t Enough” and “Gunnin’” are filled with memorable hooks and melodies, while songs like “Pullin Me Apart” and “1974” showcase their unique, classic rock songwriting abilities. With influences that range from Bad Company to Thin Lizzy, “Amplifire” is best described as the perfect blend of classic rock with a modern-day edge!
Track listing: 01 Helltown 02 Ripcord 03 1974 04 This Ain’t Love 05 The Same Gutter 06 It Ain’t Enough 07 Gunnin’ 08 Pullin’ Me Apart 09 Long Way Down 10 Keeping Them All Away 11 Cowboy (bonus track) [CD & Digital] 12 Paradise on Ice (bonus track) [CD & Digital]
Legendary UK metal giants Orange Goblin are back with details of their long awaited new studio album Science, Not Fiction. Set for release on July 19th, Science, Not Fiction will be the band’s first release on the iconic Peaceville label (Darkthrone, Autopsy, Candlemass).
To accompany the announcement, the band have shared their new single “(Not) Rocket Science” – a matter of fact observation on the human tendency to over-complicate life – alongside a swirling animated lyric video by Matthew Vickerstaff (https://www.instagram.com/matthew_vickerstaff)
Speaking on the track, frontman and lyricist Ben Ward says “It’s basically saying that life can be pretty simple and straightforward if you just stop wasting your time and make each day count. Be prepared to work hard, don’t expect any hand outs and basically enjoy yourself along the way.When Chris came up with the music he said it needed something that could be delivered in a Bon Scott / Lemmy style and I think it came out really well”.
Science, Not Fiction was recorded at Woodworm Studios UK in late 2023, with production and mixing duties carried out by Grammy winning producer Mike Exeter (most notable for his work with Black Sabbath, Judas Priest and Tony Iommi) and mastering conducted by the esteemed Peter Hewitt-Dutton at The Bakery in LA.
From the explosive death-boogie of opener “The Fire At The Centre Of The Earth Is Mine” onwards, the band’s tenth album crackles with energy and belligerence. Following the departure of long serving bassist MartynMillard in 2020, Orange Goblin welcomed close friend Harry Armstrong (formerly Hangnail) into the fray, making Science, Not Fiction his first studio outing with the band.
With the new line-up fizzing with chemistry, the hard rocking likes of “(Not) Rocket Science”, “The Fury Of A Patient Man” and “The Justice Knife” breathe new life into some classic Orange Goblin tropes. Meanwhile, twisted prog-doom detours like “False Hope Diet” and “Cemetary Rats” take the Londoners into epic new territory, with everything from skull-shattering punk ‘n’ roll to transcendent space rock hurled into the swirling brew.
“It is a continuation of what we’ve been doing, and that’s because when we write, it’s a big mixing bowl of all of our influences and favourite artists, and we try and create the perfect band that we always wanted to hear,” Ben states. “This album, it’s just more accomplished and mature, I guess. None of us are spring chickens anymore and we’ve got ten albums under our belts now. I feel like we’re more professional in the recording studio, I feel like we’re better musicians and writers, and now with me looking after myself, I feel like my performance is better as well. It’s all moving in the right direction.”
For the last 30 years, Orange Goblin, London-based hard rock lifers, have tirelessly flown the flag for balls-out heavy metal and maximum rock ‘n’ roll. Driven by passion, persistence and heartfelt love for metal’s dark magic, Orange Goblin have always been a vital force and a risk-free bet. While some may be content to trade on past glories, Orange Goblin view heavy metal as a lifelong pursuit. In 2024, they open a new chapter in their heroic saga, marking it with the release of their tenth studio album: Science, Not Fiction.
“People have funny ideas about what heavy metal is. But to me, it’s an attitude, it’s a lifestyle, it’s not something you decide to dip into. You either are or you’re not. And it’s for life.” Ben Ward, Orange Goblin
Orange Goblin – Science, Not Fiction track-list:
The Fire At The Centre Of The Earth Is Mine
(Not) Rocket Science
Ascend The Negative
False Hope Diet
Cemetary Rats
The Fury Of A Patient Man
Gemini (Twins Of Evil)
The Justice Knife
End Of Transmission
Bonus track on CD Deluxe & LP: 10. Eye Of The Minotaur
Orange Goblin are: Ben Ward – vocals Joe Hoare – guitar Chris Turner – drums Harry Armstrong – bass
The band will be supporting the release of Science, Not Fiction with a full live campaign starting on April 6thwith a tour in April, of Japan, Australia and New Zealand, more shows and festivals are due to be announced very soon.
Staff contributor and photographer Tanis Enos has presented this exemplary concert photo gallery of Geoff Tate and his band; taken from the Tally Ho Theater in Leesburg, Virginia, on March 28, 2024.
See also below, the concert photo gallery of opening band Fire & Water. Click on any photo in this gallery to enlarge and enjoy!
May 17 — Gelsenkirchen, Germany @ Veltins Arena May 21 — Gelsenkirchen, Germany @ Veltins Arena May 25 — Reggio Emilia, Italy @ RCF Arena May 29 — Seville, Spain @ La Cartuja Stadium June 05 — Amsterdam, the Netherlands @ Johan Cruyff Arena June 09 — Munich, Germany @ Olympic Stadium June 12 — Munich, Germany @ Olympic Stadium June 16 — Dresden, German @ Messe June 23 — Vienna, Austria @ Ernst Happel Stadium June 26 — Vienna, Austria @ Ernst Happel Stadium June 29 — Zurich, Switzerland @ Letzigrund Stadium July 03 — London, England @ Wembley Stadium July 07 — London, England @ Wembley Stadium July 13 — Hockenheim, Germany @ Ring July 17 — Stuttgart, Germany @ Wasen July 21 — Bratislava, Slovakia @ Old Airport July 27 — Nuremberg, Germany @ Zeppelinfeld July 21 — Hannover, Germany @ Messe Aug. 09 — Dessel, Belgium @ Festivalpark Stenehei Aug. 13 — Paris, France @ Hippodrome Paris Longchamp Aug. 17 — Dublin, Ireland @ Croke Park
Who is ready for some big city nights in Las Vegas?!! Scorpions: Love at First Sting Las Vegas residency launches on April 11th at the Bakkt Theater at Planet Hollywood in Las Vegas, NV.
The brand new headlining residency show will celebrate the 40th anniversary of the Love at First Sting album, performing the album plus all of the biggest hits from April 11th to May 3rd, 2024.
Join us for some Big City Nights – Sin City style! Get your tickets now at Ticketmaster.com
Thursday, April 11 Saturday, April 13 Thursday, April 18 Saturday, April 20 Wednesday, April 24 Friday, April 26 Sunday, April 28 Wednesday, May 1 Friday, May 3
LOVE AT FIRST STING TOUR – UK/Europe:
Rock Believers of UK and Europe, we are very excited to be coming your way! Following the Las Vegas residency we will be bringing the Love at First Sting Tour across the world continuing our celebration of this legendary album. Get your tickets now and we’ll see you this Summer!
Australian Hard Rockers Tarot have released “Leshy’sWarning,” the second single from forthcoming album, Glimpse of the Dawn. Check it out on the Cruz Del Sur Music YouTube Channel: youtu.be/2D-n14FZQAU
Glimpse of the Dawn, the band’s first album for Cruz Del Sur Music, will be released April 12 on CD, vinyl, and digital formats! The long-awaited sophomore album re-imagines heavy, Hammond B3 organ hard rock for a new generation!
Eight years have passed since Tarot’s first full-length, Reflections, to their new long-player, Glimpse of the Dawn. It was like a lifetime for the 1970s-rock-tinged Australians. The band embarked on its first-ever live shows after Reflections, essentially coming together as a unit while on stage.
Live activity then opened the door for increased collaboration between all members of the band. Now operating as a cohesive, free-flowing outfit, Tarot amassed a lively, spacious album in the form of Glimpse of the Dawn that earnestly pays tribute to their core influences of Uriah Heep, Rainbow and Deep Purple while blazing an identity of its own.
Glimpse of the Dawn was recorded across several studios in the band’s native Tasmania, starting with drum tracking by Joe Haley at Crawlspace Productions. From there, the band retreated to its own Heavy Chains Studio and Riff Cabin to complete tracking, yet it was the face-to-face sessions with Haley that gave the album its live and natural feel.
This approach, once an industry standard and now becoming a rarity, found Tarot simply cracking open a few beers, letting the tape roll and letting the results happen as they may. To that end, Tarot purposely left open spaces to allow for improvisation.
Photo Credit: Saint Bradshaw
Many of the album’s lead guitar sections were written on the fly in the studio and were subsequently kept, allowing forTarot to “catch lightning in a bottle.” This approach is perhaps best exemplified on the title track, which kicks off the album in grand fashion with rollicking Hammond keyboards and vocal trade-offs between founding member WillSpectre, guitarist FelixRussell and keyboardist Dave Harrington-George.
In fact, collaboration defines Glimpse of the Dawn. Whereas Spectre previously shouldered the songwriting load, the album features contributions from all members of Tarot. This communal, open vibe is yet another throwback to the bands Tarot has taken inspiration from.
The closeness of all five members allowed for a free exchange of ideas, thus sharpening every facet of the album. It helped further expand Tarot’s sound, which is often driven by the classic Hammond B3 organ, mellotron string and choir and various analog synths. The members of Tarotput an immense amount of thought into the interplay between Harrington-George’sparts and its guitar lines, ultimately producing an album with equal breadth and depth.
Glimpse of the Dawn is tailor-made for the live arena. Tarot already has plans to hit its Australian homeland and Europe throughout 2024, bringing its hard-rocking, anthemic songs to audiences deserving of a band that perfectly embodies the spirit of 1970s rock.
Single cover artwork • “Crack Cocaine“ (Written by Billy Morrison/ Ozzy Osbourne/Steve Stevens)
“The Morrison Project”OfficialAlbumrelease: April 19, 2024
Billy Morrison, the British guitarist, singer, and songwriter primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, and for his previous role as bassist in The Cult, has assembled an electrifying 12 songs including guest performances by Ozzy Osbourne, Billy Idol, DMC, Corey Taylor, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, John5, and more!
I guess the way that your love makes me feel/Must mean I’m really addicted,” sings OZZY OSBOURNE on “Crack Cocaine”, the newly released track out on March 21st from BILLY MORRISON’s new solo album THE MORRISON PROJECT. This album is releasing on April 19th, via The Label Group’s partnership with TLG ZOID through Virgin Music Group.
Crack Cocaine” (04:01 min) Music video Premiere: March 21, 2024 YouTube Video by IVO RAZA
Official release on March 21, 2024 Label: TLG ZOID • Virgin Music
“Crack Cocaine” is the second single/video from THE MORRISON PROJECT and follows the single/video “Drowning”. Stream it HERE
This seismic collaboration also features STEVE STEVENS on guitar and was co-written by MORRISON, OSBOURNE, and STEVENS who all appear in the video with PARIS JACKSON playing the glamorous/romantic interest, with cameos from visual artist RISK and actor JEFF HILLIARD.
“Crack Cocaine” marks the first new song with OZZY on vocals since the 2022 release of his worldwide smash album Patient Number 9 which earned him two Grammy Awards (“Best Rock Album,” “Best Metal Performance”). “I was in the same room as Billy and Steve,” says OZZY about co-writing the song. “The lyrics just came out of the blue. It was written in about 20 minutes.”
BILLY MORRISON • 2024 📸 JaneStuartPhotos
BILLY, the British guitarist, singer and songwriter primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, sheds more light on the song’s origins: “The music was a direct result of sitting in a room with Steve, both with de-tuned guitars, and writing what we felt was an ultimate Ozzy riff. From there, we brought Ozzy over and we all sat around working on the lyrics, but 90% of those came from Ozzy himself. He’s the one that suddenly stood up and sang “Like Crack Cocaine”! We looked at each other and knew we had the title!”
BILLY: “The song is 100% about how certain relationships can FEEL like an addiction. It’s nothing whatsoever to do with the drug! It’s a comparison. Ozzy is talking about being in that dysfunctional situation with a partner that feels so wrong, but you keep going back again and again. ‘Loving you is driving me insane. I put you down and pick you up again’ – it’s exactly like a drug addiction.”
Importantly, reveals STEVE, “First and foremost, Billy and I discussed what an Ozzy fan would really love to hear. We really zeroed in on the ‘90s-era Ozzy, the truly heavy stuff. We cast aside any rules both musically and lyrically. It was really a great team and Billy is just such a great motivator. Obviously as a guitarist, to contribute to an Ozzy song is like a kid in a candy store. He’s played with such an amazing array of guitarists that I tried my best to honor that tradition.”
Adds STEVE: “I think the fact that Billy and I have spent the better part of 16 years working together in Billy Idol means we are almost telepathic in how we arrange guitars, etc. Billy and Ozzy have such an amazing friendship that it was easy to feel inspired and want to help them achieve any idea I could assist with. As we worked in my home studio, I tried to make the actual recording process almost invisible. Forget any technical aspects and really have some fun. To Ozzy’s credit, he was totally focused; and man the first time I heard him sing in what was essentially my living room, fucking chills ran down my spine.”
Line-Up: Ozzy Osbourne • Vocals Billy Morrison • Rhythm guitar Steve Stevens • Lead guitar Tommy Clufetos • Drums
“Crack Cocaine” is the second single/video from THE MORRISON PROJECT and follows the single/video “Drowning”. Stream it HERE
💿 DISCOGRAPHY: 2008 • Stimulator • Full-length 2015 • The God Shaped Hole • Full-length 2024 • The Morrison Project • Full-length
Iconic heavy metallers ARMORED SAINT, who’ve been hard at work demoing tracks for their upcoming new full-length, will return to the stage later this month as direct support to Queensrÿche! The trek, which commences on March 27th in Anaheim, California, includes twelve ARMORED SAINT headlining shows scattered throughout.
Comments ARMORED SAINT bassist Joey Vera: We’re super stoked to be going back out on the road with our good friends Queensrÿche! We’ve done several tours in the past and we always have a great time being on the road with these great musicians and friends! We’re looking forward to playing some cities we’ve never played before and also, we’ll be playing some of these dates as headliners! We’ll be pulling out some deep cuts and playing an extended set so we hope to see you come out to all of these shows! We’ve been busy writing new music so keep your ears peeled in the near future for some new SAINT! Until then, we’ll see you up front!”
Tickets are on sale now with VIP upgrades available at THIS LOCATION. See all confirmed dates below.
ARMORED SAINT’s most recent studio album, Punching The Sky, was released in 2020. The critically lauded full-length hit worldwide record charts including #4 on Billboard’s Current Hard Music Albums chart, #6 on the Top New Artists chart, #16 on the Top Independent Albums chart, and #17 on the Current Rock Albums chart upon its first week of release.
We’re thrilled to announce an exclusive run of U.S. Tour dates kicking off in New York City on June 6th at Racket NYC. We’ll be hitting some of our favourite cities and venues across the country.
We’re going to give you a taste of some of our new music and will be releasing a single in support of the tour. So you’ll be hearing some new stuff as well as your favourites at these shows.
Keeping it in the family, John, Doug, David, and Michael look forward to welcoming heavy hitting Tommy Clufetos (Ozzy Osbourne, Black Sabbath) back to the line-up.
“We’re looking FORWARD to seeing all of our incredibly supportive friends, fans, and family out on the road, right here in the “Good Old U.S. of A” kicking off June 6th… Thank you, we love you!!!” – John Corabi
June 2024 U.S. Tour:
06 Racket NYC New York, NY 08 The Landis Theater Vineland, NJ 09 Mickey’s Black Box Lititz, PA 11 The Machine Shop Flint, MI 12 The Arcada Theatre St. Charles, IL US 14 The King Of Clubs Columbus, OH 15 Blue Note Harrison, OH 16 The Basement East Nashville, TN 19 House Of Blues San Diego, CA 20 Whiskey a Go Go Los Angeles, CA 22 Goldfield Trading Post Roseville, CA
Two big names of the 80s teamed up and took the Music City by its cowboy boots. Adrian Vandenberg, and Geoff Tate played the Country Music Hall of Fame in Nashville Tennessee on March 5th, to a very rock n roll hungry crowd.
Adrian’s band, properly named Vandenberg, took the stage first. The screams of excitement started right when the first member hit the stage. Vandenberg opened with “Hit the Ground Running” off their newest album, Sin, released in 2023. Not only was the album well received by fans all over the world but the song they did play was the perfect way to open the show. A few days prior to this show Adrian took to his social media accounts to express how much he enjoys having so many Whitesnake songs in the set as it was 12 years of his career. Vandenberg played 7 Whitesnake songs out of an 11 song set and the crowd devoured every song.
Vandenberg’s current lead singer, Mats Levén, has quite the resume, including working with Yngwie Malmsteen and touring with Trans-Siberian Orchestra. Levén has a very seductive voice that pairs very well with the overall sex appeal of almost every Whitesnake song. He stays nicely in a lower register which is perfect for songs like “Sailing Ships,” but when he needs to hit the high notes, like in “Still of the Night,” he hits them spot on. Ears perk up and bras come off. (Not literally but it wouldn’t be surprising). Adrian even stated he had vocal cords of steel.
Adrian started Vandenberg when he was around 27 years young, watching him play on stage 43 years later he is still that lively young man who stole hearts with the power of his guitar in the 80s. Whether you understand how to play or not there is no questioning Adrian’s abilities. Every guitarist says they always have more to learn but watching and listening to him play it’s easy to say that every young guitarist could learn a lot from him.
The rhythm sections is currently made up of Randy Van derElsen on bass and Joey Marin on drums. 10 out of 10 and absolutely solid pair. Van der Elsen absolutely tears up the bass and his facial expressions show that he’s not just playing the notes but feeling the music as he goes. Marin destroys the drums with such speed yet such grace and happily holds up the thunderous sounds of Vandenberg and Whitesnake. Last but certainly not least, Len Van de Laak adds those finishing touches on the keyboard.
Vandenberg had a very good mix of high and low energy songs transitioning from the intensity of Vandenberg’s “Freight Train” to the slightly more subdued sound of Whitesnake’s “Sailing Ships.” The most intimate moment of their whole show was during “Here I go Again.” As the band began their final song every fan in the audience knew their role.
Levén let the crowd have their moment singing the chorus back at him, and even had the crowd repeat it back to him one extra time. Needless to say, Vandenberg set the crowd on fire and prepared them for who was to take the stage next.
Geoff Tate and his band closed out the night. The second the lights went out, the crowd was on their feet trying to get as close to the stage as a seated venue would allow. They opened the show with “Empire,” the title track off Queensryche’s fourth studio album. Tate and his band treated fans to at least one song off of six different Queensryche albums including Operation: Mindcrime, Rage for Order, and Promised Land.
Very little has changed with Tate’s vocal range since the release of the self titled EP Queensryche in 1983. Every vocalist who has been doing this for as long as he has should be aware of what notes they can and can’t hit. Tate smoothly transitioned over pieces that he may have felt weren’t going to come out like the album, but also added a little spice to those high notes he knew he could hold.
Sound is definitely very important when putting on a good show for obvious reasons but so is having good chemistry between band mates. The best way to describe the relationship between Tate and his band is a loving and encouraging father and his 6 sons. Tate has put together a nice blend of young international rockstars.
Tate had up to 4 guitarists raising hell behind him, including James Brown (Ireland), Dario Parente (Italy), AmauryAltmayer (France), and Cillian Plummer (Ireland). The fun didn’t stop with the guitarists. The fiery rhythm section was made up of Jack Ross (Scotland) on bass and Danny Laverde on Drums. As a group they play like they are the original line up of Queensryche!
Fans sang along to every song never missing a beat and it fed the energy of everyone on stage. Tate even conducted the crowd during “Operation: Mindcrime.” After singing “Screaming in Digital,” Tate explained how he loves singing that song because of how accurate it is in this day and age with AI and all the new technology that has come along since the song was released.
Tate is not only a wonderful musician but there is something oddly satisfying about his story telling. Right before going into “Silent Lucidity,” he tells a silly story of being recognized at a gas station but not for being Geoff Tate! As the show comes close to the end Tate asks what everyone would like to hear as the last song. Unanimously the crowd screams for “Queen of the Reich” and honestly it was the perfect way to close out the show.
Tate and Vandenberg came together to remind the crowd of what fun the 80s were or for those of us not alive then, to give us a little taste of what it was like. – Tanis Enos
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